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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73A0D2 it is the complementary color #8C5F2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73A0D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73A0D2 shade: #78A0CD, #89B2E0, #9AC4F3, #ABD6FF and #BCE8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73A0D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73A0D2 shade: #73A0D2, #628EBF, #517CAC, #406A99 and #2F5886

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73A0D2 shade: #74A0D2, #7487D2, #7A74D2, #9374D2 and #AD74D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73A0D2 shade: #74A0D2, #7487D2 and #7474D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73A0D2 shade matches the following richer shades: #74A0D2, #659FE0, #569FEF and #479EFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73A0D2 shade: #74A0D2, #83A1C3, #92A2B4, #A0A3A5 and #AFA396

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73A0D2 shade: #74D2D0, #74BAD2, #74A1D2, #7488D2 and #7974D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73A0D2 shade: #3B76B8, #558BC7, #74A0D2, #93B5DC and #B2CBE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73A0D2 shade: #73A0D2, #B774D2 and #C7D274

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73A0D2 shade: #73A0D2, #D274A1 and #A1D274

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73A0D2 shade: #73A0D2, #B774D2, #D2A474 and #8ED274

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73A0D2 shade: #73A0D2, #D274D0, #D2A474 and #74D275

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 24 / 0 / 18

HEX #73A0D2

RGB 115 160 210

HSL 211.58, 0.51%, 0.64%

LAB 64.52, -1.86, -30.25

 

Complementary color

CMYK 0 / 32 / 68 / 45

HEX #8C5F2D

RGB 140 95 45

HSL 31.58, 0.51%, 0.36%

LAB 44.16, 13.16, 35.28

 

CMYK 41 / 22 / 0 / 20

HEX #78A0CD

RGB 120 160 205

HSL 211.76, 0.46%, 0.64%

LAB 64.6, -1.99, -27.32

 

CMYK 39 / 21 / 0 / 12

HEX #89B2E0

RGB 137 178 224

HSL 211.72, 0.58%, 0.71%

LAB 71.24, -2.32, -27.49

 

CMYK 37 / 19 / 0 / 5

HEX #9AC4F3

RGB 154 196 243

HSL 211.69, 0.79%, 0.78%

LAB 77.77, -2.59, -27.68

 

CMYK 33 / 16 / 0 / 0

HEX #ABD6FF

RGB 171 214 255

HSL 209.29, 1%, 0.84%

LAB 83.95, -4.56, -24.54

 

CMYK 26 / 9 / 0 / 0

HEX #BCE8FF

RGB 188 232 255

HSL 200.6, 1%, 0.87%

LAB 89.68, -9.12, -15.78

 

CMYK 45 / 24 / 0 / 18

HEX #73A0D2

RGB 115 160 210

HSL 211.58, 0.51%, 0.64%

LAB 64.52, -1.86, -30.25

 

CMYK 49 / 26 / 0 / 25

HEX #628EBF

RGB 98 142 191

HSL 211.61, 0.42%, 0.57%

LAB 57.76, -1.38, -30.14

 

CMYK 53 / 28 / 0 / 33

HEX #517CAC

RGB 81 124 172

HSL 211.65, 0.36%, 0.5%

LAB 50.85, -0.78, -30.06

 

CMYK 58 / 31 / 0 / 40

HEX #406A99

RGB 64 106 153

HSL 211.69, 0.41%, 0.43%

LAB 43.8, -0.01, -30.01

 

CMYK 65 / 34 / 0 / 47

HEX #2F5886

RGB 47 88 134

HSL 211.72, 0.48%, 0.35%

LAB 36.57, 1.03, -29.98

 

CMYK 45 / 24 / 0 / 18

HEX #74A0D2

RGB 116 160 210

HSL 211.91, 0.51%, 0.64%

LAB 64.57, -1.61, -30.16

 

CMYK 45 / 36 / 0 / 18

HEX #7487D2

RGB 116 135 210

HSL 227.87, 0.51%, 0.64%

LAB 57.75, 12.83, -40.81

 

CMYK 42 / 45 / 0 / 18

HEX #7A74D2

RGB 122 116 210

HSL 243.83, 0.51%, 0.64%

LAB 53.26, 25.66, -47.88

 

CMYK 30 / 45 / 0 / 18

HEX #9374D2

RGB 147 116 210

HSL 259.79, 0.51%, 0.64%

LAB 55.43, 32.22, -44.3

 

CMYK 18 / 45 / 0 / 18

HEX #AD74D2

RGB 173 116 210

HSL 276.38, 0.51%, 0.64%

LAB 58.06, 39.52, -39.97

 

CMYK 45 / 24 / 0 / 18

HEX #74A0D2

RGB 116 160 210

HSL 211.91, 0.51%, 0.64%

LAB 64.57, -1.61, -30.16

 

CMYK 45 / 36 / 0 / 18

HEX #7487D2

RGB 116 135 210

HSL 227.87, 0.51%, 0.64%

LAB 57.75, 12.83, -40.81

 

CMYK 45 / 45 / 0 / 18

HEX #7474D2

RGB 116 116 210

HSL 240, 0.51%, 0.64%

LAB 52.79, 24.18, -48.64

 

CMYK 45 / 24 / 0 / 18

HEX #74A0D2

RGB 116 160 210

HSL 211.91, 0.51%, 0.64%

LAB 64.57, -1.61, -30.16

 

CMYK 55 / 29 / 0 / 12

HEX #659FE0

RGB 101 159 224

HSL 211.71, 0.66%, 0.64%

LAB 64.12, -0.34, -38.68

 

CMYK 64 / 33 / 0 / 6

HEX #569FEF

RGB 86 159 239

HSL 211.37, 0.83%, 0.64%

LAB 64.17, 1.62, -46.91

 

CMYK 72 / 38 / 0 / 0

HEX #479EFE

RGB 71 158 254

HSL 211.48, 0.99%, 0.64%

LAB 64.12, 5.06, -55.23

 

CMYK 45 / 24 / 0 / 18

HEX #74A0D2

RGB 116 160 210

HSL 211.91, 0.51%, 0.64%

LAB 64.57, -1.61, -30.16

 

CMYK 33 / 17 / 0 / 24

HEX #83A1C3

RGB 131 161 195

HSL 211.88, 0.35%, 0.64%

LAB 65.16, -2.17, -20.83

 

CMYK 19 / 10 / 0 / 29

HEX #92A2B4

RGB 146 162 180

HSL 211.76, 0.18%, 0.64%

LAB 65.94, -1.73, -11.2

 

CMYK 3 / 1 / 0 / 35

HEX #A0A3A5

RGB 160 163 165

HSL 204, 0.03%, 0.64%

LAB 66.81, -0.68, -1.42

 

CMYK 0 / 7 / 14 / 31

HEX #AFA396

RGB 175 163 150

HSL 31.2, 0.14%, 0.64%

LAB 67.66, 2.11, 8.31

 

CMYK 45 / 0 / 1 / 18

HEX #74D2D0

RGB 116 210 208

HSL 178.72, 0.51%, 0.64%

LAB 78.67, -28.34, -7.7

 

CMYK 45 / 11 / 0 / 18

HEX #74BAD2

RGB 116 186 210

HSL 195.32, 0.51%, 0.64%

LAB 71.88, -15.72, -18.97

 

CMYK 45 / 23 / 0 / 18

HEX #74A1D2

RGB 116 161 210

HSL 211.28, 0.51%, 0.64%

LAB 64.85, -2.18, -29.73

 

CMYK 45 / 35 / 0 / 18

HEX #7488D2

RGB 116 136 210

HSL 227.23, 0.51%, 0.64%

LAB 58.01, 12.24, -40.39

 

CMYK 42 / 45 / 0 / 18

HEX #7974D2

RGB 121 116 210

HSL 243.19, 0.51%, 0.64%

LAB 53.18, 25.41, -48.01

 

CMYK 68 / 36 / 0 / 28

HEX #3B76B8

RGB 59 118 184

HSL 211.68, 0.51%, 0.48%

LAB 48.69, 2.49, -40.46

 

CMYK 57 / 30 / 0 / 22

HEX #558BC7

RGB 85 139 199

HSL 211.58, 0.5%, 0.56%

LAB 56.6, -0.08, -36.51

 

CMYK 45 / 24 / 0 / 18

HEX #74A0D2

RGB 116 160 210

HSL 211.91, 0.51%, 0.64%

LAB 64.57, -1.61, -30.16

 

CMYK 33 / 18 / 0 / 14

HEX #93B5DC

RGB 147 181 220

HSL 212.05, 0.51%, 0.72%

LAB 72.51, -2.25, -23.32

 

CMYK 23 / 12 / 0 / 10

HEX #B2CBE6

RGB 178 203 230

HSL 211.15, 0.51%, 0.8%

LAB 80.68, -2.6, -16.15

 

CMYK 45 / 24 / 0 / 18

HEX #73A0D2

RGB 115 160 210

HSL 211.58, 0.51%, 0.64%

LAB 64.52, -1.86, -30.25

 

CMYK 13 / 45 / 0 / 18

HEX #B774D2

RGB 183 116 210

HSL 282.77, 0.51%, 0.64%

LAB 59.17, 42.41, -38.15

 

CMYK 5 / 0 / 45 / 18

HEX #C7D274

RGB 199 210 116

HSL 67.02, 0.51%, 0.64%

LAB 81.56, -17.57, 45.12

 

CMYK 45 / 24 / 0 / 18

HEX #73A0D2

RGB 115 160 210

HSL 211.58, 0.51%, 0.64%

LAB 64.52, -1.86, -30.25

 

CMYK 0 / 45 / 23 / 18

HEX #D274A1

RGB 210 116 161

HSL 331.28, 0.51%, 0.64%

LAB 60.57, 42.3, -7.79

 

CMYK 23 / 0 / 45 / 18

HEX #A1D274

RGB 161 210 116

HSL 91.28, 0.51%, 0.64%

LAB 79, -32.02, 41.38

 

CMYK 45 / 24 / 0 / 18

HEX #73A0D2

RGB 115 160 210

HSL 211.58, 0.51%, 0.64%

LAB 64.52, -1.86, -30.25

 

CMYK 13 / 45 / 0 / 18

HEX #B774D2

RGB 183 116 210

HSL 282.77, 0.51%, 0.64%

LAB 59.17, 42.41, -38.15

 

CMYK 0 / 22 / 45 / 18

HEX #D2A474

RGB 210 164 116

HSL 30.64, 0.51%, 0.64%

LAB 70.53, 10.86, 31.36

 

CMYK 32 / 0 / 45 / 18

HEX #8ED274

RGB 142 210 116

HSL 103.4, 0.51%, 0.64%

LAB 77.94, -38.66, 39.81

 

CMYK 45 / 24 / 0 / 18

HEX #73A0D2

RGB 115 160 210

HSL 211.58, 0.51%, 0.64%

LAB 64.52, -1.86, -30.25

 

CMYK 0 / 45 / 1 / 18

HEX #D274D0

RGB 210 116 208

HSL 301.28, 0.51%, 0.64%

LAB 62.29, 49.93, -31.91

 

CMYK 0 / 22 / 45 / 18

HEX #D2A474

RGB 210 164 116

HSL 30.64, 0.51%, 0.64%

LAB 70.53, 10.86, 31.36

 

CMYK 45 / 0 / 44 / 18

HEX #74D275

RGB 116 210 117

HSL 120.64, 0.51%, 0.64%

LAB 76.73, -46.67, 37.54

 

Description

Color code: HEX #73A0D2 | qconv.com Color code: HEX #73A0D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 160 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 160 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 24 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 24% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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