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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73AFC8 it is the complementary color #8C5037. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73AFC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73AFC8 shade: #78AFC3, #89C1D6, #9AD3E9, #ABE5FC and #BCF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73AFC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73AFC8 shade: #73AFC8, #629DB5, #518BA2, #40798F and #2F677C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73AFC8 shade: #73AFC8, #7398C8, #7381C8, #7C73C8 and #9373C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73AFC8 shade: #73AFC8, #7398C8, #7381C8 and #7373C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73AFC8 shade matches the following richer shades: #73AFC8, #63B6D8, #54BCE8 and #44C3F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73AFC8 shade: #73AFC8, #83A9B9, #92A2A9, #A29C99 and #B2958A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73AFC8 shade: #73C8B3, #73C7C8, #73B0C8, #7399C8 and #7383C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73AFC8 shade: #418AA8, #559EBD, #73AFC8, #91C0D4 and #AED1DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73AFC8 shade: #73AFC8, #9C73C8 and #C8BE73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73AFC8 shade: #73AFC8, #C873B0 and #B0C873

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73AFC8 shade: #73AFC8, #9C73C8, #C88B73 and #9FC873

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73AFC8 shade: #73AFC8, #B673C8, #C88B73 and #85C873

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 13 / 0 / 22

HEX #73AFC8

RGB 115 175 200

HSL 197.65, 0.44%, 0.62%

LAB 68.37, -12.86, -18.81

 

Complementary color

CMYK 0 / 43 / 61 / 45

HEX #8C5037

RGB 140 80 55

HSL 17.65, 0.44%, 0.38%

LAB 40.55, 22.62, 25.44

 

CMYK 38 / 10 / 0 / 24

HEX #78AFC3

RGB 120 175 195

HSL 196, 0.38%, 0.62%

LAB 68.46, -12.87, -15.9

 

CMYK 36 / 10 / 0 / 16

HEX #89C1D6

RGB 137 193 214

HSL 196.36, 0.48%, 0.69%

LAB 75.02, -12.94, -16.3

 

CMYK 34 / 9 / 0 / 9

HEX #9AD3E9

RGB 154 211 233

HSL 196.71, 0.64%, 0.76%

LAB 81.48, -13, -16.69

 

CMYK 32 / 9 / 0 / 1

HEX #ABE5FC

RGB 171 229 252

HSL 197.04, 0.93%, 0.83%

LAB 87.84, -13.04, -17.08

 

CMYK 26 / 3 / 0 / 0

HEX #BCF7FF

RGB 188 247 255

HSL 187.16, 1%, 0.87%

LAB 93.64, -16.68, -9.88

 

CMYK 43 / 13 / 0 / 22

HEX #73AFC8

RGB 115 175 200

HSL 197.65, 0.44%, 0.62%

LAB 68.37, -12.86, -18.81

 

CMYK 46 / 13 / 0 / 29

HEX #629DB5

RGB 98 157 181

HSL 197.35, 0.36%, 0.55%

LAB 61.69, -12.69, -18.44

 

CMYK 50 / 14 / 0 / 36

HEX #518BA2

RGB 81 139 162

HSL 197.04, 0.33%, 0.48%

LAB 54.89, -12.45, -18.07

 

CMYK 55 / 15 / 0 / 44

HEX #40798F

RGB 64 121 143

HSL 196.71, 0.38%, 0.41%

LAB 47.94, -12.12, -17.67

 

CMYK 62 / 17 / 0 / 51

HEX #2F677C

RGB 47 103 124

HSL 196.36, 0.45%, 0.34%

LAB 40.83, -11.62, -17.25

 

CMYK 43 / 13 / 0 / 22

HEX #73AFC8

RGB 115 175 200

HSL 197.65, 0.44%, 0.62%

LAB 68.37, -12.86, -18.81

 

CMYK 43 / 24 / 0 / 22

HEX #7398C8

RGB 115 152 200

HSL 213.88, 0.44%, 0.62%

LAB 61.89, -0.19, -28.74

 

CMYK 43 / 36 / 0 / 22

HEX #7381C8

RGB 115 129 200

HSL 230.12, 0.44%, 0.62%

LAB 55.6, 13.21, -38.54

 

CMYK 38 / 43 / 0 / 22

HEX #7C73C8

RGB 124 115 200

HSL 246.35, 0.44%, 0.62%

LAB 52.64, 23.94, -43.16

 

CMYK 27 / 43 / 0 / 22

HEX #9373C8

RGB 147 115 200

HSL 262.59, 0.44%, 0.62%

LAB 54.69, 30.29, -39.78

 

CMYK 43 / 13 / 0 / 22

HEX #73AFC8

RGB 115 175 200

HSL 197.65, 0.44%, 0.62%

LAB 68.37, -12.86, -18.81

 

CMYK 43 / 24 / 0 / 22

HEX #7398C8

RGB 115 152 200

HSL 213.88, 0.44%, 0.62%

LAB 61.89, -0.19, -28.74

 

CMYK 43 / 36 / 0 / 22

HEX #7381C8

RGB 115 129 200

HSL 230.12, 0.44%, 0.62%

LAB 55.6, 13.21, -38.54

 

CMYK 43 / 43 / 0 / 22

HEX #7373C8

RGB 115 115 200

HSL 240, 0.44%, 0.62%

LAB 51.92, 21.61, -44.34

 

CMYK 43 / 13 / 0 / 22

HEX #73AFC8

RGB 115 175 200

HSL 197.65, 0.44%, 0.62%

LAB 68.37, -12.86, -18.81

 

CMYK 54 / 16 / 0 / 15

HEX #63B6D8

RGB 99 182 216

HSL 197.44, 0.6%, 0.62%

LAB 70.22, -15.78, -24.84

 

CMYK 64 / 19 / 0 / 9

HEX #54BCE8

RGB 84 188 232

HSL 197.84, 0.76%, 0.62%

LAB 72.01, -16.92, -30.86

 

CMYK 72 / 21 / 0 / 3

HEX #44C3F7

RGB 68 195 247

HSL 197.43, 0.92%, 0.62%

LAB 74.17, -18.13, -35.65

 

CMYK 43 / 13 / 0 / 22

HEX #73AFC8

RGB 115 175 200

HSL 197.65, 0.44%, 0.62%

LAB 68.37, -12.86, -18.81

 

CMYK 29 / 9 / 0 / 27

HEX #83A9B9

RGB 131 169 185

HSL 197.78, 0.28%, 0.62%

LAB 67.05, -9.06, -12.41

 

CMYK 14 / 4 / 0 / 34

HEX #92A2A9

RGB 146 162 169

HSL 198.26, 0.12%, 0.62%

LAB 65.61, -4.14, -5.55

 

CMYK 0 / 4 / 6 / 36

HEX #A29C99

RGB 162 156 153

HSL 20, 0.05%, 0.62%

LAB 64.77, 1.63, 2.34

 

CMYK 0 / 16 / 22 / 30

HEX #B2958A

RGB 178 149 138

HSL 16.5, 0.21%, 0.62%

LAB 63.99, 9.07, 9.84

 

CMYK 43 / 0 / 11 / 22

HEX #73C8B3

RGB 115 200 179

HSL 165.18, 0.44%, 0.62%

LAB 74.96, -30.75, 2.46

 

CMYK 43 / 0 / 0 / 22

HEX #73C7C8

RGB 115 199 200

HSL 180.71, 0.44%, 0.62%

LAB 75.24, -25.2, -8.49

 

CMYK 43 / 12 / 0 / 22

HEX #73B0C8

RGB 115 176 200

HSL 196.94, 0.44%, 0.62%

LAB 68.65, -13.39, -18.38

 

CMYK 43 / 24 / 0 / 22

HEX #7399C8

RGB 115 153 200

HSL 213.18, 0.44%, 0.62%

LAB 62.17, -0.76, -28.31

 

CMYK 43 / 35 / 0 / 22

HEX #7383C8

RGB 115 131 200

HSL 228.71, 0.44%, 0.62%

LAB 56.14, 12.02, -37.69

 

CMYK 61 / 18 / 0 / 34

HEX #418AA8

RGB 65 138 168

HSL 197.48, 0.44%, 0.46%

LAB 54.16, -13.52, -22.69

 

CMYK 55 / 16 / 0 / 26

HEX #559EBD

RGB 85 158 189

HSL 197.88, 0.44%, 0.54%

LAB 61.71, -13.9, -22.98

 

CMYK 43 / 13 / 0 / 22

HEX #73AFC8

RGB 115 175 200

HSL 197.65, 0.44%, 0.62%

LAB 68.37, -12.86, -18.81

 

CMYK 32 / 9 / 0 / 17

HEX #91C0D4

RGB 145 192 212

HSL 197.91, 0.44%, 0.7%

LAB 75.12, -10.69, -15.02

 

CMYK 22 / 6 / 0 / 13

HEX #AED1DF

RGB 174 209 223

HSL 197.14, 0.43%, 0.78%

LAB 81.8, -8.52, -10.76

 

CMYK 43 / 13 / 0 / 22

HEX #73AFC8

RGB 115 175 200

HSL 197.65, 0.44%, 0.62%

LAB 68.37, -12.86, -18.81

 

CMYK 22 / 43 / 0 / 22

HEX #9C73C8

RGB 156 115 200

HSL 268.94, 0.44%, 0.62%

LAB 55.58, 32.89, -38.32

 

CMYK 0 / 5 / 43 / 22

HEX #C8BE73

RGB 200 190 115

HSL 52.94, 0.44%, 0.62%

LAB 76.28, -7.12, 39.05

 

CMYK 43 / 13 / 0 / 22

HEX #73AFC8

RGB 115 175 200

HSL 197.65, 0.44%, 0.62%

LAB 68.37, -12.86, -18.81

 

CMYK 0 / 43 / 12 / 22

HEX #C873B0

RGB 200 115 176

HSL 316.94, 0.44%, 0.62%

LAB 59.59, 41.81, -18

 

CMYK 12 / 0 / 43 / 22

HEX #B0C873

RGB 176 200 115

HSL 76.94, 0.44%, 0.62%

LAB 77.15, -21.71, 39.75

 

CMYK 43 / 13 / 0 / 22

HEX #73AFC8

RGB 115 175 200

HSL 197.65, 0.44%, 0.62%

LAB 68.37, -12.86, -18.81

 

CMYK 22 / 43 / 0 / 22

HEX #9C73C8

RGB 156 115 200

HSL 268.94, 0.44%, 0.62%

LAB 55.58, 32.89, -38.32

 

CMYK 0 / 31 / 43 / 22

HEX #C88B73

RGB 200 139 115

HSL 16.94, 0.44%, 0.62%

LAB 63.33, 20.32, 22.17

 

CMYK 21 / 0 / 43 / 22

HEX #9FC873

RGB 159 200 115

HSL 88.94, 0.44%, 0.62%

LAB 76.02, -28.14, 38.09

 

CMYK 43 / 13 / 0 / 22

HEX #73AFC8

RGB 115 175 200

HSL 197.65, 0.44%, 0.62%

LAB 68.37, -12.86, -18.81

 

CMYK 9 / 43 / 0 / 22

HEX #B673C8

RGB 182 115 200

HSL 287.29, 0.44%, 0.62%

LAB 58.39, 40.59, -33.72

 

CMYK 0 / 31 / 43 / 22

HEX #C88B73

RGB 200 139 115

HSL 16.94, 0.44%, 0.62%

LAB 63.33, 20.32, 22.17

 

CMYK 34 / 0 / 43 / 22

HEX #85C873

RGB 133 200 115

HSL 107.29, 0.44%, 0.62%

LAB 74.53, -37.3, 35.89

 

Description

Color code: HEX #73AFC8 | qconv.com Color code: HEX #73AFC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 175 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 175 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 13 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 13% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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