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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73B32C it is the complementary color #8C4CD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73B32C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73B32C shade: #78B327, #89C53A, #9AD74D, #ABE960 and #BCFB73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73B32C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73B32C shade: #73B32C, #62A119, #518F06, #407D00 and #2F6B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73B32C shade: #73B42B, #98B42B, #B4AB2B, #B4862B and #B4612B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73B32C shade: #73B42B, #4EB42B, #2BB42D, #2BB452 and #2BB477

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73B32C shade matches the following richer shades: #73B42B, #74C619 and #75D807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73B32C shade: #73B42B, #72A23D, #719050, #707E62 and #6F6C74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73B32C shade: #B4AB2B, #99B42B, #74B42B, #50B42B and #2BB42B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73B32C shade: #49721B, #5E9323, #73B42B, #88CF3A and #9CD75B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73B32C shade: #73B32C, #2BB487 and #B42BAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73B32C shade: #73B32C, #2B74B4 and #B42B74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73B32C shade: #73B32C, #2BB487, #6B2BB4 and #B42B59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73B32C shade: #73B32C, #2BB4B0, #6B2BB4 and #B42B30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 75 / 30

HEX #73B32C

RGB 115 179 44

HSL 88.44, 0.61%, 0.44%

LAB 66.57, -41.45, 58.26

 

Complementary color

CMYK 34 / 64 / 0 / 17

HEX #8C4CD3

RGB 140 76 211

HSL 268.44, 0.61%, 0.56%

LAB 46.24, 52.75, -59.59

 

CMYK 33 / 0 / 78 / 30

HEX #78B327

RGB 120 179 39

HSL 85.29, 0.64%, 0.43%

LAB 66.81, -39.89, 60.2

 

CMYK 30 / 0 / 71 / 23

HEX #89C53A

RGB 137 197 58

HSL 85.9, 0.55%, 0.5%

LAB 73.26, -40.38, 60.29

 

CMYK 28 / 0 / 64 / 16

HEX #9AD74D

RGB 154 215 77

HSL 86.52, 0.63%, 0.57%

LAB 79.62, -40.71, 59.81

 

CMYK 27 / 0 / 59 / 9

HEX #ABE960

RGB 171 233 96

HSL 87.15, 0.76%, 0.65%

LAB 85.9, -40.91, 59.01

 

CMYK 25 / 0 / 54 / 2

HEX #BCFB73

RGB 188 251 115

HSL 87.79, 0.94%, 0.72%

LAB 92.1, -41.04, 58.04

 

CMYK 36 / 0 / 75 / 30

HEX #73B32C

RGB 115 179 44

HSL 88.44, 0.61%, 0.44%

LAB 66.57, -41.45, 58.26

 

CMYK 39 / 0 / 84 / 37

HEX #62A119

RGB 98 161 25

HSL 87.79, 0.73%, 0.36%

LAB 60.03, -40.81, 57.57

 

CMYK 43 / 0 / 96 / 44

HEX #518F06

RGB 81 143 6

HSL 87.15, 0.92%, 0.29%

LAB 53.39, -39.86, 55.41

 

CMYK 49 / 0 / 100 / 51

HEX #407D00

RGB 64 125 0

HSL 89.28, 1%, 0.25%

LAB 46.65, -38.45, 50.85

 

CMYK 56 / 0 / 100 / 58

HEX #2F6B00

RGB 47 107 0

HSL 93.64, 1%, 0.21%

LAB 39.78, -36.7, 45.16

 

CMYK 36 / 0 / 76 / 29

HEX #73B42B

RGB 115 180 43

HSL 88.47, 0.61%, 0.44%

LAB 66.87, -41.93, 58.88

 

CMYK 16 / 0 / 76 / 29

HEX #98B42B

RGB 152 180 43

HSL 72.26, 0.61%, 0.44%

LAB 69.11, -27.52, 61.79

 

CMYK 0 / 5 / 76 / 29

HEX #B4AB2B

RGB 180 171 43

HSL 56.06, 0.61%, 0.44%

LAB 68.75, -11, 62.25

 

CMYK 0 / 26 / 76 / 29

HEX #B4862B

RGB 180 134 43

HSL 39.85, 0.61%, 0.44%

LAB 58.91, 8.96, 52.96

 

CMYK 0 / 46 / 76 / 29

HEX #B4612B

RGB 180 97 43

HSL 23.65, 0.61%, 0.44%

LAB 50.01, 29.44, 44.14

 

CMYK 36 / 0 / 76 / 29

HEX #73B42B

RGB 115 180 43

HSL 88.47, 0.61%, 0.44%

LAB 66.87, -41.93, 58.88

 

CMYK 57 / 0 / 76 / 29

HEX #4EB42B

RGB 78 180 43

HSL 104.67, 0.61%, 0.44%

LAB 65.31, -53.57, 56.83

 

CMYK 76 / 0 / 75 / 29

HEX #2BB42D

RGB 43 180 45

HSL 120.88, 0.61%, 0.44%

LAB 64.44, -60.71, 54.99

 

CMYK 76 / 0 / 54 / 29

HEX #2BB452

RGB 43 180 82

HSL 137.08, 0.61%, 0.44%

LAB 64.78, -56.64, 39.52

 

CMYK 76 / 0 / 34 / 29

HEX #2BB477

RGB 43 180 119

HSL 153.28, 0.61%, 0.44%

LAB 65.35, -50.07, 21.11

 

CMYK 36 / 0 / 76 / 29

HEX #73B42B

RGB 115 180 43

HSL 88.47, 0.61%, 0.44%

LAB 66.87, -41.93, 58.88

 

CMYK 41 / 0 / 87 / 22

HEX #74C619

RGB 116 198 25

HSL 88.44, 0.78%, 0.44%

LAB 72.34, -49.8, 68.57

 

CMYK 46 / 0 / 97 / 15

HEX #75D807

RGB 117 216 7

HSL 88.42, 0.94%, 0.44%

LAB 77.82, -56.82, 75.52

 

CMYK 36 / 0 / 76 / 29

HEX #73B42B

RGB 115 180 43

HSL 88.47, 0.61%, 0.44%

LAB 66.87, -41.93, 58.88

 

CMYK 30 / 0 / 62 / 36

HEX #72A23D

RGB 114 162 61

HSL 88.51, 0.45%, 0.44%

LAB 61.44, -32.97, 46.18

 

CMYK 22 / 0 / 44 / 44

HEX #719050

RGB 113 144 80

HSL 89.06, 0.29%, 0.44%

LAB 56.12, -22.52, 30.45

 

CMYK 11 / 0 / 22 / 51

HEX #707E62

RGB 112 126 98

HSL 90, 0.13%, 0.44%

LAB 50.98, -10.63, 13.56

 

CMYK 4 / 7 / 0 / 55

HEX #6F6C74

RGB 111 108 116

HSL 262.5, 0.04%, 0.44%

LAB 46.13, 2.82, -4.04

 

CMYK 0 / 5 / 76 / 29

HEX #B4AB2B

RGB 180 171 43

HSL 56.06, 0.61%, 0.44%

LAB 68.75, -11, 62.25

 

CMYK 15 / 0 / 76 / 29

HEX #99B42B

RGB 153 180 43

HSL 71.82, 0.61%, 0.44%

LAB 69.18, -27.11, 61.88

 

CMYK 36 / 0 / 76 / 29

HEX #74B42B

RGB 116 180 43

HSL 88.03, 0.61%, 0.44%

LAB 66.92, -41.57, 58.95

 

CMYK 56 / 0 / 76 / 29

HEX #50B42B

RGB 80 180 43

HSL 103.8, 0.61%, 0.44%

LAB 65.38, -53.04, 56.92

 

CMYK 76 / 0 / 76 / 29

HEX #2BB42B

RGB 43 180 43

HSL 120, 0.61%, 0.44%

LAB 64.43, -60.86, 55.66

 

CMYK 36 / 0 / 76 / 55

HEX #49721B

RGB 73 114 27

HSL 88.28, 0.62%, 0.28%

LAB 43.55, -29.11, 41.11

 

CMYK 36 / 0 / 76 / 42

HEX #5E9323

RGB 94 147 35

HSL 88.39, 0.62%, 0.36%

LAB 55.45, -35.67, 50.2

 

CMYK 36 / 0 / 76 / 29

HEX #73B42B

RGB 115 180 43

HSL 88.47, 0.61%, 0.44%

LAB 66.87, -41.93, 58.88

 

CMYK 34 / 0 / 72 / 19

HEX #88CF3A

RGB 136 207 58

HSL 88.59, 0.61%, 0.52%

LAB 76.17, -45.05, 63.2

 

CMYK 27 / 0 / 58 / 16

HEX #9CD75B

RGB 156 215 91

HSL 88.55, 0.61%, 0.6%

LAB 79.85, -38.79, 54.12

 

CMYK 36 / 0 / 75 / 30

HEX #73B32C

RGB 115 179 44

HSL 88.44, 0.61%, 0.44%

LAB 66.57, -41.45, 58.26

 

CMYK 76 / 0 / 25 / 29

HEX #2BB487

RGB 43 180 135

HSL 160.29, 0.61%, 0.44%

LAB 65.67, -46.5, 12.86

 

CMYK 0 / 76 / 5 / 29

HEX #B42BAB

RGB 180 43 171

HSL 303.94, 0.61%, 0.44%

LAB 44.76, 66.93, -38.33

 

CMYK 36 / 0 / 75 / 30

HEX #73B32C

RGB 115 179 44

HSL 88.44, 0.61%, 0.44%

LAB 66.57, -41.45, 58.26

 

CMYK 76 / 36 / 0 / 29

HEX #2B74B4

RGB 43 116 180

HSL 208.03, 0.61%, 0.44%

LAB 47.37, -0.07, -40.29

 

CMYK 0 / 76 / 36 / 29

HEX #B42B74

RGB 180 43 116

HSL 328.03, 0.61%, 0.44%

LAB 42.3, 59.57, -8.79

 

CMYK 36 / 0 / 75 / 30

HEX #73B32C

RGB 115 179 44

HSL 88.44, 0.61%, 0.44%

LAB 66.57, -41.45, 58.26

 

CMYK 76 / 0 / 25 / 29

HEX #2BB487

RGB 43 180 135

HSL 160.29, 0.61%, 0.44%

LAB 65.67, -46.5, 12.86

 

CMYK 41 / 76 / 0 / 29

HEX #6B2BB4

RGB 107 43 180

HSL 268.03, 0.61%, 0.44%

LAB 34.29, 54.42, -61.1

 

CMYK 0 / 76 / 51 / 29

HEX #B42B59

RGB 180 43 89

HSL 339.85, 0.61%, 0.44%

LAB 41.46, 56.94, 6.87

 

CMYK 36 / 0 / 75 / 30

HEX #73B32C

RGB 115 179 44

HSL 88.44, 0.61%, 0.44%

LAB 66.57, -41.45, 58.26

 

CMYK 76 / 0 / 2 / 29

HEX #2BB4B0

RGB 43 180 176

HSL 178.25, 0.61%, 0.44%

LAB 66.74, -35.63, -8.23

 

CMYK 41 / 76 / 0 / 29

HEX #6B2BB4

RGB 107 43 180

HSL 268.03, 0.61%, 0.44%

LAB 34.29, 54.42, -61.1

 

CMYK 0 / 76 / 73 / 29

HEX #B42B30

RGB 180 43 48

HSL 357.81, 0.61%, 0.44%

LAB 40.65, 54.32, 31.3

 

Description

Color code: HEX #73B32C | qconv.com Color code: HEX #73B32C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 179 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 179 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 75 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 75% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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