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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73BB14 it is the complementary color #8C44EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73BB14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73BB14 shade: #78BB0F, #89CD22, #9ADF35, #ABF148 and #BCFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73BB14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73BB14 shade: #73BB14, #62A901, #519700, #408500 and #2F7300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73BB14 shade: #74BD13, #A1BD13, #BDAA13, #BD7D13 and #BD4F13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73BB14 shade: #74BD13, #46BD13, #18BD13, #13BD3C and #13BD6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73BB14 shade matches the following richer shades: #74BD13 and #76CE02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73BB14 shade: #74BD13, #71AC24, #6F9B35, #6D8A46 and #6A7957

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73BB14 shade: #BDA913, #A3BD13, #76BD13, #49BD13 and #1CBD13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73BB14 shade: #46720C, #5D970F, #74BD13, #8BE217 and #9DEA39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73BB14 shade: #73BB14, #13BD7C and #BD13BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73BB14 shade: #73BB14, #1376BD and #BD1376

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73BB14 shade: #73BB14, #13BD7C, #5A13BD and #BD1354

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73BB14 shade: #73BB14, #13BDAF, #5A13BD and #BD1321

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 89 / 27

HEX #73BB14

RGB 115 187 20

HSL 85.87, 0.81%, 0.41%

LAB 68.92, -45.83, 66.61

 

Complementary color

CMYK 40 / 71 / 0 / 8

HEX #8C44EB

RGB 140 68 235

HSL 265.87, 0.81%, 0.59%

LAB 46.59, 62.43, -72.68

 

CMYK 36 / 0 / 92 / 27

HEX #78BB0F

RGB 120 187 15

HSL 83.37, 0.85%, 0.4%

LAB 69.16, -44.16, 67.71

 

CMYK 33 / 0 / 83 / 20

HEX #89CD22

RGB 137 205 34

HSL 83.86, 0.72%, 0.47%

LAB 75.51, -45.04, 69.76

 

CMYK 31 / 0 / 76 / 13

HEX #9ADF35

RGB 154 223 53

HSL 84.35, 0.73%, 0.54%

LAB 81.79, -45.68, 70.61

 

CMYK 29 / 0 / 70 / 5

HEX #ABF148

RGB 171 241 72

HSL 84.85, 0.86%, 0.61%

LAB 87.99, -46.16, 70.69

 

CMYK 26 / 0 / 64 / 0

HEX #BCFF5B

RGB 188 255 91

HSL 84.51, 1%, 0.68%

LAB 93, -44.79, 69.11

 

CMYK 39 / 0 / 89 / 27

HEX #73BB14

RGB 115 187 20

HSL 85.87, 0.81%, 0.41%

LAB 68.92, -45.83, 66.61

 

CMYK 42 / 0 / 99 / 34

HEX #62A901

RGB 98 169 1

HSL 85.36, 0.99%, 0.33%

LAB 62.49, -44.77, 63.73

 

CMYK 46 / 0 / 100 / 41

HEX #519700

RGB 81 151 0

HSL 87.81, 1%, 0.3%

LAB 55.97, -43.3, 58.46

 

CMYK 52 / 0 / 100 / 48

HEX #408500

RGB 64 133 0

HSL 91.13, 1%, 0.26%

LAB 49.33, -41.68, 52.95

 

CMYK 59 / 0 / 100 / 55

HEX #2F7300

RGB 47 115 0

HSL 95.48, 1%, 0.23%

LAB 42.56, -39.85, 47.34

 

CMYK 39 / 0 / 90 / 26

HEX #74BD13

RGB 116 189 19

HSL 85.76, 0.82%, 0.41%

LAB 69.58, -46.32, 67.35

 

CMYK 15 / 0 / 90 / 26

HEX #A1BD13

RGB 161 189 19

HSL 69.88, 0.82%, 0.41%

LAB 72.24, -28.88, 70.62

 

CMYK 0 / 10 / 90 / 26

HEX #BDAA13

RGB 189 170 19

HSL 53.29, 0.82%, 0.41%

LAB 69.19, -7.21, 69.15

 

CMYK 0 / 34 / 90 / 26

HEX #BD7D13

RGB 189 125 19

HSL 37.41, 0.82%, 0.41%

LAB 57.59, 17.21, 60.14

 

CMYK 0 / 58 / 90 / 26

HEX #BD4F13

RGB 189 79 19

HSL 21.18, 0.82%, 0.41%

LAB 47.57, 41.58, 52.51

 

CMYK 39 / 0 / 90 / 26

HEX #74BD13

RGB 116 189 19

HSL 85.76, 0.82%, 0.41%

LAB 69.58, -46.32, 67.35

 

CMYK 63 / 0 / 90 / 26

HEX #46BD13

RGB 70 189 19

HSL 102, 0.82%, 0.41%

LAB 67.83, -59.84, 65.18

 

CMYK 87 / 0 / 90 / 26

HEX #18BD13

RGB 24 189 19

HSL 118.24, 0.82%, 0.41%

LAB 67, -67.01, 64.14

 

CMYK 90 / 0 / 68 / 26

HEX #13BD3C

RGB 19 189 60

HSL 134.47, 0.82%, 0.41%

LAB 67.17, -64.71, 52.05

 

CMYK 90 / 0 / 44 / 26

HEX #13BD6A

RGB 19 189 106

HSL 150.71, 0.82%, 0.41%

LAB 67.71, -58.2, 31.05

 

CMYK 39 / 0 / 90 / 26

HEX #74BD13

RGB 116 189 19

HSL 85.76, 0.82%, 0.41%

LAB 69.58, -46.32, 67.35

 

CMYK 43 / 0 / 99 / 19

HEX #76CE02

RGB 118 206 2

HSL 85.88, 0.98%, 0.41%

LAB 74.82, -52.75, 73.66

 

CMYK 39 / 0 / 90 / 26

HEX #74BD13

RGB 116 189 19

HSL 85.76, 0.82%, 0.41%

LAB 69.58, -46.32, 67.35

 

CMYK 34 / 0 / 79 / 33

HEX #71AC24

RGB 113 172 36

HSL 86.03, 0.65%, 0.41%

LAB 64.28, -39.58, 58.62

 

CMYK 28 / 0 / 66 / 39

HEX #6F9B35

RGB 111 155 53

HSL 85.88, 0.49%, 0.41%

LAB 59.05, -31.54, 47.05

 

CMYK 21 / 0 / 49 / 46

HEX #6D8A46

RGB 109 138 70

HSL 85.59, 0.33%, 0.41%

LAB 53.89, -22.32, 32.91

 

CMYK 12 / 0 / 28 / 53

HEX #6A7957

RGB 106 121 87

HSL 86.47, 0.16%, 0.41%

LAB 48.79, -12.11, 16.86

 

CMYK 0 / 11 / 90 / 26

HEX #BDA913

RGB 189 169 19

HSL 52.94, 0.82%, 0.41%

LAB 68.93, -6.69, 68.94

 

CMYK 14 / 0 / 90 / 26

HEX #A3BD13

RGB 163 189 19

HSL 69.18, 0.82%, 0.41%

LAB 72.38, -28.05, 70.79

 

CMYK 38 / 0 / 90 / 26

HEX #76BD13

RGB 118 189 19

HSL 85.06, 0.82%, 0.41%

LAB 69.68, -45.62, 67.47

 

CMYK 61 / 0 / 90 / 26

HEX #49BD13

RGB 73 189 19

HSL 100.94, 0.82%, 0.41%

LAB 67.92, -59.14, 65.28

 

CMYK 85 / 0 / 90 / 26

HEX #1CBD13

RGB 28 189 19

HSL 116.82, 0.82%, 0.41%

LAB 67.04, -66.65, 64.19

 

CMYK 39 / 0 / 89 / 55

HEX #46720C

RGB 70 114 12

HSL 85.88, 0.81%, 0.25%

LAB 43.31, -31.08, 45.61

 

CMYK 38 / 0 / 90 / 41

HEX #5D970F

RGB 93 151 15

HSL 85.59, 0.82%, 0.33%

LAB 56.58, -38.7, 56.74

 

CMYK 39 / 0 / 90 / 26

HEX #74BD13

RGB 116 189 19

HSL 85.76, 0.82%, 0.41%

LAB 69.58, -46.32, 67.35

 

CMYK 38 / 0 / 90 / 11

HEX #8BE217

RGB 139 226 23

HSL 85.71, 0.82%, 0.49%

LAB 81.81, -53.25, 77.27

 

CMYK 33 / 0 / 76 / 8

HEX #9DEA39

RGB 157 234 57

HSL 86.1, 0.81%, 0.57%

LAB 85.15, -49.03, 72.63

 

CMYK 39 / 0 / 89 / 27

HEX #73BB14

RGB 115 187 20

HSL 85.87, 0.81%, 0.41%

LAB 68.92, -45.83, 66.61

 

CMYK 90 / 0 / 34 / 26

HEX #13BD7C

RGB 19 189 124

HSL 157.06, 0.82%, 0.41%

LAB 68.01, -54.64, 22

 

CMYK 0 / 90 / 2 / 26

HEX #BD13BA

RGB 189 19 186

HSL 301.06, 0.82%, 0.41%

LAB 45.4, 76.09, -46.07

 

CMYK 39 / 0 / 89 / 27

HEX #73BB14

RGB 115 187 20

HSL 85.87, 0.81%, 0.41%

LAB 68.92, -45.83, 66.61

 

CMYK 90 / 38 / 0 / 26

HEX #1376BD

RGB 19 118 189

HSL 205.06, 0.82%, 0.41%

LAB 47.97, -0.04, -44.56

 

CMYK 0 / 90 / 38 / 26

HEX #BD1376

RGB 189 19 118

HSL 325.06, 0.82%, 0.41%

LAB 42.14, 67.55, -10.08

 

CMYK 39 / 0 / 89 / 27

HEX #73BB14

RGB 115 187 20

HSL 85.87, 0.81%, 0.41%

LAB 68.92, -45.83, 66.61

 

CMYK 90 / 0 / 34 / 26

HEX #13BD7C

RGB 19 189 124

HSL 157.06, 0.82%, 0.41%

LAB 68.01, -54.64, 22

 

CMYK 52 / 90 / 0 / 26

HEX #5A13BD

RGB 90 19 189

HSL 265.06, 0.82%, 0.41%

LAB 30.19, 62.65, -73.25

 

CMYK 0 / 90 / 56 / 26

HEX #BD1354

RGB 189 19 84

HSL 337.06, 0.82%, 0.41%

LAB 41.1, 64.66, 9.78

 

CMYK 39 / 0 / 89 / 27

HEX #73BB14

RGB 115 187 20

HSL 85.87, 0.81%, 0.41%

LAB 68.92, -45.83, 66.61

 

CMYK 90 / 0 / 7 / 26

HEX #13BDAF

RGB 19 189 175

HSL 175.06, 0.82%, 0.41%

LAB 69.2, -41.84, -4.06

 

CMYK 52 / 90 / 0 / 26

HEX #5A13BD

RGB 90 19 189

HSL 265.06, 0.82%, 0.41%

LAB 30.19, 62.65, -73.25

 

CMYK 0 / 90 / 83 / 26

HEX #BD1321

RGB 189 19 33

HSL 355.06, 0.82%, 0.41%

LAB 40.24, 62.22, 40.08

 

Description

Color code: HEX #73BB14 | qconv.com Color code: HEX #73BB14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 187 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 187 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 89 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 89% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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