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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73C120 it is the complementary color #8C3EDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73C120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73C120 shade: #78C11B, #89D32E, #9AE541, #ABF754 and #BCFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73C120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73C120 shade: #73C120, #62AF0D, #519D00, #408B00 and #2F7900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73C120 shade: #72C01F, #9EC01F, #C0B81F, #C08C1F and #C0601F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73C120 shade: #72C01F, #47C01F, #1FC023, #1FC04E and #1FC07A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73C120 shade matches the following richer shades: #72C01F and #73D30D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73C120 shade: #72C01F, #72AE31, #719C43, #718A55 and #707868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73C120 shade: #C0B81F, #9DC01F, #72C01F, #47C01F and #1FC022

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73C120 shade: #487A13, #5D9D19, #72C01F, #87DC2C and #9BE250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73C120 shade: #73C120, #1FC08D and #C01FB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73C120 shade: #73C120, #1F72C0 and #C01F72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73C120 shade: #73C120, #1FC08D, #6D1FC0 and #C01F52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73C120 shade: #73C120, #1FC0BE, #6D1FC0 and #C01F22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 83 / 24

HEX #73C120

RGB 115 193 32

HSL 89.07, 0.72%, 0.44%

LAB 70.79, -47.88, 65.67

 

Complementary color

CMYK 37 / 72 / 0 / 13

HEX #8C3EDF

RGB 140 62 223

HSL 269.07, 0.72%, 0.56%

LAB 44.73, 62.22, -68.91

 

CMYK 38 / 0 / 86 / 24

HEX #78C11B

RGB 120 193 27

HSL 86.39, 0.75%, 0.43%

LAB 71.02, -46.33, 67.11

 

CMYK 35 / 0 / 78 / 17

HEX #89D32E

RGB 137 211 46

HSL 86.91, 0.65%, 0.5%

LAB 77.34, -47.04, 68.23

 

CMYK 33 / 0 / 72 / 10

HEX #9AE541

RGB 154 229 65

HSL 87.44, 0.76%, 0.58%

LAB 83.59, -47.55, 68.45

 

CMYK 31 / 0 / 66 / 3

HEX #ABF754

RGB 171 247 84

HSL 87.98, 0.91%, 0.65%

LAB 89.78, -47.89, 68.12

 

CMYK 26 / 0 / 60 / 0

HEX #BCFF67

RGB 188 255 103

HSL 86.45, 1%, 0.7%

LAB 93.1, -43.85, 64.37

 

CMYK 40 / 0 / 83 / 24

HEX #73C120

RGB 115 193 32

HSL 89.07, 0.72%, 0.44%

LAB 70.79, -47.88, 65.67

 

CMYK 44 / 0 / 93 / 31

HEX #62AF0D

RGB 98 175 13

HSL 88.52, 0.86%, 0.37%

LAB 64.39, -46.96, 63.67

 

CMYK 48 / 0 / 100 / 38

HEX #519D00

RGB 81 157 0

HSL 89.04, 1%, 0.31%

LAB 57.91, -45.69, 59.97

 

CMYK 54 / 0 / 100 / 45

HEX #408B00

RGB 64 139 0

HSL 92.37, 1%, 0.27%

LAB 51.33, -44.02, 54.52

 

CMYK 61 / 0 / 100 / 53

HEX #2F7900

RGB 47 121 0

HSL 96.69, 1%, 0.24%

LAB 44.63, -42.13, 48.98

 

CMYK 41 / 0 / 84 / 25

HEX #72C01F

RGB 114 192 31

HSL 89.07, 0.72%, 0.44%

LAB 70.44, -47.85, 65.58

 

CMYK 18 / 0 / 84 / 25

HEX #9EC01F

RGB 158 192 31

HSL 72.67, 0.72%, 0.44%

LAB 72.94, -31.22, 68.72

 

CMYK 0 / 4 / 84 / 25

HEX #C0B81F

RGB 192 184 31

HSL 57.02, 0.72%, 0.44%

LAB 73.28, -12.87, 70.04

 

CMYK 0 / 27 / 84 / 25

HEX #C08C1F

RGB 192 140 31

HSL 40.62, 0.72%, 0.44%

LAB 61.71, 10.57, 60.29

 

CMYK 0 / 50 / 84 / 25

HEX #C0601F

RGB 192 96 31

HSL 24.22, 0.72%, 0.44%

LAB 51.46, 34.48, 51.45

 

CMYK 41 / 0 / 84 / 25

HEX #72C01F

RGB 114 192 31

HSL 89.07, 0.72%, 0.44%

LAB 70.44, -47.85, 65.58

 

CMYK 63 / 0 / 84 / 25

HEX #47C01F

RGB 71 192 31

HSL 105.09, 0.72%, 0.44%

LAB 68.85, -60.16, 63.56

 

CMYK 84 / 0 / 82 / 25

HEX #1FC023

RGB 31 192 35

HSL 121.49, 0.72%, 0.44%

LAB 68.1, -66.52, 61.56

 

CMYK 84 / 0 / 59 / 25

HEX #1FC04E

RGB 31 192 78

HSL 137.52, 0.72%, 0.44%

LAB 68.42, -62.61, 45.69

 

CMYK 84 / 0 / 36 / 25

HEX #1FC07A

RGB 31 192 122

HSL 153.91, 0.72%, 0.44%

LAB 69.04, -55.29, 24.46

 

CMYK 41 / 0 / 84 / 25

HEX #72C01F

RGB 114 192 31

HSL 89.07, 0.72%, 0.44%

LAB 70.44, -47.85, 65.58

 

CMYK 45 / 0 / 94 / 17

HEX #73D30D

RGB 115 211 13

HSL 89.09, 0.88%, 0.44%

LAB 76.23, -55.47, 73.61

 

CMYK 41 / 0 / 84 / 25

HEX #72C01F

RGB 114 192 31

HSL 89.07, 0.72%, 0.44%

LAB 70.44, -47.85, 65.58

 

CMYK 34 / 0 / 72 / 32

HEX #72AE31

RGB 114 174 49

HSL 88.8, 0.56%, 0.44%

LAB 65.02, -39.32, 54.92

 

CMYK 28 / 0 / 57 / 39

HEX #719C43

RGB 113 156 67

HSL 88.99, 0.4%, 0.44%

LAB 59.61, -29.95, 41.3

 

CMYK 18 / 0 / 38 / 46

HEX #718A55

RGB 113 138 85

HSL 88.3, 0.24%, 0.44%

LAB 54.39, -18.75, 25.52

 

CMYK 7 / 0 / 13 / 53

HEX #707868

RGB 112 120 104

HSL 90, 0.07%, 0.44%

LAB 49.35, -6.18, 7.77

 

CMYK 0 / 4 / 84 / 25

HEX #C0B81F

RGB 192 184 31

HSL 57.02, 0.72%, 0.44%

LAB 73.28, -12.87, 70.04

 

CMYK 18 / 0 / 84 / 25

HEX #9DC01F

RGB 157 192 31

HSL 73.04, 0.72%, 0.44%

LAB 72.87, -31.63, 68.64

 

CMYK 41 / 0 / 84 / 25

HEX #72C01F

RGB 114 192 31

HSL 89.07, 0.72%, 0.44%

LAB 70.44, -47.85, 65.58

 

CMYK 63 / 0 / 84 / 25

HEX #47C01F

RGB 71 192 31

HSL 105.09, 0.72%, 0.44%

LAB 68.85, -60.16, 63.56

 

CMYK 84 / 0 / 82 / 25

HEX #1FC022

RGB 31 192 34

HSL 121.12, 0.72%, 0.44%

LAB 68.1, -66.58, 61.83

 

CMYK 41 / 0 / 84 / 52

HEX #487A13

RGB 72 122 19

HSL 89.13, 0.73%, 0.28%

LAB 46.1, -33.62, 46.24

 

CMYK 41 / 0 / 84 / 38

HEX #5D9D19

RGB 93 157 25

HSL 89.09, 0.73%, 0.36%

LAB 58.52, -40.9, 56.13

 

CMYK 41 / 0 / 84 / 25

HEX #72C01F

RGB 114 192 31

HSL 89.07, 0.72%, 0.44%

LAB 70.44, -47.85, 65.58

 

CMYK 39 / 0 / 80 / 14

HEX #87DC2C

RGB 135 220 44

HSL 88.98, 0.72%, 0.52%

LAB 79.91, -51.5, 71.12

 

CMYK 31 / 0 / 65 / 11

HEX #9BE250

RGB 155 226 80

HSL 89.18, 0.72%, 0.6%

LAB 82.88, -44.89, 62.11

 

CMYK 40 / 0 / 83 / 24

HEX #73C120

RGB 115 193 32

HSL 89.07, 0.72%, 0.44%

LAB 70.79, -47.88, 65.67

 

CMYK 84 / 0 / 27 / 25

HEX #1FC08D

RGB 31 192 141

HSL 160.99, 0.72%, 0.44%

LAB 69.41, -51.14, 14.8

 

CMYK 0 / 84 / 7 / 25

HEX #C01FB3

RGB 192 31 179

HSL 304.84, 0.72%, 0.44%

LAB 46.23, 73.56, -40.6

 

CMYK 40 / 0 / 83 / 24

HEX #73C120

RGB 115 193 32

HSL 89.07, 0.72%, 0.44%

LAB 70.79, -47.88, 65.67

 

CMYK 84 / 41 / 0 / 25

HEX #1F72C0

RGB 31 114 192

HSL 209.07, 0.72%, 0.44%

LAB 47.15, 4.45, -47.59

 

CMYK 0 / 84 / 41 / 25

HEX #C01F72

RGB 192 31 114

HSL 329.07, 0.72%, 0.44%

LAB 43.36, 65.62, -5.71

 

CMYK 40 / 0 / 83 / 24

HEX #73C120

RGB 115 193 32

HSL 89.07, 0.72%, 0.44%

LAB 70.79, -47.88, 65.67

 

CMYK 84 / 0 / 27 / 25

HEX #1FC08D

RGB 31 192 141

HSL 160.99, 0.72%, 0.44%

LAB 69.41, -51.14, 14.8

 

CMYK 43 / 84 / 0 / 25

HEX #6D1FC0

RGB 109 31 192

HSL 269.07, 0.72%, 0.44%

LAB 34.06, 62.08, -68.57

 

CMYK 0 / 84 / 57 / 25

HEX #C01F52

RGB 192 31 82

HSL 340.99, 0.72%, 0.44%

LAB 42.45, 62.98, 13.02

 

CMYK 40 / 0 / 83 / 24

HEX #73C120

RGB 115 193 32

HSL 89.07, 0.72%, 0.44%

LAB 70.79, -47.88, 65.67

 

CMYK 84 / 0 / 1 / 25

HEX #1FC0BE

RGB 31 192 190

HSL 179.25, 0.72%, 0.44%

LAB 70.67, -38.1, -10.09

 

CMYK 43 / 84 / 0 / 25

HEX #6D1FC0

RGB 109 31 192

HSL 269.07, 0.72%, 0.44%

LAB 34.06, 62.08, -68.57

 

CMYK 0 / 84 / 82 / 25

HEX #C01F22

RGB 192 31 34

HSL 358.88, 0.72%, 0.44%

LAB 41.69, 60.71, 41.14

 

Description

Color code: HEX #73C120 | qconv.com Color code: HEX #73C120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 193 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 193 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 83 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 83% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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