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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73D72D it is the complementary color #8C28D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73D72D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73D72D shade: #78D728, #89E93B, #9AFB4E, #ABFF61 and #BCFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73D72D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73D72D shade: #73D72D, #62C51A, #51B307, #40A100 and #2F8F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73D72D shade: #73D72D, #A0D72D, #CED72D, #D7B12D and #D7832D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73D72D shade: #73D72D, #45D72D, #2DD742, #2DD770 and #2DD79E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73D72D shade matches the following richer shades: #73D72D and #6FEB18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73D72D shade: #73D72D, #76C241, #7AAE55, #7D9A69 and #81867D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73D72D shade: #CED72D, #A1D72D, #73D72D, #46D72D and #2DD740

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73D72D shade: #4E951C, #60B723, #73D72D, #8ADD4F and #A1E472

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73D72D shade: #73D72D, #2DD7B2 and #D72DB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73D72D shade: #73D72D, #2D73D7 and #D72D73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73D72D shade: #73D72D, #2DD7B2, #902DD7 and #D72D51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73D72D shade: #73D72D, #2DC8D7, #902DD7 and #D73B2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 79 / 16

HEX #73D72D

RGB 115 215 45

HSL 95.29, 0.68%, 0.51%

LAB 77.54, -55.92, 68.34

 

Complementary color

CMYK 33 / 81 / 0 / 18

HEX #8C28D2

RGB 140 40 210

HSL 275.29, 0.68%, 0.49%

LAB 40.81, 67.64, -67.84

 

CMYK 44 / 0 / 81 / 16

HEX #78D728

RGB 120 215 40

HSL 92.57, 0.69%, 0.5%

LAB 77.73, -54.61, 69.94

 

CMYK 41 / 0 / 75 / 9

HEX #89E93B

RGB 137 233 59

HSL 93.1, 0.8%, 0.57%

LAB 83.92, -55.23, 70.49

 

CMYK 39 / 0 / 69 / 2

HEX #9AFB4E

RGB 154 251 78

HSL 93.64, 0.96%, 0.65%

LAB 90.05, -55.66, 70.38

 

CMYK 33 / 0 / 62 / 0

HEX #ABFF61

RGB 171 255 97

HSL 91.9, 1%, 0.69%

LAB 92.15, -50.23, 65.54

 

CMYK 26 / 0 / 55 / 0

HEX #BCFF74

RGB 188 255 116

HSL 88.92, 1%, 0.73%

LAB 93.22, -42.69, 58.91

 

CMYK 47 / 0 / 79 / 16

HEX #73D72D

RGB 115 215 45

HSL 95.29, 0.68%, 0.51%

LAB 77.54, -55.92, 68.34

 

CMYK 50 / 0 / 87 / 23

HEX #62C51A

RGB 98 197 26

HSL 94.74, 0.77%, 0.44%

LAB 71.29, -55.06, 67.17

 

CMYK 55 / 0 / 96 / 30

HEX #51B307

RGB 81 179 7

HSL 94.19, 0.92%, 0.36%

LAB 64.97, -53.84, 64.63

 

CMYK 60 / 0 / 100 / 37

HEX #40A100

RGB 64 161 0

HSL 96.15, 1%, 0.32%

LAB 58.58, -52.13, 60.24

 

CMYK 67 / 0 / 100 / 44

HEX #2F8F00

RGB 47 143 0

HSL 100.28, 1%, 0.28%

LAB 52.12, -49.99, 54.91

 

CMYK 47 / 0 / 79 / 16

HEX #73D72D

RGB 115 215 45

HSL 95.29, 0.68%, 0.51%

LAB 77.54, -55.92, 68.34

 

CMYK 26 / 0 / 79 / 16

HEX #A0D72D

RGB 160 215 45

HSL 79.41, 0.68%, 0.51%

LAB 79.76, -40.37, 71.2

 

CMYK 4 / 0 / 79 / 16

HEX #CED72D

RGB 206 215 45

HSL 63.18, 0.68%, 0.51%

LAB 82.87, -21.91, 75.14

 

CMYK 0 / 18 / 79 / 16

HEX #D7B12D

RGB 215 177 45

HSL 46.59, 0.68%, 0.51%

LAB 73.6, 1.24, 67.21

 

CMYK 0 / 39 / 79 / 16

HEX #D7832D

RGB 215 131 45

HSL 30.35, 0.68%, 0.51%

LAB 62.4, 25.89, 56.96

 

CMYK 47 / 0 / 79 / 16

HEX #73D72D

RGB 115 215 45

HSL 95.29, 0.68%, 0.51%

LAB 77.54, -55.92, 68.34

 

CMYK 68 / 0 / 79 / 16

HEX #45D72D

RGB 69 215 45

HSL 111.53, 0.68%, 0.51%

LAB 76.1, -67.39, 66.48

 

CMYK 79 / 0 / 69 / 16

HEX #2DD742

RGB 45 215 66

HSL 127.41, 0.68%, 0.51%

LAB 75.79, -69.57, 58.96

 

CMYK 79 / 0 / 48 / 16

HEX #2DD770

RGB 45 215 112

HSL 143.65, 0.68%, 0.51%

LAB 76.27, -63.81, 39.03

 

CMYK 79 / 0 / 27 / 16

HEX #2DD79E

RGB 45 215 158

HSL 159.88, 0.68%, 0.51%

LAB 77.06, -54.9, 16.43

 

CMYK 47 / 0 / 79 / 16

HEX #73D72D

RGB 115 215 45

HSL 95.29, 0.68%, 0.51%

LAB 77.54, -55.92, 68.34

 

CMYK 53 / 0 / 90 / 8

HEX #6FEB18

RGB 111 235 24

HSL 95.26, 0.84%, 0.51%

LAB 83.37, -65.12, 77.96

 

CMYK 47 / 0 / 79 / 16

HEX #73D72D

RGB 115 215 45

HSL 95.29, 0.68%, 0.51%

LAB 77.54, -55.92, 68.34

 

CMYK 39 / 0 / 66 / 24

HEX #76C241

RGB 118 194 65

HSL 95.35, 0.51%, 0.51%

LAB 71.43, -45.29, 55.38

 

CMYK 30 / 0 / 51 / 32

HEX #7AAE55

RGB 122 174 85

HSL 95.06, 0.35%, 0.51%

LAB 65.8, -33.07, 39.96

 

CMYK 19 / 0 / 32 / 40

HEX #7D9A69

RGB 125 154 105

HSL 95.51, 0.2%, 0.51%

LAB 60.33, -19.42, 22.5

 

CMYK 4 / 0 / 7 / 47

HEX #81867D

RGB 129 134 125

HSL 93.33, 0.04%, 0.51%

LAB 55.28, -3.61, 4.2

 

CMYK 4 / 0 / 79 / 16

HEX #CED72D

RGB 206 215 45

HSL 63.18, 0.68%, 0.51%

LAB 82.87, -21.91, 75.14

 

CMYK 25 / 0 / 79 / 16

HEX #A1D72D

RGB 161 215 45

HSL 79.06, 0.68%, 0.51%

LAB 79.82, -39.99, 71.27

 

CMYK 47 / 0 / 79 / 16

HEX #73D72D

RGB 115 215 45

HSL 95.29, 0.68%, 0.51%

LAB 77.54, -55.92, 68.34

 

CMYK 67 / 0 / 79 / 16

HEX #46D72D

RGB 70 215 45

HSL 111.18, 0.68%, 0.51%

LAB 76.13, -67.2, 66.51

 

CMYK 79 / 0 / 70 / 16

HEX #2DD740

RGB 45 215 64

HSL 126.71, 0.68%, 0.51%

LAB 75.78, -69.75, 59.7

 

CMYK 48 / 0 / 81 / 42

HEX #4E951C

RGB 78 149 28

HSL 95.21, 0.68%, 0.35%

LAB 55.28, -42.55, 52.08

 

CMYK 48 / 0 / 81 / 28

HEX #60B723

RGB 96 183 35

HSL 95.27, 0.68%, 0.43%

LAB 66.88, -49.97, 61.03

 

CMYK 47 / 0 / 79 / 16

HEX #73D72D

RGB 115 215 45

HSL 95.29, 0.68%, 0.51%

LAB 77.54, -55.92, 68.34

 

CMYK 38 / 0 / 64 / 13

HEX #8ADD4F

RGB 138 221 79

HSL 95.07, 0.68%, 0.59%

LAB 80.56, -48.68, 59.77

 

CMYK 29 / 0 / 50 / 11

HEX #A1E472

RGB 161 228 114

HSL 95.26, 0.68%, 0.67%

LAB 84.11, -40.44, 48.64

 

CMYK 47 / 0 / 79 / 16

HEX #73D72D

RGB 115 215 45

HSL 95.29, 0.68%, 0.51%

LAB 77.54, -55.92, 68.34

 

CMYK 79 / 0 / 17 / 16

HEX #2DD7B2

RGB 45 215 178

HSL 166.94, 0.68%, 0.51%

LAB 77.5, -50.13, 6.43

 

CMYK 0 / 79 / 15 / 16

HEX #D72DB7

RGB 215 45 183

HSL 311.29, 0.68%, 0.51%

LAB 51.55, 75.61, -34.3

 

CMYK 47 / 0 / 79 / 16

HEX #73D72D

RGB 115 215 45

HSL 95.29, 0.68%, 0.51%

LAB 77.54, -55.92, 68.34

 

CMYK 79 / 47 / 0 / 16

HEX #2D73D7

RGB 45 115 215

HSL 215.29, 0.68%, 0.51%

LAB 49.16, 13.92, -57.5

 

CMYK 0 / 79 / 47 / 16

HEX #D72D73

RGB 215 45 115

HSL 335.29, 0.68%, 0.51%

LAB 48.96, 68.04, 2.4

 

CMYK 47 / 0 / 79 / 16

HEX #73D72D

RGB 115 215 45

HSL 95.29, 0.68%, 0.51%

LAB 77.54, -55.92, 68.34

 

CMYK 79 / 0 / 17 / 16

HEX #2DD7B2

RGB 45 215 178

HSL 166.94, 0.68%, 0.51%

LAB 77.5, -50.13, 6.43

 

CMYK 33 / 79 / 0 / 16

HEX #902DD7

RGB 144 45 215

HSL 274.94, 0.68%, 0.51%

LAB 42.33, 67.69, -68.22

 

CMYK 0 / 79 / 62 / 16

HEX #D72D51

RGB 215 45 81

HSL 347.29, 0.68%, 0.51%

LAB 48.16, 65.58, 22.08

 

CMYK 47 / 0 / 79 / 16

HEX #73D72D

RGB 115 215 45

HSL 95.29, 0.68%, 0.51%

LAB 77.54, -55.92, 68.34

 

CMYK 79 / 7 / 0 / 16

HEX #2DC8D7

RGB 45 200 215

HSL 185.29, 0.68%, 0.51%

LAB 74.04, -33.18, -18.61

 

CMYK 33 / 79 / 0 / 16

HEX #902DD7

RGB 144 45 215

HSL 274.94, 0.68%, 0.51%

LAB 42.33, 67.69, -68.22

 

CMYK 0 / 73 / 79 / 16

HEX #D73B2D

RGB 215 59 45

HSL 4.94, 0.68%, 0.51%

LAB 49.21, 59.59, 44.18

 

Description

Color code: HEX #73D72D | qconv.com Color code: HEX #73D72D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 215 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 215 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 79 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 79% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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