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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73D75F it is the complementary color #8C28A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73D75F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73D75F shade: #78D75A, #89E96D, #9AFB80, #ABFF93 and #BCFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73D75F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73D75F shade: #73D75F, #62C54C, #51B339, #40A126 and #2F8F13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73D75F shade: #73D75F, #93D75F, #B4D75F, #D4D75F and #D7B95F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73D75F shade: #73D75F, #5FD76C, #5FD78C, #5FD7AC and #5FD7CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73D75F shade matches the following richer shades: #73D75F, #69E74F and #5EF73F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73D75F shade: #73D75F, #7EC76F, #89B780, #93A690 and #9E96A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73D75F shade: #B3D75F, #93D75F, #73D75F, #5FD76B and #5FD78B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73D75F shade: #44B62D, #56CE3E, #73D75F, #90DF80 and #ADE7A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73D75F shade: #73D75F, #5FD3D7 and #D75FA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73D75F shade: #73D75F, #5F73D7 and #D75F73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73D75F shade: #73D75F, #5FD3D7, #C35FD7 and #D7635F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73D75F shade: #73D75F, #5FAFD7, #C35FD7 and #D7875F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 56 / 16

HEX #73D75F

RGB 115 215 95

HSL 110, 0.6%, 0.61%

LAB 77.92, -51.85, 49.56

 

Complementary color

CMYK 13 / 75 / 0 / 37

HEX #8C28A0

RGB 140 40 160

HSL 290, 0.6%, 0.39%

LAB 37.17, 57.51, -44.24

 

CMYK 44 / 0 / 58 / 16

HEX #78D75A

RGB 120 215 90

HSL 105.6, 0.61%, 0.6%

LAB 78.07, -50.92, 52.06

 

CMYK 41 / 0 / 53 / 9

HEX #89E96D

RGB 137 233 109

HSL 106.45, 0.74%, 0.67%

LAB 84.33, -50.96, 50.95

 

CMYK 39 / 0 / 49 / 2

HEX #9AFB80

RGB 154 251 128

HSL 107.32, 0.94%, 0.74%

LAB 90.52, -50.92, 49.8

 

CMYK 33 / 0 / 42 / 0

HEX #ABFF93

RGB 171 255 147

HSL 106.67, 1%, 0.79%

LAB 92.7, -44.87, 43.65

 

CMYK 26 / 0 / 35 / 0

HEX #BCFFA6

RGB 188 255 166

HSL 105.17, 1%, 0.83%

LAB 93.87, -36.74, 36.02

 

CMYK 47 / 0 / 56 / 16

HEX #73D75F

RGB 115 215 95

HSL 110, 0.6%, 0.61%

LAB 77.92, -51.85, 49.56

 

CMYK 50 / 0 / 61 / 23

HEX #62C54C

RGB 98 197 76

HSL 109.09, 0.51%, 0.54%

LAB 71.59, -51.69, 50.65

 

CMYK 55 / 0 / 68 / 30

HEX #51B339

RGB 81 179 57

HSL 108.2, 0.52%, 0.46%

LAB 65.19, -51.31, 51.52

 

CMYK 60 / 0 / 76 / 37

HEX #40A126

RGB 64 161 38

HSL 107.32, 0.62%, 0.39%

LAB 58.71, -50.59, 51.92

 

CMYK 67 / 0 / 87 / 44

HEX #2F8F13

RGB 47 143 19

HSL 106.45, 0.77%, 0.32%

LAB 52.17, -49.35, 51.34

 

CMYK 47 / 0 / 56 / 16

HEX #73D75F

RGB 115 215 95

HSL 110, 0.6%, 0.61%

LAB 77.92, -51.85, 49.56

 

CMYK 32 / 0 / 56 / 16

HEX #93D75F

RGB 147 215 95

HSL 94, 0.6%, 0.61%

LAB 79.4, -41.59, 51.68

 

CMYK 16 / 0 / 56 / 16

HEX #B4D75F

RGB 180 215 95

HSL 77.5, 0.6%, 0.61%

LAB 81.36, -29.43, 54.45

 

CMYK 1 / 0 / 56 / 16

HEX #D4D75F

RGB 212 215 95

HSL 61.5, 0.6%, 0.61%

LAB 83.67, -16.71, 57.68

 

CMYK 0 / 14 / 56 / 16

HEX #D7B95F

RGB 215 185 95

HSL 45, 0.6%, 0.61%

LAB 76.05, -0.16, 49

 

CMYK 47 / 0 / 56 / 16

HEX #73D75F

RGB 115 215 95

HSL 110, 0.6%, 0.61%

LAB 77.92, -51.85, 49.56

 

CMYK 56 / 0 / 50 / 16

HEX #5FD76C

RGB 95 215 108

HSL 126.5, 0.6%, 0.61%

LAB 77.35, -55.53, 42.58

 

CMYK 56 / 0 / 35 / 16

HEX #5FD78C

RGB 95 215 140

HSL 142.5, 0.6%, 0.61%

LAB 77.83, -50.37, 27.1

 

CMYK 56 / 0 / 20 / 16

HEX #5FD7AC

RGB 95 215 172

HSL 158.5, 0.6%, 0.61%

LAB 78.47, -43.88, 11.16

 

CMYK 56 / 0 / 5 / 16

HEX #5FD7CC

RGB 95 215 204

HSL 174.5, 0.6%, 0.61%

LAB 79.27, -36.19, -4.76

 

CMYK 47 / 0 / 56 / 16

HEX #73D75F

RGB 115 215 95

HSL 110, 0.6%, 0.61%

LAB 77.92, -51.85, 49.56

 

CMYK 55 / 0 / 66 / 9

HEX #69E74F

RGB 105 231 79

HSL 109.74, 0.76%, 0.61%

LAB 82.23, -62.26, 61.18

 

CMYK 62 / 0 / 74 / 3

HEX #5EF73F

RGB 94 247 63

HSL 109.89, 0.92%, 0.61%

LAB 86.63, -71.56, 71.35

 

CMYK 47 / 0 / 56 / 16

HEX #73D75F

RGB 115 215 95

HSL 110, 0.6%, 0.61%

LAB 77.92, -51.85, 49.56

 

CMYK 37 / 0 / 44 / 22

HEX #7EC76F

RGB 126 199 111

HSL 109.77, 0.44%, 0.61%

LAB 73.82, -39.71, 36.94

 

CMYK 25 / 0 / 30 / 28

HEX #89B780

RGB 137 183 128

HSL 110.18, 0.28%, 0.61%

LAB 70, -25.96, 23.17

 

CMYK 11 / 0 / 13 / 35

HEX #93A690

RGB 147 166 144

HSL 111.82, 0.11%, 0.61%

LAB 66.13, -10.93, 9.16

 

CMYK 1 / 6 / 0 / 37

HEX #9E96A0

RGB 158 150 160

HSL 288, 0.05%, 0.61%

LAB 63.03, 4.84, -4.2

 

CMYK 17 / 0 / 56 / 16

HEX #B3D75F

RGB 179 215 95

HSL 78, 0.6%, 0.61%

LAB 81.3, -29.81, 54.36

 

CMYK 32 / 0 / 56 / 16

HEX #93D75F

RGB 147 215 95

HSL 94, 0.6%, 0.61%

LAB 79.4, -41.59, 51.68

 

CMYK 47 / 0 / 56 / 16

HEX #73D75F

RGB 115 215 95

HSL 110, 0.6%, 0.61%

LAB 77.92, -51.85, 49.56

 

CMYK 56 / 0 / 50 / 16

HEX #5FD76B

RGB 95 215 107

HSL 126, 0.6%, 0.61%

LAB 77.34, -55.67, 43.04

 

CMYK 56 / 0 / 35 / 16

HEX #5FD78B

RGB 95 215 139

HSL 142, 0.6%, 0.61%

LAB 77.81, -50.55, 27.6

 

CMYK 63 / 0 / 75 / 29

HEX #44B62D

RGB 68 182 45

HSL 109.93, 0.6%, 0.45%

LAB 65.65, -56.62, 56.38

 

CMYK 58 / 0 / 70 / 19

HEX #56CE3E

RGB 86 206 62

HSL 110, 0.6%, 0.53%

LAB 73.85, -59.5, 58.72

 

CMYK 47 / 0 / 56 / 16

HEX #73D75F

RGB 115 215 95

HSL 110, 0.6%, 0.61%

LAB 77.92, -51.85, 49.56

 

CMYK 35 / 0 / 43 / 13

HEX #90DF80

RGB 144 223 128

HSL 109.89, 0.6%, 0.69%

LAB 81.98, -42.14, 39.01

 

CMYK 25 / 0 / 30 / 9

HEX #ADE7A1

RGB 173 231 161

HSL 109.71, 0.59%, 0.77%

LAB 86.31, -31.42, 28.3

 

CMYK 47 / 0 / 56 / 16

HEX #73D75F

RGB 115 215 95

HSL 110, 0.6%, 0.61%

LAB 77.92, -51.85, 49.56

 

CMYK 56 / 2 / 0 / 16

HEX #5FD3D7

RGB 95 211 215

HSL 182, 0.6%, 0.61%

LAB 78.42, -31.42, -11.91

 

CMYK 0 / 56 / 24 / 16

HEX #D75FA3

RGB 215 95 163

HSL 326, 0.6%, 0.61%

LAB 57.34, 54.54, -13.72

 

CMYK 47 / 0 / 56 / 16

HEX #73D75F

RGB 115 215 95

HSL 110, 0.6%, 0.61%

LAB 77.92, -51.85, 49.56

 

CMYK 56 / 47 / 0 / 16

HEX #5F73D7

RGB 95 115 215

HSL 230, 0.6%, 0.61%

LAB 51.38, 21.66, -53.81

 

CMYK 0 / 56 / 47 / 16

HEX #D75F73

RGB 215 95 115

HSL 350, 0.6%, 0.61%

LAB 55.96, 48.94, 12.36

 

CMYK 47 / 0 / 56 / 16

HEX #73D75F

RGB 115 215 95

HSL 110, 0.6%, 0.61%

LAB 77.92, -51.85, 49.56

 

CMYK 56 / 2 / 0 / 16

HEX #5FD3D7

RGB 95 211 215

HSL 182, 0.6%, 0.61%

LAB 78.42, -31.42, -11.91

 

CMYK 9 / 56 / 0 / 16

HEX #C35FD7

RGB 195 95 215

HSL 290, 0.6%, 0.61%

LAB 56.77, 57.43, -44.64

 

CMYK 0 / 54 / 56 / 16

HEX #D7635F

RGB 215 99 95

HSL 2, 0.6%, 0.61%

LAB 56.28, 45.27, 24.47

 

CMYK 47 / 0 / 56 / 16

HEX #73D75F

RGB 115 215 95

HSL 110, 0.6%, 0.61%

LAB 77.92, -51.85, 49.56

 

CMYK 56 / 19 / 0 / 16

HEX #5FAFD7

RGB 95 175 215

HSL 200, 0.6%, 0.61%

LAB 68.02, -13.18, -27.69

 

CMYK 9 / 56 / 0 / 16

HEX #C35FD7

RGB 195 95 215

HSL 290, 0.6%, 0.61%

LAB 56.77, 57.43, -44.64

 

CMYK 0 / 37 / 56 / 16

HEX #D7875F

RGB 215 135 95

HSL 20, 0.6%, 0.61%

LAB 63.84, 26.64, 34.18

 

Description

Color code: HEX #73D75F | qconv.com Color code: HEX #73D75F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 215 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 215 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 56 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 56% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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