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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73D835 it is the complementary color #8C27CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73D835. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73D835 shade: #78D830, #89EA43, #9AFC56, #ABFF69 and #BCFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73D835. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73D835 shade: #73D835, #62C622, #51B40F, #40A200 and #2F9000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73D835 shade: #73D835, #9FD835, #CBD835, #D8B935 and #D88D35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73D835 shade: #73D835, #47D835, #35D84F, #35D87B and #35D8A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73D835 shade matches the following richer shades: #73D835 and #6FEC22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73D835 shade: #73D835, #78C549, #7CB15C, #819E6F and #868B83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73D835 shade: #CBD835, #9FD835, #74D835, #48D835 and #35D84E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73D835 shade: #4E9D1E, #5FC024, #73D835, #8BDF58 and #A3E57A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73D835 shade: #73D835, #35D8BA and #D835B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73D835 shade: #73D835, #3574D8 and #D83574

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73D835 shade: #73D835, #35D8BA, #9A35D8 and #D83553

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73D835 shade: #73D835, #35C5D8, #9A35D8 and #D84835

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 75 / 15

HEX #73D835

RGB 115 216 53

HSL 97.18, 0.68%, 0.53%

LAB 77.88, -55.86, 66.24

 

Complementary color

CMYK 31 / 81 / 0 / 21

HEX #8C27CA

RGB 140 39 202

HSL 277.18, 0.68%, 0.47%

LAB 40.07, 66.27, -64.42

 

CMYK 44 / 0 / 78 / 15

HEX #78D830

RGB 120 216 48

HSL 94.29, 0.68%, 0.52%

LAB 78.06, -54.61, 68.03

 

CMYK 41 / 0 / 71 / 8

HEX #89EA43

RGB 137 234 67

HSL 94.85, 0.8%, 0.59%

LAB 84.26, -55.13, 68.15

 

CMYK 39 / 0 / 66 / 1

HEX #9AFC56

RGB 154 252 86

HSL 95.42, 0.97%, 0.66%

LAB 90.4, -55.47, 67.76

 

CMYK 33 / 0 / 59 / 0

HEX #ABFF69

RGB 171 255 105

HSL 93.6, 1%, 0.71%

LAB 92.22, -49.54, 62.29

 

CMYK 26 / 0 / 51 / 0

HEX #BCFF7C

RGB 188 255 124

HSL 90.69, 1%, 0.74%

LAB 93.31, -41.9, 55.42

 

CMYK 47 / 0 / 75 / 15

HEX #73D835

RGB 115 216 53

HSL 97.18, 0.68%, 0.53%

LAB 77.88, -55.86, 66.24

 

CMYK 51 / 0 / 83 / 22

HEX #62C622

RGB 98 198 34

HSL 96.59, 0.71%, 0.45%

LAB 71.62, -55.12, 65.64

 

CMYK 55 / 0 / 92 / 29

HEX #51B40F

RGB 81 180 15

HSL 96, 0.85%, 0.38%

LAB 65.3, -54.02, 63.84

 

CMYK 60 / 0 / 100 / 36

HEX #40A200

RGB 64 162 0

HSL 96.3, 1%, 0.32%

LAB 58.91, -52.48, 60.49

 

CMYK 67 / 0 / 100 / 44

HEX #2F9000

RGB 47 144 0

HSL 100.42, 1%, 0.28%

LAB 52.45, -50.33, 55.17

 

CMYK 47 / 0 / 75 / 15

HEX #73D835

RGB 115 216 53

HSL 97.18, 0.68%, 0.53%

LAB 77.88, -55.86, 66.24

 

CMYK 26 / 0 / 75 / 15

HEX #9FD835

RGB 159 216 53

HSL 80.98, 0.68%, 0.53%

LAB 80.03, -40.82, 69.05

 

CMYK 6 / 0 / 75 / 15

HEX #CBD835

RGB 203 216 53

HSL 64.79, 0.68%, 0.53%

LAB 82.95, -23.34, 72.83

 

CMYK 0 / 14 / 75 / 15

HEX #D8B935

RGB 216 185 53

HSL 48.59, 0.68%, 0.53%

LAB 75.79, -2.22, 66.57

 

CMYK 0 / 35 / 75 / 15

HEX #D88D35

RGB 216 141 53

HSL 32.39, 0.68%, 0.53%

LAB 64.89, 21.25, 56.1

 

CMYK 47 / 0 / 75 / 15

HEX #73D835

RGB 115 216 53

HSL 97.18, 0.68%, 0.53%

LAB 77.88, -55.86, 66.24

 

CMYK 67 / 0 / 75 / 15

HEX #47D835

RGB 71 216 53

HSL 113.37, 0.68%, 0.53%

LAB 76.5, -66.83, 64.43

 

CMYK 75 / 0 / 63 / 15

HEX #35D84F

RGB 53 216 79

HSL 129.57, 0.68%, 0.53%

LAB 76.33, -67.55, 54.35

 

CMYK 75 / 0 / 43 / 15

HEX #35D87B

RGB 53 216 123

HSL 145.77, 0.68%, 0.53%

LAB 76.86, -61.35, 34.33

 

CMYK 75 / 0 / 23 / 15

HEX #35D8A7

RGB 53 216 167

HSL 161.96, 0.68%, 0.53%

LAB 77.67, -52.34, 12.55

 

CMYK 47 / 0 / 75 / 15

HEX #73D835

RGB 115 216 53

HSL 97.18, 0.68%, 0.53%

LAB 77.88, -55.86, 66.24

 

CMYK 53 / 0 / 86 / 7

HEX #6FEC22

RGB 111 236 34

HSL 97.13, 0.84%, 0.53%

LAB 83.7, -65.18, 76.47

 

CMYK 47 / 0 / 75 / 15

HEX #73D835

RGB 115 216 53

HSL 97.18, 0.68%, 0.53%

LAB 77.88, -55.86, 66.24

 

CMYK 39 / 0 / 63 / 23

HEX #78C549

RGB 120 197 73

HSL 97.26, 0.52%, 0.53%

LAB 72.5, -45.19, 53.23

 

CMYK 30 / 0 / 48 / 31

HEX #7CB15C

RGB 124 177 92

HSL 97.41, 0.35%, 0.53%

LAB 66.9, -32.9, 37.83

 

CMYK 18 / 0 / 30 / 38

HEX #819E6F

RGB 129 158 111

HSL 97.02, 0.2%, 0.53%

LAB 61.89, -19.03, 21.34

 

CMYK 4 / 0 / 6 / 45

HEX #868B83

RGB 134 139 131

HSL 97.5, 0.03%, 0.53%

LAB 57.24, -3.4, 3.63

 

CMYK 6 / 0 / 75 / 15

HEX #CBD835

RGB 203 216 53

HSL 64.79, 0.68%, 0.53%

LAB 82.95, -23.34, 72.83

 

CMYK 26 / 0 / 75 / 15

HEX #9FD835

RGB 159 216 53

HSL 80.98, 0.68%, 0.53%

LAB 80.03, -40.82, 69.05

 

CMYK 46 / 0 / 75 / 15

HEX #74D835

RGB 116 216 53

HSL 96.81, 0.68%, 0.53%

LAB 77.92, -55.56, 66.3

 

CMYK 67 / 0 / 75 / 15

HEX #48D835

RGB 72 216 53

HSL 113.01, 0.68%, 0.53%

LAB 76.53, -66.63, 64.46

 

CMYK 75 / 0 / 64 / 15

HEX #35D84E

RGB 53 216 78

HSL 129.2, 0.68%, 0.53%

LAB 76.33, -67.66, 54.76

 

CMYK 50 / 0 / 81 / 38

HEX #4E9D1E

RGB 78 157 30

HSL 97.32, 0.68%, 0.37%

LAB 57.87, -45.64, 53.89

 

CMYK 51 / 0 / 81 / 25

HEX #5FC024

RGB 95 192 36

HSL 97.31, 0.68%, 0.45%

LAB 69.65, -53.66, 63.29

 

CMYK 47 / 0 / 75 / 15

HEX #73D835

RGB 115 216 53

HSL 97.18, 0.68%, 0.53%

LAB 77.88, -55.86, 66.24

 

CMYK 38 / 0 / 61 / 13

HEX #8BDF58

RGB 139 223 88

HSL 97.33, 0.68%, 0.61%

LAB 81.27, -48.39, 56.8

 

CMYK 29 / 0 / 47 / 10

HEX #A3E57A

RGB 163 229 122

HSL 97.01, 0.67%, 0.69%

LAB 84.6, -39.26, 45.45

 

CMYK 47 / 0 / 75 / 15

HEX #73D835

RGB 115 216 53

HSL 97.18, 0.68%, 0.53%

LAB 77.88, -55.86, 66.24

 

CMYK 75 / 0 / 14 / 15

HEX #35D8BA

RGB 53 216 186

HSL 168.96, 0.68%, 0.53%

LAB 78.12, -47.69, 3.06

 

CMYK 0 / 75 / 16 / 15

HEX #D835B5

RGB 216 53 181

HSL 312.88, 0.68%, 0.53%

LAB 52.38, 73.4, -31.82

 

CMYK 47 / 0 / 75 / 15

HEX #73D835

RGB 115 216 53

HSL 97.18, 0.68%, 0.53%

LAB 77.88, -55.86, 66.24

 

CMYK 75 / 46 / 0 / 15

HEX #3574D8

RGB 53 116 216

HSL 216.81, 0.68%, 0.53%

LAB 49.74, 14.55, -57.11

 

CMYK 0 / 75 / 46 / 15

HEX #D83574

RGB 216 53 116

HSL 336.81, 0.68%, 0.53%

LAB 49.98, 66.09, 3.29

 

CMYK 47 / 0 / 75 / 15

HEX #73D835

RGB 115 216 53

HSL 97.18, 0.68%, 0.53%

LAB 77.88, -55.86, 66.24

 

CMYK 75 / 0 / 14 / 15

HEX #35D8BA

RGB 53 216 186

HSL 168.96, 0.68%, 0.53%

LAB 78.12, -47.69, 3.06

 

CMYK 29 / 75 / 0 / 15

HEX #9A35D8

RGB 154 53 216

HSL 277.18, 0.68%, 0.53%

LAB 44.76, 66.74, -64.77

 

CMYK 0 / 75 / 62 / 15

HEX #D83553

RGB 216 53 83

HSL 348.96, 0.68%, 0.53%

LAB 49.22, 63.64, 22.29

 

CMYK 47 / 0 / 75 / 15

HEX #73D835

RGB 115 216 53

HSL 97.18, 0.68%, 0.53%

LAB 77.88, -55.86, 66.24

 

CMYK 75 / 9 / 0 / 15

HEX #35C5D8

RGB 53 197 216

HSL 186.99, 0.68%, 0.53%

LAB 73.32, -30.64, -20.24

 

CMYK 29 / 75 / 0 / 15

HEX #9A35D8

RGB 154 53 216

HSL 277.18, 0.68%, 0.53%

LAB 44.76, 66.74, -64.77

 

CMYK 0 / 67 / 75 / 15

HEX #D84835

RGB 216 72 53

HSL 6.99, 0.68%, 0.53%

LAB 51.26, 55.3, 42.11

 

Description

Color code: HEX #73D835 | qconv.com Color code: HEX #73D835 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 216 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 216 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 75 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 75% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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