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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7014EC it is the complementary color #8FEB13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7014EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7014EC shade: #7514E7, #8626FA, #9738FF, #A84AFF and #B95CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7014EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7014EC shade: #7014EC, #5F02D9, #4E00C6, #3D00B3 and #2C00A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7014EC shade: #6F13EB, #A913EB, #E413EB, #EB13B8 and #EB137E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7014EC shade: #6F13EB, #3513EB and #1313EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7014EC shade matches the following richer shades: #6F13EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7014EC shade: #6F13EB, #7227D7, #753CC2, #7851AD and #7B6599

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7014EC shade: #132CEB, #3313EB, #6D13EB, #A713EB and #E113EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7014EC shade: #4B0C9F, #5D10C5, #6F13EB, #8639EE and #9D5FF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7014EC shade: #7014EC, #EB1366 and #13EB16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7014EC shade: #7014EC, #EB6D13 and #13EB6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7014EC shade: #7014EC, #EB1366, #91EB13 and #13EB98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7014EC shade: #7014EC, #EB1325, #91EB13 and #13EBD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 92 / 0 / 7

HEX #7014EC

RGB 112 20 236

HSL 265.56, 0.85%, 0.5%

LAB 37.84, 75.24, -87.73

 

Complementary color

CMYK 39 / 0 / 92 / 8

HEX #8FEB13

RGB 143 235 19

HSL 85.56, 0.85%, 0.5%

LAB 84.64, -55.53, 80.22

 

CMYK 49 / 91 / 0 / 9

HEX #7514E7

RGB 117 20 231

HSL 267.58, 0.84%, 0.49%

LAB 37.94, 74.56, -84.72

 

CMYK 46 / 85 / 0 / 2

HEX #8626FA

RGB 134 38 250

HSL 267.17, 0.95%, 0.56%

LAB 43.3, 76.23, -86.54

 

CMYK 41 / 78 / 0 / 0

HEX #9738FF

RGB 151 56 255

HSL 268.64, 1%, 0.61%

LAB 47.79, 73.71, -81.88

 

CMYK 34 / 71 / 0 / 0

HEX #A84AFF

RGB 168 74 255

HSL 271.16, 1%, 0.65%

LAB 52.33, 69.38, -74.38

 

CMYK 27 / 64 / 0 / 0

HEX #B95CFF

RGB 185 92 255

HSL 274.23, 1%, 0.68%

LAB 57.26, 64.72, -66.31

 

CMYK 53 / 92 / 0 / 7

HEX #7014EC

RGB 112 20 236

HSL 265.56, 0.85%, 0.5%

LAB 37.84, 75.24, -87.73

 

CMYK 56 / 99 / 0 / 15

HEX #5F02D9

RGB 95 2 217

HSL 265.95, 0.98%, 0.43%

LAB 32.89, 72.44, -85.12

 

CMYK 61 / 100 / 0 / 22

HEX #4E00C6

RGB 78 0 198

HSL 263.64, 1%, 0.39%

LAB 28.63, 67.42, -81.18

 

CMYK 66 / 100 / 0 / 30

HEX #3D00B3

RGB 61 0 179

HSL 260.45, 1%, 0.35%

LAB 24.47, 62.08, -76.89

 

CMYK 73 / 100 / 0 / 37

HEX #2C00A0

RGB 44 0 160

HSL 256.5, 1%, 0.31%

LAB 20.34, 56.73, -72.32

 

CMYK 53 / 92 / 0 / 8

HEX #6F13EB

RGB 111 19 235

HSL 265.56, 0.85%, 0.5%

LAB 37.56, 75.12, -87.64

 

CMYK 28 / 92 / 0 / 8

HEX #A913EB

RGB 169 19 235

HSL 281.67, 0.85%, 0.5%

LAB 45.5, 81.28, -74.3

 

CMYK 3 / 92 / 0 / 8

HEX #E413EB

RGB 228 19 235

HSL 298.06, 0.85%, 0.5%

LAB 55.03, 89.85, -58.41

 

CMYK 0 / 92 / 22 / 8

HEX #EB13B8

RGB 235 19 184

HSL 314.17, 0.85%, 0.5%

LAB 53.59, 84.32, -31.43

 

CMYK 0 / 92 / 46 / 8

HEX #EB137E

RGB 235 19 126

HSL 330.28, 0.85%, 0.5%

LAB 51.42, 78.57, -0.24

 

CMYK 53 / 92 / 0 / 8

HEX #6F13EB

RGB 111 19 235

HSL 265.56, 0.85%, 0.5%

LAB 37.56, 75.12, -87.64

 

CMYK 77 / 92 / 0 / 8

HEX #3513EB

RGB 53 19 235

HSL 249.44, 0.85%, 0.5%

LAB 32.3, 71.82, -96.52

 

CMYK 92 / 92 / 0 / 8

HEX #1313EB

RGB 19 19 235

HSL 240, 0.85%, 0.5%

LAB 30.88, 71.07, -98.92

 

CMYK 53 / 92 / 0 / 8

HEX #6F13EB

RGB 111 19 235

HSL 265.56, 0.85%, 0.5%

LAB 37.56, 75.12, -87.64

 

CMYK 53 / 92 / 0 / 8

HEX #6F13EB

RGB 111 19 235

HSL 265.56, 0.85%, 0.5%

LAB 37.56, 75.12, -87.64

 

CMYK 47 / 82 / 0 / 16

HEX #7227D7

RGB 114 39 215

HSL 265.57, 0.69%, 0.5%

LAB 37.73, 65.48, -75.91

 

CMYK 40 / 69 / 0 / 24

HEX #753CC2

RGB 117 60 194

HSL 265.52, 0.53%, 0.5%

LAB 39.43, 51.85, -60.93

 

CMYK 31 / 53 / 0 / 32

HEX #7851AD

RGB 120 81 173

HSL 265.43, 0.36%, 0.5%

LAB 42.6, 35.75, -43.46

 

CMYK 20 / 34 / 0 / 40

HEX #7B6599

RGB 123 101 153

HSL 265.38, 0.2%, 0.5%

LAB 46.74, 19.73, -25.1

 

CMYK 92 / 81 / 0 / 8

HEX #132CEB

RGB 19 44 235

HSL 233.06, 0.85%, 0.5%

LAB 33.85, 62.14, -93.97

 

CMYK 78 / 92 / 0 / 8

HEX #3313EB

RGB 51 19 235

HSL 248.89, 0.85%, 0.5%

LAB 32.19, 71.75, -96.72

 

CMYK 54 / 92 / 0 / 8

HEX #6D13EB

RGB 109 19 235

HSL 265, 0.85%, 0.5%

LAB 37.33, 74.96, -88.03

 

CMYK 29 / 92 / 0 / 8

HEX #A713EB

RGB 167 19 235

HSL 281.11, 0.85%, 0.5%

LAB 45.19, 81.02, -74.81

 

CMYK 4 / 92 / 0 / 8

HEX #E113EB

RGB 225 19 235

HSL 297.22, 0.85%, 0.5%

LAB 54.52, 89.38, -59.25

 

CMYK 53 / 92 / 0 / 38

HEX #4B0C9F

RGB 75 12 159

HSL 265.71, 0.86%, 0.34%

LAB 24.52, 55.68, -64.66

 

CMYK 53 / 92 / 0 / 23

HEX #5D10C5

RGB 93 16 197

HSL 265.52, 0.85%, 0.42%

LAB 31.18, 65.49, -76.32

 

CMYK 53 / 92 / 0 / 8

HEX #6F13EB

RGB 111 19 235

HSL 265.56, 0.85%, 0.5%

LAB 37.56, 75.12, -87.64

 

CMYK 44 / 76 / 0 / 7

HEX #8639EE

RGB 134 57 238

HSL 265.52, 0.84%, 0.58%

LAB 44.47, 66.92, -77.86

 

CMYK 35 / 61 / 0 / 5

HEX #9D5FF2

RGB 157 95 242

HSL 265.31, 0.85%, 0.66%

LAB 53.77, 54.26, -64.87

 

CMYK 53 / 92 / 0 / 7

HEX #7014EC

RGB 112 20 236

HSL 265.56, 0.85%, 0.5%

LAB 37.84, 75.24, -87.73

 

CMYK 0 / 92 / 57 / 8

HEX #EB1366

RGB 235 19 102

HSL 336.94, 0.85%, 0.5%

LAB 50.79, 76.84, 13.47

 

CMYK 92 / 0 / 91 / 8

HEX #13EB16

RGB 19 235 22

HSL 120.83, 0.85%, 0.5%

LAB 81.63, -79.92, 76.09

 

CMYK 53 / 92 / 0 / 7

HEX #7014EC

RGB 112 20 236

HSL 265.56, 0.85%, 0.5%

LAB 37.84, 75.24, -87.73

 

CMYK 0 / 54 / 92 / 8

HEX #EB6D13

RGB 235 109 19

HSL 25, 0.85%, 0.5%

LAB 60.47, 44.61, 65.11

 

CMYK 92 / 0 / 54 / 8

HEX #13EB6D

RGB 19 235 109

HSL 145, 0.85%, 0.5%

LAB 82.2, -72.77, 47.74

 

CMYK 53 / 92 / 0 / 7

HEX #7014EC

RGB 112 20 236

HSL 265.56, 0.85%, 0.5%

LAB 37.84, 75.24, -87.73

 

CMYK 0 / 92 / 57 / 8

HEX #EB1366

RGB 235 19 102

HSL 336.94, 0.85%, 0.5%

LAB 50.79, 76.84, 13.47

 

CMYK 38 / 0 / 92 / 8

HEX #91EB13

RGB 145 235 19

HSL 85, 0.85%, 0.5%

LAB 84.73, -54.86, 80.34

 

CMYK 92 / 0 / 35 / 8

HEX #13EB98

RGB 19 235 152

HSL 156.94, 0.85%, 0.5%

LAB 82.82, -65.37, 27.42

 

CMYK 53 / 92 / 0 / 7

HEX #7014EC

RGB 112 20 236

HSL 265.56, 0.85%, 0.5%

LAB 37.84, 75.24, -87.73

 

CMYK 0 / 92 / 84 / 8

HEX #EB1325

RGB 235 19 37

HSL 355, 0.85%, 0.5%

LAB 49.81, 74.12, 50.25

 

CMYK 38 / 0 / 92 / 8

HEX #91EB13

RGB 145 235 19

HSL 85, 0.85%, 0.5%

LAB 84.73, -54.86, 80.34

 

CMYK 92 / 0 / 8 / 8

HEX #13EBD9

RGB 19 235 217

HSL 175, 0.85%, 0.5%

LAB 84.26, -49.8, -4.45

 

Description

Color code: HEX #7014EC | qconv.com Color code: HEX #7014EC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 20 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 20 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 92 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 92% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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