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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #701F85 it is the complementary color #8FE07A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #701F85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #701F85 shade: #751F80, #863193, #9743A6, #A855B9 and #B967CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #701F85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #701F85 shade: #701F85, #5F0D72, #4E005F, #3D004C and #2C0039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #701F85 shade: #6F1F84, #841F7D, #841F62, #841F47 and #841F2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #701F85 shade: #6F1F84, #541F84, #381F84 and #1F1F84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #701F85 shade matches the following richer shades: #6F1F84, #771191 and #7E049E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #701F85 shade: #6F1F84, #672C76, #5F3969, #58465C and #50534F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #701F85 shade: #381F84, #531F84, #6E1F84, #841F7F and #841F64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #701F85 shade: #370F41, #531762, #6F1F84, #8B26A5 and #A72EC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #701F85 shade: #701F85, #841F20 and #1F8445

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #701F85 shade: #701F85, #846E1F and #1F846E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #701F85 shade: #701F85, #841F20, #34841F and #1F8482

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #701F85 shade: #701F85, #843B1F, #34841F and #1F6784

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 77 / 0 / 48

HEX #701F85

RGB 112 31 133

HSL 287.65, 0.62%, 0.32%

LAB 29.71, 49.6, -39.9

 

Complementary color

CMYK 36 / 0 / 46 / 12

HEX #8FE07A

RGB 143 224 122

HSL 107.65, 0.62%, 0.68%

LAB 82.14, -43.71, 42.15

 

CMYK 9 / 76 / 0 / 50

HEX #751F80

RGB 117 31 128

HSL 293.2, 0.61%, 0.31%

LAB 30.21, 49.72, -35.93

 

CMYK 9 / 67 / 0 / 42

HEX #863193

RGB 134 49 147

HSL 292.04, 0.5%, 0.38%

LAB 36.69, 50.09, -37.18

 

CMYK 9 / 60 / 0 / 35

HEX #9743A6

RGB 151 67 166

HSL 290.91, 0.42%, 0.46%

LAB 43.28, 49.85, -38

 

CMYK 9 / 54 / 0 / 27

HEX #A855B9

RGB 168 85 185

HSL 289.8, 0.42%, 0.53%

LAB 49.89, 49.3, -38.57

 

CMYK 9 / 50 / 0 / 20

HEX #B967CC

RGB 185 103 204

HSL 288.71, 0.5%, 0.6%

LAB 56.46, 48.62, -38.99

 

CMYK 16 / 77 / 0 / 48

HEX #701F85

RGB 112 31 133

HSL 287.65, 0.62%, 0.32%

LAB 29.71, 49.6, -39.9

 

CMYK 17 / 89 / 0 / 55

HEX #5F0D72

RGB 95 13 114

HSL 288.71, 0.8%, 0.25%

LAB 23.46, 48.13, -38.08

 

CMYK 18 / 100 / 0 / 63

HEX #4E005F

RGB 78 0 95

HSL 289.26, 1%, 0.19%

LAB 17.67, 44.76, -35.16

 

CMYK 20 / 100 / 0 / 70

HEX #3D004C

RGB 61 0 76

HSL 288.16, 1%, 0.15%

LAB 12.7, 38.25, -30.49

 

CMYK 23 / 100 / 0 / 78

HEX #2C0039

RGB 44 0 57

HSL 286.32, 1%, 0.11%

LAB 7.51, 31.39, -25.61

 

CMYK 16 / 77 / 0 / 48

HEX #6F1F84

RGB 111 31 132

HSL 287.52, 0.62%, 0.32%

LAB 29.48, 49.19, -39.66

 

CMYK 0 / 77 / 5 / 48

HEX #841F7D

RGB 132 31 125

HSL 304.16, 0.62%, 0.32%

LAB 32.63, 52.61, -30.04

 

CMYK 0 / 77 / 26 / 48

HEX #841F62

RGB 132 31 98

HSL 320.2, 0.62%, 0.32%

LAB 31.27, 48.53, -14.96

 

CMYK 0 / 77 / 46 / 48

HEX #841F47

RGB 132 31 71

HSL 336.24, 0.62%, 0.32%

LAB 30.26, 45.34, 1.2

 

CMYK 0 / 77 / 67 / 48

HEX #841F2B

RGB 132 31 43

HSL 352.87, 0.62%, 0.32%

LAB 29.56, 43.08, 18.8

 

CMYK 16 / 77 / 0 / 48

HEX #6F1F84

RGB 111 31 132

HSL 287.52, 0.62%, 0.32%

LAB 29.48, 49.19, -39.66

 

CMYK 36 / 77 / 0 / 48

HEX #541F84

RGB 84 31 132

HSL 271.49, 0.62%, 0.32%

LAB 25.35, 43.68, -46.53

 

CMYK 58 / 77 / 0 / 48

HEX #381F84

RGB 56 31 132

HSL 254.85, 0.62%, 0.32%

LAB 21.9, 38.85, -52.33

 

CMYK 77 / 77 / 0 / 48

HEX #1F1F84

RGB 31 31 132

HSL 240, 0.62%, 0.32%

LAB 19.79, 35.78, -55.87

 

CMYK 16 / 77 / 0 / 48

HEX #6F1F84

RGB 111 31 132

HSL 287.52, 0.62%, 0.32%

LAB 29.48, 49.19, -39.66

 

CMYK 18 / 88 / 0 / 43

HEX #771191

RGB 119 17 145

HSL 287.81, 0.79%, 0.32%

LAB 30.32, 57.42, -46.31

 

CMYK 20 / 97 / 0 / 38

HEX #7E049E

RGB 126 4 158

HSL 287.53, 0.95%, 0.32%

LAB 31.79, 63.13, -51.84

 

CMYK 16 / 77 / 0 / 48

HEX #6F1F84

RGB 111 31 132

HSL 287.52, 0.62%, 0.32%

LAB 29.48, 49.19, -39.66

 

CMYK 13 / 63 / 0 / 54

HEX #672C76

RGB 103 44 118

HSL 287.84, 0.46%, 0.32%

LAB 29.39, 38.51, -31.05

 

CMYK 10 / 46 / 0 / 59

HEX #5F3969

RGB 95 57 105

HSL 287.5, 0.3%, 0.32%

LAB 30.35, 25.83, -21.36

 

CMYK 4 / 24 / 0 / 64

HEX #58465C

RGB 88 70 92

HSL 289.09, 0.14%, 0.32%

LAB 32.32, 12.18, -10.09

 

CMYK 4 / 0 / 5 / 67

HEX #50534F

RGB 80 83 79

HSL 105, 0.02%, 0.32%

LAB 34.92, -2.07, 1.92

 

CMYK 58 / 77 / 0 / 48

HEX #381F84

RGB 56 31 132

HSL 254.85, 0.62%, 0.32%

LAB 21.9, 38.85, -52.33

 

CMYK 37 / 77 / 0 / 48

HEX #531F84

RGB 83 31 132

HSL 270.89, 0.62%, 0.32%

LAB 25.21, 43.49, -46.77

 

CMYK 17 / 77 / 0 / 48

HEX #6E1F84

RGB 110 31 132

HSL 286.93, 0.62%, 0.32%

LAB 29.31, 48.97, -39.93

 

CMYK 0 / 77 / 4 / 48

HEX #841F7F

RGB 132 31 127

HSL 302.97, 0.62%, 0.32%

LAB 32.74, 52.94, -31.12

 

CMYK 0 / 77 / 24 / 48

HEX #841F64

RGB 132 31 100

HSL 319.01, 0.62%, 0.32%

LAB 31.36, 48.81, -16.12

 

CMYK 15 / 77 / 0 / 75

HEX #370F41

RGB 55 15 65

HSL 288, 0.63%, 0.16%

LAB 12.83, 28.29, -22.64

 

CMYK 15 / 77 / 0 / 62

HEX #531762

RGB 83 23 98

HSL 288, 0.62%, 0.24%

LAB 21.33, 39.03, -31.2

 

CMYK 16 / 77 / 0 / 48

HEX #6F1F84

RGB 111 31 132

HSL 287.52, 0.62%, 0.32%

LAB 29.48, 49.19, -39.66

 

CMYK 16 / 77 / 0 / 35

HEX #8B26A5

RGB 139 38 165

HSL 287.72, 0.63%, 0.4%

LAB 37.1, 58.95, -47.37

 

CMYK 16 / 77 / 0 / 22

HEX #A72EC7

RGB 167 46 199

HSL 287.45, 0.62%, 0.48%

LAB 44.65, 68.16, -55.06

 

CMYK 16 / 77 / 0 / 48

HEX #701F85

RGB 112 31 133

HSL 287.65, 0.62%, 0.32%

LAB 29.71, 49.6, -39.9

 

CMYK 0 / 77 / 76 / 48

HEX #841F20

RGB 132 31 32

HSL 359.41, 0.62%, 0.32%

LAB 29.39, 42.49, 25.65

 

CMYK 77 / 0 / 48 / 48

HEX #1F8445

RGB 31 132 69

HSL 142.57, 0.62%, 0.32%

LAB 48.54, -43.01, 26.02

 

CMYK 16 / 77 / 0 / 48

HEX #701F85

RGB 112 31 133

HSL 287.65, 0.62%, 0.32%

LAB 29.71, 49.6, -39.9

 

CMYK 0 / 17 / 77 / 48

HEX #846E1F

RGB 132 110 31

HSL 46.93, 0.62%, 0.32%

LAB 47.18, -0.1, 44.7

 

CMYK 77 / 0 / 17 / 48

HEX #1F846E

RGB 31 132 110

HSL 166.93, 0.62%, 0.32%

LAB 49.4, -33.66, 3.81

 

CMYK 16 / 77 / 0 / 48

HEX #701F85

RGB 112 31 133

HSL 287.65, 0.62%, 0.32%

LAB 29.71, 49.6, -39.9

 

CMYK 0 / 77 / 76 / 48

HEX #841F20

RGB 132 31 32

HSL 359.41, 0.62%, 0.32%

LAB 29.39, 42.49, 25.65

 

CMYK 61 / 0 / 77 / 48

HEX #34841F

RGB 52 132 31

HSL 107.52, 0.62%, 0.32%

LAB 48.68, -43.4, 44.37

 

CMYK 77 / 0 / 2 / 48

HEX #1F8482

RGB 31 132 130

HSL 178.81, 0.62%, 0.32%

LAB 49.98, -27.82, -7.04

 

CMYK 16 / 77 / 0 / 48

HEX #701F85

RGB 112 31 133

HSL 287.65, 0.62%, 0.32%

LAB 29.71, 49.6, -39.9

 

CMYK 0 / 55 / 77 / 48

HEX #843B1F

RGB 132 59 31

HSL 16.63, 0.62%, 0.32%

LAB 34.26, 29.43, 31.61

 

CMYK 61 / 0 / 77 / 48

HEX #34841F

RGB 52 132 31

HSL 107.52, 0.62%, 0.32%

LAB 48.68, -43.4, 44.37

 

CMYK 77 / 22 / 0 / 48

HEX #1F6784

RGB 31 103 132

HSL 197.23, 0.62%, 0.32%

LAB 40.67, -11.56, -22.39

 

Description

Color code: HEX #701F85 | qconv.com Color code: HEX #701F85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 31 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 31 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 77 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 77% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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