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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #704BC8 it is the complementary color #8FB437. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #704BC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #704BC8 shade: #754BC3, #865DD6, #976FE9, #A881FC and #B993FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #704BC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #704BC8 shade: #704BC8, #5F39B5, #4E27A2, #3D158F and #2C037C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #704BC8 shade: #704BC7, #914BC7, #B34BC7, #C74BBA and #C74B99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #704BC8 shade: #704BC7, #4E4BC7 and #4B4BC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #704BC8 shade matches the following richer shades: #704BC7, #6838DA and #6025ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #704BC8 shade: #704BC7, #785EB4, #7F71A1, #87848E and #8F977B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #704BC8 shade: #4B6AC7, #4D4BC7, #6E4BC7, #8F4BC7 and #B14BC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #704BC8 shade: #4B2D93, #5B37B3, #704BC7, #896BD1 and #A28ADB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #704BC8 shade: #704BC8, #C74B8B and #5AC74B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #704BC8 shade: #704BC8, #C76E4B and #4BC76E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #704BC8 shade: #704BC8, #C74B8B, #A4C74B and #4BC787

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #704BC8 shade: #704BC8, #C74B66, #A4C74B and #4BC7AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 63 / 0 / 22

HEX #704BC8

RGB 112 75 200

HSL 257.76, 0.53%, 0.54%

LAB 42.23, 44.54, -59.9

 

Complementary color

CMYK 21 / 0 / 69 / 29

HEX #8FB437

RGB 143 180 55

HSL 77.76, 0.53%, 0.46%

LAB 68.58, -30.52, 56.8

 

CMYK 40 / 62 / 0 / 24

HEX #754BC3

RGB 117 75 195

HSL 261, 0.5%, 0.53%

LAB 42.39, 44.23, -56.71

 

CMYK 37 / 57 / 0 / 16

HEX #865DD6

RGB 134 93 214

HSL 260.33, 0.6%, 0.6%

LAB 49.19, 43.08, -56.58

 

CMYK 35 / 52 / 0 / 9

HEX #976FE9

RGB 151 111 233

HSL 259.67, 0.73%, 0.67%

LAB 55.92, 41.98, -56.43

 

CMYK 33 / 49 / 0 / 1

HEX #A881FC

RGB 168 129 252

HSL 259.02, 0.95%, 0.75%

LAB 62.55, 40.94, -56.28

 

CMYK 27 / 42 / 0 / 0

HEX #B993FF

RGB 185 147 255

HSL 261.11, 1%, 0.79%

LAB 68.32, 36.1, -48.69

 

CMYK 44 / 63 / 0 / 22

HEX #704BC8

RGB 112 75 200

HSL 257.76, 0.53%, 0.54%

LAB 42.23, 44.54, -59.9

 

CMYK 48 / 69 / 0 / 29

HEX #5F39B5

RGB 95 57 181

HSL 258.39, 0.52%, 0.47%

LAB 35.39, 45.79, -59.96

 

CMYK 52 / 76 / 0 / 36

HEX #4E27A2

RGB 78 39 162

HSL 259.02, 0.61%, 0.39%

LAB 28.59, 46.87, -59.77

 

CMYK 57 / 85 / 0 / 44

HEX #3D158F

RGB 61 21 143

HSL 259.67, 0.74%, 0.32%

LAB 21.99, 47.34, -59.04

 

CMYK 65 / 98 / 0 / 51

HEX #2C037C

RGB 44 3 124

HSL 260.33, 0.95%, 0.25%

LAB 15.78, 46.67, -57.4

 

CMYK 44 / 62 / 0 / 22

HEX #704BC7

RGB 112 75 199

HSL 257.9, 0.53%, 0.54%

LAB 42.15, 44.26, -59.43

 

CMYK 27 / 62 / 0 / 22

HEX #914BC7

RGB 145 75 199

HSL 273.87, 0.53%, 0.54%

LAB 45.87, 51.52, -53.25

 

CMYK 10 / 62 / 0 / 22

HEX #B34BC7

RGB 179 75 199

HSL 290.32, 0.53%, 0.54%

LAB 50.38, 59.58, -45.79

 

CMYK 0 / 62 / 7 / 22

HEX #C74BBA

RGB 199 75 186

HSL 306.29, 0.53%, 0.54%

LAB 52.64, 62.28, -34.51

 

CMYK 0 / 62 / 23 / 22

HEX #C74B99

RGB 199 75 153

HSL 322.26, 0.53%, 0.54%

LAB 51.24, 57.36, -17.35

 

CMYK 44 / 62 / 0 / 22

HEX #704BC7

RGB 112 75 199

HSL 257.9, 0.53%, 0.54%

LAB 42.15, 44.26, -59.43

 

CMYK 61 / 62 / 0 / 22

HEX #4E4BC7

RGB 78 75 199

HSL 241.45, 0.53%, 0.54%

LAB 39.2, 37.96, -64.37

 

CMYK 62 / 62 / 0 / 22

HEX #4B4BC7

RGB 75 75 199

HSL 240, 0.53%, 0.54%

LAB 38.99, 37.48, -64.73

 

CMYK 44 / 62 / 0 / 22

HEX #704BC7

RGB 112 75 199

HSL 257.9, 0.53%, 0.54%

LAB 42.15, 44.26, -59.43

 

CMYK 52 / 74 / 0 / 15

HEX #6838DA

RGB 104 56 218

HSL 257.78, 0.69%, 0.54%

LAB 39.3, 57.94, -75.09

 

CMYK 59 / 84 / 0 / 7

HEX #6025ED

RGB 96 37 237

HSL 257.7, 0.85%, 0.54%

LAB 37.71, 69.68, -88.58

 

CMYK 44 / 62 / 0 / 22

HEX #704BC7

RGB 112 75 199

HSL 257.9, 0.53%, 0.54%

LAB 42.15, 44.26, -59.43

 

CMYK 33 / 48 / 0 / 29

HEX #785EB4

RGB 120 94 180

HSL 258.14, 0.36%, 0.54%

LAB 46.03, 29.94, -42.11

 

CMYK 21 / 30 / 0 / 37

HEX #7F71A1

RGB 127 113 161

HSL 257.5, 0.2%, 0.54%

LAB 50.56, 15.79, -23.85

 

CMYK 5 / 7 / 0 / 44

HEX #87848E

RGB 135 132 142

HSL 258, 0.04%, 0.54%

LAB 55.69, 3.13, -4.97

 

CMYK 5 / 0 / 19 / 41

HEX #8F977B

RGB 143 151 123

HSL 77.14, 0.12%, 0.54%

LAB 61.14, -8.03, 13.8

 

CMYK 62 / 47 / 0 / 22

HEX #4B6AC7

RGB 75 106 199

HSL 225, 0.53%, 0.54%

LAB 46.88, 18.03, -51.96

 

CMYK 61 / 62 / 0 / 22

HEX #4D4BC7

RGB 77 75 199

HSL 240.97, 0.53%, 0.54%

LAB 39.13, 37.8, -64.49

 

CMYK 45 / 62 / 0 / 22

HEX #6E4BC7

RGB 110 75 199

HSL 256.94, 0.53%, 0.54%

LAB 41.95, 43.85, -59.77

 

CMYK 28 / 62 / 0 / 22

HEX #8F4BC7

RGB 143 75 199

HSL 272.9, 0.53%, 0.54%

LAB 45.63, 51.06, -53.66

 

CMYK 11 / 62 / 0 / 22

HEX #B14BC7

RGB 177 75 199

HSL 289.35, 0.53%, 0.54%

LAB 50.1, 59.1, -46.25

 

CMYK 49 / 69 / 0 / 42

HEX #4B2D93

RGB 75 45 147

HSL 257.65, 0.53%, 0.38%

LAB 28.06, 38.88, -51.49

 

CMYK 49 / 69 / 0 / 30

HEX #5B37B3

RGB 91 55 179

HSL 257.42, 0.53%, 0.46%

LAB 34.42, 45.58, -60.38

 

CMYK 44 / 62 / 0 / 22

HEX #704BC7

RGB 112 75 199

HSL 257.9, 0.53%, 0.54%

LAB 42.15, 44.26, -59.43

 

CMYK 34 / 49 / 0 / 18

HEX #896BD1

RGB 137 107 209

HSL 257.65, 0.53%, 0.62%

LAB 52.33, 34.5, -48.71

 

CMYK 26 / 37 / 0 / 14

HEX #A28ADB

RGB 162 138 219

HSL 257.78, 0.53%, 0.7%

LAB 62.48, 26.04, -38.16

 

CMYK 44 / 63 / 0 / 22

HEX #704BC8

RGB 112 75 200

HSL 257.76, 0.53%, 0.54%

LAB 42.23, 44.54, -59.9

 

CMYK 0 / 62 / 30 / 22

HEX #C74B8B

RGB 199 75 139

HSL 329.03, 0.53%, 0.54%

LAB 50.73, 55.53, -9.79

 

CMYK 55 / 0 / 62 / 22

HEX #5AC74B

RGB 90 199 75

HSL 112.74, 0.53%, 0.54%

LAB 71.91, -54.73, 51.37

 

CMYK 44 / 63 / 0 / 22

HEX #704BC8

RGB 112 75 200

HSL 257.76, 0.53%, 0.54%

LAB 42.23, 44.54, -59.9

 

CMYK 0 / 45 / 62 / 22

HEX #C76E4B

RGB 199 110 75

HSL 16.94, 0.53%, 0.54%

LAB 55.89, 32.07, 34.78

 

CMYK 62 / 0 / 45 / 22

HEX #4BC76E

RGB 75 199 110

HSL 136.94, 0.53%, 0.54%

LAB 71.87, -53.6, 34.56

 

CMYK 44 / 63 / 0 / 22

HEX #704BC8

RGB 112 75 200

HSL 257.76, 0.53%, 0.54%

LAB 42.23, 44.54, -59.9

 

CMYK 0 / 62 / 30 / 22

HEX #C74B8B

RGB 199 75 139

HSL 329.03, 0.53%, 0.54%

LAB 50.73, 55.53, -9.79

 

CMYK 18 / 0 / 62 / 22

HEX #A4C74B

RGB 164 199 75

HSL 76.94, 0.53%, 0.54%

LAB 75.6, -29.76, 56.49

 

CMYK 62 / 0 / 32 / 22

HEX #4BC787

RGB 75 199 135

HSL 149.03, 0.53%, 0.54%

LAB 72.29, -49.07, 22.12

 

CMYK 44 / 63 / 0 / 22

HEX #704BC8

RGB 112 75 200

HSL 257.76, 0.53%, 0.54%

LAB 42.23, 44.54, -59.9

 

CMYK 0 / 62 / 49 / 22

HEX #C74B66

RGB 199 75 102

HSL 346.94, 0.53%, 0.54%

LAB 49.66, 51.53, 10.91

 

CMYK 18 / 0 / 62 / 22

HEX #A4C74B

RGB 164 199 75

HSL 76.94, 0.53%, 0.54%

LAB 75.6, -29.76, 56.49

 

CMYK 62 / 0 / 14 / 22

HEX #4BC7AC

RGB 75 199 172

HSL 166.94, 0.53%, 0.54%

LAB 73.1, -40.74, 3.39

 

Description

Color code: HEX #704BC8 | qconv.com Color code: HEX #704BC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 75 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 75 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 63 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 63% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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