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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #704CA6 it is the complementary color #8FB359. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #704CA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #704CA6 shade: #754CA1, #865EB4, #9770C7, #A882DA and #B994ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #704CA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #704CA6 shade: #704CA6, #5F3A93, #4E2880, #3D166D and #2C045A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #704CA6 shade: #6E4BA4, #864BA4, #9E4BA4, #A44B91 and #A44B79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #704CA6 shade: #6E4BA4, #574BA4 and #4B4BA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #704CA6 shade matches the following richer shades: #6E4BA4, #6B38B7, #6724CA and #6311DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #704CA6 shade: #6E4BA4, #725E90, #76727D, #7A856A and #7E9956

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #704CA6 shade: #4B57A4, #574BA4, #6E4BA4, #864BA4 and #9E4BA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #704CA6 shade: #48316B, #5B3E87, #6E4BA4, #8462B6 and #9A7EC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #704CA6 shade: #704CA6, #A44B6E and #4BA44B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #704CA6 shade: #704CA6, #A46E4B and #4BA46E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #704CA6 shade: #704CA6, #A44B6E, #80A44B and #4BA480

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #704CA6 shade: #704CA6, #A44B54, #80A44B and #4BA49B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 54 / 0 / 35

HEX #704CA6

RGB 112 76 166

HSL 264, 0.37%, 0.47%

LAB 40.19, 34.73, -43.21

 

Complementary color

CMYK 20 / 0 / 50 / 30

HEX #8FB359

RGB 143 179 89

HSL 84, 0.37%, 0.53%

LAB 68.61, -27.11, 41.67

 

CMYK 27 / 53 / 0 / 37

HEX #754CA1

RGB 117 76 161

HSL 268.94, 0.36%, 0.46%

LAB 40.45, 34.78, -39.78

 

CMYK 26 / 48 / 0 / 29

HEX #865EB4

RGB 134 94 180

HSL 267.91, 0.36%, 0.54%

LAB 47.45, 33.82, -39.76

 

CMYK 24 / 44 / 0 / 22

HEX #9770C7

RGB 151 112 199

HSL 266.9, 0.44%, 0.61%

LAB 54.33, 32.92, -39.75

 

CMYK 23 / 40 / 0 / 15

HEX #A882DA

RGB 168 130 218

HSL 265.91, 0.54%, 0.68%

LAB 61.09, 32.09, -39.74

 

CMYK 22 / 38 / 0 / 7

HEX #B994ED

RGB 185 148 237

HSL 264.94, 0.71%, 0.75%

LAB 67.73, 31.32, -39.76

 

CMYK 33 / 54 / 0 / 35

HEX #704CA6

RGB 112 76 166

HSL 264, 0.37%, 0.47%

LAB 40.19, 34.73, -43.21

 

CMYK 35 / 61 / 0 / 42

HEX #5F3A93

RGB 95 58 147

HSL 264.94, 0.43%, 0.4%

LAB 33.06, 35.82, -43.28

 

CMYK 39 / 69 / 0 / 50

HEX #4E2880

RGB 78 40 128

HSL 265.91, 0.52%, 0.33%

LAB 25.85, 36.87, -43.25

 

CMYK 44 / 80 / 0 / 57

HEX #3D166D

RGB 61 22 109

HSL 266.9, 0.66%, 0.26%

LAB 18.67, 37.55, -42.87

 

CMYK 51 / 96 / 0 / 65

HEX #2C045A

RGB 44 4 90

HSL 267.91, 0.91%, 0.18%

LAB 11.69, 37.37, -41.83

 

CMYK 33 / 54 / 0 / 36

HEX #6E4BA4

RGB 110 75 164

HSL 263.6, 0.37%, 0.47%

LAB 39.63, 34.26, -42.93

 

CMYK 18 / 54 / 0 / 36

HEX #864BA4

RGB 134 75 164

HSL 279.78, 0.37%, 0.47%

LAB 42.43, 40.74, -38.3

 

CMYK 4 / 54 / 0 / 36

HEX #9E4BA4

RGB 158 75 164

HSL 295.96, 0.37%, 0.47%

LAB 45.61, 47.45, -33.07

 

CMYK 0 / 54 / 12 / 36

HEX #A44B91

RGB 164 75 145

HSL 312.81, 0.37%, 0.47%

LAB 45.59, 45.81, -21.7

 

CMYK 0 / 54 / 26 / 36

HEX #A44B79

RGB 164 75 121

HSL 328.99, 0.37%, 0.47%

LAB 44.67, 42.1, -8.57

 

CMYK 33 / 54 / 0 / 36

HEX #6E4BA4

RGB 110 75 164

HSL 263.6, 0.37%, 0.47%

LAB 39.63, 34.26, -42.93

 

CMYK 47 / 54 / 0 / 36

HEX #574BA4

RGB 87 75 164

HSL 248.09, 0.37%, 0.47%

LAB 37.37, 28.54, -46.67

 

CMYK 54 / 54 / 0 / 36

HEX #4B4BA4

RGB 75 75 164

HSL 240, 0.37%, 0.47%

LAB 36.38, 25.87, -48.31

 

CMYK 33 / 54 / 0 / 36

HEX #6E4BA4

RGB 110 75 164

HSL 263.6, 0.37%, 0.47%

LAB 39.63, 34.26, -42.93

 

CMYK 42 / 69 / 0 / 28

HEX #6B38B7

RGB 107 56 183

HSL 264.09, 0.53%, 0.47%

LAB 36.69, 49.1, -58.96

 

CMYK 49 / 82 / 0 / 21

HEX #6724CA

RGB 103 36 202

HSL 264.22, 0.7%, 0.47%

LAB 34.82, 62.02, -73.2

 

CMYK 55 / 92 / 0 / 13

HEX #6311DE

RGB 99 17 222

HSL 264, 0.86%, 0.47%

LAB 34.66, 71.58, -85.06

 

CMYK 33 / 54 / 0 / 36

HEX #6E4BA4

RGB 110 75 164

HSL 263.6, 0.37%, 0.47%

LAB 39.63, 34.26, -42.93

 

CMYK 21 / 35 / 0 / 44

HEX #725E90

RGB 114 94 144

HSL 264, 0.21%, 0.47%

LAB 43.65, 18.83, -24.59

 

CMYK 6 / 9 / 0 / 51

HEX #76727D

RGB 118 114 125

HSL 261.82, 0.05%, 0.47%

LAB 48.72, 3.8, -5.5

 

CMYK 8 / 0 / 20 / 48

HEX #7A856A

RGB 122 133 106

HSL 84.44, 0.11%, 0.47%

LAB 53.98, -9.2, 13.23

 

CMYK 18 / 0 / 44 / 40

HEX #7E9956

RGB 126 153 86

HSL 84.18, 0.28%, 0.47%

LAB 59.79, -21.2, 32.08

 

CMYK 54 / 47 / 0 / 36

HEX #4B57A4

RGB 75 87 164

HSL 231.91, 0.37%, 0.47%

LAB 39.57, 18.17, -43.2

 

CMYK 47 / 54 / 0 / 36

HEX #574BA4

RGB 87 75 164

HSL 248.09, 0.37%, 0.47%

LAB 37.37, 28.54, -46.67

 

CMYK 33 / 54 / 0 / 36

HEX #6E4BA4

RGB 110 75 164

HSL 263.6, 0.37%, 0.47%

LAB 39.63, 34.26, -42.93

 

CMYK 18 / 54 / 0 / 36

HEX #864BA4

RGB 134 75 164

HSL 279.78, 0.37%, 0.47%

LAB 42.43, 40.74, -38.3

 

CMYK 4 / 54 / 0 / 36

HEX #9E4BA4

RGB 158 75 164

HSL 295.96, 0.37%, 0.47%

LAB 45.61, 47.45, -33.07

 

CMYK 33 / 54 / 0 / 58

HEX #48316B

RGB 72 49 107

HSL 263.79, 0.37%, 0.31%

LAB 25.67, 24.06, -30.21

 

CMYK 33 / 54 / 0 / 47

HEX #5B3E87

RGB 91 62 135

HSL 263.84, 0.37%, 0.39%

LAB 32.74, 29.13, -36.45

 

CMYK 33 / 54 / 0 / 36

HEX #6E4BA4

RGB 110 75 164

HSL 263.6, 0.37%, 0.47%

LAB 39.63, 34.26, -42.93

 

CMYK 27 / 46 / 0 / 29

HEX #8462B6

RGB 132 98 182

HSL 264.29, 0.37%, 0.55%

LAB 48.28, 31.43, -39.63

 

CMYK 21 / 35 / 0 / 24

HEX #9A7EC3

RGB 154 126 195

HSL 264.35, 0.37%, 0.63%

LAB 57.78, 24.8, -32.05

 

CMYK 33 / 54 / 0 / 35

HEX #704CA6

RGB 112 76 166

HSL 264, 0.37%, 0.47%

LAB 40.19, 34.73, -43.21

 

CMYK 0 / 54 / 33 / 36

HEX #A44B6E

RGB 164 75 110

HSL 336.4, 0.37%, 0.47%

LAB 44.31, 40.6, -2.39

 

CMYK 54 / 0 / 54 / 36

HEX #4BA44B

RGB 75 164 75

HSL 120, 0.37%, 0.47%

LAB 60.39, -45.09, 37.86

 

CMYK 33 / 54 / 0 / 35

HEX #704CA6

RGB 112 76 166

HSL 264, 0.37%, 0.47%

LAB 40.19, 34.73, -43.21

 

CMYK 0 / 33 / 54 / 36

HEX #A46E4B

RGB 164 110 75

HSL 23.6, 0.37%, 0.47%

LAB 51.33, 17.51, 28.12

 

CMYK 54 / 0 / 33 / 36

HEX #4BA46E

RGB 75 164 110

HSL 143.6, 0.37%, 0.47%

LAB 60.93, -39.3, 20.14

 

CMYK 33 / 54 / 0 / 35

HEX #704CA6

RGB 112 76 166

HSL 264, 0.37%, 0.47%

LAB 40.19, 34.73, -43.21

 

CMYK 0 / 54 / 33 / 36

HEX #A44B6E

RGB 164 75 110

HSL 336.4, 0.37%, 0.47%

LAB 44.31, 40.6, -2.39

 

CMYK 22 / 0 / 54 / 36

HEX #80A44B

RGB 128 164 75

HSL 84.27, 0.37%, 0.47%

LAB 63.05, -27.15, 41.68

 

CMYK 54 / 0 / 22 / 36

HEX #4BA480

RGB 75 164 128

HSL 155.73, 0.37%, 0.47%

LAB 61.31, -35.48, 10.7

 

CMYK 33 / 54 / 0 / 35

HEX #704CA6

RGB 112 76 166

HSL 264, 0.37%, 0.47%

LAB 40.19, 34.73, -43.21

 

CMYK 0 / 54 / 49 / 36

HEX #A44B54

RGB 164 75 84

HSL 353.93, 0.37%, 0.47%

LAB 43.6, 37.62, 12.58

 

CMYK 22 / 0 / 54 / 36

HEX #80A44B

RGB 128 164 75

HSL 84.27, 0.37%, 0.47%

LAB 63.05, -27.15, 41.68

 

CMYK 54 / 0 / 5 / 36

HEX #4BA49B

RGB 75 164 155

HSL 173.93, 0.37%, 0.47%

LAB 62.01, -28.82, -3.43

 

Description

Color code: HEX #704CA6 | qconv.com Color code: HEX #704CA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 76 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 76 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 54 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 54% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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