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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #705D48 it is the complementary color #8FA2B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #705D48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #705D48 shade: #755D43, #866F56, #978169, #A8937C and #B9A58F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #705D48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #705D48 shade: #705D48, #5F4B35, #4E3922, #3D270F and #2C1500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #705D48 shade: #6F5C47, #6F5147 and #6F4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #705D48 shade: #6F5C47, #6F6747, #6D6F47, #626F47 and #576F47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #705D48 shade matches the following richer shades: #6F5C47, #7E5D38, #8D5E29, #9C5F1B and #AB5F0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #705D48 shade: #6F5C47, #615C56, #525B65, #435A74 and #345983

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #705D48 shade: #6F4748, #6F5147, #6F5C47, #6F6747 and #6D6F47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #705D48 shade: #3D3327, #564737, #6F5C47, #897157 and #9F866A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #705D48 shade: #705D48, #536F47 and #4C476F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #705D48 shade: #705D48, #476F5C and #5C476F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #705D48 shade: #705D48, #536F47, #475B6F and #64476F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #705D48 shade: #705D48, #476F48, #475B6F and #6F476F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 36 / 56

HEX #705D48

RGB 112 93 72

HSL 31.5, 0.22%, 0.36%

LAB 40.8, 4.36, 14.95

 

Complementary color

CMYK 22 / 11 / 0 / 28

HEX #8FA2B7

RGB 143 162 183

HSL 211.5, 0.22%, 0.64%

LAB 65.83, -2, -13.06

 

CMYK 0 / 21 / 43 / 54

HEX #755D43

RGB 117 93 67

HSL 31.2, 0.27%, 0.36%

LAB 41.24, 5.93, 18.64

 

CMYK 0 / 17 / 36 / 47

HEX #866F56

RGB 134 111 86

HSL 31.25, 0.22%, 0.43%

LAB 48.4, 5.22, 17.32

 

CMYK 0 / 15 / 30 / 41

HEX #978169

RGB 151 129 105

HSL 31.3, 0.18%, 0.5%

LAB 55.38, 4.64, 16.14

 

CMYK 0 / 13 / 26 / 34

HEX #A8937C

RGB 168 147 124

HSL 31.36, 0.2%, 0.57%

LAB 62.21, 4.16, 15.06

 

CMYK 0 / 11 / 23 / 27

HEX #B9A58F

RGB 185 165 143

HSL 31.43, 0.23%, 0.64%

LAB 68.9, 3.74, 14.06

 

CMYK 0 / 17 / 36 / 56

HEX #705D48

RGB 112 93 72

HSL 31.5, 0.22%, 0.36%

LAB 40.8, 4.36, 14.95

 

CMYK 0 / 21 / 44 / 63

HEX #5F4B35

RGB 95 75 53

HSL 31.43, 0.28%, 0.29%

LAB 33.4, 5.08, 16.31

 

CMYK 0 / 27 / 56 / 69

HEX #4E3922

RGB 78 57 34

HSL 31.36, 0.39%, 0.22%

LAB 25.75, 6.06, 17.88

 

CMYK 0 / 36 / 75 / 76

HEX #3D270F

RGB 61 39 15

HSL 31.3, 0.61%, 0.15%

LAB 17.82, 7.48, 19.48

 

CMYK 0 / 52 / 100 / 83

HEX #2C1500

RGB 44 21 0

HSL 28.64, 1%, 0.09%

LAB 9.58, 9.54, 14.54

 

CMYK 0 / 17 / 36 / 56

HEX #6F5C47

RGB 111 92 71

HSL 31.5, 0.22%, 0.36%

LAB 40.39, 4.38, 14.98

 

CMYK 0 / 27 / 36 / 56

HEX #6F5147

RGB 111 81 71

HSL 15, 0.22%, 0.36%

LAB 37.33, 11.05, 10.79

 

CMYK 0 / 36 / 36 / 56

HEX #6F4747

RGB 111 71 71

HSL 0, 0.22%, 0.36%

LAB 34.68, 17.16, 7.09

 

CMYK 0 / 17 / 36 / 56

HEX #6F5C47

RGB 111 92 71

HSL 31.5, 0.22%, 0.36%

LAB 40.39, 4.38, 14.98

 

CMYK 0 / 7 / 36 / 56

HEX #6F6747

RGB 111 103 71

HSL 48, 0.22%, 0.36%

LAB 43.56, -2.16, 19.23

 

CMYK 2 / 0 / 36 / 56

HEX #6D6F47

RGB 109 111 71

HSL 63, 0.22%, 0.36%

LAB 45.74, -7.65, 22.06

 

CMYK 12 / 0 / 36 / 56

HEX #626F47

RGB 98 111 71

HSL 79.5, 0.22%, 0.36%

LAB 44.83, -12.35, 20.7

 

CMYK 22 / 0 / 36 / 56

HEX #576F47

RGB 87 111 71

HSL 96, 0.22%, 0.36%

LAB 44.02, -16.88, 19.47

 

CMYK 0 / 17 / 36 / 56

HEX #6F5C47

RGB 111 92 71

HSL 31.5, 0.22%, 0.36%

LAB 40.39, 4.38, 14.98

 

CMYK 0 / 26 / 56 / 51

HEX #7E5D38

RGB 126 93 56

HSL 31.71, 0.38%, 0.36%

LAB 42.08, 8.81, 26.35

 

CMYK 0 / 33 / 71 / 45

HEX #8D5E29

RGB 141 94 41

HSL 31.8, 0.55%, 0.36%

LAB 43.99, 13.95, 37.18

 

CMYK 0 / 39 / 83 / 39

HEX #9C5F1B

RGB 156 95 27

HSL 31.63, 0.7%, 0.36%

LAB 46.08, 19.53, 46.32

 

CMYK 0 / 44 / 93 / 33

HEX #AB5F0C

RGB 171 95 12

HSL 31.32, 0.87%, 0.36%

LAB 48.09, 25.78, 53.67

 

CMYK 0 / 17 / 36 / 56

HEX #6F5C47

RGB 111 92 71

HSL 31.5, 0.22%, 0.36%

LAB 40.39, 4.38, 14.98

 

CMYK 0 / 5 / 11 / 62

HEX #615C56

RGB 97 92 86

HSL 32.73, 0.06%, 0.36%

LAB 39.36, 0.82, 4.16

 

CMYK 19 / 10 / 0 / 60

HEX #525B65

RGB 82 91 101

HSL 211.58, 0.1%, 0.36%

LAB 38.23, -1.13, -6.92

 

CMYK 42 / 22 / 0 / 55

HEX #435A74

RGB 67 90 116

HSL 211.84, 0.27%, 0.36%

LAB 37.42, -1.33, -17.51

 

CMYK 60 / 32 / 0 / 49

HEX #345983

RGB 52 89 131

HSL 211.9, 0.43%, 0.36%

LAB 36.95, 0.36, -27.52

 

CMYK 0 / 36 / 35 / 56

HEX #6F4748

RGB 111 71 72

HSL 358.5, 0.22%, 0.36%

LAB 34.71, 17.3, 6.49

 

CMYK 0 / 27 / 36 / 56

HEX #6F5147

RGB 111 81 71

HSL 15, 0.22%, 0.36%

LAB 37.33, 11.05, 10.79

 

CMYK 0 / 17 / 36 / 56

HEX #6F5C47

RGB 111 92 71

HSL 31.5, 0.22%, 0.36%

LAB 40.39, 4.38, 14.98

 

CMYK 0 / 7 / 36 / 56

HEX #6F6747

RGB 111 103 71

HSL 48, 0.22%, 0.36%

LAB 43.56, -2.16, 19.23

 

CMYK 2 / 0 / 36 / 56

HEX #6D6F47

RGB 109 111 71

HSL 63, 0.22%, 0.36%

LAB 45.74, -7.65, 22.06

 

CMYK 0 / 16 / 36 / 76

HEX #3D3327

RGB 61 51 39

HSL 32.73, 0.22%, 0.2%

LAB 21.97, 2.29, 9.28

 

CMYK 0 / 17 / 36 / 66

HEX #564737

RGB 86 71 55

HSL 30.97, 0.22%, 0.28%

LAB 31.26, 3.68, 12.01

 

CMYK 0 / 17 / 36 / 56

HEX #6F5C47

RGB 111 92 71

HSL 31.5, 0.22%, 0.36%

LAB 40.39, 4.38, 14.98

 

CMYK 0 / 18 / 36 / 46

HEX #897157

RGB 137 113 87

HSL 31.2, 0.22%, 0.44%

LAB 49.27, 5.47, 17.97

 

CMYK 0 / 16 / 33 / 38

HEX #9F866A

RGB 159 134 106

HSL 31.7, 0.22%, 0.52%

LAB 57.52, 5.26, 18.63

 

CMYK 0 / 17 / 36 / 56

HEX #705D48

RGB 112 93 72

HSL 31.5, 0.22%, 0.36%

LAB 40.8, 4.36, 14.95

 

CMYK 25 / 0 / 36 / 56

HEX #536F47

RGB 83 111 71

HSL 102, 0.22%, 0.36%

LAB 43.75, -18.46, 19.07

 

CMYK 32 / 36 / 0 / 56

HEX #4C476F

RGB 76 71 111

HSL 247.5, 0.22%, 0.36%

LAB 32.24, 12.14, -22.37

 

CMYK 0 / 17 / 36 / 56

HEX #705D48

RGB 112 93 72

HSL 31.5, 0.22%, 0.36%

LAB 40.8, 4.36, 14.95

 

CMYK 36 / 0 / 17 / 56

HEX #476F5C

RGB 71 111 92

HSL 151.5, 0.22%, 0.36%

LAB 43.48, -18.66, 6.16

 

CMYK 17 / 36 / 0 / 56

HEX #5C476F

RGB 92 71 111

HSL 271.5, 0.22%, 0.36%

LAB 33.84, 17.53, -19.76

 

CMYK 0 / 17 / 36 / 56

HEX #705D48

RGB 112 93 72

HSL 31.5, 0.22%, 0.36%

LAB 40.8, 4.36, 14.95

 

CMYK 25 / 0 / 36 / 56

HEX #536F47

RGB 83 111 71

HSL 102, 0.22%, 0.36%

LAB 43.75, -18.46, 19.07

 

CMYK 36 / 18 / 0 / 56

HEX #475B6F

RGB 71 91 111

HSL 210, 0.22%, 0.36%

LAB 37.79, -2.2, -13.84

 

CMYK 10 / 36 / 0 / 56

HEX #64476F

RGB 100 71 111

HSL 283.5, 0.22%, 0.36%

LAB 34.73, 20.32, -18.31

 

CMYK 0 / 17 / 36 / 56

HEX #705D48

RGB 112 93 72

HSL 31.5, 0.22%, 0.36%

LAB 40.8, 4.36, 14.95

 

CMYK 36 / 0 / 35 / 56

HEX #476F48

RGB 71 111 72

HSL 121.5, 0.22%, 0.36%

LAB 43.03, -22.77, 17.4

 

CMYK 36 / 18 / 0 / 56

HEX #475B6F

RGB 71 91 111

HSL 210, 0.22%, 0.36%

LAB 37.79, -2.2, -13.84

 

CMYK 0 / 36 / 0 / 56

HEX #6F476F

RGB 111 71 111

HSL 300, 0.22%, 0.36%

LAB 36.05, 24.22, -16.17

 

Description

Color code: HEX #705D48 | qconv.com Color code: HEX #705D48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 93 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 93 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 36 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 36% 56% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Welcome to Antalis I...
Link: http://www.antalis.ie

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