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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #705EAB it is the complementary color #8FA154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #705EAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #705EAB shade: #755EA6, #8670B9, #9782CC, #A894DF and #B9A6F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #705EAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #705EAB shade: #705EAB, #5F4C98, #4E3A85, #3D2872 and #2C165F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #705EAB shade: #705EAA, #845EAA, #995EAA, #AA5EA7 and #AA5E92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #705EAB shade: #705EAA and #5E5EAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #705EAB shade matches the following richer shades: #705EAA, #654ABE, #5B37D2, #5023E5 and #460FF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #705EAB shade: #705EAA, #7A7296, #858682, #909A6F and #9AAD5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #705EAB shade: #5E75AA, #5E61AA, #705EAA, #845EAA and #985EAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #705EAB shade: #4C3F77, #5D4D92, #705EAA, #8879B8 and #A094C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #705EAB shade: #705EAB, #AA5E89 and #6BAA5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #705EAB shade: #705EAB, #AA705E and #5EAA70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #705EAB shade: #705EAB, #AA5E89, #98AA5E and #5EAA7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #705EAB shade: #705EAB, #AA5E72, #98AA5E and #5EAA96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 45 / 0 / 33

HEX #705EAB

RGB 112 94 171

HSL 254.03, 0.31%, 0.52%

LAB 44.79, 25.3, -38.86

 

Complementary color

CMYK 11 / 0 / 48 / 37

HEX #8FA154

RGB 143 161 84

HSL 74.03, 0.31%, 0.48%

LAB 63.32, -18.68, 37.76

 

CMYK 30 / 43 / 0 / 35

HEX #755EA6

RGB 117 94 166

HSL 259.17, 0.29%, 0.51%

LAB 45, 25.38, -35.55

 

CMYK 28 / 39 / 0 / 27

HEX #8670B9

RGB 134 112 185

HSL 258.08, 0.34%, 0.58%

LAB 52.02, 24.52, -35.48

 

CMYK 26 / 36 / 0 / 20

HEX #9782CC

RGB 151 130 204

HSL 257.03, 0.42%, 0.65%

LAB 58.89, 23.76, -35.45

 

CMYK 25 / 34 / 0 / 13

HEX #A894DF

RGB 168 148 223

HSL 256, 0.54%, 0.73%

LAB 65.62, 23.07, -35.46

 

CMYK 24 / 31 / 0 / 5

HEX #B9A6F2

RGB 185 166 242

HSL 255, 0.75%, 0.8%

LAB 72.23, 22.45, -35.5

 

CMYK 35 / 45 / 0 / 33

HEX #705EAB

RGB 112 94 171

HSL 254.03, 0.31%, 0.52%

LAB 44.79, 25.3, -38.86

 

CMYK 38 / 50 / 0 / 40

HEX #5F4C98

RGB 95 76 152

HSL 255, 0.33%, 0.45%

LAB 37.61, 26.37, -39.04

 

CMYK 41 / 56 / 0 / 48

HEX #4E3A85

RGB 78 58 133

HSL 256, 0.39%, 0.37%

LAB 30.25, 27.59, -39.27

 

CMYK 46 / 65 / 0 / 55

HEX #3D2872

RGB 61 40 114

HSL 257.03, 0.48%, 0.3%

LAB 22.74, 28.97, -39.48

 

CMYK 54 / 77 / 0 / 63

HEX #2C165F

RGB 44 22 95

HSL 258.08, 0.62%, 0.23%

LAB 15.15, 30.36, -39.51

 

CMYK 34 / 45 / 0 / 33

HEX #705EAA

RGB 112 94 170

HSL 254.21, 0.31%, 0.52%

LAB 44.73, 25.03, -38.35

 

CMYK 22 / 45 / 0 / 33

HEX #845EAA

RGB 132 94 170

HSL 270, 0.31%, 0.52%

LAB 46.73, 30.8, -35.07

 

CMYK 10 / 45 / 0 / 33

HEX #995EAA

RGB 153 94 170

HSL 286.58, 0.31%, 0.52%

LAB 49.11, 37.13, -31.18

 

CMYK 0 / 45 / 2 / 33

HEX #AA5EA7

RGB 170 94 167

HSL 302.37, 0.31%, 0.52%

LAB 51.08, 41.77, -26.18

 

CMYK 0 / 45 / 14 / 33

HEX #AA5E92

RGB 170 94 146

HSL 318.95, 0.31%, 0.52%

LAB 50.25, 38.06, -15.09

 

CMYK 34 / 45 / 0 / 33

HEX #705EAA

RGB 112 94 170

HSL 254.21, 0.31%, 0.52%

LAB 44.73, 25.03, -38.35

 

CMYK 45 / 45 / 0 / 33

HEX #5E5EAA

RGB 94 94 170

HSL 240, 0.31%, 0.52%

LAB 43.19, 20.21, -40.89

 

CMYK 34 / 45 / 0 / 33

HEX #705EAA

RGB 112 94 170

HSL 254.21, 0.31%, 0.52%

LAB 44.73, 25.03, -38.35

 

CMYK 47 / 61 / 0 / 25

HEX #654ABE

RGB 101 74 190

HSL 253.97, 0.47%, 0.52%

LAB 40.22, 40.01, -57.39

 

CMYK 57 / 74 / 0 / 18

HEX #5B37D2

RGB 91 55 210

HSL 253.94, 0.63%, 0.52%

LAB 37.13, 54.41, -74.09

 

CMYK 65 / 85 / 0 / 10

HEX #5023E5

RGB 80 35 229

HSL 253.92, 0.79%, 0.52%

LAB 35.13, 67.01, -88.34

 

CMYK 72 / 94 / 0 / 2

HEX #460FF9

RGB 70 15 249

HSL 254.1, 0.95%, 0.52%

LAB 34.97, 76.68, -99.97

 

CMYK 34 / 45 / 0 / 33

HEX #705EAA

RGB 112 94 170

HSL 254.21, 0.31%, 0.52%

LAB 44.73, 25.03, -38.35

 

CMYK 19 / 24 / 0 / 41

HEX #7A7296

RGB 122 114 150

HSL 253.33, 0.15%, 0.52%

LAB 49.95, 10.89, -18.39

 

CMYK 1 / 0 / 3 / 47

HEX #858682

RGB 133 134 130

HSL 75, 0.02%, 0.52%

LAB 55.73, -1.15, 2.01

 

CMYK 6 / 0 / 28 / 40

HEX #909A6F

RGB 144 154 111

HSL 73.95, 0.18%, 0.52%

LAB 61.82, -11.15, 21.43

 

CMYK 11 / 0 / 47 / 32

HEX #9AAD5B

RGB 154 173 91

HSL 73.9, 0.33%, 0.52%

LAB 67.66, -19.57, 39.7

 

CMYK 45 / 31 / 0 / 33

HEX #5E75AA

RGB 94 117 170

HSL 221.84, 0.31%, 0.52%

LAB 49.5, 6.03, -30.95

 

CMYK 45 / 43 / 0 / 33

HEX #5E61AA

RGB 94 97 170

HSL 237.63, 0.31%, 0.52%

LAB 43.99, 18.34, -39.63

 

CMYK 34 / 45 / 0 / 33

HEX #705EAA

RGB 112 94 170

HSL 254.21, 0.31%, 0.52%

LAB 44.73, 25.03, -38.35

 

CMYK 22 / 45 / 0 / 33

HEX #845EAA

RGB 132 94 170

HSL 270, 0.31%, 0.52%

LAB 46.73, 30.8, -35.07

 

CMYK 11 / 45 / 0 / 33

HEX #985EAA

RGB 152 94 170

HSL 285.79, 0.31%, 0.52%

LAB 48.99, 36.82, -31.37

 

CMYK 36 / 47 / 0 / 53

HEX #4C3F77

RGB 76 63 119

HSL 253.93, 0.31%, 0.36%

LAB 30.46, 19.68, -30.21

 

CMYK 36 / 47 / 0 / 43

HEX #5D4D92

RGB 93 77 146

HSL 253.91, 0.31%, 0.44%

LAB 37.32, 23.48, -35.89

 

CMYK 34 / 45 / 0 / 33

HEX #705EAA

RGB 112 94 170

HSL 254.21, 0.31%, 0.52%

LAB 44.73, 25.03, -38.35

 

CMYK 26 / 34 / 0 / 28

HEX #8879B8

RGB 136 121 184

HSL 254.29, 0.31%, 0.6%

LAB 54.42, 19.56, -31.14

 

CMYK 20 / 26 / 0 / 22

HEX #A094C7

RGB 160 148 199

HSL 254.12, 0.31%, 0.68%

LAB 63.98, 14.99, -24.69

 

CMYK 35 / 45 / 0 / 33

HEX #705EAB

RGB 112 94 171

HSL 254.03, 0.31%, 0.52%

LAB 44.79, 25.3, -38.86

 

CMYK 0 / 45 / 19 / 33

HEX #AA5E89

RGB 170 94 137

HSL 326.05, 0.31%, 0.52%

LAB 49.93, 36.6, -10.23

 

CMYK 37 / 0 / 45 / 33

HEX #6BAA5E

RGB 107 170 94

HSL 109.74, 0.31%, 0.52%

LAB 63.9, -35.3, 32.86

 

CMYK 35 / 45 / 0 / 33

HEX #705EAB

RGB 112 94 171

HSL 254.03, 0.31%, 0.52%

LAB 44.79, 25.3, -38.86

 

CMYK 0 / 34 / 45 / 33

HEX #AA705E

RGB 170 112 94

HSL 14.21, 0.31%, 0.52%

LAB 52.89, 20.82, 19.42

 

CMYK 45 / 0 / 34 / 33

HEX #5EAA70

RGB 94 170 112

HSL 134.21, 0.31%, 0.52%

LAB 63.59, -36.46, 22.76

 

CMYK 35 / 45 / 0 / 33

HEX #705EAB

RGB 112 94 171

HSL 254.03, 0.31%, 0.52%

LAB 44.79, 25.3, -38.86

 

CMYK 0 / 45 / 19 / 33

HEX #AA5E89

RGB 170 94 137

HSL 326.05, 0.31%, 0.52%

LAB 49.93, 36.6, -10.23

 

CMYK 11 / 0 / 45 / 33

HEX #98AA5E

RGB 152 170 94

HSL 74.21, 0.31%, 0.52%

LAB 66.7, -18.52, 36.96

 

CMYK 45 / 0 / 25 / 33

HEX #5EAA7F

RGB 94 170 127

HSL 146.05, 0.31%, 0.52%

LAB 63.89, -33.57, 14.97

 

CMYK 35 / 45 / 0 / 33

HEX #705EAB

RGB 112 94 171

HSL 254.03, 0.31%, 0.52%

LAB 44.79, 25.3, -38.86

 

CMYK 0 / 45 / 33 / 33

HEX #AA5E72

RGB 170 94 114

HSL 344.21, 0.31%, 0.52%

LAB 49.21, 33.26, 2.46

 

CMYK 11 / 0 / 45 / 33

HEX #98AA5E

RGB 152 170 94

HSL 74.21, 0.31%, 0.52%

LAB 66.7, -18.52, 36.96

 

CMYK 45 / 0 / 12 / 33

HEX #5EAA96

RGB 94 170 150

HSL 164.21, 0.31%, 0.52%

LAB 64.43, -28.48, 2.99

 

Description

Color code: HEX #705EAB | qconv.com Color code: HEX #705EAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 94 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 94 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 45 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 45% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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