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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7060A2 it is the complementary color #8F9F5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7060A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7060A2 shade: #75609D, #8672B0, #9784C3, #A896D6 and #B9A8E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7060A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7060A2 shade: #7060A2, #5F4E8F, #4E3C7C, #3D2A69 and #2C1856

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7060A2 shade: #7161A2, #8261A2, #9461A2, #A2619F and #A2618D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7060A2 shade: #7161A2 and #6161A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7060A2 shade matches the following richer shades: #7161A2, #664DB6, #5C39CA, #5224DF and #4710F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7060A2 shade: #7161A2, #7B758E, #86897A, #909E65 and #9AB251

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7060A2 shade: #6175A2, #6163A2, #7061A2, #8261A2 and #9361A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7060A2 shade: #4C416F, #5E5089, #7161A2, #887BB1 and #A095C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7060A2 shade: #7060A2, #A26186 and #6CA261

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7060A2 shade: #7060A2, #A27061 and #61A270

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7060A2 shade: #7060A2, #A26186, #93A261 and #61A27D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7060A2 shade: #7060A2, #A26172, #93A261 and #61A291

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 41 / 0 / 36

HEX #7060A2

RGB 112 96 162

HSL 254.55, 0.26%, 0.51%

LAB 44.83, 21.64, -33.48

 

Complementary color

CMYK 10 / 0 / 42 / 38

HEX #8F9F5D

RGB 143 159 93

HSL 74.55, 0.26%, 0.49%

LAB 62.87, -16.61, 32.53

 

CMYK 25 / 39 / 0 / 38

HEX #75609D

RGB 117 96 157

HSL 260.66, 0.24%, 0.5%

LAB 45.06, 21.84, -30.13

 

CMYK 24 / 35 / 0 / 31

HEX #8672B0

RGB 134 114 176

HSL 259.35, 0.28%, 0.57%

LAB 52.1, 21.09, -30.14

 

CMYK 23 / 32 / 0 / 24

HEX #9784C3

RGB 151 132 195

HSL 258.1, 0.34%, 0.64%

LAB 58.99, 20.42, -30.19

 

CMYK 21 / 30 / 0 / 16

HEX #A896D6

RGB 168 150 214

HSL 256.88, 0.44%, 0.71%

LAB 65.74, 19.82, -30.27

 

CMYK 21 / 28 / 0 / 9

HEX #B9A8E9

RGB 185 168 233

HSL 255.69, 0.6%, 0.79%

LAB 72.36, 19.27, -30.39

 

CMYK 31 / 41 / 0 / 36

HEX #7060A2

RGB 112 96 162

HSL 254.55, 0.26%, 0.51%

LAB 44.83, 21.64, -33.48

 

CMYK 34 / 45 / 0 / 44

HEX #5F4E8F

RGB 95 78 143

HSL 255.69, 0.29%, 0.43%

LAB 37.6, 22.57, -33.61

 

CMYK 37 / 52 / 0 / 51

HEX #4E3C7C

RGB 78 60 124

HSL 256.88, 0.35%, 0.36%

LAB 30.17, 23.66, -33.78

 

CMYK 42 / 60 / 0 / 59

HEX #3D2A69

RGB 61 42 105

HSL 258.1, 0.43%, 0.29%

LAB 22.54, 24.92, -33.99

 

CMYK 49 / 72 / 0 / 66

HEX #2C1856

RGB 44 24 86

HSL 259.35, 0.56%, 0.22%

LAB 14.74, 26.31, -34.13

 

CMYK 30 / 40 / 0 / 36

HEX #7161A2

RGB 113 97 162

HSL 254.77, 0.26%, 0.51%

LAB 45.18, 21.33, -32.93

 

CMYK 20 / 40 / 0 / 36

HEX #8261A2

RGB 130 97 162

HSL 270.46, 0.26%, 0.51%

LAB 46.85, 26.51, -30.19

 

CMYK 9 / 40 / 0 / 36

HEX #9461A2

RGB 148 97 162

HSL 287.08, 0.26%, 0.51%

LAB 48.83, 32.19, -26.96

 

CMYK 0 / 40 / 2 / 36

HEX #A2619F

RGB 162 97 159

HSL 302.77, 0.26%, 0.51%

LAB 50.37, 36.1, -22.66

 

CMYK 0 / 40 / 13 / 36

HEX #A2618D

RGB 162 97 141

HSL 319.38, 0.26%, 0.51%

LAB 49.68, 32.84, -13.08

 

CMYK 30 / 40 / 0 / 36

HEX #7161A2

RGB 113 97 162

HSL 254.77, 0.26%, 0.51%

LAB 45.18, 21.33, -32.93

 

CMYK 40 / 40 / 0 / 36

HEX #6161A2

RGB 97 97 162

HSL 240, 0.26%, 0.51%

LAB 43.8, 16.74, -35.19

 

CMYK 30 / 40 / 0 / 36

HEX #7161A2

RGB 113 97 162

HSL 254.77, 0.26%, 0.51%

LAB 45.18, 21.33, -32.93

 

CMYK 44 / 58 / 0 / 29

HEX #664DB6

RGB 102 77 182

HSL 254.29, 0.42%, 0.51%

LAB 40.43, 36.14, -52.35

 

CMYK 54 / 72 / 0 / 21

HEX #5C39CA

RGB 92 57 202

HSL 254.48, 0.58%, 0.51%

LAB 36.87, 51.26, -69.88

 

CMYK 63 / 84 / 0 / 13

HEX #5224DF

RGB 82 36 223

HSL 254.76, 0.75%, 0.51%

LAB 34.77, 65.24, -85.5

 

CMYK 71 / 93 / 0 / 5

HEX #4710F3

RGB 71 16 243

HSL 254.54, 0.9%, 0.51%

LAB 34.36, 75.1, -97.6

 

CMYK 30 / 40 / 0 / 36

HEX #7161A2

RGB 113 97 162

HSL 254.77, 0.26%, 0.51%

LAB 45.18, 21.33, -32.93

 

CMYK 13 / 18 / 0 / 44

HEX #7B758E

RGB 123 117 142

HSL 254.4, 0.1%, 0.51%

LAB 50.55, 7.58, -12.76

 

CMYK 2 / 0 / 11 / 46

HEX #86897A

RGB 134 137 122

HSL 72, 0.06%, 0.51%

LAB 56.45, -3.95, 7.66

 

CMYK 9 / 0 / 36 / 38

HEX #909E65

RGB 144 158 101

HSL 74.74, 0.23%, 0.51%

LAB 62.78, -14.67, 28.17

 

CMYK 13 / 0 / 54 / 30

HEX #9AB251

RGB 154 178 81

HSL 74.85, 0.39%, 0.51%

LAB 68.97, -23.08, 46.16

 

CMYK 40 / 28 / 0 / 36

HEX #6175A2

RGB 97 117 162

HSL 221.54, 0.26%, 0.51%

LAB 49.34, 4.49, -26.52

 

CMYK 40 / 39 / 0 / 36

HEX #6163A2

RGB 97 99 162

HSL 238.15, 0.26%, 0.51%

LAB 44.34, 15.5, -34.34

 

CMYK 31 / 40 / 0 / 36

HEX #7061A2

RGB 112 97 162

HSL 253.85, 0.26%, 0.51%

LAB 45.09, 21.03, -33.08

 

CMYK 20 / 40 / 0 / 36

HEX #8261A2

RGB 130 97 162

HSL 270.46, 0.26%, 0.51%

LAB 46.85, 26.51, -30.19

 

CMYK 9 / 40 / 0 / 36

HEX #9361A2

RGB 147 97 162

HSL 286.15, 0.26%, 0.51%

LAB 48.71, 31.87, -27.15

 

CMYK 32 / 41 / 0 / 56

HEX #4C416F

RGB 76 65 111

HSL 254.35, 0.26%, 0.35%

LAB 30.56, 16.05, -25

 

CMYK 31 / 42 / 0 / 46

HEX #5E5089

RGB 94 80 137

HSL 254.74, 0.26%, 0.43%

LAB 37.7, 19.35, -29.79

 

CMYK 30 / 40 / 0 / 36

HEX #7161A2

RGB 113 97 162

HSL 254.77, 0.26%, 0.51%

LAB 45.18, 21.33, -32.93

 

CMYK 23 / 31 / 0 / 31

HEX #887BB1

RGB 136 123 177

HSL 254.44, 0.26%, 0.59%

LAB 54.63, 16.65, -26.78

 

CMYK 17 / 23 / 0 / 24

HEX #A095C1

RGB 160 149 193

HSL 255, 0.26%, 0.67%

LAB 64.01, 13.05, -21.28

 

CMYK 31 / 41 / 0 / 36

HEX #7060A2

RGB 112 96 162

HSL 254.55, 0.26%, 0.51%

LAB 44.83, 21.64, -33.48

 

CMYK 0 / 40 / 17 / 36

HEX #A26186

RGB 162 97 134

HSL 325.85, 0.26%, 0.51%

LAB 49.44, 31.66, -9.29

 

CMYK 33 / 0 / 40 / 36

HEX #6CA261

RGB 108 162 97

HSL 109.85, 0.26%, 0.51%

LAB 61.56, -30.79, 28.28

 

CMYK 31 / 41 / 0 / 36

HEX #7060A2

RGB 112 96 162

HSL 254.55, 0.26%, 0.51%

LAB 44.83, 21.64, -33.48

 

CMYK 0 / 31 / 40 / 36

HEX #A27061

RGB 162 112 97

HSL 13.85, 0.26%, 0.51%

LAB 51.99, 17.86, 16.3

 

CMYK 40 / 0 / 31 / 36

HEX #61A270

RGB 97 162 112

HSL 133.85, 0.26%, 0.51%

LAB 61.27, -31.86, 19.64

 

CMYK 31 / 41 / 0 / 36

HEX #7060A2

RGB 112 96 162

HSL 254.55, 0.26%, 0.51%

LAB 44.83, 21.64, -33.48

 

CMYK 0 / 40 / 17 / 36

HEX #A26186

RGB 162 97 134

HSL 325.85, 0.26%, 0.51%

LAB 49.44, 31.66, -9.29

 

CMYK 9 / 0 / 40 / 36

HEX #93A261

RGB 147 162 97

HSL 73.85, 0.26%, 0.51%

LAB 64.09, -16.06, 32.03

 

CMYK 40 / 0 / 23 / 36

HEX #61A27D

RGB 97 162 125

HSL 145.85, 0.26%, 0.51%

LAB 61.54, -29.31, 12.82

 

CMYK 31 / 41 / 0 / 36

HEX #7060A2

RGB 112 96 162

HSL 254.55, 0.26%, 0.51%

LAB 44.83, 21.64, -33.48

 

CMYK 0 / 40 / 30 / 36

HEX #A26172

RGB 162 97 114

HSL 344.31, 0.26%, 0.51%

LAB 48.82, 28.6, 1.75

 

CMYK 9 / 0 / 40 / 36

HEX #93A261

RGB 147 162 97

HSL 73.85, 0.26%, 0.51%

LAB 64.09, -16.06, 32.03

 

CMYK 40 / 0 / 10 / 36

HEX #61A291

RGB 97 162 145

HSL 164.31, 0.26%, 0.51%

LAB 62.02, -24.89, 2.31

 

Description

Color code: HEX #7060A2 | qconv.com Color code: HEX #7060A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 96 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 96 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 41 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 41% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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