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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #706A11 it is the complementary color #8F95EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #706A11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #706A11 shade: #756A0C, #867C1F, #978E32, #A8A045 and #B9B258

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #706A11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #706A11 shade: #706A11, #5F5800, #4E4600, #3D3400 and #2C2200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #706A11 shade: #6E6810, #6E4F10, #6E3610, #6E1C10 and #6E1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #706A11 shade: #6E6810, #5B6E10, #416E10, #286E10 and #106E12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #706A11 shade matches the following richer shades: #6E6810 and #797106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #706A11 shade: #6E6810, #645F1A, #5A5625, #4F4D2F and #454439

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #706A11 shade: #6E3610, #6E4F10, #6E6810, #5C6E10 and #426E10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #706A11 shade: #272505, #4B460B, #6E6810, #928A15 and #B6AC1B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #706A11 shade: #706A11, #106E1D and #42106E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #706A11 shade: #706A11, #106E68 and #68106E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #706A11 shade: #706A11, #106E1D, #10166E and #6E1062

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #706A11 shade: #706A11, #106E39, #10166E and #6E1046

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 85 / 56

HEX #706A11

RGB 112 106 17

HSL 56.21, 0.74%, 0.25%

LAB 43.94, -7.95, 46.01

 

Complementary color

CMYK 40 / 37 / 0 / 7

HEX #8F95EE

RGB 143 149 238

HSL 236.21, 0.74%, 0.75%

LAB 64.57, 19.46, -45.52

 

CMYK 0 / 9 / 90 / 54

HEX #756A0C

RGB 117 106 12

HSL 53.71, 0.81%, 0.25%

LAB 44.4, -5.69, 47.98

 

CMYK 0 / 7 / 77 / 47

HEX #867C1F

RGB 134 124 31

HSL 54.17, 0.62%, 0.32%

LAB 51.36, -7.07, 48.75

 

CMYK 0 / 6 / 67 / 41

HEX #978E32

RGB 151 142 50

HSL 54.65, 0.5%, 0.39%

LAB 58.18, -8.13, 48.35

 

CMYK 0 / 5 / 59 / 34

HEX #A8A045

RGB 168 160 69

HSL 55.15, 0.42%, 0.46%

LAB 64.88, -8.97, 47.44

 

CMYK 0 / 4 / 52 / 27

HEX #B9B258

RGB 185 178 88

HSL 55.67, 0.41%, 0.54%

LAB 71.46, -9.64, 46.32

 

CMYK 0 / 5 / 85 / 56

HEX #706A11

RGB 112 106 17

HSL 56.21, 0.74%, 0.25%

LAB 43.94, -7.95, 46.01

 

CMYK 0 / 7 / 100 / 63

HEX #5F5800

RGB 95 88 0

HSL 55.58, 1%, 0.19%

LAB 36.77, -6.43, 44.3

 

CMYK 0 / 10 / 100 / 69

HEX #4E4600

RGB 78 70 0

HSL 53.85, 1%, 0.15%

LAB 29.41, -4.34, 38.17

 

CMYK 0 / 15 / 100 / 76

HEX #3D3400

RGB 61 52 0

HSL 51.15, 1%, 0.12%

LAB 21.76, -2.09, 30.37

 

CMYK 0 / 23 / 100 / 83

HEX #2C2200

RGB 44 34 0

HSL 46.36, 1%, 0.09%

LAB 13.71, 0.38, 20.21

 

CMYK 0 / 5 / 85 / 57

HEX #6E6810

RGB 110 104 16

HSL 56.17, 0.75%, 0.25%

LAB 43.14, -7.81, 45.56

 

CMYK 0 / 28 / 85 / 57

HEX #6E4F10

RGB 110 79 16

HSL 40.21, 0.75%, 0.25%

LAB 35.88, 6.96, 39.21

 

CMYK 0 / 51 / 85 / 57

HEX #6E3610

RGB 110 54 16

HSL 24.26, 0.75%, 0.25%

LAB 29.39, 22.04, 33.34

 

CMYK 0 / 75 / 85 / 57

HEX #6E1C10

RGB 110 28 16

HSL 7.66, 0.75%, 0.25%

LAB 24.27, 35.41, 28.51

 

CMYK 0 / 85 / 85 / 57

HEX #6E1010

RGB 110 16 16

HSL 0, 0.75%, 0.25%

LAB 22.73, 39.68, 26.96

 

CMYK 0 / 5 / 85 / 57

HEX #6E6810

RGB 110 104 16

HSL 56.17, 0.75%, 0.25%

LAB 43.14, -7.81, 45.56

 

CMYK 17 / 0 / 85 / 57

HEX #5B6E10

RGB 91 110 16

HSL 72.13, 0.75%, 0.25%

LAB 43.38, -20.03, 45.13

 

CMYK 41 / 0 / 85 / 57

HEX #416E10

RGB 65 110 16

HSL 88.72, 0.75%, 0.25%

LAB 41.71, -31.01, 43.01

 

CMYK 64 / 0 / 85 / 57

HEX #286E10

RGB 40 110 16

HSL 104.68, 0.75%, 0.25%

LAB 40.64, -39.2, 41.64

 

CMYK 85 / 0 / 84 / 57

HEX #106E12

RGB 16 110 18

HSL 121.28, 0.75%, 0.25%

LAB 40.09, -43.81, 40.29

 

CMYK 0 / 5 / 85 / 57

HEX #6E6810

RGB 110 104 16

HSL 56.17, 0.75%, 0.25%

LAB 43.14, -7.81, 45.56

 

CMYK 0 / 7 / 95 / 53

HEX #797106

RGB 121 113 6

HSL 55.83, 0.91%, 0.25%

LAB 46.83, -7.87, 51.4

 

CMYK 0 / 5 / 85 / 57

HEX #6E6810

RGB 110 104 16

HSL 56.17, 0.75%, 0.25%

LAB 43.14, -7.81, 45.56

 

CMYK 0 / 5 / 74 / 61

HEX #645F1A

RGB 100 95 26

HSL 55.95, 0.59%, 0.25%

LAB 39.53, -7.02, 38.2

 

CMYK 0 / 4 / 59 / 65

HEX #5A5625

RGB 90 86 37

HSL 55.47, 0.42%, 0.25%

LAB 35.91, -5.76, 28.66

 

CMYK 0 / 3 / 41 / 69

HEX #4F4D2F

RGB 79 77 47

HSL 56.25, 0.25%, 0.25%

LAB 32.2, -4.45, 18.11

 

CMYK 0 / 1 / 17 / 73

HEX #454439

RGB 69 68 57

HSL 55, 0.1%, 0.25%

LAB 28.63, -1.83, 6.82

 

CMYK 0 / 51 / 85 / 57

HEX #6E3610

RGB 110 54 16

HSL 24.26, 0.75%, 0.25%

LAB 29.39, 22.04, 33.34

 

CMYK 0 / 28 / 85 / 57

HEX #6E4F10

RGB 110 79 16

HSL 40.21, 0.75%, 0.25%

LAB 35.88, 6.96, 39.21

 

CMYK 0 / 5 / 85 / 57

HEX #6E6810

RGB 110 104 16

HSL 56.17, 0.75%, 0.25%

LAB 43.14, -7.81, 45.56

 

CMYK 16 / 0 / 85 / 57

HEX #5C6E10

RGB 92 110 16

HSL 71.49, 0.75%, 0.25%

LAB 43.46, -19.58, 45.23

 

CMYK 40 / 0 / 85 / 57

HEX #426E10

RGB 66 110 16

HSL 88.09, 0.75%, 0.25%

LAB 41.76, -30.62, 43.08

 

CMYK 0 / 5 / 87 / 85

HEX #272505

RGB 39 37 5

HSL 56.47, 0.77%, 0.09%

LAB 14.2, -4.07, 18.71

 

CMYK 0 / 7 / 85 / 71

HEX #4B460B

RGB 75 70 11

HSL 55.31, 0.74%, 0.17%

LAB 29.16, -5.42, 33.55

 

CMYK 0 / 5 / 85 / 57

HEX #6E6810

RGB 110 104 16

HSL 56.17, 0.75%, 0.25%

LAB 43.14, -7.81, 45.56

 

CMYK 0 / 5 / 86 / 43

HEX #928A15

RGB 146 138 21

HSL 56.16, 0.75%, 0.33%

LAB 56.43, -9.55, 56.78

 

CMYK 0 / 5 / 85 / 29

HEX #B6AC1B

RGB 182 172 27

HSL 56.13, 0.74%, 0.41%

LAB 69.13, -11.18, 67.19

 

CMYK 0 / 5 / 85 / 56

HEX #706A11

RGB 112 106 17

HSL 56.21, 0.74%, 0.25%

LAB 43.94, -7.95, 46.01

 

CMYK 85 / 0 / 74 / 57

HEX #106E1D

RGB 16 110 29

HSL 128.3, 0.75%, 0.25%

LAB 40.17, -42.88, 36.19

 

CMYK 40 / 85 / 0 / 57

HEX #42106E

RGB 66 16 110

HSL 271.91, 0.75%, 0.25%

LAB 18.6, 41.22, -43.6

 

CMYK 0 / 5 / 85 / 56

HEX #706A11

RGB 112 106 17

HSL 56.21, 0.74%, 0.25%

LAB 43.94, -7.95, 46.01

 

CMYK 85 / 0 / 5 / 57

HEX #106E68

RGB 16 110 104

HSL 176.17, 0.75%, 0.25%

LAB 41.63, -26.68, -3.99

 

CMYK 5 / 85 / 0 / 57

HEX #68106E

RGB 104 16 110

HSL 296.17, 0.75%, 0.25%

LAB 25.07, 48.37, -32.82

 

CMYK 0 / 5 / 85 / 56

HEX #706A11

RGB 112 106 17

HSL 56.21, 0.74%, 0.25%

LAB 43.94, -7.95, 46.01

 

CMYK 85 / 0 / 74 / 57

HEX #106E1D

RGB 16 110 29

HSL 128.3, 0.75%, 0.25%

LAB 40.17, -42.88, 36.19

 

CMYK 85 / 80 / 0 / 57

HEX #10166E

RGB 16 22 110

HSL 236.17, 0.75%, 0.25%

LAB 14.46, 32.09, -50.62

 

CMYK 0 / 85 / 11 / 57

HEX #6E1062

RGB 110 16 98

HSL 307.66, 0.75%, 0.25%

LAB 25.46, 47.64, -24.32

 

CMYK 0 / 5 / 85 / 56

HEX #706A11

RGB 112 106 17

HSL 56.21, 0.74%, 0.25%

LAB 43.94, -7.95, 46.01

 

CMYK 85 / 0 / 48 / 57

HEX #106E39

RGB 16 110 57

HSL 146.17, 0.75%, 0.25%

LAB 40.5, -38.79, 22.35

 

CMYK 85 / 80 / 0 / 57

HEX #10166E

RGB 16 22 110

HSL 236.17, 0.75%, 0.25%

LAB 14.46, 32.09, -50.62

 

CMYK 0 / 85 / 36 / 57

HEX #6E1046

RGB 110 16 70

HSL 325.53, 0.75%, 0.25%

LAB 24.09, 43.75, -7.76

 

Description

Color code: HEX #706A11 | qconv.com Color code: HEX #706A11 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 106 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 106 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 85 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 85% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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