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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #706E20 it is the complementary color #8F91DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #706E20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #706E20 shade: #756E1B, #86802E, #979241, #A8A454 and #B9B667

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #706E20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #706E20 shade: #706E20, #5F5C0D, #4E4A00, #3D3800 and #2C2600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #706E20 shade: #6F6D1F, #6F571F, #6F421F, #6F2C1F and #6F1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #706E20 shade: #6F6D1F, #5B6F1F, #466F1F, #306F1F and #1F6F23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #706E20 shade matches the following richer shades: #6F6D1F, #7A7813 and #868308

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #706E20 shade: #6F6D1F, #63622A, #585736, #4C4C42 and #41414D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #706E20 shade: #6F421F, #6F571F, #6F6C1F, #5C6F1F and #476F1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #706E20 shade: #2F2E0D, #4F4D16, #6F6D1F, #8F8C28 and #AFAC31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #706E20 shade: #706E20, #1F6F2C and #4C1F6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #706E20 shade: #706E20, #1F6F6C and #6C1F6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #706E20 shade: #706E20, #1F6F2C, #1F226F and #6F1F62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #706E20 shade: #706E20, #1F6F44, #1F226F and #6F1F4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 71 / 56

HEX #706E20

RGB 112 110 32

HSL 58.5, 0.56%, 0.28%

LAB 45.22, -9.49, 41.7

 

Complementary color

CMYK 36 / 35 / 0 / 13

HEX #8F91DF

RGB 143 145 223

HSL 238.5, 0.56%, 0.72%

LAB 62.86, 17.69, -39.91

 

CMYK 0 / 6 / 77 / 54

HEX #756E1B

RGB 117 110 27

HSL 55.33, 0.63%, 0.28%

LAB 45.65, -7.4, 44.3

 

CMYK 0 / 4 / 66 / 47

HEX #86802E

RGB 134 128 46

HSL 55.91, 0.49%, 0.35%

LAB 52.62, -8.43, 43.81

 

CMYK 0 / 3 / 57 / 41

HEX #979241

RGB 151 146 65

HSL 56.51, 0.4%, 0.42%

LAB 59.45, -9.21, 42.81

 

CMYK 0 / 2 / 50 / 34

HEX #A8A454

RGB 168 164 84

HSL 57.14, 0.33%, 0.49%

LAB 66.15, -9.82, 41.64

 

CMYK 0 / 2 / 44 / 27

HEX #B9B667

RGB 185 182 103

HSL 57.8, 0.37%, 0.56%

LAB 72.73, -10.31, 40.43

 

CMYK 0 / 2 / 71 / 56

HEX #706E20

RGB 112 110 32

HSL 58.5, 0.56%, 0.28%

LAB 45.22, -9.49, 41.7

 

CMYK 0 / 3 / 86 / 63

HEX #5F5C0D

RGB 95 92 13

HSL 57.8, 0.76%, 0.21%

LAB 38.05, -8.34, 41.51

 

CMYK 0 / 5 / 100 / 69

HEX #4E4A00

RGB 78 74 0

HSL 56.92, 1%, 0.15%

LAB 30.68, -6.76, 39.12

 

CMYK 0 / 8 / 100 / 76

HEX #3D3800

RGB 61 56 0

HSL 55.08, 1%, 0.12%

LAB 23.07, -4.65, 31.74

 

CMYK 0 / 14 / 100 / 83

HEX #2C2600

RGB 44 38 0

HSL 51.82, 1%, 0.09%

LAB 15.07, -2.36, 21.98

 

CMYK 0 / 2 / 72 / 56

HEX #6F6D1F

RGB 111 109 31

HSL 58.5, 0.56%, 0.28%

LAB 44.82, -9.46, 41.69

 

CMYK 0 / 22 / 72 / 56

HEX #6F571F

RGB 111 87 31

HSL 42, 0.56%, 0.28%

LAB 38.37, 3.35, 35.09

 

CMYK 0 / 41 / 72 / 56

HEX #6F421F

RGB 111 66 31

HSL 26.25, 0.56%, 0.28%

LAB 32.65, 16.1, 28.92

 

CMYK 0 / 60 / 72 / 56

HEX #6F2C1F

RGB 111 44 31

HSL 9.75, 0.56%, 0.28%

LAB 27.52, 28.81, 23.07

 

CMYK 0 / 72 / 72 / 56

HEX #6F1F1F

RGB 111 31 31

HSL 0, 0.56%, 0.28%

LAB 25.13, 35.17, 20.23

 

CMYK 0 / 2 / 72 / 56

HEX #6F6D1F

RGB 111 109 31

HSL 58.5, 0.56%, 0.28%

LAB 44.82, -9.46, 41.69

 

CMYK 18 / 0 / 72 / 56

HEX #5B6F1F

RGB 91 111 31

HSL 75, 0.56%, 0.28%

LAB 43.79, -19.74, 40.11

 

CMYK 37 / 0 / 72 / 56

HEX #466F1F

RGB 70 111 31

HSL 90.75, 0.56%, 0.28%

LAB 42.41, -28.56, 38.26

 

CMYK 57 / 0 / 72 / 56

HEX #306F1F

RGB 48 111 31

HSL 107.25, 0.56%, 0.28%

LAB 41.37, -36.2, 36.84

 

CMYK 72 / 0 / 68 / 56

HEX #1F6F23

RGB 31 111 35

HSL 123, 0.56%, 0.28%

LAB 40.87, -40.09, 34.34

 

CMYK 0 / 2 / 72 / 56

HEX #6F6D1F

RGB 111 109 31

HSL 58.5, 0.56%, 0.28%

LAB 44.82, -9.46, 41.69

 

CMYK 0 / 2 / 84 / 52

HEX #7A7813

RGB 122 120 19

HSL 58.83, 0.73%, 0.28%

LAB 49.03, -10.94, 50.18

 

CMYK 0 / 2 / 94 / 47

HEX #868308

RGB 134 131 8

HSL 58.57, 0.89%, 0.28%

LAB 53.3, -11.6, 56.52

 

CMYK 0 / 2 / 72 / 56

HEX #6F6D1F

RGB 111 109 31

HSL 58.5, 0.56%, 0.28%

LAB 44.82, -9.46, 41.69

 

CMYK 0 / 1 / 58 / 61

HEX #63622A

RGB 99 98 42

HSL 58.95, 0.4%, 0.28%

LAB 40.5, -8.04, 31.5

 

CMYK 0 / 1 / 39 / 65

HEX #585736

RGB 88 87 54

HSL 58.24, 0.24%, 0.28%

LAB 36.29, -5.35, 19.35

 

CMYK 0 / 0 / 13 / 70

HEX #4C4C42

RGB 76 76 66

HSL 60, 0.07%, 0.28%

LAB 32.03, -2.05, 5.95

 

CMYK 16 / 16 / 0 / 70

HEX #41414D

RGB 65 65 77

HSL 240, 0.08%, 0.28%

LAB 27.95, 2.88, -7.23

 

CMYK 0 / 41 / 72 / 56

HEX #6F421F

RGB 111 66 31

HSL 26.25, 0.56%, 0.28%

LAB 32.65, 16.1, 28.92

 

CMYK 0 / 22 / 72 / 56

HEX #6F571F

RGB 111 87 31

HSL 42, 0.56%, 0.28%

LAB 38.37, 3.35, 35.09

 

CMYK 0 / 3 / 72 / 56

HEX #6F6C1F

RGB 111 108 31

HSL 57.75, 0.56%, 0.28%

LAB 44.52, -8.9, 41.39

 

CMYK 17 / 0 / 72 / 56

HEX #5C6F1F

RGB 92 111 31

HSL 74.25, 0.56%, 0.28%

LAB 43.86, -19.3, 40.21

 

CMYK 36 / 0 / 72 / 56

HEX #476F1F

RGB 71 111 31

HSL 90, 0.56%, 0.28%

LAB 42.47, -28.17, 38.34

 

CMYK 0 / 2 / 72 / 82

HEX #2F2E0D

RGB 47 46 13

HSL 58.24, 0.57%, 0.12%

LAB 18.31, -4.92, 20.65

 

CMYK 0 / 3 / 72 / 69

HEX #4F4D16

RGB 79 77 22

HSL 57.89, 0.56%, 0.2%

LAB 31.87, -7, 31.6

 

CMYK 0 / 2 / 72 / 56

HEX #6F6D1F

RGB 111 109 31

HSL 58.5, 0.56%, 0.28%

LAB 44.82, -9.46, 41.69

 

CMYK 0 / 2 / 72 / 44

HEX #8F8C28

RGB 143 140 40

HSL 58.25, 0.56%, 0.36%

LAB 56.83, -11.23, 50.87

 

CMYK 0 / 2 / 72 / 31

HEX #AFAC31

RGB 175 172 49

HSL 58.57, 0.56%, 0.44%

LAB 68.64, -13.44, 59.9

 

CMYK 0 / 2 / 71 / 56

HEX #706E20

RGB 112 110 32

HSL 58.5, 0.56%, 0.28%

LAB 45.22, -9.49, 41.7

 

CMYK 72 / 0 / 60 / 56

HEX #1F6F2C

RGB 31 111 44

HSL 129.75, 0.56%, 0.28%

LAB 40.96, -38.95, 30.02

 

CMYK 32 / 72 / 0 / 56

HEX #4C1F6F

RGB 76 31 111

HSL 273.75, 0.56%, 0.28%

LAB 22.53, 36.7, -37.8

 

CMYK 0 / 2 / 71 / 56

HEX #706E20

RGB 112 110 32

HSL 58.5, 0.56%, 0.28%

LAB 45.22, -9.49, 41.7

 

CMYK 72 / 0 / 3 / 56

HEX #1F6F6C

RGB 31 111 108

HSL 177.75, 0.56%, 0.28%

LAB 42.37, -24.08, -5.28

 

CMYK 3 / 72 / 0 / 56

HEX #6C1F6F

RGB 108 31 111

HSL 297.75, 0.56%, 0.28%

LAB 27.62, 44.39, -29.37

 

CMYK 0 / 2 / 71 / 56

HEX #706E20

RGB 112 110 32

HSL 58.5, 0.56%, 0.28%

LAB 45.22, -9.49, 41.7

 

CMYK 72 / 0 / 60 / 56

HEX #1F6F2C

RGB 31 111 44

HSL 129.75, 0.56%, 0.28%

LAB 40.96, -38.95, 30.02

 

CMYK 72 / 69 / 0 / 56

HEX #1F226F

RGB 31 34 111

HSL 237.75, 0.56%, 0.28%

LAB 18.29, 26.21, -44.92

 

CMYK 0 / 72 / 12 / 56

HEX #6F1F62

RGB 111 31 98

HSL 309.75, 0.56%, 0.28%

LAB 27.41, 42.87, -21.25

 

CMYK 0 / 2 / 71 / 56

HEX #706E20

RGB 112 110 32

HSL 58.5, 0.56%, 0.28%

LAB 45.22, -9.49, 41.7

 

CMYK 72 / 0 / 39 / 56

HEX #1F6F44

RGB 31 111 68

HSL 147.75, 0.56%, 0.28%

LAB 41.34, -34.68, 17.18

 

CMYK 72 / 69 / 0 / 56

HEX #1F226F

RGB 31 34 111

HSL 237.75, 0.56%, 0.28%

LAB 18.29, 26.21, -44.92

 

CMYK 0 / 72 / 33 / 56

HEX #6F1F4A

RGB 111 31 74

HSL 327.75, 0.56%, 0.28%

LAB 26.31, 39.27, -7.08

 

Description

Color code: HEX #706E20 | qconv.com Color code: HEX #706E20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 110 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 110 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 71 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 71% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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