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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7075F5 it is the complementary color #8F8A0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7075F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7075F5 shade: #7575F0, #8687FF, #9799FF, #A8ABFF and #B9BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7075F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7075F5 shade: #7075F5, #5F63E2, #4E51CF, #3D3FBC and #2C2DA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7075F5 shade: #6F74F5, #8E6FF5, #B26FF5, #D66FF5 and #F56FEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7075F5 shade: #6F74F5 and #6F6FF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7075F5 shade matches the following richer shades: #6F74F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7075F5 shade: #6F74F5, #7C80E8, #888BDC, #9597CF and #A1A2C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7075F5 shade: #6FBDF5, #6F9AF5, #6F76F5, #8C6FF5 and #B06FF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7075F5 shade: #222AEF, #494FF2, #6F74F5, #969AF7 and #BDBFFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7075F5 shade: #7075F5, #F56FE1 and #ABF56F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7075F5 shade: #7075F5, #F56F76 and #76F56F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7075F5 shade: #7075F5, #F56FE1, #F5EE6F and #6FF583

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7075F5 shade: #7075F5, #F56FB9, #F5EE6F and #6FF5AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 52 / 0 / 4

HEX #7075F5

RGB 112 117 245

HSL 237.74, 0.87%, 0.7%

LAB 54.82, 33.35, -65.04

 

Complementary color

CMYK 0 / 3 / 93 / 44

HEX #8F8A0A

RGB 143 138 10

HSL 57.74, 0.87%, 0.3%

LAB 56.13, -11.18, 58.72

 

CMYK 51 / 51 / 0 / 6

HEX #7575F0

RGB 117 117 240

HSL 240, 0.8%, 0.7%

LAB 54.86, 32.81, -62.19

 

CMYK 47 / 47 / 0 / 0

HEX #8687FF

RGB 134 135 255

HSL 239.5, 1%, 0.76%

LAB 61.32, 30.3, -60.05

 

CMYK 41 / 40 / 0 / 0

HEX #9799FF

RGB 151 153 255

HSL 238.85, 1%, 0.8%

LAB 66.96, 23.86, -51.01

 

CMYK 34 / 33 / 0 / 0

HEX #A8ABFF

RGB 168 171 255

HSL 237.93, 1%, 0.83%

LAB 72.67, 18.05, -41.95

 

CMYK 27 / 26 / 0 / 0

HEX #B9BDFF

RGB 185 189 255

HSL 236.57, 1%, 0.86%

LAB 78.42, 12.82, -32.93

 

CMYK 54 / 52 / 0 / 4

HEX #7075F5

RGB 112 117 245

HSL 237.74, 0.87%, 0.7%

LAB 54.82, 33.35, -65.04

 

CMYK 58 / 56 / 0 / 11

HEX #5F63E2

RGB 95 99 226

HSL 238.17, 0.69%, 0.63%

LAB 48.07, 35.01, -65.38

 

CMYK 62 / 61 / 0 / 19

HEX #4E51CF

RGB 78 81 207

HSL 238.6, 0.57%, 0.56%

LAB 41.23, 36.93, -65.69

 

CMYK 68 / 66 / 0 / 26

HEX #3D3FBC

RGB 61 63 188

HSL 239.06, 0.51%, 0.49%

LAB 34.35, 39.12, -65.91

 

CMYK 74 / 73 / 0 / 34

HEX #2C2DA9

RGB 44 45 169

HSL 239.52, 0.59%, 0.42%

LAB 27.51, 41.52, -65.89

 

CMYK 55 / 53 / 0 / 4

HEX #6F74F5

RGB 111 116 245

HSL 237.76, 0.87%, 0.7%

LAB 54.51, 33.75, -65.55

 

CMYK 42 / 55 / 0 / 4

HEX #8E6FF5

RGB 142 111 245

HSL 253.88, 0.87%, 0.7%

LAB 55.8, 43.08, -63.35

 

CMYK 27 / 55 / 0 / 4

HEX #B26FF5

RGB 178 111 245

HSL 270, 0.87%, 0.7%

LAB 59.37, 51.47, -57.44

 

CMYK 13 / 55 / 0 / 4

HEX #D66FF5

RGB 214 111 245

HSL 286.12, 0.87%, 0.7%

LAB 63.56, 60.44, -50.52

 

CMYK 0 / 55 / 2 / 4

HEX #F56FEF

RGB 245 111 239

HSL 302.69, 0.87%, 0.7%

LAB 67.29, 67.33, -41.06

 

CMYK 55 / 53 / 0 / 4

HEX #6F74F5

RGB 111 116 245

HSL 237.76, 0.87%, 0.7%

LAB 54.51, 33.75, -65.55

 

CMYK 55 / 55 / 0 / 4

HEX #6F6FF5

RGB 111 111 245

HSL 240, 0.87%, 0.7%

LAB 53.32, 36.73, -67.48

 

CMYK 55 / 53 / 0 / 4

HEX #6F74F5

RGB 111 116 245

HSL 237.76, 0.87%, 0.7%

LAB 54.51, 33.75, -65.55

 

CMYK 55 / 53 / 0 / 4

HEX #6F74F5

RGB 111 116 245

HSL 237.76, 0.87%, 0.7%

LAB 54.51, 33.75, -65.55

 

CMYK 47 / 45 / 0 / 9

HEX #7C80E8

RGB 124 128 232

HSL 237.78, 0.7%, 0.7%

LAB 57.61, 25.4, -53.31

 

CMYK 38 / 37 / 0 / 14

HEX #888BDC

RGB 136 139 220

HSL 237.86, 0.55%, 0.7%

LAB 60.66, 18.49, -41.72

 

CMYK 28 / 27 / 0 / 19

HEX #9597CF

RGB 149 151 207

HSL 237.93, 0.38%, 0.7%

LAB 64.18, 11.82, -28.92

 

CMYK 17 / 17 / 0 / 24

HEX #A1A2C3

RGB 161 162 195

HSL 238.24, 0.22%, 0.7%

LAB 67.54, 6.51, -17.02

 

CMYK 55 / 23 / 0 / 4

HEX #6FBDF5

RGB 111 189 245

HSL 205.07, 0.87%, 0.7%

LAB 73.78, -8.49, -35.07

 

CMYK 55 / 37 / 0 / 4

HEX #6F9AF5

RGB 111 154 245

HSL 220.75, 0.87%, 0.7%

LAB 64.23, 11.17, -50.03

 

CMYK 55 / 52 / 0 / 4

HEX #6F76F5

RGB 111 118 245

HSL 236.87, 0.87%, 0.7%

LAB 55, 32.56, -64.77

 

CMYK 43 / 55 / 0 / 4

HEX #8C6FF5

RGB 140 111 245

HSL 252.99, 0.87%, 0.7%

LAB 55.62, 42.64, -63.65

 

CMYK 28 / 55 / 0 / 4

HEX #B06FF5

RGB 176 111 245

HSL 269.1, 0.87%, 0.7%

LAB 59.15, 50.99, -57.79

 

CMYK 86 / 82 / 0 / 6

HEX #222AEF

RGB 34 42 239

HSL 237.66, 0.86%, 0.54%

LAB 34.45, 64.62, -95.23

 

CMYK 70 / 67 / 0 / 5

HEX #494FF2

RGB 73 79 242

HSL 237.87, 0.87%, 0.62%

LAB 43.39, 49, -82.09

 

CMYK 55 / 53 / 0 / 4

HEX #6F74F5

RGB 111 116 245

HSL 237.76, 0.87%, 0.7%

LAB 54.51, 33.75, -65.55

 

CMYK 39 / 38 / 0 / 3

HEX #969AF7

RGB 150 154 247

HSL 237.53, 0.86%, 0.78%

LAB 66.76, 20.84, -46.97

 

CMYK 24 / 24 / 0 / 2

HEX #BDBFFA

RGB 189 191 250

HSL 238.03, 0.86%, 0.86%

LAB 79.03, 11.71, -29.29

 

CMYK 54 / 52 / 0 / 4

HEX #7075F5

RGB 112 117 245

HSL 237.74, 0.87%, 0.7%

LAB 54.82, 33.35, -65.04

 

CMYK 0 / 55 / 8 / 4

HEX #F56FE1

RGB 245 111 225

HSL 308.96, 0.87%, 0.7%

LAB 66.69, 65.07, -34.24

 

CMYK 30 / 0 / 55 / 4

HEX #ABF56F

RGB 171 245 111

HSL 93.13, 0.87%, 0.7%

LAB 89.44, -44.74, 56.49

 

CMYK 54 / 52 / 0 / 4

HEX #7075F5

RGB 112 117 245

HSL 237.74, 0.87%, 0.7%

LAB 54.82, 33.35, -65.04

 

CMYK 0 / 55 / 52 / 4

HEX #F56F76

RGB 245 111 118

HSL 356.87, 0.87%, 0.7%

LAB 63.42, 51.98, 21.6

 

CMYK 52 / 0 / 55 / 4

HEX #76F56F

RGB 118 245 111

HSL 116.87, 0.87%, 0.7%

LAB 87.15, -60.78, 53.21

 

CMYK 54 / 52 / 0 / 4

HEX #7075F5

RGB 112 117 245

HSL 237.74, 0.87%, 0.7%

LAB 54.82, 33.35, -65.04

 

CMYK 0 / 55 / 8 / 4

HEX #F56FE1

RGB 245 111 225

HSL 308.96, 0.87%, 0.7%

LAB 66.69, 65.07, -34.24

 

CMYK 0 / 3 / 55 / 4

HEX #F5EE6F

RGB 245 238 111

HSL 56.87, 0.87%, 0.7%

LAB 92.45, -13.56, 61.23

 

CMYK 55 / 0 / 47 / 4

HEX #6FF583

RGB 111 245 131

HSL 128.96, 0.87%, 0.7%

LAB 87.16, -59.89, 43.83

 

CMYK 54 / 52 / 0 / 4

HEX #7075F5

RGB 112 117 245

HSL 237.74, 0.87%, 0.7%

LAB 54.82, 33.35, -65.04

 

CMYK 0 / 55 / 24 / 4

HEX #F56FB9

RGB 245 111 185

HSL 326.87, 0.87%, 0.7%

LAB 65.19, 59.25, -14.09

 

CMYK 0 / 3 / 55 / 4

HEX #F5EE6F

RGB 245 238 111

HSL 56.87, 0.87%, 0.7%

LAB 92.45, -13.56, 61.23

 

CMYK 55 / 0 / 30 / 4

HEX #6FF5AB

RGB 111 245 171

HSL 146.87, 0.87%, 0.7%

LAB 87.79, -53.21, 24.75

 

Description

Color code: HEX #7075F5 | qconv.com Color code: HEX #7075F5 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 117 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 117 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 52 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 52% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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