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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70769D it is the complementary color #8F8962. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70769D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70769D shade: #757698, #8688AB, #979ABE, #A8ACD1 and #B9BEE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70769D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70769D shade: #70769D, #5F648A, #4E5277, #3D4064 and #2C2E51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70769D shade: #70769D, #76709D, #82709D, #8F709D and #9B709D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70769D shade: #70769D and #70709D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70769D shade matches the following richer shades: #70769D, #5C68B1, #495AC4, #364BD8 and #223DEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70769D shade: #70769D, #83848A, #979277, #AAA163 and #BDAF50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70769D shade: #708E9D, #70829D, #70769D, #76709D and #82709D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70769D shade: #4C506F, #5C6288, #70769D, #888DAE and #A1A5BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70769D shade: #70769D, #9D709A and #889D70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70769D shade: #70769D, #9D7076 and #769D70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70769D shade: #70769D, #9D709A, #9D9770 and #709D73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70769D shade: #70769D, #9D708D, #9D9770 and #709D81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 25 / 0 / 38

HEX #70769D

RGB 112 118 157

HSL 232, 0.19%, 0.53%

LAB 50.49, 7, -21.73

 

Complementary color

CMYK 0 / 4 / 31 / 44

HEX #8F8962

RGB 143 137 98

HSL 52, 0.19%, 0.47%

LAB 56.7, -4.14, 21.77

 

CMYK 23 / 22 / 0 / 40

HEX #757698

RGB 117 118 152

HSL 238.29, 0.15%, 0.53%

LAB 50.69, 7.33, -18.46

 

CMYK 22 / 20 / 0 / 33

HEX #8688AB

RGB 134 136 171

HSL 236.76, 0.18%, 0.6%

LAB 57.67, 6.97, -18.69

 

CMYK 21 / 19 / 0 / 25

HEX #979ABE

RGB 151 154 190

HSL 235.38, 0.23%, 0.67%

LAB 64.49, 6.64, -18.94

 

CMYK 20 / 18 / 0 / 18

HEX #A8ACD1

RGB 168 172 209

HSL 234.15, 0.31%, 0.74%

LAB 71.17, 6.35, -19.21

 

CMYK 19 / 17 / 0 / 11

HEX #B9BEE4

RGB 185 190 228

HSL 233.02, 0.44%, 0.81%

LAB 77.72, 6.07, -19.49

 

CMYK 29 / 25 / 0 / 38

HEX #70769D

RGB 112 118 157

HSL 232, 0.19%, 0.53%

LAB 50.49, 7, -21.73

 

CMYK 31 / 28 / 0 / 46

HEX #5F648A

RGB 95 100 138

HSL 233.02, 0.18%, 0.46%

LAB 43.33, 7.45, -21.62

 

CMYK 34 / 31 / 0 / 53

HEX #4E5277

RGB 78 82 119

HSL 234.15, 0.21%, 0.39%

LAB 35.96, 8, -21.56

 

CMYK 39 / 36 / 0 / 61

HEX #3D4064

RGB 61 64 100

HSL 235.38, 0.24%, 0.32%

LAB 28.32, 8.67, -21.59

 

CMYK 46 / 43 / 0 / 68

HEX #2C2E51

RGB 44 46 81

HSL 236.76, 0.3%, 0.25%

LAB 20.38, 9.57, -21.73

 

CMYK 29 / 25 / 0 / 38

HEX #70769D

RGB 112 118 157

HSL 232, 0.19%, 0.53%

LAB 50.49, 7, -21.73

 

CMYK 25 / 29 / 0 / 38

HEX #76709D

RGB 118 112 157

HSL 248, 0.19%, 0.53%

LAB 49.34, 12.49, -23.46

 

CMYK 17 / 29 / 0 / 38

HEX #82709D

RGB 130 112 157

HSL 264, 0.19%, 0.53%

LAB 50.42, 16.41, -21.72

 

CMYK 9 / 29 / 0 / 38

HEX #8F709D

RGB 143 112 157

HSL 281.33, 0.19%, 0.53%

LAB 51.68, 20.78, -19.67

 

CMYK 1 / 29 / 0 / 38

HEX #9B709D

RGB 155 112 157

HSL 297.33, 0.19%, 0.53%

LAB 52.94, 24.89, -17.63

 

CMYK 29 / 25 / 0 / 38

HEX #70769D

RGB 112 118 157

HSL 232, 0.19%, 0.53%

LAB 50.49, 7, -21.73

 

CMYK 29 / 29 / 0 / 38

HEX #70709D

RGB 112 112 157

HSL 240, 0.19%, 0.53%

LAB 48.84, 10.59, -24.27

 

CMYK 29 / 25 / 0 / 38

HEX #70769D

RGB 112 118 157

HSL 232, 0.19%, 0.53%

LAB 50.49, 7, -21.73

 

CMYK 48 / 41 / 0 / 31

HEX #5C68B1

RGB 92 104 177

HSL 231.53, 0.35%, 0.53%

LAB 46.11, 15.64, -40.38

 

CMYK 63 / 54 / 0 / 23

HEX #495AC4

RGB 73 90 196

HSL 231.71, 0.51%, 0.53%

LAB 42.33, 26.75, -57.56

 

CMYK 75 / 65 / 0 / 15

HEX #364BD8

RGB 54 75 216

HSL 232.22, 0.68%, 0.53%

LAB 39.2, 40.62, -74.25

 

CMYK 86 / 74 / 0 / 8

HEX #223DEB

RGB 34 61 235

HSL 231.94, 0.83%, 0.53%

LAB 37.25, 53.95, -88.32

 

CMYK 29 / 25 / 0 / 38

HEX #70769D

RGB 112 118 157

HSL 232, 0.19%, 0.53%

LAB 50.49, 7, -21.73

 

CMYK 5 / 4 / 0 / 46

HEX #83848A

RGB 131 132 138

HSL 231.43, 0.03%, 0.53%

LAB 55.24, 0.85, -3.36

 

CMYK 0 / 3 / 21 / 41

HEX #979277

RGB 151 146 119

HSL 50.63, 0.13%, 0.53%

LAB 60.31, -2.81, 15

 

CMYK 0 / 5 / 42 / 33

HEX #AAA163

RGB 170 161 99

HSL 52.39, 0.29%, 0.53%

LAB 65.7, -5.87, 33.41

 

CMYK 0 / 7 / 58 / 26

HEX #BDAF50

RGB 189 175 80

HSL 52.29, 0.45%, 0.53%

LAB 70.91, -7.04, 49.59

 

CMYK 29 / 10 / 0 / 38

HEX #708E9D

RGB 112 142 157

HSL 200, 0.19%, 0.53%

LAB 57.29, -6.89, -11.39

 

CMYK 29 / 17 / 0 / 38

HEX #70829D

RGB 112 130 157

HSL 216, 0.19%, 0.53%

LAB 53.86, -0.06, -16.58

 

CMYK 29 / 25 / 0 / 38

HEX #70769D

RGB 112 118 157

HSL 232, 0.19%, 0.53%

LAB 50.49, 7, -21.73

 

CMYK 25 / 29 / 0 / 38

HEX #76709D

RGB 118 112 157

HSL 248, 0.19%, 0.53%

LAB 49.34, 12.49, -23.46

 

CMYK 17 / 29 / 0 / 38

HEX #82709D

RGB 130 112 157

HSL 264, 0.19%, 0.53%

LAB 50.42, 16.41, -21.72

 

CMYK 32 / 28 / 0 / 56

HEX #4C506F

RGB 76 80 111

HSL 233.14, 0.19%, 0.37%

LAB 34.85, 6.33, -18.32

 

CMYK 32 / 28 / 0 / 47

HEX #5C6288

RGB 92 98 136

HSL 231.82, 0.19%, 0.45%

LAB 42.44, 7.19, -21.81

 

CMYK 29 / 25 / 0 / 38

HEX #70769D

RGB 112 118 157

HSL 232, 0.19%, 0.53%

LAB 50.49, 7, -21.73

 

CMYK 22 / 19 / 0 / 32

HEX #888DAE

RGB 136 141 174

HSL 232.11, 0.19%, 0.61%

LAB 59.29, 5.45, -17.92

 

CMYK 16 / 14 / 0 / 25

HEX #A1A5BF

RGB 161 165 191

HSL 232, 0.19%, 0.69%

LAB 68.2, 3.96, -13.81

 

CMYK 29 / 25 / 0 / 38

HEX #70769D

RGB 112 118 157

HSL 232, 0.19%, 0.53%

LAB 50.49, 7, -21.73

 

CMYK 0 / 29 / 2 / 38

HEX #9D709A

RGB 157 112 154

HSL 304, 0.19%, 0.53%

LAB 53.05, 25, -15.7

 

CMYK 13 / 0 / 29 / 38

HEX #889D70

RGB 136 157 112

HSL 88, 0.19%, 0.53%

LAB 62.1, -15.7, 21.16

 

CMYK 29 / 25 / 0 / 38

HEX #70769D

RGB 112 118 157

HSL 232, 0.19%, 0.53%

LAB 50.49, 7, -21.73

 

CMYK 0 / 29 / 25 / 38

HEX #9D7076

RGB 157 112 118

HSL 352, 0.19%, 0.53%

LAB 51.91, 18.72, 3.77

 

CMYK 25 / 0 / 29 / 38

HEX #769D70

RGB 118 157 112

HSL 112, 0.19%, 0.53%

LAB 60.9, -22.38, 19.34

 

CMYK 29 / 25 / 0 / 38

HEX #70769D

RGB 112 118 157

HSL 232, 0.19%, 0.53%

LAB 50.49, 7, -21.73

 

CMYK 0 / 29 / 2 / 38

HEX #9D709A

RGB 157 112 154

HSL 304, 0.19%, 0.53%

LAB 53.05, 25, -15.7

 

CMYK 0 / 4 / 29 / 38

HEX #9D9770

RGB 157 151 112

HSL 52, 0.19%, 0.53%

LAB 62.06, -4.18, 21.39

 

CMYK 29 / 0 / 27 / 38

HEX #709D73

RGB 112 157 115

HSL 124, 0.19%, 0.53%

LAB 60.6, -23.96, 17.21

 

CMYK 29 / 25 / 0 / 38

HEX #70769D

RGB 112 118 157

HSL 232, 0.19%, 0.53%

LAB 50.49, 7, -21.73

 

CMYK 0 / 29 / 10 / 38

HEX #9D708D

RGB 157 112 141

HSL 321.33, 0.19%, 0.53%

LAB 52.6, 22.56, -8.76

 

CMYK 0 / 4 / 29 / 38

HEX #9D9770

RGB 157 151 112

HSL 52, 0.19%, 0.53%

LAB 62.06, -4.18, 21.39

 

CMYK 29 / 0 / 18 / 38

HEX #709D81

RGB 112 157 129

HSL 142.67, 0.19%, 0.53%

LAB 60.91, -21.28, 9.81

 

Description

Color code: HEX #70769D | qconv.com Color code: HEX #70769D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 118 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 118 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 25 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 25% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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