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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7079E9 it is the complementary color #8F8616. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7079E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7079E9 shade: #7579E4, #868BF7, #979DFF, #A8AFFF and #B9C1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7079E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7079E9 shade: #7079E9, #5F67D6, #4E55C3, #3D43B0 and #2C319D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7079E9 shade: #717AE8, #8971E8, #A971E8, #C971E8 and #E871E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7079E9 shade: #717AE8 and #7171E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7079E9 shade matches the following richer shades: #717AE8 and #646FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7079E9 shade: #717AE8, #7F85DB, #8C91CE, #999CC1 and #A6A7B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7079E9 shade: #71BBE8, #719BE8, #717BE8, #8771E8 and #A771E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7079E9 shade: #2A37DD, #4E59E3, #717AE8, #959CEE and #B9BDF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7079E9 shade: #7079E9, #E871DB and #ABE871

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7079E9 shade: #7079E9, #E8717B and #7BE871

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7079E9 shade: #7079E9, #E871DB, #E8DF71 and #71E87F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7079E9 shade: #7079E9, #E871B7, #E8DF71 and #71E8A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 48 / 0 / 9

HEX #7079E9

RGB 112 121 233

HSL 235.54, 0.73%, 0.68%

LAB 55.08, 27.23, -57.96

 

Complementary color

CMYK 0 / 6 / 85 / 44

HEX #8F8616

RGB 143 134 22

HSL 55.54, 0.73%, 0.32%

LAB 55.02, -8.73, 55.22

 

CMYK 49 / 47 / 0 / 11

HEX #7579E4

RGB 117 121 228

HSL 237.84, 0.67%, 0.68%

LAB 55.13, 26.79, -55.05

 

CMYK 46 / 44 / 0 / 3

HEX #868BF7

RGB 134 139 247

HSL 237.35, 0.88%, 0.75%

LAB 61.87, 25.63, -54.78

 

CMYK 41 / 38 / 0 / 0

HEX #979DFF

RGB 151 157 255

HSL 236.54, 1%, 0.8%

LAB 67.96, 21.57, -49.44

 

CMYK 34 / 31 / 0 / 0

HEX #A8AFFF

RGB 168 175 255

HSL 235.17, 1%, 0.83%

LAB 73.68, 15.81, -40.38

 

CMYK 27 / 24 / 0 / 0

HEX #B9C1FF

RGB 185 193 255

HSL 233.14, 1%, 0.86%

LAB 79.43, 10.63, -31.38

 

CMYK 52 / 48 / 0 / 9

HEX #7079E9

RGB 112 121 233

HSL 235.54, 0.73%, 0.68%

LAB 55.08, 27.23, -57.96

 

CMYK 56 / 52 / 0 / 16

HEX #5F67D6

RGB 95 103 214

HSL 235.97, 0.59%, 0.61%

LAB 48.25, 28.71, -58.28

 

CMYK 60 / 56 / 0 / 24

HEX #4E55C3

RGB 78 85 195

HSL 236.41, 0.49%, 0.54%

LAB 41.31, 30.44, -58.62

 

CMYK 65 / 62 / 0 / 31

HEX #3D43B0

RGB 61 67 176

HSL 236.87, 0.49%, 0.46%

LAB 34.27, 32.5, -58.94

 

CMYK 72 / 69 / 0 / 38

HEX #2C319D

RGB 44 49 157

HSL 237.35, 0.56%, 0.39%

LAB 27.2, 34.92, -59.12

 

CMYK 51 / 47 / 0 / 9

HEX #717AE8

RGB 113 122 232

HSL 235.46, 0.72%, 0.68%

LAB 55.34, 26.54, -56.98

 

CMYK 41 / 51 / 0 / 9

HEX #8971E8

RGB 137 113 232

HSL 252.1, 0.72%, 0.68%

LAB 55.03, 37.24, -57.37

 

CMYK 27 / 51 / 0 / 9

HEX #A971E8

RGB 169 113 232

HSL 268.24, 0.72%, 0.68%

LAB 58.1, 45.11, -52.28

 

CMYK 13 / 51 / 0 / 9

HEX #C971E8

RGB 201 113 232

HSL 284.37, 0.72%, 0.68%

LAB 61.7, 53.5, -46.35

 

CMYK 0 / 51 / 0 / 9

HEX #E871E8

RGB 232 113 232

HSL 300, 0.72%, 0.68%

LAB 65.59, 61.81, -39.97

 

CMYK 51 / 47 / 0 / 9

HEX #717AE8

RGB 113 122 232

HSL 235.46, 0.72%, 0.68%

LAB 55.34, 26.54, -56.98

 

CMYK 51 / 51 / 0 / 9

HEX #7171E8

RGB 113 113 232

HSL 240, 0.72%, 0.68%

LAB 53.11, 31.93, -60.55

 

CMYK 51 / 47 / 0 / 9

HEX #717AE8

RGB 113 122 232

HSL 235.46, 0.72%, 0.68%

LAB 55.34, 26.54, -56.98

 

CMYK 59 / 55 / 0 / 4

HEX #646FF6

RGB 100 111 246

HSL 235.48, 0.89%, 0.68%

LAB 52.65, 35.07, -69.14

 

CMYK 51 / 47 / 0 / 9

HEX #717AE8

RGB 113 122 232

HSL 235.46, 0.72%, 0.68%

LAB 55.34, 26.54, -56.98

 

CMYK 42 / 39 / 0 / 14

HEX #7F85DB

RGB 127 133 219

HSL 236.09, 0.56%, 0.68%

LAB 58.42, 19.39, -44.75

 

CMYK 32 / 30 / 0 / 19

HEX #8C91CE

RGB 140 145 206

HSL 235.45, 0.4%, 0.68%

LAB 61.9, 12.37, -31.95

 

CMYK 21 / 19 / 0 / 24

HEX #999CC1

RGB 153 156 193

HSL 235.5, 0.24%, 0.68%

LAB 65.28, 6.85, -19.4

 

CMYK 8 / 7 / 0 / 29

HEX #A6A7B4

RGB 166 167 180

HSL 235.71, 0.09%, 0.68%

LAB 68.78, 2.21, -6.8

 

CMYK 51 / 19 / 0 / 9

HEX #71BBE8

RGB 113 187 232

HSL 202.69, 0.72%, 0.68%

LAB 72.81, -10.8, -29.53

 

CMYK 51 / 33 / 0 / 9

HEX #719BE8

RGB 113 155 232

HSL 218.82, 0.72%, 0.68%

LAB 63.98, 7.02, -43.26

 

CMYK 51 / 47 / 0 / 9

HEX #717BE8

RGB 113 123 232

HSL 234.96, 0.72%, 0.68%

LAB 55.59, 25.94, -56.58

 

CMYK 42 / 51 / 0 / 9

HEX #8771E8

RGB 135 113 232

HSL 251.09, 0.72%, 0.68%

LAB 54.85, 36.77, -57.66

 

CMYK 28 / 51 / 0 / 9

HEX #A771E8

RGB 167 113 232

HSL 267.23, 0.72%, 0.68%

LAB 57.9, 44.6, -52.62

 

CMYK 81 / 75 / 0 / 13

HEX #2A37DD

RGB 42 55 221

HSL 235.64, 0.72%, 0.52%

LAB 34.89, 53.05, -84.23

 

CMYK 66 / 61 / 0 / 11

HEX #4E59E3

RGB 78 89 227

HSL 235.57, 0.73%, 0.6%

LAB 44.67, 38.71, -71.51

 

CMYK 51 / 47 / 0 / 9

HEX #717AE8

RGB 113 122 232

HSL 235.46, 0.72%, 0.68%

LAB 55.34, 26.54, -56.98

 

CMYK 37 / 34 / 0 / 7

HEX #959CEE

RGB 149 156 238

HSL 235.28, 0.72%, 0.76%

LAB 66.78, 17, -42.02

 

CMYK 24 / 23 / 0 / 4

HEX #B9BDF4

RGB 185 189 244

HSL 235.93, 0.73%, 0.84%

LAB 78.02, 10.23, -27.65

 

CMYK 52 / 48 / 0 / 9

HEX #7079E9

RGB 112 121 233

HSL 235.54, 0.73%, 0.68%

LAB 55.08, 27.23, -57.96

 

CMYK 0 / 51 / 6 / 9

HEX #E871DB

RGB 232 113 219

HSL 306.55, 0.72%, 0.68%

LAB 65.03, 59.61, -33.61

 

CMYK 26 / 0 / 51 / 9

HEX #ABE871

RGB 171 232 113

HSL 90.76, 0.72%, 0.68%

LAB 85.79, -38.83, 51.26

 

CMYK 52 / 48 / 0 / 9

HEX #7079E9

RGB 112 121 233

HSL 235.54, 0.73%, 0.68%

LAB 55.08, 27.23, -57.96

 

CMYK 0 / 51 / 47 / 9

HEX #E8717B

RGB 232 113 123

HSL 354.96, 0.72%, 0.68%

LAB 61.99, 46.94, 16.49

 

CMYK 47 / 0 / 51 / 9

HEX #7BE871

RGB 123 232 113

HSL 114.96, 0.72%, 0.68%

LAB 83.5, -54.18, 47.96

 

CMYK 52 / 48 / 0 / 9

HEX #7079E9

RGB 112 121 233

HSL 235.54, 0.73%, 0.68%

LAB 55.08, 27.23, -57.96

 

CMYK 0 / 51 / 6 / 9

HEX #E871DB

RGB 232 113 219

HSL 306.55, 0.72%, 0.68%

LAB 65.03, 59.61, -33.61

 

CMYK 0 / 4 / 51 / 9

HEX #E8DF71

RGB 232 223 113

HSL 55.46, 0.72%, 0.68%

LAB 87.54, -11.18, 54.37

 

CMYK 51 / 0 / 45 / 9

HEX #71E87F

RGB 113 232 127

HSL 127.06, 0.72%, 0.68%

LAB 83.31, -54.96, 40.93

 

CMYK 52 / 48 / 0 / 9

HEX #7079E9

RGB 112 121 233

HSL 235.54, 0.73%, 0.68%

LAB 55.08, 27.23, -57.96

 

CMYK 0 / 51 / 21 / 9

HEX #E871B7

RGB 232 113 183

HSL 324.71, 0.72%, 0.68%

LAB 63.66, 54.07, -15.43

 

CMYK 0 / 4 / 51 / 9

HEX #E8DF71

RGB 232 223 113

HSL 55.46, 0.72%, 0.68%

LAB 87.54, -11.18, 54.37

 

CMYK 51 / 0 / 30 / 9

HEX #71E8A3

RGB 113 232 163

HSL 145.21, 0.72%, 0.68%

LAB 83.9, -48.92, 23.54

 

Description

Color code: HEX #7079E9 | qconv.com Color code: HEX #7079E9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 121 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 121 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 48 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 48% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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