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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7072A2 it is the complementary color #8F8D5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7072A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7072A2 shade: #75729D, #8684B0, #9796C3, #A8A8D6 and #B9BAE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7072A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7072A2 shade: #7072A2, #5F608F, #4E4E7C, #3D3C69 and #2C2A56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7072A2 shade: #7173A2, #7C71A2, #8971A2, #9671A2 and #A271A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7072A2 shade: #7173A2 and #7171A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7072A2 shade matches the following richer shades: #7173A2, #5E61B5, #4B50C8, #383EDB and #252DEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7072A2 shade: #7173A2, #84848F, #97957C, #AAA769 and #BCB856

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7072A2 shade: #718DA2, #7180A2, #7173A2, #7B71A2 and #8871A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7072A2 shade: #4C4D74, #5C5E8D, #7173A2, #8A8BB2 and #A2A4C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7072A2 shade: #7072A2, #A2719A and #87A271

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7072A2 shade: #7072A2, #A27173 and #73A271

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7072A2 shade: #7072A2, #A2719A, #A29F71 and #71A278

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7072A2 shade: #7072A2, #A2718C, #A29F71 and #71A287

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 30 / 0 / 36

HEX #7072A2

RGB 112 114 162

HSL 237.6, 0.21%, 0.54%

LAB 49.6, 10.71, -26.03

 

Complementary color

CMYK 0 / 1 / 35 / 44

HEX #8F8D5D

RGB 143 141 93

HSL 57.6, 0.21%, 0.46%

LAB 57.73, -7.01, 25.92

 

CMYK 25 / 27 / 0 / 38

HEX #75729D

RGB 117 114 157

HSL 244.19, 0.18%, 0.53%

LAB 49.8, 10.97, -22.77

 

CMYK 24 / 25 / 0 / 31

HEX #8684B0

RGB 134 132 176

HSL 242.73, 0.22%, 0.6%

LAB 56.79, 10.5, -22.9

 

CMYK 23 / 23 / 0 / 24

HEX #9796C3

RGB 151 150 195

HSL 241.33, 0.27%, 0.68%

LAB 63.62, 10.08, -23.07

 

CMYK 21 / 21 / 0 / 16

HEX #A8A8D6

RGB 168 168 214

HSL 240, 0.36%, 0.75%

LAB 70.31, 9.7, -23.27

 

CMYK 21 / 20 / 0 / 9

HEX #B9BAE9

RGB 185 186 233

HSL 238.75, 0.52%, 0.82%

LAB 76.87, 9.36, -23.48

 

CMYK 31 / 30 / 0 / 36

HEX #7072A2

RGB 112 114 162

HSL 237.6, 0.21%, 0.54%

LAB 49.6, 10.71, -26.03

 

CMYK 34 / 33 / 0 / 44

HEX #5F608F

RGB 95 96 143

HSL 238.75, 0.2%, 0.47%

LAB 42.43, 11.31, -26.02

 

CMYK 37 / 37 / 0 / 51

HEX #4E4E7C

RGB 78 78 124

HSL 240, 0.23%, 0.4%

LAB 35.05, 12.03, -26.07

 

CMYK 42 / 43 / 0 / 59

HEX #3D3C69

RGB 61 60 105

HSL 241.33, 0.27%, 0.32%

LAB 27.42, 12.93, -26.22

 

CMYK 49 / 51 / 0 / 66

HEX #2C2A56

RGB 44 42 86

HSL 242.73, 0.34%, 0.25%

LAB 19.49, 14.11, -26.48

 

CMYK 30 / 29 / 0 / 36

HEX #7173A2

RGB 113 115 162

HSL 237.55, 0.21%, 0.54%

LAB 49.95, 10.42, -25.48

 

CMYK 23 / 30 / 0 / 36

HEX #7C71A2

RGB 124 113 162

HSL 253.47, 0.21%, 0.54%

LAB 50.34, 15.07, -24.81

 

CMYK 15 / 30 / 0 / 36

HEX #8971A2

RGB 137 113 162

HSL 269.39, 0.21%, 0.54%

LAB 51.54, 19.3, -22.86

 

CMYK 7 / 30 / 0 / 36

HEX #9671A2

RGB 150 113 162

HSL 285.31, 0.21%, 0.54%

LAB 52.84, 23.64, -20.74

 

CMYK 0 / 30 / 1 / 36

HEX #A271A0

RGB 162 113 160

HSL 302.45, 0.21%, 0.54%

LAB 54.06, 27.32, -17.61

 

CMYK 30 / 29 / 0 / 36

HEX #7173A2

RGB 113 115 162

HSL 237.55, 0.21%, 0.54%

LAB 49.95, 10.42, -25.48

 

CMYK 30 / 30 / 0 / 36

HEX #7171A2

RGB 113 113 162

HSL 240, 0.21%, 0.54%

LAB 49.41, 11.62, -26.32

 

CMYK 30 / 29 / 0 / 36

HEX #7173A2

RGB 113 115 162

HSL 237.55, 0.21%, 0.54%

LAB 49.95, 10.42, -25.48

 

CMYK 48 / 46 / 0 / 29

HEX #5E61B5

RGB 94 97 181

HSL 237.93, 0.37%, 0.54%

LAB 44.61, 21.73, -45.09

 

CMYK 63 / 60 / 0 / 22

HEX #4B50C8

RGB 75 80 200

HSL 237.6, 0.53%, 0.54%

LAB 40.25, 34.73, -63.25

 

CMYK 74 / 72 / 0 / 14

HEX #383EDB

RGB 56 62 219

HSL 237.79, 0.69%, 0.54%

LAB 36.74, 49.53, -80

 

CMYK 84 / 81 / 0 / 7

HEX #252DEE

RGB 37 45 238

HSL 237.61, 0.86%, 0.54%

LAB 34.89, 63.1, -93.94

 

CMYK 30 / 29 / 0 / 36

HEX #7173A2

RGB 113 115 162

HSL 237.55, 0.21%, 0.54%

LAB 49.95, 10.42, -25.48

 

CMYK 8 / 8 / 0 / 44

HEX #84848F

RGB 132 132 143

HSL 240, 0.05%, 0.54%

LAB 55.47, 2.26, -5.9

 

CMYK 0 / 1 / 18 / 41

HEX #97957C

RGB 151 149 124

HSL 55.56, 0.11%, 0.54%

LAB 61.25, -3.67, 13.49

 

CMYK 0 / 2 / 38 / 33

HEX #AAA769

RGB 170 167 105

HSL 57.23, 0.28%, 0.54%

LAB 67.43, -8.38, 32.46

 

CMYK 0 / 2 / 54 / 26

HEX #BCB856

RGB 188 184 86

HSL 57.65, 0.43%, 0.54%

LAB 73.31, -11.66, 49.5

 

CMYK 30 / 13 / 0 / 36

HEX #718DA2

RGB 113 141 162

HSL 205.71, 0.21%, 0.54%

LAB 57.24, -4.76, -14.33

 

CMYK 30 / 21 / 0 / 36

HEX #7180A2

RGB 113 128 162

HSL 221.63, 0.21%, 0.54%

LAB 53.55, 2.71, -19.94

 

CMYK 30 / 29 / 0 / 36

HEX #7173A2

RGB 113 115 162

HSL 237.55, 0.21%, 0.54%

LAB 49.95, 10.42, -25.48

 

CMYK 24 / 30 / 0 / 36

HEX #7B71A2

RGB 123 113 162

HSL 252.24, 0.21%, 0.54%

LAB 50.25, 14.75, -24.95

 

CMYK 16 / 30 / 0 / 36

HEX #8871A2

RGB 136 113 162

HSL 268.16, 0.21%, 0.54%

LAB 51.44, 18.97, -23.01

 

CMYK 34 / 34 / 0 / 55

HEX #4C4D74

RGB 76 77 116

HSL 238.5, 0.21%, 0.38%

LAB 34.2, 9.7, -22.44

 

CMYK 35 / 33 / 0 / 45

HEX #5C5E8D

RGB 92 94 141

HSL 237.55, 0.21%, 0.46%

LAB 41.54, 11.08, -26.23

 

CMYK 30 / 29 / 0 / 36

HEX #7173A2

RGB 113 115 162

HSL 237.55, 0.21%, 0.54%

LAB 49.95, 10.42, -25.48

 

CMYK 22 / 22 / 0 / 30

HEX #8A8BB2

RGB 138 139 178

HSL 238.5, 0.21%, 0.62%

LAB 59.05, 8.2, -20.55

 

CMYK 16 / 15 / 0 / 24

HEX #A2A4C2

RGB 162 164 194

HSL 236.25, 0.21%, 0.7%

LAB 68.11, 5.5, -15.6

 

CMYK 31 / 30 / 0 / 36

HEX #7072A2

RGB 112 114 162

HSL 237.6, 0.21%, 0.54%

LAB 49.6, 10.71, -26.03

 

CMYK 0 / 30 / 5 / 36

HEX #A2719A

RGB 162 113 154

HSL 309.8, 0.21%, 0.54%

LAB 53.84, 26.17, -14.44

 

CMYK 17 / 0 / 30 / 36

HEX #87A271

RGB 135 162 113

HSL 93.06, 0.21%, 0.54%

LAB 63.49, -18.52, 22.49

 

CMYK 31 / 30 / 0 / 36

HEX #7072A2

RGB 112 114 162

HSL 237.6, 0.21%, 0.54%

LAB 49.6, 10.71, -26.03

 

CMYK 0 / 30 / 29 / 36

HEX #A27173

RGB 162 113 115

HSL 357.55, 0.21%, 0.54%

LAB 52.65, 19.68, 6.68

 

CMYK 29 / 0 / 30 / 36

HEX #73A271

RGB 115 162 113

HSL 117.55, 0.21%, 0.54%

LAB 62.23, -25.77, 20.57

 

CMYK 31 / 30 / 0 / 36

HEX #7072A2

RGB 112 114 162

HSL 237.6, 0.21%, 0.54%

LAB 49.6, 10.71, -26.03

 

CMYK 0 / 30 / 5 / 36

HEX #A2719A

RGB 162 113 154

HSL 309.8, 0.21%, 0.54%

LAB 53.84, 26.17, -14.44

 

CMYK 0 / 2 / 30 / 36

HEX #A29F71

RGB 162 159 113

HSL 56.33, 0.21%, 0.54%

LAB 64.7, -6.36, 24.46

 

CMYK 30 / 0 / 26 / 36

HEX #71A278

RGB 113 162 120

HSL 128.57, 0.21%, 0.54%

LAB 62.26, -25.21, 16.73

 

CMYK 31 / 30 / 0 / 36

HEX #7072A2

RGB 112 114 162

HSL 237.6, 0.21%, 0.54%

LAB 49.6, 10.71, -26.03

 

CMYK 0 / 30 / 14 / 36

HEX #A2718C

RGB 162 113 140

HSL 326.94, 0.21%, 0.54%

LAB 53.37, 23.64, -6.96

 

CMYK 0 / 2 / 30 / 36

HEX #A29F71

RGB 162 159 113

HSL 56.33, 0.21%, 0.54%

LAB 64.7, -6.36, 24.46

 

CMYK 30 / 0 / 17 / 36

HEX #71A287

RGB 113 162 135

HSL 146.94, 0.21%, 0.54%

LAB 62.59, -22.28, 8.85

 

Description

Color code: HEX #7072A2 | qconv.com Color code: HEX #7072A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 114 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 114 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 30 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 30% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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