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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7083AC it is the complementary color #8F7C53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7083AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7083AC shade: #7583A7, #8695BA, #97A7CD, #A8B9E0 and #B9CBF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7083AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7083AC shade: #7083AC, #5F7199, #4E5F86, #3D4D73 and #2C3B60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7083AC shade: #7083AD, #7073AD, #7D70AD, #8E70AD and #9E70AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7083AC shade: #7083AD, #7073AD and #7070AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7083AC shade matches the following richer shades: #7083AD, #5E7DBF, #4C76D1, #3A6FE3 and #2769F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7083AC shade: #7083AD, #828A9A, #949188, #A69776 and #B99E64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7083AC shade: #70A4AD, #7093AD, #7083AD, #7073AD and #7D70AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7083AC shade: #4A5B80, #596E9B, #7083AD, #8A9ABC and #A4B1CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7083AC shade: #7083AC, #A670AD and #9BAD70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7083AC shade: #7083AC, #AD7083 and #83AD70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7083AC shade: #7083AC, #A670AD, #AD9970 and #77AD70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7083AC shade: #7083AC, #AD70A1, #AD9970 and #70AD7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 24 / 0 / 33

HEX #7083AC

RGB 112 131 172

HSL 221, 0.27%, 0.56%

LAB 54.72, 3.32, -23.93

 

Complementary color

CMYK 0 / 13 / 42 / 44

HEX #8F7C53

RGB 143 124 83

HSL 41, 0.27%, 0.44%

LAB 52.82, 1.25, 25.07

 

CMYK 30 / 22 / 0 / 35

HEX #7583A7

RGB 117 131 167

HSL 223.2, 0.22%, 0.56%

LAB 54.87, 3.49, -20.78

 

CMYK 28 / 20 / 0 / 27

HEX #8695BA

RGB 134 149 186

HSL 222.69, 0.27%, 0.63%

LAB 61.75, 3.19, -20.98

 

CMYK 26 / 19 / 0 / 20

HEX #97A7CD

RGB 151 167 205

HSL 222.22, 0.35%, 0.7%

LAB 68.48, 2.92, -21.21

 

CMYK 25 / 17 / 0 / 12

HEX #A8B9E0

RGB 168 185 224

HSL 221.79, 0.47%, 0.77%

LAB 75.08, 2.67, -21.45

 

CMYK 24 / 16 / 0 / 5

HEX #B9CBF3

RGB 185 203 243

HSL 221.38, 0.71%, 0.84%

LAB 81.56, 2.44, -21.71

 

CMYK 35 / 24 / 0 / 33

HEX #7083AC

RGB 112 131 172

HSL 221, 0.27%, 0.56%

LAB 54.72, 3.32, -23.93

 

CMYK 38 / 26 / 0 / 40

HEX #5F7199

RGB 95 113 153

HSL 221.38, 0.23%, 0.49%

LAB 47.68, 3.73, -23.82

 

CMYK 42 / 29 / 0 / 47

HEX #4E5F86

RGB 78 95 134

HSL 221.79, 0.26%, 0.42%

LAB 40.45, 4.24, -23.77

 

CMYK 47 / 33 / 0 / 55

HEX #3D4D73

RGB 61 77 115

HSL 222.22, 0.31%, 0.35%

LAB 33, 4.88, -23.78

 

CMYK 54 / 39 / 0 / 62

HEX #2C3B60

RGB 44 59 96

HSL 222.69, 0.37%, 0.27%

LAB 25.28, 5.76, -23.87

 

CMYK 35 / 24 / 0 / 32

HEX #7083AD

RGB 112 131 173

HSL 221.31, 0.27%, 0.56%

LAB 54.76, 3.59, -24.44

 

CMYK 35 / 34 / 0 / 32

HEX #7073AD

RGB 112 115 173

HSL 237.05, 0.27%, 0.56%

LAB 50.36, 13.1, -31.26

 

CMYK 28 / 35 / 0 / 32

HEX #7D70AD

RGB 125 112 173

HSL 252.79, 0.27%, 0.56%

LAB 50.65, 18.77, -30.73

 

CMYK 18 / 35 / 0 / 32

HEX #8E70AD

RGB 142 112 173

HSL 269.51, 0.27%, 0.56%

LAB 52.24, 24.05, -28.14

 

CMYK 9 / 35 / 0 / 32

HEX #9E70AD

RGB 158 112 173

HSL 285.25, 0.27%, 0.56%

LAB 53.89, 29.18, -25.44

 

CMYK 35 / 24 / 0 / 32

HEX #7083AD

RGB 112 131 173

HSL 221.31, 0.27%, 0.56%

LAB 54.76, 3.59, -24.44

 

CMYK 35 / 34 / 0 / 32

HEX #7073AD

RGB 112 115 173

HSL 237.05, 0.27%, 0.56%

LAB 50.36, 13.1, -31.26

 

CMYK 35 / 35 / 0 / 32

HEX #7070AD

RGB 112 112 173

HSL 240, 0.27%, 0.56%

LAB 49.56, 14.92, -32.52

 

CMYK 35 / 24 / 0 / 32

HEX #7083AD

RGB 112 131 173

HSL 221.31, 0.27%, 0.56%

LAB 54.76, 3.59, -24.44

 

CMYK 51 / 35 / 0 / 25

HEX #5E7DBF

RGB 94 125 191

HSL 220.82, 0.43%, 0.56%

LAB 52.74, 7.67, -38

 

CMYK 64 / 44 / 0 / 18

HEX #4C76D1

RGB 76 118 209

HSL 221.05, 0.59%, 0.56%

LAB 50.8, 14.18, -51.4

 

CMYK 74 / 51 / 0 / 11

HEX #3A6FE3

RGB 58 111 227

HSL 221.18, 0.75%, 0.56%

LAB 49.27, 22.34, -64.09

 

CMYK 84 / 57 / 0 / 4

HEX #2769F5

RGB 39 105 245

HSL 220.78, 0.91%, 0.56%

LAB 48.42, 31.03, -75.59

 

CMYK 35 / 24 / 0 / 32

HEX #7083AD

RGB 112 131 173

HSL 221.31, 0.27%, 0.56%

LAB 54.76, 3.59, -24.44

 

CMYK 16 / 10 / 0 / 40

HEX #828A9A

RGB 130 138 154

HSL 220, 0.11%, 0.56%

LAB 57.32, 0.54, -9.5

 

CMYK 0 / 2 / 8 / 42

HEX #949188

RGB 148 145 136

HSL 45, 0.05%, 0.56%

LAB 60.18, -0.57, 5.16

 

CMYK 0 / 9 / 29 / 35

HEX #A69776

RGB 166 151 118

HSL 41.25, 0.21%, 0.56%

LAB 62.97, 0.29, 19.43

 

CMYK 0 / 15 / 46 / 27

HEX #B99E64

RGB 185 158 100

HSL 40.94, 0.38%, 0.56%

LAB 66.28, 2.13, 33.91

 

CMYK 35 / 5 / 0 / 32

HEX #70A4AD

RGB 112 164 173

HSL 188.85, 0.27%, 0.56%

LAB 64.17, -14.86, -10.15

 

CMYK 35 / 15 / 0 / 32

HEX #7093AD

RGB 112 147 173

HSL 205.57, 0.27%, 0.56%

LAB 59.28, -5.58, -17.52

 

CMYK 35 / 24 / 0 / 32

HEX #7083AD

RGB 112 131 173

HSL 221.31, 0.27%, 0.56%

LAB 54.76, 3.59, -24.44

 

CMYK 35 / 34 / 0 / 32

HEX #7073AD

RGB 112 115 173

HSL 237.05, 0.27%, 0.56%

LAB 50.36, 13.1, -31.26

 

CMYK 28 / 35 / 0 / 32

HEX #7D70AD

RGB 125 112 173

HSL 252.79, 0.27%, 0.56%

LAB 50.65, 18.77, -30.73

 

CMYK 42 / 29 / 0 / 50

HEX #4A5B80

RGB 74 91 128

HSL 221.11, 0.27%, 0.4%

LAB 38.72, 3.76, -22.83

 

CMYK 43 / 29 / 0 / 39

HEX #596E9B

RGB 89 110 155

HSL 220.91, 0.27%, 0.48%

LAB 46.5, 4.42, -26.86

 

CMYK 35 / 24 / 0 / 32

HEX #7083AD

RGB 112 131 173

HSL 221.31, 0.27%, 0.56%

LAB 54.76, 3.59, -24.44

 

CMYK 27 / 18 / 0 / 26

HEX #8A9ABC

RGB 138 154 188

HSL 220.8, 0.27%, 0.64%

LAB 63.46, 2.08, -19.47

 

CMYK 19 / 13 / 0 / 20

HEX #A4B1CB

RGB 164 177 203

HSL 220, 0.27%, 0.72%

LAB 71.99, 0.99, -14.7

 

CMYK 35 / 24 / 0 / 33

HEX #7083AC

RGB 112 131 172

HSL 221, 0.27%, 0.56%

LAB 54.72, 3.32, -23.93

 

CMYK 4 / 35 / 0 / 32

HEX #A670AD

RGB 166 112 173

HSL 293.11, 0.27%, 0.56%

LAB 54.77, 31.79, -24.01

 

CMYK 10 / 0 / 35 / 32

HEX #9BAD70

RGB 155 173 112

HSL 77.7, 0.27%, 0.56%

LAB 68.04, -16.64, 29.32

 

CMYK 35 / 24 / 0 / 33

HEX #7083AC

RGB 112 131 172

HSL 221, 0.27%, 0.56%

LAB 54.72, 3.32, -23.93

 

CMYK 0 / 35 / 24 / 32

HEX #AD7083

RGB 173 112 131

HSL 341.31, 0.27%, 0.56%

LAB 54.14, 26.84, -0.39

 

CMYK 24 / 0 / 35 / 32

HEX #83AD70

RGB 131 173 112

HSL 101.31, 0.27%, 0.56%

LAB 66.43, -25.69, 26.9

 

CMYK 35 / 24 / 0 / 33

HEX #7083AC

RGB 112 131 172

HSL 221, 0.27%, 0.56%

LAB 54.72, 3.32, -23.93

 

CMYK 4 / 35 / 0 / 32

HEX #A670AD

RGB 166 112 173

HSL 293.11, 0.27%, 0.56%

LAB 54.77, 31.79, -24.01

 

CMYK 0 / 12 / 35 / 32

HEX #AD9970

RGB 173 153 112

HSL 40.33, 0.27%, 0.56%

LAB 64.03, 1.25, 24.28

 

CMYK 31 / 0 / 35 / 32

HEX #77AD70

RGB 119 173 112

HSL 113.11, 0.27%, 0.56%

LAB 65.73, -29.91, 25.85

 

CMYK 35 / 24 / 0 / 33

HEX #7083AC

RGB 112 131 172

HSL 221, 0.27%, 0.56%

LAB 54.72, 3.32, -23.93

 

CMYK 0 / 35 / 7 / 32

HEX #AD70A1

RGB 173 112 161

HSL 311.8, 0.27%, 0.56%

LAB 55.12, 31.83, -16.46

 

CMYK 0 / 12 / 35 / 32

HEX #AD9970

RGB 173 153 112

HSL 40.33, 0.27%, 0.56%

LAB 64.03, 1.25, 24.28

 

CMYK 35 / 0 / 29 / 32

HEX #70AD7B

RGB 112 173 123

HSL 130.82, 0.27%, 0.56%

LAB 65.56, -30.35, 19.61

 

Description

Color code: HEX #7083AC | qconv.com Color code: HEX #7083AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 131 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 131 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 24 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 24% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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