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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7095C1 it is the complementary color #8F6A3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7095C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7095C1 shade: #7595BC, #86A7CF, #97B9E2, #A8CBF5 and #B9DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7095C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7095C1 shade: #7095C1, #5F83AE, #4E719B, #3D5F88 and #2C4D75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7095C1 shade: #7095C1, #707FC1, #7670C1, #8C70C1 and #A270C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7095C1 shade: #7095C1, #707FC1 and #7070C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7095C1 shade matches the following richer shades: #7095C1, #5F94D2, #4F92E2 and #3E91F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7095C1 shade: #7095C1, #8096B1, #9198A0, #A19990 and #B29B7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7095C1 shade: #70C1C1, #70ACC1, #7096C1, #7080C1 and #7570C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7095C1 shade: #436B9C, #5380B5, #7095C1, #8DAACE and #A9C0DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7095C1 shade: #7095C1, #AC70C1 and #B6C170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7095C1 shade: #7095C1, #C17096 and #96C170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7095C1 shade: #7095C1, #AC70C1, #C19B70 and #85C170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7095C1 shade: #7095C1, #C170BF, #C19B70 and #70C172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 23 / 0 / 24

HEX #7095C1

RGB 112 149 193

HSL 212.59, 0.4%, 0.6%

LAB 60.6, -1.25, -26.82

 

Complementary color

CMYK 0 / 26 / 57 / 44

HEX #8F6A3E

RGB 143 106 62

HSL 32.59, 0.4%, 0.4%

LAB 47.62, 9.42, 30.23

 

CMYK 38 / 21 / 0 / 26

HEX #7595BC

RGB 117 149 188

HSL 212.96, 0.35%, 0.6%

LAB 60.7, -1.27, -23.81

 

CMYK 35 / 19 / 0 / 19

HEX #86A7CF

RGB 134 167 207

HSL 212.88, 0.43%, 0.67%

LAB 67.43, -1.55, -24.01

 

CMYK 33 / 18 / 0 / 11

HEX #97B9E2

RGB 151 185 226

HSL 212.8, 0.56%, 0.74%

LAB 74.04, -1.79, -24.22

 

CMYK 31 / 17 / 0 / 4

HEX #A8CBF5

RGB 168 203 245

HSL 212.73, 0.79%, 0.81%

LAB 80.53, -2.01, -24.45

 

CMYK 27 / 13 / 0 / 0

HEX #B9DDFF

RGB 185 221 255

HSL 209.14, 1%, 0.86%

LAB 86.63, -4.31, -20.4

 

CMYK 42 / 23 / 0 / 24

HEX #7095C1

RGB 112 149 193

HSL 212.59, 0.4%, 0.6%

LAB 60.6, -1.25, -26.82

 

CMYK 45 / 25 / 0 / 32

HEX #5F83AE

RGB 95 131 174

HSL 212.66, 0.33%, 0.53%

LAB 53.73, -0.83, -26.69

 

CMYK 50 / 27 / 0 / 39

HEX #4E719B

RGB 78 113 155

HSL 212.73, 0.33%, 0.46%

LAB 46.71, -0.3, -26.59

 

CMYK 55 / 30 / 0 / 47

HEX #3D5F88

RGB 61 95 136

HSL 212.8, 0.38%, 0.39%

LAB 39.5, 0.38, -26.54

 

CMYK 62 / 34 / 0 / 54

HEX #2C4D75

RGB 44 77 117

HSL 212.88, 0.45%, 0.32%

LAB 32.1, 1.31, -26.52

 

CMYK 42 / 23 / 0 / 24

HEX #7095C1

RGB 112 149 193

HSL 212.59, 0.4%, 0.6%

LAB 60.6, -1.25, -26.82

 

CMYK 42 / 34 / 0 / 24

HEX #707FC1

RGB 112 127 193

HSL 228.89, 0.4%, 0.6%

LAB 54.53, 11.59, -36.25

 

CMYK 39 / 42 / 0 / 24

HEX #7670C1

RGB 118 112 193

HSL 244.44, 0.4%, 0.6%

LAB 51.02, 22.18, -41.74

 

CMYK 27 / 42 / 0 / 24

HEX #8C70C1

RGB 140 112 193

HSL 260.74, 0.4%, 0.6%

LAB 52.96, 28.29, -38.55

 

CMYK 16 / 42 / 0 / 24

HEX #A270C1

RGB 162 112 193

HSL 277.04, 0.4%, 0.6%

LAB 55.2, 34.76, -34.89

 

CMYK 42 / 23 / 0 / 24

HEX #7095C1

RGB 112 149 193

HSL 212.59, 0.4%, 0.6%

LAB 60.6, -1.25, -26.82

 

CMYK 42 / 34 / 0 / 24

HEX #707FC1

RGB 112 127 193

HSL 228.89, 0.4%, 0.6%

LAB 54.53, 11.59, -36.25

 

CMYK 42 / 42 / 0 / 24

HEX #7070C1

RGB 112 112 193

HSL 240, 0.4%, 0.6%

LAB 50.55, 20.61, -42.52

 

CMYK 42 / 23 / 0 / 24

HEX #7095C1

RGB 112 149 193

HSL 212.59, 0.4%, 0.6%

LAB 60.6, -1.25, -26.82

 

CMYK 55 / 30 / 0 / 18

HEX #5F94D2

RGB 95 148 210

HSL 212.35, 0.56%, 0.6%

LAB 60.13, 0.31, -37.15

 

CMYK 65 / 35 / 0 / 11

HEX #4F92E2

RGB 79 146 226

HSL 212.65, 0.72%, 0.6%

LAB 59.63, 3.64, -46.92

 

CMYK 74 / 40 / 0 / 5

HEX #3E91F3

RGB 62 145 243

HSL 212.49, 0.88%, 0.6%

LAB 59.66, 7.72, -56.31

 

CMYK 42 / 23 / 0 / 24

HEX #7095C1

RGB 112 149 193

HSL 212.59, 0.4%, 0.6%

LAB 60.6, -1.25, -26.82

 

CMYK 28 / 15 / 0 / 31

HEX #8096B1

RGB 128 150 177

HSL 213.06, 0.24%, 0.6%

LAB 61.29, -1.46, -16.64

 

CMYK 9 / 5 / 0 / 37

HEX #9198A0

RGB 145 152 160

HSL 212, 0.07%, 0.6%

LAB 62.52, -0.87, -5.06

 

CMYK 0 / 5 / 11 / 37

HEX #A19990

RGB 161 153 144

HSL 31.76, 0.08%, 0.6%

LAB 63.65, 1.31, 5.76

 

CMYK 0 / 13 / 29 / 30

HEX #B29B7F

RGB 178 155 127

HSL 32.94, 0.25%, 0.6%

LAB 65.31, 4.15, 17.82

 

CMYK 42 / 0 / 0 / 24

HEX #70C1C1

RGB 112 193 193

HSL 180, 0.4%, 0.6%

LAB 73.18, -24.72, -7.77

 

CMYK 42 / 11 / 0 / 24

HEX #70ACC1

RGB 112 172 193

HSL 195.56, 0.4%, 0.6%

LAB 67.13, -13.91, -16.84

 

CMYK 42 / 22 / 0 / 24

HEX #7096C1

RGB 112 150 193

HSL 211.85, 0.4%, 0.6%

LAB 60.88, -1.81, -26.38

 

CMYK 42 / 34 / 0 / 24

HEX #7080C1

RGB 112 128 193

HSL 228.15, 0.4%, 0.6%

LAB 54.8, 10.99, -35.83

 

CMYK 39 / 42 / 0 / 24

HEX #7570C1

RGB 117 112 193

HSL 243.7, 0.4%, 0.6%

LAB 50.94, 21.92, -41.87

 

CMYK 57 / 31 / 0 / 39

HEX #436B9C

RGB 67 107 156

HSL 213.03, 0.4%, 0.44%

LAB 44.39, 1.05, -30.85

 

CMYK 54 / 29 / 0 / 29

HEX #5380B5

RGB 83 128 181

HSL 212.45, 0.4%, 0.52%

LAB 52.52, 0.17, -32.64

 

CMYK 42 / 23 / 0 / 24

HEX #7095C1

RGB 112 149 193

HSL 212.59, 0.4%, 0.6%

LAB 60.6, -1.25, -26.82

 

CMYK 32 / 17 / 0 / 19

HEX #8DAACE

RGB 141 170 206

HSL 213.23, 0.4%, 0.68%

LAB 68.66, -1.47, -21.55

 

CMYK 22 / 12 / 0 / 15

HEX #A9C0DA

RGB 169 192 218

HSL 211.84, 0.4%, 0.76%

LAB 76.8, -2.19, -15.6

 

CMYK 42 / 23 / 0 / 24

HEX #7095C1

RGB 112 149 193

HSL 212.59, 0.4%, 0.6%

LAB 60.6, -1.25, -26.82

 

CMYK 11 / 42 / 0 / 24

HEX #AC70C1

RGB 172 112 193

HSL 284.44, 0.4%, 0.6%

LAB 56.3, 37.77, -33.09

 

CMYK 6 / 0 / 42 / 24

HEX #B6C170

RGB 182 193 112

HSL 68.15, 0.4%, 0.6%

LAB 75.61, -16.2, 39.43

 

CMYK 42 / 23 / 0 / 24

HEX #7095C1

RGB 112 149 193

HSL 212.59, 0.4%, 0.6%

LAB 60.6, -1.25, -26.82

 

CMYK 0 / 42 / 22 / 24

HEX #C17096

RGB 193 112 150

HSL 331.85, 0.4%, 0.6%

LAB 57.2, 36.94, -6.7

 

CMYK 22 / 0 / 42 / 24

HEX #96C170

RGB 150 193 112

HSL 91.85, 0.4%, 0.6%

LAB 73.41, -28.48, 36.19

 

CMYK 42 / 23 / 0 / 24

HEX #7095C1

RGB 112 149 193

HSL 212.59, 0.4%, 0.6%

LAB 60.6, -1.25, -26.82

 

CMYK 11 / 42 / 0 / 24

HEX #AC70C1

RGB 172 112 193

HSL 284.44, 0.4%, 0.6%

LAB 56.3, 37.77, -33.09

 

CMYK 0 / 20 / 42 / 24

HEX #C19B70

RGB 193 155 112

HSL 31.85, 0.4%, 0.6%

LAB 66.48, 8.36, 27.88

 

CMYK 31 / 0 / 42 / 24

HEX #85C170

RGB 133 193 112

HSL 104.44, 0.4%, 0.6%

LAB 72.43, -34.52, 34.73

 

CMYK 42 / 23 / 0 / 24

HEX #7095C1

RGB 112 149 193

HSL 212.59, 0.4%, 0.6%

LAB 60.6, -1.25, -26.82

 

CMYK 0 / 42 / 1 / 24

HEX #C170BF

RGB 193 112 191

HSL 301.48, 0.4%, 0.6%

LAB 58.68, 43.79, -28.05

 

CMYK 0 / 20 / 42 / 24

HEX #C19B70

RGB 193 155 112

HSL 31.85, 0.4%, 0.6%

LAB 66.48, 8.36, 27.88

 

CMYK 42 / 0 / 41 / 24

HEX #70C172

RGB 112 193 114

HSL 121.48, 0.4%, 0.6%

LAB 71.42, -41.01, 32.19

 

Description

Color code: HEX #7095C1 | qconv.com Color code: HEX #7095C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 149 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 149 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 23 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 23% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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