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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #709611 it is the complementary color #8F69EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #709611. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #709611 shade: #75960C, #86A81F, #97BA32, #A8CC45 and #B9DE58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #709611. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #709611 shade: #709611, #5F8400, #4E7200, #3D6000 and #2C4E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #709611 shade: #719710, #959710, #977510, #975110 and #972C10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #709611 shade: #719710, #4C9710, #289710, #10971D and #109741

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #709611 shade matches the following richer shades: #719710 and #76A503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #709611 shade: #719710, #6B891E, #657C2C, #5F6E39 and #596147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #709611 shade: #977510, #959710, #719710, #4D9710 and #299710

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #709611 shade: #394D08, #55720C, #719710, #8CBC14 and #A8E119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #709611 shade: #709611, #109751 and #871097

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #709611 shade: #709611, #107197 and #971071

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #709611 shade: #709611, #109751, #361097 and #971056

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #709611 shade: #709611, #10977A, #361097 and #97102E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 89 / 41

HEX #709611

RGB 112 150 17

HSL 77.14, 0.8%, 0.33%

LAB 57.36, -30.75, 57.44

 

Complementary color

CMYK 40 / 56 / 0 / 7

HEX #8F69EE

RGB 143 105 238

HSL 257.14, 0.8%, 0.67%

LAB 54.15, 44.78, -62.1

 

CMYK 22 / 0 / 92 / 41

HEX #75960C

RGB 117 150 12

HSL 74.35, 0.85%, 0.32%

LAB 57.68, -28.8, 58.77

 

CMYK 20 / 0 / 82 / 34

HEX #86A81F

RGB 134 168 31

HSL 74.89, 0.69%, 0.39%

LAB 64.3, -29.74, 60.56

 

CMYK 19 / 0 / 73 / 27

HEX #97BA32

RGB 151 186 50

HSL 75.44, 0.58%, 0.46%

LAB 70.82, -30.44, 61.04

 

CMYK 18 / 0 / 66 / 20

HEX #A8CC45

RGB 168 204 69

HSL 76, 0.57%, 0.54%

LAB 77.25, -30.96, 60.77

 

CMYK 17 / 0 / 60 / 13

HEX #B9DE58

RGB 185 222 88

HSL 76.57, 0.67%, 0.61%

LAB 83.58, -31.35, 60.09

 

CMYK 25 / 0 / 89 / 41

HEX #709611

RGB 112 150 17

HSL 77.14, 0.8%, 0.33%

LAB 57.36, -30.75, 57.44

 

CMYK 28 / 0 / 100 / 48

HEX #5F8400

RGB 95 132 0

HSL 76.82, 1%, 0.26%

LAB 50.61, -29.7, 54.63

 

CMYK 32 / 0 / 100 / 55

HEX #4E7200

RGB 78 114 0

HSL 78.95, 1%, 0.22%

LAB 43.73, -28.24, 48.91

 

CMYK 36 / 0 / 100 / 62

HEX #3D6000

RGB 61 96 0

HSL 81.88, 1%, 0.19%

LAB 36.66, -26.74, 43.02

 

CMYK 44 / 0 / 100 / 69

HEX #2C4E00

RGB 44 78 0

HSL 86.15, 1%, 0.15%

LAB 29.37, -25.16, 36.96

 

CMYK 25 / 0 / 89 / 41

HEX #719710

RGB 113 151 16

HSL 76.89, 0.81%, 0.33%

LAB 57.73, -30.84, 57.98

 

CMYK 1 / 0 / 89 / 41

HEX #959710

RGB 149 151 16

HSL 60.89, 0.81%, 0.33%

LAB 60.39, -15.21, 61.25

 

CMYK 0 / 23 / 89 / 41

HEX #977510

RGB 151 117 16

HSL 44.89, 0.81%, 0.33%

LAB 51.08, 4.32, 53.87

 

CMYK 0 / 46 / 89 / 41

HEX #975110

RGB 151 81 16

HSL 28.89, 0.81%, 0.33%

LAB 42, 24.9, 46.62

 

CMYK 0 / 71 / 89 / 41

HEX #972C10

RGB 151 44 16

HSL 12.44, 0.81%, 0.33%

LAB 34.84, 43.39, 40.91

 

CMYK 25 / 0 / 89 / 41

HEX #719710

RGB 113 151 16

HSL 76.89, 0.81%, 0.33%

LAB 57.73, -30.84, 57.98

 

CMYK 50 / 0 / 89 / 41

HEX #4C9710

RGB 76 151 16

HSL 93.33, 0.81%, 0.33%

LAB 55.79, -44.51, 55.56

 

CMYK 74 / 0 / 89 / 41

HEX #289710

RGB 40 151 16

HSL 109.33, 0.81%, 0.33%

LAB 54.68, -53.58, 54.17

 

CMYK 89 / 0 / 81 / 41

HEX #10971D

RGB 16 151 29

HSL 125.78, 0.81%, 0.33%

LAB 54.38, -56.04, 50.36

 

CMYK 89 / 0 / 57 / 41

HEX #109741

RGB 16 151 65

HSL 141.78, 0.81%, 0.33%

LAB 54.68, -52.22, 35.65

 

CMYK 25 / 0 / 89 / 41

HEX #719710

RGB 113 151 16

HSL 76.89, 0.81%, 0.33%

LAB 57.73, -30.84, 57.98

 

CMYK 28 / 0 / 98 / 35

HEX #76A503

RGB 118 165 3

HSL 77.41, 0.96%, 0.33%

LAB 62.31, -35.55, 63.78

 

CMYK 25 / 0 / 89 / 41

HEX #719710

RGB 113 151 16

HSL 76.89, 0.81%, 0.33%

LAB 57.73, -30.84, 57.98

 

CMYK 22 / 0 / 78 / 46

HEX #6B891E

RGB 107 137 30

HSL 76.82, 0.64%, 0.33%

LAB 53.07, -26.06, 49.94

 

CMYK 19 / 0 / 65 / 51

HEX #657C2C

RGB 101 124 44

HSL 77.25, 0.48%, 0.33%

LAB 48.72, -21.14, 39.73

 

CMYK 14 / 0 / 48 / 57

HEX #5F6E39

RGB 95 110 57

HSL 76.98, 0.32%, 0.33%

LAB 44.06, -14.97, 27.58

 

CMYK 8 / 0 / 27 / 62

HEX #596147

RGB 89 97 71

HSL 78.46, 0.15%, 0.33%

LAB 39.8, -8.2, 13.83

 

CMYK 0 / 23 / 89 / 41

HEX #977510

RGB 151 117 16

HSL 44.89, 0.81%, 0.33%

LAB 51.08, 4.32, 53.87

 

CMYK 1 / 0 / 89 / 41

HEX #959710

RGB 149 151 16

HSL 60.89, 0.81%, 0.33%

LAB 60.39, -15.21, 61.25

 

CMYK 25 / 0 / 89 / 41

HEX #719710

RGB 113 151 16

HSL 76.89, 0.81%, 0.33%

LAB 57.73, -30.84, 57.98

 

CMYK 49 / 0 / 89 / 41

HEX #4D9710

RGB 77 151 16

HSL 92.89, 0.81%, 0.33%

LAB 55.84, -44.19, 55.62

 

CMYK 73 / 0 / 89 / 41

HEX #299710

RGB 41 151 16

HSL 108.89, 0.81%, 0.33%

LAB 54.7, -53.4, 54.19

 

CMYK 26 / 0 / 90 / 70

HEX #394D08

RGB 57 77 8

HSL 77.39, 0.81%, 0.17%

LAB 29.9, -18.51, 34.7

 

CMYK 25 / 0 / 89 / 55

HEX #55720C

RGB 85 114 12

HSL 77.06, 0.81%, 0.25%

LAB 44.22, -24.88, 46.76

 

CMYK 25 / 0 / 89 / 41

HEX #719710

RGB 113 151 16

HSL 76.89, 0.81%, 0.33%

LAB 57.73, -30.84, 57.98

 

CMYK 26 / 0 / 89 / 26

HEX #8CBC14

RGB 140 188 20

HSL 77.14, 0.81%, 0.41%

LAB 70.59, -36.91, 68.54

 

CMYK 25 / 0 / 89 / 12

HEX #A8E119

RGB 168 225 25

HSL 77.1, 0.8%, 0.49%

LAB 83.04, -42.34, 78.6

 

CMYK 25 / 0 / 89 / 41

HEX #709611

RGB 112 150 17

HSL 77.14, 0.8%, 0.33%

LAB 57.36, -30.75, 57.44

 

CMYK 89 / 0 / 46 / 41

HEX #109751

RGB 16 151 81

HSL 148.89, 0.81%, 0.33%

LAB 54.9, -49.57, 27.66

 

CMYK 11 / 89 / 0 / 41

HEX #871097

RGB 135 16 151

HSL 292.89, 0.81%, 0.33%

LAB 33.47, 61.48, -44.77

 

CMYK 25 / 0 / 89 / 41

HEX #709611

RGB 112 150 17

HSL 77.14, 0.8%, 0.33%

LAB 57.36, -30.75, 57.44

 

CMYK 89 / 25 / 0 / 41

HEX #107197

RGB 16 113 151

HSL 196.89, 0.81%, 0.33%

LAB 44.45, -11.82, -27.9

 

CMYK 0 / 89 / 25 / 41

HEX #971071

RGB 151 16 113

HSL 316.89, 0.81%, 0.33%

LAB 34.28, 58.95, -19.63

 

CMYK 25 / 0 / 89 / 41

HEX #709611

RGB 112 150 17

HSL 77.14, 0.8%, 0.33%

LAB 57.36, -30.75, 57.44

 

CMYK 89 / 0 / 46 / 41

HEX #109751

RGB 16 151 81

HSL 148.89, 0.81%, 0.33%

LAB 54.9, -49.57, 27.66

 

CMYK 64 / 89 / 0 / 41

HEX #361097

RGB 54 16 151

HSL 256.89, 0.81%, 0.33%

LAB 21.54, 50.65, -64.76

 

CMYK 0 / 89 / 43 / 41

HEX #971056

RGB 151 16 86

HSL 328.89, 0.81%, 0.33%

LAB 33.18, 55.95, -3.92

 

CMYK 25 / 0 / 89 / 41

HEX #709611

RGB 112 150 17

HSL 77.14, 0.8%, 0.33%

LAB 57.36, -30.75, 57.44

 

CMYK 89 / 0 / 19 / 41

HEX #10977A

RGB 16 151 122

HSL 167.11, 0.81%, 0.33%

LAB 55.73, -40.25, 5.97

 

CMYK 64 / 89 / 0 / 41

HEX #361097

RGB 54 16 151

HSL 256.89, 0.81%, 0.33%

LAB 21.54, 50.65, -64.76

 

CMYK 0 / 89 / 70 / 41

HEX #97102E

RGB 151 16 46

HSL 346.67, 0.81%, 0.33%

LAB 32.14, 53, 20.92

 

Description

Color code: HEX #709611 | qconv.com Color code: HEX #709611 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 150 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 150 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 89 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 89% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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