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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #709715 it is the complementary color #8F68EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #709715. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #709715 shade: #759710, #86A923, #97BB36, #A8CD49 and #B9DF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #709715. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #709715 shade: #709715, #5F8502, #4E7300, #3D6100 and #2C4F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #709715 shade: #719814, #949814, #987914, #985514 and #983114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #709715 shade: #719814, #4D9814, #299814, #149823 and #149846

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #709715 shade matches the following richer shades: #719814 and #76A606

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #709715 shade: #719814, #6B8A22, #657C30, #606E3E and #5A604C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #709715 shade: #987914, #949814, #719814, #4D9814 and #2A9814

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #709715 shade: #3B4F0A, #56740F, #719814, #8BBC19 and #A6E01F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #709715 shade: #709715, #149856 and #8B1498

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #709715 shade: #709715, #147198 and #981471

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #709715 shade: #709715, #149856, #3C1498 and #981456

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #709715 shade: #709715, #14987E, #3C1498 and #98142F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 86 / 41

HEX #709715

RGB 112 151 21

HSL 78, 0.76%, 0.34%

LAB 57.69, -31.1, 56.82

 

Complementary color

CMYK 39 / 56 / 0 / 8

HEX #8F68EA

RGB 143 104 234

HSL 258, 0.76%, 0.66%

LAB 53.69, 44.28, -60.61

 

CMYK 23 / 0 / 89 / 41

HEX #759710

RGB 117 151 16

HSL 75.11, 0.81%, 0.33%

LAB 57.99, -29.18, 58.3

 

CMYK 21 / 0 / 79 / 34

HEX #86A923

RGB 134 169 35

HSL 75.67, 0.66%, 0.4%

LAB 64.62, -30.04, 59.69

 

CMYK 19 / 0 / 71 / 27

HEX #97BB36

RGB 151 187 54

HSL 76.24, 0.55%, 0.47%

LAB 71.14, -30.68, 59.92

 

CMYK 18 / 0 / 64 / 20

HEX #A8CD49

RGB 168 205 73

HSL 76.82, 0.57%, 0.55%

LAB 77.56, -31.15, 59.49

 

CMYK 17 / 0 / 59 / 13

HEX #B9DF5C

RGB 185 223 92

HSL 77.4, 0.67%, 0.62%

LAB 83.89, -31.5, 58.72

 

CMYK 26 / 0 / 86 / 41

HEX #709715

RGB 112 151 21

HSL 78, 0.76%, 0.34%

LAB 57.69, -31.1, 56.82

 

CMYK 29 / 0 / 98 / 48

HEX #5F8502

RGB 95 133 2

HSL 77.4, 0.97%, 0.26%

LAB 50.93, -30.12, 54.5

 

CMYK 32 / 0 / 100 / 55

HEX #4E7300

RGB 78 115 0

HSL 79.3, 1%, 0.23%

LAB 44.06, -28.71, 49.16

 

CMYK 37 / 0 / 100 / 62

HEX #3D6100

RGB 61 97 0

HSL 82.27, 1%, 0.19%

LAB 37.01, -27.21, 43.29

 

CMYK 44 / 0 / 100 / 69

HEX #2C4F00

RGB 44 79 0

HSL 86.58, 1%, 0.15%

LAB 29.73, -25.63, 37.24

 

CMYK 26 / 0 / 87 / 40

HEX #719814

RGB 113 152 20

HSL 77.73, 0.77%, 0.34%

LAB 58.05, -31.19, 57.39

 

CMYK 3 / 0 / 87 / 40

HEX #949814

RGB 148 152 20

HSL 61.82, 0.77%, 0.34%

LAB 60.61, -16.09, 60.56

 

CMYK 0 / 20 / 87 / 40

HEX #987914

RGB 152 121 20

HSL 45.91, 0.77%, 0.34%

LAB 52.29, 2.62, 53.84

 

CMYK 0 / 44 / 87 / 40

HEX #985514

RGB 152 85 20

HSL 29.55, 0.77%, 0.34%

LAB 43.1, 23.2, 46.18

 

CMYK 0 / 68 / 87 / 40

HEX #983114

RGB 152 49 20

HSL 13.18, 0.77%, 0.34%

LAB 35.83, 41.72, 40.01

 

CMYK 26 / 0 / 87 / 40

HEX #719814

RGB 113 152 20

HSL 77.73, 0.77%, 0.34%

LAB 58.05, -31.19, 57.39

 

CMYK 49 / 0 / 87 / 40

HEX #4D9814

RGB 77 152 20

HSL 94.09, 0.77%, 0.34%

LAB 56.17, -44.45, 55.03

 

CMYK 73 / 0 / 87 / 40

HEX #299814

RGB 41 152 20

HSL 110.45, 0.77%, 0.34%

LAB 55.05, -53.56, 53.61

 

CMYK 87 / 0 / 77 / 40

HEX #149823

RGB 20 152 35

HSL 126.82, 0.77%, 0.34%

LAB 54.79, -55.55, 48.78

 

CMYK 87 / 0 / 54 / 40

HEX #149846

RGB 20 152 70

HSL 142.73, 0.77%, 0.34%

LAB 55.12, -51.46, 33.68

 

CMYK 26 / 0 / 87 / 40

HEX #719814

RGB 113 152 20

HSL 77.73, 0.77%, 0.34%

LAB 58.05, -31.19, 57.39

 

CMYK 29 / 0 / 96 / 35

HEX #76A606

RGB 118 166 6

HSL 78, 0.93%, 0.34%

LAB 62.62, -35.95, 63.61

 

CMYK 26 / 0 / 87 / 40

HEX #719814

RGB 113 152 20

HSL 77.73, 0.77%, 0.34%

LAB 58.05, -31.19, 57.39

 

CMYK 22 / 0 / 75 / 46

HEX #6B8A22

RGB 107 138 34

HSL 77.88, 0.6%, 0.34%

LAB 53.4, -26.33, 48.85

 

CMYK 19 / 0 / 61 / 51

HEX #657C30

RGB 101 124 48

HSL 78.16, 0.44%, 0.34%

LAB 48.75, -20.79, 37.88

 

CMYK 13 / 0 / 44 / 57

HEX #606E3E

RGB 96 110 62

HSL 77.5, 0.28%, 0.34%

LAB 44.21, -13.91, 25

 

CMYK 6 / 0 / 21 / 62

HEX #5A604C

RGB 90 96 76

HSL 78, 0.12%, 0.34%

LAB 39.68, -6.33, 10.66

 

CMYK 0 / 20 / 87 / 40

HEX #987914

RGB 152 121 20

HSL 45.91, 0.77%, 0.34%

LAB 52.29, 2.62, 53.84

 

CMYK 3 / 0 / 87 / 40

HEX #949814

RGB 148 152 20

HSL 61.82, 0.77%, 0.34%

LAB 60.61, -16.09, 60.56

 

CMYK 26 / 0 / 87 / 40

HEX #719814

RGB 113 152 20

HSL 77.73, 0.77%, 0.34%

LAB 58.05, -31.19, 57.39

 

CMYK 49 / 0 / 87 / 40

HEX #4D9814

RGB 77 152 20

HSL 94.09, 0.77%, 0.34%

LAB 56.17, -44.45, 55.03

 

CMYK 72 / 0 / 87 / 40

HEX #2A9814

RGB 42 152 20

HSL 110, 0.77%, 0.34%

LAB 55.07, -53.37, 53.63

 

CMYK 25 / 0 / 87 / 69

HEX #3B4F0A

RGB 59 79 10

HSL 77.39, 0.78%, 0.17%

LAB 30.74, -18.56, 34.83

 

CMYK 26 / 0 / 87 / 55

HEX #56740F

RGB 86 116 15

HSL 77.82, 0.77%, 0.26%

LAB 44.95, -25.33, 46.65

 

CMYK 26 / 0 / 87 / 40

HEX #719814

RGB 113 152 20

HSL 77.73, 0.77%, 0.34%

LAB 58.05, -31.19, 57.39

 

CMYK 26 / 0 / 87 / 26

HEX #8BBC19

RGB 139 188 25

HSL 78.04, 0.77%, 0.42%

LAB 70.54, -37.17, 67.53

 

CMYK 26 / 0 / 86 / 12

HEX #A6E01F

RGB 166 224 31

HSL 78.03, 0.76%, 0.5%

LAB 82.66, -42.51, 77.16

 

CMYK 26 / 0 / 86 / 41

HEX #709715

RGB 112 151 21

HSL 78, 0.76%, 0.34%

LAB 57.69, -31.1, 56.82

 

CMYK 87 / 0 / 43 / 40

HEX #149856

RGB 20 152 86

HSL 150, 0.77%, 0.34%

LAB 55.36, -48.67, 25.56

 

CMYK 9 / 87 / 0 / 40

HEX #8B1498

RGB 139 20 152

HSL 294.09, 0.77%, 0.34%

LAB 34.51, 61.57, -43.67

 

CMYK 26 / 0 / 86 / 41

HEX #709715

RGB 112 151 21

HSL 78, 0.76%, 0.34%

LAB 57.69, -31.1, 56.82

 

CMYK 87 / 26 / 0 / 40

HEX #147198

RGB 20 113 152

HSL 197.73, 0.77%, 0.34%

LAB 44.56, -11.15, -28.33

 

CMYK 0 / 87 / 26 / 40

HEX #981471

RGB 152 20 113

HSL 317.73, 0.77%, 0.34%

LAB 34.74, 58.41, -18.9

 

CMYK 26 / 0 / 86 / 41

HEX #709715

RGB 112 151 21

HSL 78, 0.76%, 0.34%

LAB 57.69, -31.1, 56.82

 

CMYK 87 / 0 / 43 / 40

HEX #149856

RGB 20 152 86

HSL 150, 0.77%, 0.34%

LAB 55.36, -48.67, 25.56

 

CMYK 61 / 87 / 0 / 40

HEX #3C1498

RGB 60 20 152

HSL 258.18, 0.77%, 0.34%

LAB 22.75, 50.08, -63.35

 

CMYK 0 / 87 / 43 / 40

HEX #981456

RGB 152 20 86

HSL 330, 0.77%, 0.34%

LAB 33.66, 55.4, -3.19

 

CMYK 26 / 0 / 86 / 41

HEX #709715

RGB 112 151 21

HSL 78, 0.76%, 0.34%

LAB 57.69, -31.1, 56.82

 

CMYK 87 / 0 / 17 / 40

HEX #14987E

RGB 20 152 126

HSL 168.18, 0.77%, 0.34%

LAB 56.2, -39.32, 4.37

 

CMYK 61 / 87 / 0 / 40

HEX #3C1498

RGB 60 20 152

HSL 258.18, 0.77%, 0.34%

LAB 22.75, 50.08, -63.35

 

CMYK 0 / 87 / 69 / 40

HEX #98142F

RGB 152 20 47

HSL 347.73, 0.77%, 0.34%

LAB 32.66, 52.5, 20.97

 

Description

Color code: HEX #709715 | qconv.com Color code: HEX #709715 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 151 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 151 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 86 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 86% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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