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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #709CCA it is the complementary color #8F6335. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #709CCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #709CCA shade: #759CC5, #86AED8, #97C0EB, #A8D2FE and #B9E4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #709CCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #709CCA shade: #709CCA, #5F8AB7, #4E78A4, #3D6691 and #2C547E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #709CCA shade: #719DCA, #7185CA, #7671CA, #8E71CA and #A671CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #709CCA shade: #719DCA, #7185CA and #7171CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #709CCA shade matches the following richer shades: #719DCA, #619CDA, #529CEA and #429CF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #709CCA shade: #719DCA, #819DBA, #909DAB, #A09E9B and #B09E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #709CCA shade: #71CAC7, #71B5CA, #719ECA, #7186CA and #7471CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #709CCA shade: #3F73AA, #5388BF, #719DCA, #8FB1D5 and #ADC6E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #709CCA shade: #709CCA, #AF71CA and #C1CA71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #709CCA shade: #709CCA, #CA719E and #9ECA71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #709CCA shade: #709CCA, #AF71CA, #CA9E71 and #8CCA71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #709CCA shade: #709CCA, #CA71CA, #CA9E71 and #71CA71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 23 / 0 / 21

HEX #709CCA

RGB 112 156 202

HSL 210.67, 0.46%, 0.62%

LAB 62.92, -2.65, -28.28

 

Complementary color

CMYK 0 / 31 / 63 / 44

HEX #8F6335

RGB 143 99 53

HSL 30.67, 0.46%, 0.38%

LAB 45.66, 12.76, 32.83

 

CMYK 41 / 21 / 0 / 23

HEX #759CC5

RGB 117 156 197

HSL 210.75, 0.41%, 0.62%

LAB 63, -2.75, -25.33

 

CMYK 38 / 19 / 0 / 15

HEX #86AED8

RGB 134 174 216

HSL 210.73, 0.51%, 0.69%

LAB 69.68, -3.05, -25.52

 

CMYK 36 / 18 / 0 / 8

HEX #97C0EB

RGB 151 192 235

HSL 210.71, 0.68%, 0.76%

LAB 76.24, -3.3, -25.73

 

CMYK 34 / 17 / 0 / 0

HEX #A8D2FE

RGB 168 210 254

HSL 210.7, 0.98%, 0.83%

LAB 82.69, -3.52, -25.95

 

CMYK 27 / 11 / 0 / 0

HEX #B9E4FF

RGB 185 228 255

HSL 203.14, 1%, 0.86%

LAB 88.46, -7.93, -17.64

 

CMYK 45 / 23 / 0 / 21

HEX #709CCA

RGB 112 156 202

HSL 210.67, 0.46%, 0.62%

LAB 62.92, -2.65, -28.28

 

CMYK 48 / 25 / 0 / 28

HEX #5F8AB7

RGB 95 138 183

HSL 210.68, 0.38%, 0.55%

LAB 56.12, -2.21, -28.15

 

CMYK 52 / 27 / 0 / 36

HEX #4E78A4

RGB 78 120 164

HSL 210.7, 0.36%, 0.47%

LAB 49.17, -1.65, -28.04

 

CMYK 58 / 30 / 0 / 43

HEX #3D6691

RGB 61 102 145

HSL 210.71, 0.41%, 0.4%

LAB 42.06, -0.92, -27.96

 

CMYK 65 / 33 / 0 / 51

HEX #2C547E

RGB 44 84 126

HSL 210.73, 0.48%, 0.33%

LAB 34.77, 0.07, -27.91

 

CMYK 44 / 22 / 0 / 21

HEX #719DCA

RGB 113 157 202

HSL 210.34, 0.46%, 0.62%

LAB 63.25, -2.96, -27.76

 

CMYK 44 / 34 / 0 / 21

HEX #7185CA

RGB 113 133 202

HSL 226.52, 0.46%, 0.62%

LAB 56.63, 10.9, -38.05

 

CMYK 42 / 44 / 0 / 21

HEX #7671CA

RGB 118 113 202

HSL 243.37, 0.46%, 0.62%

LAB 51.75, 24.15, -45.73

 

CMYK 30 / 44 / 0 / 21

HEX #8E71CA

RGB 142 113 202

HSL 259.55, 0.46%, 0.62%

LAB 53.84, 30.54, -42.29

 

CMYK 18 / 44 / 0 / 21

HEX #A671CA

RGB 166 113 202

HSL 275.73, 0.46%, 0.62%

LAB 56.27, 37.38, -38.31

 

CMYK 44 / 22 / 0 / 21

HEX #719DCA

RGB 113 157 202

HSL 210.34, 0.46%, 0.62%

LAB 63.25, -2.96, -27.76

 

CMYK 44 / 34 / 0 / 21

HEX #7185CA

RGB 113 133 202

HSL 226.52, 0.46%, 0.62%

LAB 56.63, 10.9, -38.05

 

CMYK 44 / 44 / 0 / 21

HEX #7171CA

RGB 113 113 202

HSL 240, 0.46%, 0.62%

LAB 51.36, 22.9, -46.37

 

CMYK 44 / 22 / 0 / 21

HEX #719DCA

RGB 113 157 202

HSL 210.34, 0.46%, 0.62%

LAB 63.25, -2.96, -27.76

 

CMYK 56 / 28 / 0 / 15

HEX #619CDA

RGB 97 156 218

HSL 210.74, 0.62%, 0.62%

LAB 62.83, -1.35, -37.39

 

CMYK 65 / 33 / 0 / 8

HEX #529CEA

RGB 82 156 234

HSL 210.79, 0.78%, 0.62%

LAB 62.94, 1.02, -46.11

 

CMYK 73 / 37 / 0 / 2

HEX #429CF9

RGB 66 156 249

HSL 210.49, 0.94%, 0.62%

LAB 63.16, 3.85, -54.04

 

CMYK 44 / 22 / 0 / 21

HEX #719DCA

RGB 113 157 202

HSL 210.34, 0.46%, 0.62%

LAB 63.25, -2.96, -27.76

 

CMYK 31 / 16 / 0 / 27

HEX #819DBA

RGB 129 157 186

HSL 210.53, 0.29%, 0.62%

LAB 63.61, -2.82, -18.18

 

CMYK 16 / 8 / 0 / 33

HEX #909DAB

RGB 144 157 171

HSL 211.11, 0.14%, 0.62%

LAB 64.15, -1.63, -8.85

 

CMYK 0 / 1 / 3 / 37

HEX #A09E9B

RGB 160 158 155

HSL 36, 0.03%, 0.62%

LAB 65.2, 0.16, 1.81

 

CMYK 0 / 10 / 21 / 31

HEX #B09E8B

RGB 176 158 139

HSL 30.81, 0.19%, 0.62%

LAB 66.17, 3.48, 12.33

 

CMYK 44 / 0 / 1 / 21

HEX #71CAC7

RGB 113 202 199

HSL 177.98, 0.46%, 0.62%

LAB 75.99, -27.41, -6.84

 

CMYK 44 / 10 / 0 / 21

HEX #71B5CA

RGB 113 181 202

HSL 194.16, 0.46%, 0.62%

LAB 70.05, -15.99, -17.37

 

CMYK 44 / 22 / 0 / 21

HEX #719ECA

RGB 113 158 202

HSL 209.66, 0.46%, 0.62%

LAB 63.53, -3.52, -27.33

 

CMYK 44 / 34 / 0 / 21

HEX #7186CA

RGB 113 134 202

HSL 225.84, 0.46%, 0.62%

LAB 56.9, 10.31, -37.63

 

CMYK 43 / 44 / 0 / 21

HEX #7471CA

RGB 116 113 202

HSL 242.02, 0.46%, 0.62%

LAB 51.6, 23.65, -45.99

 

CMYK 63 / 32 / 0 / 33

HEX #3F73AA

RGB 63 115 170

HSL 210.84, 0.46%, 0.46%

LAB 47.26, 0.11, -34.58

 

CMYK 57 / 29 / 0 / 25

HEX #5388BF

RGB 83 136 191

HSL 210.56, 0.46%, 0.54%

LAB 55.29, -1.32, -34.04

 

CMYK 44 / 22 / 0 / 21

HEX #719DCA

RGB 113 157 202

HSL 210.34, 0.46%, 0.62%

LAB 63.25, -2.96, -27.76

 

CMYK 33 / 17 / 0 / 16

HEX #8FB1D5

RGB 143 177 213

HSL 210.86, 0.45%, 0.7%

LAB 70.93, -2.97, -21.92

 

CMYK 23 / 12 / 0 / 12

HEX #ADC6E0

RGB 173 198 224

HSL 210.59, 0.45%, 0.78%

LAB 78.84, -2.81, -15.73

 

CMYK 45 / 23 / 0 / 21

HEX #709CCA

RGB 112 156 202

HSL 210.67, 0.46%, 0.62%

LAB 62.92, -2.65, -28.28

 

CMYK 13 / 44 / 0 / 21

HEX #AF71CA

RGB 175 113 202

HSL 281.8, 0.46%, 0.62%

LAB 57.26, 40.02, -36.68

 

CMYK 4 / 0 / 44 / 21

HEX #C1CA71

RGB 193 202 113

HSL 66.07, 0.46%, 0.62%

LAB 78.91, -16.26, 43.22

 

CMYK 45 / 23 / 0 / 21

HEX #709CCA

RGB 112 156 202

HSL 210.67, 0.46%, 0.62%

LAB 62.92, -2.65, -28.28

 

CMYK 0 / 44 / 22 / 21

HEX #CA719E

RGB 202 113 158

HSL 329.66, 0.46%, 0.62%

LAB 58.82, 40.7, -8.79

 

CMYK 22 / 0 / 44 / 21

HEX #9ECA71

RGB 158 202 113

HSL 89.66, 0.46%, 0.62%

LAB 76.5, -29.71, 39.69

 

CMYK 45 / 23 / 0 / 21

HEX #709CCA

RGB 112 156 202

HSL 210.67, 0.46%, 0.62%

LAB 62.92, -2.65, -28.28

 

CMYK 13 / 44 / 0 / 21

HEX #AF71CA

RGB 175 113 202

HSL 281.8, 0.46%, 0.62%

LAB 57.26, 40.02, -36.68

 

CMYK 0 / 22 / 44 / 21

HEX #CA9E71

RGB 202 158 113

HSL 30.34, 0.46%, 0.62%

LAB 68.17, 10.53, 29.73

 

CMYK 31 / 0 / 44 / 21

HEX #8CCA71

RGB 140 202 113

HSL 101.8, 0.46%, 0.62%

LAB 75.46, -36.11, 38.16

 

CMYK 45 / 23 / 0 / 21

HEX #709CCA

RGB 112 156 202

HSL 210.67, 0.46%, 0.62%

LAB 62.92, -2.65, -28.28

 

CMYK 0 / 44 / 0 / 21

HEX #CA71CA

RGB 202 113 202

HSL 300, 0.46%, 0.62%

LAB 60.45, 48.01, -31.46

 

CMYK 0 / 22 / 44 / 21

HEX #CA9E71

RGB 202 158 113

HSL 30.34, 0.46%, 0.62%

LAB 68.17, 10.53, 29.73

 

CMYK 44 / 0 / 44 / 21

HEX #71CA71

RGB 113 202 113

HSL 120, 0.46%, 0.62%

LAB 74.15, -44.75, 36.23

 

Description

Color code: HEX #709CCA | qconv.com Color code: HEX #709CCA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 156 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 156 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 23 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 23% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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