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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70A16D it is the complementary color #8F5E92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70A16D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70A16D shade: #75A168, #86B37B, #97C58E, #A8D7A1 and #B9E9B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70A16D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70A16D shade: #70A16D, #5F8F5A, #4E7D47, #3D6B34 and #2C5921

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70A16D shade: #6FA16C, #7EA16C, #8CA16C, #9AA16C and #A19A6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70A16D shade: #6FA16C, #6CA177, #6CA186, #6CA194 and #6CA0A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70A16D shade matches the following richer shades: #6FA16C, #5EB459, #4DC845, #3CDB32 and #2BEF1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70A16D shade: #6FA16C, #808E80, #927A93, #A367A6 and #B453BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70A16D shade: #8CA16C, #7EA16C, #70A16C, #6CA177 and #6CA185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70A16D shade: #4B7249, #5C8B59, #6FA16C, #88B185 and #A1C19F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70A16D shade: #70A16D, #6C9AA1 and #A16C85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70A16D shade: #70A16D, #6C70A1 and #A16C70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70A16D shade: #70A16D, #6C9AA1, #9E6CA1 and #A1736C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70A16D shade: #70A16D, #6C8AA1, #9E6CA1 and #A1836C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 32 / 37

HEX #70A16D

RGB 112 161 109

HSL 116.54, 0.22%, 0.53%

LAB 61.69, -27, 21.99

 

Complementary color

CMYK 2 / 36 / 0 / 43

HEX #8F5E92

RGB 143 94 146

HSL 296.54, 0.22%, 0.47%

LAB 46.87, 28.95, -20.56

 

CMYK 27 / 0 / 35 / 37

HEX #75A168

RGB 117 161 104

HSL 106.32, 0.23%, 0.52%

LAB 61.89, -26.05, 25.03

 

CMYK 25 / 0 / 31 / 30

HEX #86B37B

RGB 134 179 123

HSL 108.21, 0.27%, 0.59%

LAB 68.56, -25.86, 23.89

 

CMYK 23 / 0 / 28 / 23

HEX #97C58E

RGB 151 197 142

HSL 110.18, 0.32%, 0.66%

LAB 75.12, -25.66, 22.81

 

CMYK 22 / 0 / 25 / 16

HEX #A8D7A1

RGB 168 215 161

HSL 112.22, 0.4%, 0.74%

LAB 81.57, -25.48, 21.79

 

CMYK 21 / 0 / 23 / 9

HEX #B9E9B4

RGB 185 233 180

HSL 114.34, 0.55%, 0.81%

LAB 87.91, -25.31, 20.82

 

CMYK 30 / 0 / 32 / 37

HEX #70A16D

RGB 112 161 109

HSL 116.54, 0.22%, 0.53%

LAB 61.69, -27, 21.99

 

CMYK 34 / 0 / 37 / 44

HEX #5F8F5A

RGB 95 143 90

HSL 114.34, 0.23%, 0.46%

LAB 54.88, -27.24, 23.19

 

CMYK 38 / 0 / 43 / 51

HEX #4E7D47

RGB 78 125 71

HSL 112.22, 0.28%, 0.38%

LAB 47.93, -27.47, 24.48

 

CMYK 43 / 0 / 51 / 58

HEX #3D6B34

RGB 61 107 52

HSL 110.18, 0.35%, 0.31%

LAB 40.82, -27.63, 25.85

 

CMYK 51 / 0 / 63 / 65

HEX #2C5921

RGB 44 89 33

HSL 108.21, 0.46%, 0.24%

LAB 33.54, -27.63, 27.2

 

CMYK 31 / 0 / 33 / 37

HEX #6FA16C

RGB 111 161 108

HSL 116.6, 0.22%, 0.53%

LAB 61.61, -27.51, 22.43

 

CMYK 22 / 0 / 33 / 37

HEX #7EA16C

RGB 126 161 108

HSL 99.62, 0.22%, 0.53%

LAB 62.51, -22.15, 23.79

 

CMYK 13 / 0 / 33 / 37

HEX #8CA16C

RGB 140 161 108

HSL 83.77, 0.22%, 0.53%

LAB 63.46, -16.84, 25.23

 

CMYK 4 / 0 / 33 / 37

HEX #9AA16C

RGB 154 161 108

HSL 67.92, 0.22%, 0.53%

LAB 64.52, -11.31, 26.82

 

CMYK 0 / 4 / 33 / 37

HEX #A19A6C

RGB 161 154 108

HSL 52.08, 0.22%, 0.53%

LAB 63.15, -4.72, 25.12

 

CMYK 31 / 0 / 33 / 37

HEX #6FA16C

RGB 111 161 108

HSL 116.6, 0.22%, 0.53%

LAB 61.61, -27.51, 22.43

 

CMYK 33 / 0 / 26 / 37

HEX #6CA177

RGB 108 161 119

HSL 132.45, 0.22%, 0.53%

LAB 61.66, -26.56, 16.41

 

CMYK 33 / 0 / 17 / 37

HEX #6CA186

RGB 108 161 134

HSL 149.43, 0.22%, 0.53%

LAB 62, -23.57, 8.52

 

CMYK 33 / 0 / 8 / 37

HEX #6CA194

RGB 108 161 148

HSL 165.28, 0.22%, 0.53%

LAB 62.35, -20.49, 1.17

 

CMYK 33 / 1 / 0 / 37

HEX #6CA0A1

RGB 108 160 161

HSL 181.13, 0.22%, 0.53%

LAB 62.43, -16.88, -6.03

 

CMYK 31 / 0 / 33 / 37

HEX #6FA16C

RGB 111 161 108

HSL 116.6, 0.22%, 0.53%

LAB 61.61, -27.51, 22.43

 

CMYK 48 / 0 / 51 / 29

HEX #5EB459

RGB 94 180 89

HSL 116.7, 0.38%, 0.53%

LAB 66.32, -44.44, 38.3

 

CMYK 62 / 0 / 66 / 22

HEX #4DC845

RGB 77 200 69

HSL 116.34, 0.54%, 0.53%

LAB 71.77, -58.86, 53.65

 

CMYK 73 / 0 / 77 / 14

HEX #3CDB32

RGB 60 219 50

HSL 116.45, 0.7%, 0.53%

LAB 77.19, -69.91, 65.97

 

CMYK 82 / 0 / 87 / 6

HEX #2BEF1F

RGB 43 239 31

HSL 116.54, 0.87%, 0.53%

LAB 83.1, -78.91, 75.94

 

CMYK 31 / 0 / 33 / 37

HEX #6FA16C

RGB 111 161 108

HSL 116.6, 0.22%, 0.53%

LAB 61.61, -27.51, 22.43

 

CMYK 10 / 0 / 10 / 44

HEX #808E80

RGB 128 142 128

HSL 120, 0.06%, 0.53%

LAB 57.55, -7.87, 5.74

 

CMYK 1 / 17 / 0 / 42

HEX #927A93

RGB 146 122 147

HSL 297.6, 0.1%, 0.53%

LAB 54.17, 13.92, -10.03

 

CMYK 2 / 38 / 0 / 35

HEX #A367A6

RGB 163 103 166

HSL 297.14, 0.26%, 0.53%

LAB 52.11, 34.46, -24.08

 

CMYK 3 / 55 / 0 / 27

HEX #B453BA

RGB 180 83 186

HSL 296.5, 0.43%, 0.53%

LAB 51.19, 53.73, -36.98

 

CMYK 13 / 0 / 33 / 37

HEX #8CA16C

RGB 140 161 108

HSL 83.77, 0.22%, 0.53%

LAB 63.46, -16.84, 25.23

 

CMYK 22 / 0 / 33 / 37

HEX #7EA16C

RGB 126 161 108

HSL 99.62, 0.22%, 0.53%

LAB 62.51, -22.15, 23.79

 

CMYK 30 / 0 / 33 / 37

HEX #70A16C

RGB 112 161 108

HSL 115.47, 0.22%, 0.53%

LAB 61.67, -27.16, 22.51

 

CMYK 33 / 0 / 26 / 37

HEX #6CA177

RGB 108 161 119

HSL 132.45, 0.22%, 0.53%

LAB 61.66, -26.56, 16.41

 

CMYK 33 / 0 / 17 / 37

HEX #6CA185

RGB 108 161 133

HSL 148.3, 0.22%, 0.53%

LAB 61.97, -23.78, 9.05

 

CMYK 34 / 0 / 36 / 55

HEX #4B7249

RGB 75 114 73

HSL 117.07, 0.22%, 0.37%

LAB 44.25, -22.7, 18.49

 

CMYK 34 / 0 / 36 / 45

HEX #5C8B59

RGB 92 139 89

HSL 116.4, 0.22%, 0.45%

LAB 53.45, -26.49, 21.82

 

CMYK 31 / 0 / 33 / 37

HEX #6FA16C

RGB 111 161 108

HSL 116.6, 0.22%, 0.53%

LAB 61.61, -27.51, 22.43

 

CMYK 23 / 0 / 25 / 31

HEX #88B185

RGB 136 177 133

HSL 115.91, 0.22%, 0.61%

LAB 68.29, -22.49, 18.14

 

CMYK 17 / 0 / 18 / 24

HEX #A1C19F

RGB 161 193 159

HSL 116.47, 0.22%, 0.69%

LAB 74.96, -17.31, 13.6

 

CMYK 30 / 0 / 32 / 37

HEX #70A16D

RGB 112 161 109

HSL 116.54, 0.22%, 0.53%

LAB 61.69, -27, 21.99

 

CMYK 33 / 4 / 0 / 37

HEX #6C9AA1

RGB 108 154 161

HSL 187.92, 0.22%, 0.53%

LAB 60.67, -13.68, -8.64

 

CMYK 0 / 33 / 17 / 37

HEX #A16C85

RGB 161 108 133

HSL 331.7, 0.22%, 0.53%

LAB 51.83, 24.93, -5.14

 

CMYK 30 / 0 / 32 / 37

HEX #70A16D

RGB 112 161 109

HSL 116.54, 0.22%, 0.53%

LAB 61.69, -27, 21.99

 

CMYK 33 / 30 / 0 / 37

HEX #6C70A1

RGB 108 112 161

HSL 235.47, 0.22%, 0.53%

LAB 48.7, 10.43, -26.87

 

CMYK 0 / 33 / 30 / 37

HEX #A16C70

RGB 161 108 112

HSL 355.47, 0.22%, 0.53%

LAB 51.23, 21.7, 6.41

 

CMYK 30 / 0 / 32 / 37

HEX #70A16D

RGB 112 161 109

HSL 116.54, 0.22%, 0.53%

LAB 61.69, -27, 21.99

 

CMYK 33 / 4 / 0 / 37

HEX #6C9AA1

RGB 108 154 161

HSL 187.92, 0.22%, 0.53%

LAB 60.67, -13.68, -8.64

 

CMYK 2 / 33 / 0 / 37

HEX #9E6CA1

RGB 158 108 161

HSL 296.6, 0.22%, 0.53%

LAB 52.47, 29, -20.65

 

CMYK 0 / 29 / 33 / 37

HEX #A1736C

RGB 161 115 108

HSL 7.92, 0.22%, 0.53%

LAB 52.86, 17.15, 11.07

 

CMYK 30 / 0 / 32 / 37

HEX #70A16D

RGB 112 161 109

HSL 116.54, 0.22%, 0.53%

LAB 61.69, -27, 21.99

 

CMYK 33 / 14 / 0 / 37

HEX #6C8AA1

RGB 108 138 161

HSL 206.04, 0.22%, 0.53%

LAB 56.03, -4.84, -15.63

 

CMYK 2 / 33 / 0 / 37

HEX #9E6CA1

RGB 158 108 161

HSL 296.6, 0.22%, 0.53%

LAB 52.47, 29, -20.65

 

CMYK 0 / 19 / 33 / 37

HEX #A1836C

RGB 161 131 108

HSL 26.04, 0.22%, 0.53%

LAB 56.97, 8.04, 16.77

 

Description

Color code: HEX #70A16D | qconv.com Color code: HEX #70A16D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 161 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 161 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 32 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 32% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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