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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70AAD6 it is the complementary color #8F5529. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70AAD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70AAD6 shade: #75AAD1, #86BCE4, #97CEF7, #A8E0FF and #B9F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70AAD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70AAD6 shade: #70AAD6, #5F98C3, #4E86B0, #3D749D and #2C628A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70AAD6 shade: #70AAD5, #708ED5, #7073D5, #8870D5 and #A470D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70AAD6 shade: #70AAD5, #708ED5, #7073D5 and #7070D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70AAD6 shade matches the following richer shades: #70AAD5, #61ACE4 and #53AEF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70AAD6 shade: #70AAD5, #7FA8C6, #8EA6B7, #9DA4A9 and #ACA19A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70AAD6 shade: #70D5C9, #70C6D5, #70ABD5, #7090D5 and #7075D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70AAD6 shade: #3683BD, #5097CC, #70AAD5, #90BDDE and #B0D0E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70AAD6 shade: #70AAD6, #AE70D5 and #D4D570

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70AAD6 shade: #70AAD6, #D570AB and #ABD570

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70AAD6 shade: #70AAD6, #AE70D5, #D59A70 and #97D570

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70AAD6 shade: #70AAD6, #CD70D5, #D59A70 and #79D570

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 21 / 0 / 16

HEX #70AAD6

RGB 112 170 214

HSL 205.88, 0.55%, 0.64%

LAB 67.31, -7, -28.16

 

Complementary color

CMYK 0 / 41 / 71 / 44

HEX #8F5529

RGB 143 85 41

HSL 25.88, 0.55%, 0.36%

LAB 41.99, 20.08, 35.09

 

CMYK 44 / 19 / 0 / 18

HEX #75AAD1

RGB 117 170 209

HSL 205.43, 0.5%, 0.64%

LAB 67.38, -7.19, -25.28

 

CMYK 41 / 18 / 0 / 11

HEX #86BCE4

RGB 134 188 228

HSL 205.53, 0.64%, 0.71%

LAB 73.96, -7.46, -25.52

 

CMYK 39 / 17 / 0 / 3

HEX #97CEF7

RGB 151 206 247

HSL 205.63, 0.86%, 0.78%

LAB 80.42, -7.68, -25.77

 

CMYK 34 / 12 / 0 / 0

HEX #A8E0FF

RGB 168 224 255

HSL 201.38, 1%, 0.83%

LAB 86.43, -10.58, -20.79

 

CMYK 27 / 5 / 0 / 0

HEX #B9F2FF

RGB 185 242 255

HSL 191.14, 1%, 0.86%

LAB 92.15, -15.03, -12.11

 

CMYK 48 / 21 / 0 / 16

HEX #70AAD6

RGB 112 170 214

HSL 205.88, 0.55%, 0.64%

LAB 67.31, -7, -28.16

 

CMYK 51 / 22 / 0 / 24

HEX #5F98C3

RGB 95 152 195

HSL 205.8, 0.45%, 0.57%

LAB 60.63, -6.57, -27.96

 

CMYK 56 / 24 / 0 / 31

HEX #4E86B0

RGB 78 134 176

HSL 205.71, 0.39%, 0.5%

LAB 53.82, -6.03, -27.77

 

CMYK 61 / 26 / 0 / 38

HEX #3D749D

RGB 61 116 157

HSL 205.63, 0.44%, 0.43%

LAB 46.87, -5.32, -27.59

 

CMYK 68 / 29 / 0 / 46

HEX #2C628A

RGB 44 98 138

HSL 205.53, 0.52%, 0.36%

LAB 39.76, -4.34, -27.4

 

CMYK 47 / 20 / 0 / 16

HEX #70AAD5

RGB 112 170 213

HSL 205.54, 0.55%, 0.64%

LAB 67.28, -7.29, -27.67

 

CMYK 47 / 33 / 0 / 16

HEX #708ED5

RGB 112 142 213

HSL 222.18, 0.55%, 0.64%

LAB 59.52, 8.61, -39.72

 

CMYK 47 / 46 / 0 / 16

HEX #7073D5

RGB 112 115 213

HSL 238.22, 0.55%, 0.64%

LAB 52.41, 24.73, -50.97

 

CMYK 36 / 47 / 0 / 16

HEX #8870D5

RGB 136 112 213

HSL 254.26, 0.55%, 0.64%

LAB 53.63, 32.4, -48.91

 

CMYK 23 / 47 / 0 / 16

HEX #A470D5

RGB 164 112 213

HSL 270.89, 0.55%, 0.64%

LAB 56.37, 39.88, -44.39

 

CMYK 47 / 20 / 0 / 16

HEX #70AAD5

RGB 112 170 213

HSL 205.54, 0.55%, 0.64%

LAB 67.28, -7.29, -27.67

 

CMYK 47 / 33 / 0 / 16

HEX #708ED5

RGB 112 142 213

HSL 222.18, 0.55%, 0.64%

LAB 59.52, 8.61, -39.72

 

CMYK 47 / 46 / 0 / 16

HEX #7073D5

RGB 112 115 213

HSL 238.22, 0.55%, 0.64%

LAB 52.41, 24.73, -50.97

 

CMYK 47 / 47 / 0 / 16

HEX #7070D5

RGB 112 112 213

HSL 240, 0.55%, 0.64%

LAB 51.65, 26.54, -52.18

 

CMYK 47 / 20 / 0 / 16

HEX #70AAD5

RGB 112 170 213

HSL 205.54, 0.55%, 0.64%

LAB 67.28, -7.29, -27.67

 

CMYK 57 / 25 / 0 / 11

HEX #61ACE4

RGB 97 172 228

HSL 205.65, 0.71%, 0.64%

LAB 67.76, -7.2, -35.22

 

CMYK 66 / 28 / 0 / 5

HEX #53AEF3

RGB 83 174 243

HSL 205.88, 0.87%, 0.64%

LAB 68.45, -6.02, -42.38

 

CMYK 47 / 20 / 0 / 16

HEX #70AAD5

RGB 112 170 213

HSL 205.54, 0.55%, 0.64%

LAB 67.28, -7.29, -27.67

 

CMYK 36 / 15 / 0 / 22

HEX #7FA8C6

RGB 127 168 198

HSL 205.35, 0.38%, 0.64%

LAB 66.97, -6.4, -19.77

 

CMYK 22 / 9 / 0 / 28

HEX #8EA6B7

RGB 142 166 183

HSL 204.88, 0.22%, 0.64%

LAB 66.86, -4.52, -11.52

 

CMYK 7 / 3 / 0 / 34

HEX #9DA4A9

RGB 157 164 169

HSL 205, 0.07%, 0.64%

LAB 66.96, -1.48, -3.45

 

CMYK 0 / 6 / 10 / 33

HEX #ACA19A

RGB 172 161 154

HSL 23.33, 0.1%, 0.64%

LAB 66.97, 2.75, 5.07

 

CMYK 47 / 0 / 6 / 16

HEX #70D5C9

RGB 112 213 201

HSL 172.87, 0.55%, 0.64%

LAB 79.19, -32.43, -3.21

 

CMYK 47 / 7 / 0 / 16

HEX #70C6D5

RGB 112 198 213

HSL 188.91, 0.55%, 0.64%

LAB 75.22, -22.03, -15.57

 

CMYK 47 / 20 / 0 / 16

HEX #70ABD5

RGB 112 171 213

HSL 204.95, 0.55%, 0.64%

LAB 67.56, -7.83, -27.23

 

CMYK 47 / 32 / 0 / 16

HEX #7090D5

RGB 112 144 213

HSL 220.99, 0.55%, 0.64%

LAB 60.06, 7.44, -38.87

 

CMYK 47 / 45 / 0 / 16

HEX #7075D5

RGB 112 117 213

HSL 237.03, 0.55%, 0.64%

LAB 52.92, 23.53, -50.16

 

CMYK 71 / 31 / 0 / 26

HEX #3683BD

RGB 54 131 189

HSL 205.78, 0.56%, 0.48%

LAB 52.61, -4.29, -37.18

 

CMYK 61 / 26 / 0 / 20

HEX #5097CC

RGB 80 151 204

HSL 205.65, 0.55%, 0.56%

LAB 60.07, -6.35, -33.94

 

CMYK 47 / 20 / 0 / 16

HEX #70AAD5

RGB 112 170 213

HSL 205.54, 0.55%, 0.64%

LAB 67.28, -7.29, -27.67

 

CMYK 35 / 15 / 0 / 13

HEX #90BDDE

RGB 144 189 222

HSL 205.38, 0.54%, 0.72%

LAB 74.57, -6.9, -21.28

 

CMYK 24 / 10 / 0 / 9

HEX #B0D0E8

RGB 176 208 232

HSL 205.71, 0.55%, 0.8%

LAB 81.93, -5.39, -15.35

 

CMYK 48 / 21 / 0 / 16

HEX #70AAD6

RGB 112 170 214

HSL 205.88, 0.55%, 0.64%

LAB 67.31, -7, -28.16

 

CMYK 18 / 47 / 0 / 16

HEX #AE70D5

RGB 174 112 213

HSL 276.83, 0.55%, 0.64%

LAB 57.45, 42.65, -42.61

 

CMYK 0 / 0 / 47 / 16

HEX #D4D570

RGB 212 213 112

HSL 60.59, 0.55%, 0.64%

LAB 83.31, -14.29, 49.41

 

CMYK 48 / 21 / 0 / 16

HEX #70AAD6

RGB 112 170 214

HSL 205.88, 0.55%, 0.64%

LAB 67.31, -7, -28.16

 

CMYK 0 / 47 / 20 / 16

HEX #D570AB

RGB 213 112 171

HSL 324.95, 0.55%, 0.64%

LAB 60.49, 46.8, -13.61

 

CMYK 20 / 0 / 47 / 16

HEX #ABD570

RGB 171 213 112

HSL 84.95, 0.55%, 0.64%

LAB 80.41, -30.22, 45.22

 

CMYK 48 / 21 / 0 / 16

HEX #70AAD6

RGB 112 170 214

HSL 205.88, 0.55%, 0.64%

LAB 67.31, -7, -28.16

 

CMYK 18 / 47 / 0 / 16

HEX #AE70D5

RGB 174 112 213

HSL 276.83, 0.55%, 0.64%

LAB 57.45, 42.65, -42.61

 

CMYK 0 / 28 / 47 / 16

HEX #D59A70

RGB 213 154 112

HSL 24.95, 0.55%, 0.64%

LAB 68.33, 17.09, 30.71

 

CMYK 29 / 0 / 47 / 16

HEX #97D570

RGB 151 213 112

HSL 96.83, 0.55%, 0.64%

LAB 79.24, -37.43, 43.5

 

CMYK 48 / 21 / 0 / 16

HEX #70AAD6

RGB 112 170 214

HSL 205.88, 0.55%, 0.64%

LAB 67.31, -7, -28.16

 

CMYK 4 / 47 / 0 / 16

HEX #CD70D5

RGB 205 112 213

HSL 295.25, 0.55%, 0.64%

LAB 61.11, 51.42, -36.62

 

CMYK 0 / 28 / 47 / 16

HEX #D59A70

RGB 213 154 112

HSL 24.95, 0.55%, 0.64%

LAB 68.33, 17.09, 30.71

 

CMYK 43 / 0 / 47 / 16

HEX #79D570

RGB 121 213 112

HSL 114.65, 0.55%, 0.64%

LAB 77.77, -47.16, 41.36

 

Description

Color code: HEX #70AAD6 | qconv.com Color code: HEX #70AAD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 170 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 170 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 21 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 21% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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