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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70B02F it is the complementary color #8F4FD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70B02F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70B02F shade: #75B02A, #86C23D, #97D450, #A8E663 and #B9F876

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70B02F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70B02F shade: #70B02F, #5F9E1C, #4E8C09, #3D7A00 and #2C6800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70B02F shade: #70B12F, #93B12F, #B1AB2F, #B1882F and #B1652F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70B02F shade: #70B12F, #4DB12F, #2FB133, #2FB156 and #2FB179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70B02F shade matches the following richer shades: #70B12F, #70C31C and #70D50A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70B02F shade: #70B12F, #709F41, #708C53, #707A65 and #706877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70B02F shade: #B1AA2F, #95B12F, #72B12F, #4FB12F and #2FB131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70B02F shade: #47701D, #5B9026, #70B12F, #85CB3D and #99D45E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70B02F shade: #70B02F, #2FB188 and #B12FA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70B02F shade: #70B02F, #2F72B1 and #B12F72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70B02F shade: #70B02F, #2FB188, #6E2FB1 and #B12F58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70B02F shade: #70B02F, #2FB1AF, #6E2FB1 and #B12F31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 73 / 31

HEX #70B02F

RGB 112 176 47

HSL 89.77, 0.58%, 0.44%

LAB 65.51, -41.05, 56.12

 

Complementary color

CMYK 31 / 62 / 0 / 18

HEX #8F4FD0

RGB 143 79 208

HSL 269.77, 0.58%, 0.56%

LAB 46.96, 51.16, -56.7

 

CMYK 34 / 0 / 76 / 31

HEX #75B02A

RGB 117 176 42

HSL 86.42, 0.61%, 0.43%

LAB 65.75, -39.53, 58.17

 

CMYK 31 / 0 / 69 / 24

HEX #86C23D

RGB 134 194 61

HSL 87.07, 0.52%, 0.5%

LAB 72.22, -39.96, 58.05

 

CMYK 29 / 0 / 62 / 17

HEX #97D450

RGB 151 212 80

HSL 87.73, 0.61%, 0.57%

LAB 78.6, -40.23, 57.42

 

CMYK 27 / 0 / 57 / 10

HEX #A8E663

RGB 168 230 99

HSL 88.4, 0.72%, 0.65%

LAB 84.9, -40.39, 56.53

 

CMYK 25 / 0 / 52 / 3

HEX #B9F876

RGB 185 248 118

HSL 89.08, 0.9%, 0.72%

LAB 91.12, -40.48, 55.51

 

CMYK 36 / 0 / 73 / 31

HEX #70B02F

RGB 112 176 47

HSL 89.77, 0.58%, 0.44%

LAB 65.51, -41.05, 56.12

 

CMYK 40 / 0 / 82 / 38

HEX #5F9E1C

RGB 95 158 28

HSL 89.08, 0.7%, 0.36%

LAB 58.95, -40.48, 55.74

 

CMYK 44 / 0 / 94 / 45

HEX #4E8C09

RGB 78 140 9

HSL 88.4, 0.88%, 0.29%

LAB 52.28, -39.58, 53.94

 

CMYK 50 / 0 / 100 / 52

HEX #3D7A00

RGB 61 122 0

HSL 90, 1%, 0.24%

LAB 45.51, -38.23, 49.9

 

CMYK 58 / 0 / 100 / 59

HEX #2C6800

RGB 44 104 0

HSL 94.62, 1%, 0.2%

LAB 38.61, -36.44, 44.19

 

CMYK 37 / 0 / 73 / 31

HEX #70B12F

RGB 112 177 47

HSL 90, 0.58%, 0.44%

LAB 65.82, -41.48, 56.42

 

CMYK 17 / 0 / 73 / 31

HEX #93B12F

RGB 147 177 47

HSL 73.85, 0.58%, 0.44%

LAB 67.91, -27.94, 59.18

 

CMYK 0 / 3 / 73 / 31

HEX #B1AB2F

RGB 177 171 47

HSL 57.23, 0.58%, 0.44%

LAB 68.52, -12.14, 60.56

 

CMYK 0 / 23 / 73 / 31

HEX #B1882F

RGB 177 136 47

HSL 41.08, 0.58%, 0.44%

LAB 59.12, 6.69, 51.42

 

CMYK 0 / 43 / 73 / 31

HEX #B1652F

RGB 177 101 47

HSL 24.92, 0.58%, 0.44%

LAB 50.52, 26.18, 42.59

 

CMYK 37 / 0 / 73 / 31

HEX #70B12F

RGB 112 177 47

HSL 90, 0.58%, 0.44%

LAB 65.82, -41.48, 56.42

 

CMYK 56 / 0 / 73 / 31

HEX #4DB12F

RGB 77 177 47

HSL 106.15, 0.58%, 0.44%

LAB 64.34, -52.45, 54.46

 

CMYK 73 / 0 / 71 / 31

HEX #2FB133

RGB 47 177 51

HSL 121.85, 0.58%, 0.44%

LAB 63.58, -58.61, 51.92

 

CMYK 73 / 0 / 51 / 31

HEX #2FB156

RGB 47 177 86

HSL 138, 0.58%, 0.44%

LAB 63.93, -54.39, 36.53

 

CMYK 73 / 0 / 32 / 31

HEX #2FB179

RGB 47 177 121

HSL 154.15, 0.58%, 0.44%

LAB 64.51, -47.91, 18.89

 

CMYK 37 / 0 / 73 / 31

HEX #70B12F

RGB 112 177 47

HSL 90, 0.58%, 0.44%

LAB 65.82, -41.48, 56.42

 

CMYK 43 / 0 / 86 / 24

HEX #70C31C

RGB 112 195 28

HSL 89.82, 0.75%, 0.44%

LAB 71.25, -49.84, 66.95

 

CMYK 47 / 0 / 95 / 16

HEX #70D50A

RGB 112 213 10

HSL 89.85, 0.91%, 0.44%

LAB 76.71, -57.19, 74.26

 

CMYK 37 / 0 / 73 / 31

HEX #70B12F

RGB 112 177 47

HSL 90, 0.58%, 0.44%

LAB 65.82, -41.48, 56.42

 

CMYK 30 / 0 / 59 / 38

HEX #709F41

RGB 112 159 65

HSL 90, 0.42%, 0.44%

LAB 60.45, -31.95, 43.19

 

CMYK 20 / 0 / 41 / 45

HEX #708C53

RGB 112 140 83

HSL 89.47, 0.26%, 0.44%

LAB 54.89, -20.46, 27.25

 

CMYK 8 / 0 / 17 / 52

HEX #707A65

RGB 112 122 101

HSL 88.57, 0.09%, 0.44%

LAB 49.86, -7.87, 10.26

 

CMYK 6 / 13 / 0 / 53

HEX #706877

RGB 112 104 119

HSL 272, 0.07%, 0.44%

LAB 45.19, 6.23, -7.23

 

CMYK 0 / 4 / 73 / 31

HEX #B1AA2F

RGB 177 170 47

HSL 56.77, 0.58%, 0.44%

LAB 68.24, -11.62, 60.3

 

CMYK 16 / 0 / 73 / 31

HEX #95B12F

RGB 149 177 47

HSL 72.92, 0.58%, 0.44%

LAB 68.05, -27.11, 59.36

 

CMYK 36 / 0 / 73 / 31

HEX #72B12F

RGB 114 177 47

HSL 89.08, 0.58%, 0.44%

LAB 65.92, -40.76, 56.56

 

CMYK 55 / 0 / 73 / 31

HEX #4FB12F

RGB 79 177 47

HSL 105.23, 0.58%, 0.44%

LAB 64.41, -51.91, 54.55

 

CMYK 73 / 0 / 72 / 31

HEX #2FB131

RGB 47 177 49

HSL 120.92, 0.58%, 0.44%

LAB 63.57, -58.79, 52.67

 

CMYK 37 / 0 / 74 / 56

HEX #47701D

RGB 71 112 29

HSL 89.64, 0.59%, 0.28%

LAB 42.79, -28.8, 39.51

 

CMYK 37 / 0 / 74 / 44

HEX #5B9026

RGB 91 144 38

HSL 90, 0.58%, 0.36%

LAB 54.36, -35.25, 47.96

 

CMYK 37 / 0 / 73 / 31

HEX #70B12F

RGB 112 177 47

HSL 90, 0.58%, 0.44%

LAB 65.82, -41.48, 56.42

 

CMYK 34 / 0 / 70 / 20

HEX #85CB3D

RGB 133 203 61

HSL 89.58, 0.58%, 0.52%

LAB 74.85, -44.21, 60.73

 

CMYK 28 / 0 / 56 / 17

HEX #99D45E

RGB 153 212 94

HSL 90, 0.58%, 0.6%

LAB 78.85, -38.24, 51.57

 

CMYK 36 / 0 / 73 / 31

HEX #70B02F

RGB 112 176 47

HSL 89.77, 0.58%, 0.44%

LAB 65.51, -41.05, 56.12

 

CMYK 73 / 0 / 23 / 31

HEX #2FB188

RGB 47 177 136

HSL 161.08, 0.58%, 0.44%

LAB 64.82, -44.49, 11.12

 

CMYK 0 / 73 / 6 / 31

HEX #B12FA6

RGB 177 47 166

HSL 305.08, 0.58%, 0.44%

LAB 44.42, 64.26, -35.93

 

CMYK 36 / 0 / 73 / 31

HEX #70B02F

RGB 112 176 47

HSL 89.77, 0.58%, 0.44%

LAB 65.51, -41.05, 56.12

 

CMYK 73 / 36 / 0 / 31

HEX #2F72B1

RGB 47 114 177

HSL 209.08, 0.58%, 0.44%

LAB 46.73, 0.57, -39.54

 

CMYK 0 / 73 / 36 / 31

HEX #B12F72

RGB 177 47 114

HSL 329.08, 0.58%, 0.44%

LAB 42.15, 57.22, -7.82

 

CMYK 36 / 0 / 73 / 31

HEX #70B02F

RGB 112 176 47

HSL 89.77, 0.58%, 0.44%

LAB 65.51, -41.05, 56.12

 

CMYK 73 / 0 / 23 / 31

HEX #2FB188

RGB 47 177 136

HSL 161.08, 0.58%, 0.44%

LAB 64.82, -44.49, 11.12

 

CMYK 38 / 73 / 0 / 31

HEX #6E2FB1

RGB 110 47 177

HSL 269.08, 0.58%, 0.44%

LAB 35.05, 52.45, -58.07

 

CMYK 0 / 73 / 50 / 31

HEX #B12F58

RGB 177 47 88

HSL 341.08, 0.58%, 0.44%

LAB 41.35, 54.64, 7.27

 

CMYK 36 / 0 / 73 / 31

HEX #70B02F

RGB 112 176 47

HSL 89.77, 0.58%, 0.44%

LAB 65.51, -41.05, 56.12

 

CMYK 73 / 0 / 1 / 31

HEX #2FB1AF

RGB 47 177 175

HSL 179.08, 0.58%, 0.44%

LAB 65.86, -34.07, -8.98

 

CMYK 38 / 73 / 0 / 31

HEX #6E2FB1

RGB 110 47 177

HSL 269.08, 0.58%, 0.44%

LAB 35.05, 52.45, -58.07

 

CMYK 0 / 73 / 72 / 31

HEX #B12F31

RGB 177 47 49

HSL 359.08, 0.58%, 0.44%

LAB 40.58, 52.05, 30.47

 

Description

Color code: HEX #70B02F | qconv.com Color code: HEX #70B02F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 176 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 176 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 73 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 73% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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