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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70D1D1 it is the complementary color #8F2E2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70D1D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70D1D1 shade: #75D1CC, #86E3DF, #97F5F2, #A8FFFF and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70D1D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70D1D1 shade: #70D1D1, #5FBFBE, #4EADAB, #3D9B98 and #2C8985

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70D1D1 shade: #70D0D0, #70D0B6, #70D09C, #70D082 and #78D070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70D1D1 shade: #70D0D0, #70B6D0, #709CD0, #7082D0 and #7070D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70D1D1 shade matches the following richer shades: #70D0D0, #61E0E0, #51EFEF and #42FEFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70D1D1 shade: #70D0D0, #7FC1C1, #8FB2B2, #9EA2A2 and #AD9393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70D1D1 shade: #70D09D, #70D0B7, #70D0D0, #70B7D0 and #709DD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70D1D1 shade: #3AB4B4, #51C6C6, #70D0D0, #8FDADA and #AEE4E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70D1D1 shade: #70D1D1, #8370D0 and #D0AA70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70D1D1 shade: #70D1D1, #D070D0 and #D0D070

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70D1D1 shade: #70D1D1, #8370D0, #D07070 and #BDD070

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70D1D1 shade: #70D1D1, #A070D0, #D07070 and #A0D070

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 0 / 18

HEX #70D1D1

RGB 112 209 209

HSL 180, 0.51%, 0.63%

LAB 78.26, -28.51, -8.87

 

Complementary color

CMYK 0 / 68 / 68 / 44

HEX #8F2E2E

RGB 143 46 46

HSL 0, 0.51%, 0.37%

LAB 33.96, 40.91, 22.84

 

CMYK 44 / 0 / 2 / 18

HEX #75D1CC

RGB 117 209 204

HSL 176.74, 0.5%, 0.64%

LAB 78.31, -28.61, -6.09

 

CMYK 41 / 0 / 2 / 11

HEX #86E3DF

RGB 134 227 223

HSL 177.42, 0.62%, 0.71%

LAB 84.66, -28.57, -6.74

 

CMYK 38 / 0 / 1 / 4

HEX #97F5F2

RGB 151 245 242

HSL 178.09, 0.82%, 0.78%

LAB 90.91, -28.51, -7.36

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 46 / 0 / 0 / 18

HEX #70D1D1

RGB 112 209 209

HSL 180, 0.51%, 0.63%

LAB 78.26, -28.51, -8.87

 

CMYK 50 / 0 / 1 / 25

HEX #5FBFBE

RGB 95 191 190

HSL 179.38, 0.43%, 0.56%

LAB 71.83, -28.44, -8.2

 

CMYK 55 / 0 / 1 / 32

HEX #4EADAB

RGB 78 173 171

HSL 178.74, 0.38%, 0.49%

LAB 65.32, -28.29, -7.48

 

CMYK 61 / 0 / 2 / 39

HEX #3D9B98

RGB 61 155 152

HSL 178.09, 0.44%, 0.42%

LAB 58.7, -28.02, -6.69

 

CMYK 68 / 0 / 3 / 46

HEX #2C8985

RGB 44 137 133

HSL 177.42, 0.51%, 0.35%

LAB 51.97, -27.56, -5.8

 

CMYK 46 / 0 / 0 / 18

HEX #70D0D0

RGB 112 208 208

HSL 180, 0.51%, 0.63%

LAB 77.94, -28.28, -8.81

 

CMYK 46 / 0 / 13 / 18

HEX #70D0B6

RGB 112 208 182

HSL 163.75, 0.51%, 0.63%

LAB 77.24, -34.59, 4.14

 

CMYK 46 / 0 / 25 / 18

HEX #70D09C

RGB 112 208 156

HSL 147.5, 0.51%, 0.63%

LAB 76.65, -40.17, 17.19

 

CMYK 46 / 0 / 38 / 18

HEX #70D082

RGB 112 208 130

HSL 131.25, 0.51%, 0.63%

LAB 76.17, -44.93, 30.17

 

CMYK 42 / 0 / 46 / 18

HEX #78D070

RGB 120 208 112

HSL 115, 0.51%, 0.63%

LAB 76.24, -45.35, 39.43

 

CMYK 46 / 0 / 0 / 18

HEX #70D0D0

RGB 112 208 208

HSL 180, 0.51%, 0.63%

LAB 77.94, -28.28, -8.81

 

CMYK 46 / 13 / 0 / 18

HEX #70B6D0

RGB 112 182 208

HSL 196.25, 0.51%, 0.63%

LAB 70.49, -15.13, -20

 

CMYK 46 / 25 / 0 / 18

HEX #709CD0

RGB 112 156 208

HSL 212.5, 0.51%, 0.63%

LAB 63.16, -0.93, -31.26

 

CMYK 46 / 38 / 0 / 18

HEX #7082D0

RGB 112 130 208

HSL 228.75, 0.51%, 0.63%

LAB 56.05, 14.21, -42.37

 

CMYK 46 / 46 / 0 / 18

HEX #7070D0

RGB 112 112 208

HSL 240, 0.51%, 0.63%

LAB 51.37, 25.04, -49.8

 

CMYK 46 / 0 / 0 / 18

HEX #70D0D0

RGB 112 208 208

HSL 180, 0.51%, 0.63%

LAB 77.94, -28.28, -8.81

 

CMYK 57 / 0 / 0 / 12

HEX #61E0E0

RGB 97 224 224

HSL 180, 0.67%, 0.63%

LAB 82.5, -34.78, -10.61

 

CMYK 66 / 0 / 0 / 6

HEX #51EFEF

RGB 81 239 239

HSL 180, 0.83%, 0.63%

LAB 86.86, -40.15, -12.07

 

CMYK 74 / 0 / 0 / 0

HEX #42FEFE

RGB 66 254 254

HSL 180, 0.99%, 0.63%

LAB 91.32, -44.49, -13.26

 

CMYK 46 / 0 / 0 / 18

HEX #70D0D0

RGB 112 208 208

HSL 180, 0.51%, 0.63%

LAB 77.94, -28.28, -8.81

 

CMYK 34 / 0 / 0 / 24

HEX #7FC1C1

RGB 127 193 193

HSL 180, 0.35%, 0.63%

LAB 73.87, -20.82, -6.67

 

CMYK 20 / 0 / 0 / 30

HEX #8FB2B2

RGB 143 178 178

HSL 180, 0.19%, 0.63%

LAB 70.1, -11.78, -3.92

 

CMYK 2 / 0 / 0 / 36

HEX #9EA2A2

RGB 158 162 162

HSL 180, 0.02%, 0.63%

LAB 66.3, -1.42, -0.51

HEX #9EA2A2

CMYK 46 / 0 / 25 / 18

HEX #70D09D

RGB 112 208 157

HSL 148.13, 0.51%, 0.63%

LAB 76.67, -39.97, 16.69

 

CMYK 46 / 0 / 12 / 18

HEX #70D0B7

RGB 112 208 183

HSL 164.38, 0.51%, 0.63%

LAB 77.27, -34.36, 3.64

 

CMYK 46 / 0 / 0 / 18

HEX #70D0D0

RGB 112 208 208

HSL 180, 0.51%, 0.63%

LAB 77.94, -28.28, -8.81

 

CMYK 46 / 12 / 0 / 18

HEX #70B7D0

RGB 112 183 208

HSL 195.63, 0.51%, 0.63%

LAB 70.78, -15.66, -19.57

 

CMYK 46 / 25 / 0 / 18

HEX #709DD0

RGB 112 157 208

HSL 211.88, 0.51%, 0.63%

LAB 63.44, -1.49, -30.82

 

CMYK 68 / 0 / 0 / 29

HEX #3AB4B4

RGB 58 180 180

HSL 180, 0.51%, 0.47%

LAB 67.15, -32.59, -9.79

 

CMYK 59 / 0 / 0 / 22

HEX #51C6C6

RGB 81 198 198

HSL 180, 0.51%, 0.55%

LAB 73.68, -32.4, -9.85

 

CMYK 46 / 0 / 0 / 18

HEX #70D0D0

RGB 112 208 208

HSL 180, 0.51%, 0.63%

LAB 77.94, -28.28, -8.81

 

CMYK 34 / 0 / 0 / 15

HEX #8FDADA

RGB 143 218 218

HSL 180, 0.5%, 0.71%

LAB 82.4, -23.08, -7.38

 

CMYK 24 / 0 / 0 / 11

HEX #AEE4E4

RGB 174 228 228

HSL 180, 0.5%, 0.79%

LAB 87.04, -17.13, -5.63

 

CMYK 46 / 0 / 0 / 18

HEX #70D1D1

RGB 112 209 209

HSL 180, 0.51%, 0.63%

LAB 78.26, -28.51, -8.87

 

CMYK 37 / 46 / 0 / 18

HEX #8370D0

RGB 131 112 208

HSL 251.88, 0.51%, 0.63%

LAB 52.91, 29.76, -47.24

 

CMYK 0 / 18 / 46 / 18

HEX #D0AA70

RGB 208 170 112

HSL 36.25, 0.51%, 0.63%

LAB 71.78, 6.41, 35.04

 

CMYK 46 / 0 / 0 / 18

HEX #70D1D1

RGB 112 209 209

HSL 180, 0.51%, 0.63%

LAB 78.26, -28.51, -8.87

 

CMYK 0 / 46 / 0 / 18

HEX #D070D0

RGB 208 112 208

HSL 300, 0.51%, 0.63%

LAB 61.27, 51.36, -33.53

 

CMYK 0 / 0 / 46 / 18

HEX #D0D070

RGB 208 208 112

HSL 60, 0.51%, 0.63%

LAB 81.67, -13.39, 47.35

 

CMYK 46 / 0 / 0 / 18

HEX #70D1D1

RGB 112 209 209

HSL 180, 0.51%, 0.63%

LAB 78.26, -28.51, -8.87

 

CMYK 37 / 46 / 0 / 18

HEX #8370D0

RGB 131 112 208

HSL 251.88, 0.51%, 0.63%

LAB 52.91, 29.76, -47.24

 

CMYK 0 / 46 / 46 / 18

HEX #D07070

RGB 208 112 112

HSL 0, 0.51%, 0.63%

LAB 58.2, 37.65, 17.05

 

CMYK 9 / 0 / 46 / 18

HEX #BDD070

RGB 189 208 112

HSL 71.88, 0.51%, 0.63%

LAB 80.24, -20.92, 45.28

 

CMYK 46 / 0 / 0 / 18

HEX #70D1D1

RGB 112 209 209

HSL 180, 0.51%, 0.63%

LAB 78.26, -28.51, -8.87

 

CMYK 23 / 46 / 0 / 18

HEX #A070D0

RGB 160 112 208

HSL 270, 0.51%, 0.63%

LAB 55.7, 37.6, -42.65

 

CMYK 0 / 46 / 46 / 18

HEX #D07070

RGB 208 112 112

HSL 0, 0.51%, 0.63%

LAB 58.2, 37.65, 17.05

 

CMYK 23 / 0 / 46 / 18

HEX #A0D070

RGB 160 208 112

HSL 90, 0.51%, 0.63%

LAB 78.32, -31.92, 42.48

 

Description

Color code: HEX #70D1D1 | qconv.com Color code: HEX #70D1D1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 209 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 209 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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