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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70DAD0 it is the complementary color #8F252F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70DAD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70DAD0 shade: #75DACB, #86ECDE, #97FEF1, #A8FFFF and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70DAD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70DAD0 shade: #70DAD0, #5FC8BD, #4EB6AA, #3DA497 and #2C9284

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70DAD0 shade: #71DAD0, #71DAB4, #71DA97, #71DA7B and #83DA71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70DAD0 shade: #71DAD0, #71C7DA, #71ABDA, #718FDA and #7172DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70DAD0 shade matches the following richer shades: #71DAD0, #62E8DC and #54F7E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70DAD0 shade: #71DAD0, #7FCBC4, #8DBDB9, #9CAFAD and #AAA0A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70DAD0 shade: #71DA97, #71DAB3, #71DACF, #71C8DA and #71ACDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70DAD0 shade: #33C5B8, #50D1C5, #71DAD0, #91E2DB and #B2EBE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70DAD0 shade: #70DAD0, #7B71DA and #DAA571

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70DAD0 shade: #70DAD0, #CF71DA and #DACF71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70DAD0 shade: #70DAD0, #7B71DA, #DA717B and #CFDA71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70DAD0 shade: #70DAD0, #9B71DA, #DA717B and #B0DA71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 5 / 15

HEX #70DAD0

RGB 112 218 208

HSL 174.34, 0.59%, 0.65%

LAB 80.82, -33.07, -4.55

 

Complementary color

CMYK 0 / 74 / 67 / 44

HEX #8F252F

RGB 143 37 47

HSL 354.34, 0.59%, 0.35%

LAB 32.63, 44.67, 20.54

 

CMYK 46 / 0 / 7 / 15

HEX #75DACB

RGB 117 218 203

HSL 171.09, 0.58%, 0.66%

LAB 80.87, -33.15, -1.78

 

CMYK 43 / 0 / 6 / 7

HEX #86ECDE

RGB 134 236 222

HSL 171.76, 0.73%, 0.73%

LAB 87.16, -33.08, -2.52

 

CMYK 41 / 0 / 5 / 0

HEX #97FEF1

RGB 151 254 241

HSL 172.43, 0.98%, 0.79%

LAB 93.37, -32.99, -3.22

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 49 / 0 / 5 / 15

HEX #70DAD0

RGB 112 218 208

HSL 174.34, 0.59%, 0.65%

LAB 80.82, -33.07, -4.55

 

CMYK 53 / 0 / 5 / 22

HEX #5FC8BD

RGB 95 200 189

HSL 173.71, 0.49%, 0.58%

LAB 74.45, -33.02, -3.78

 

CMYK 57 / 0 / 7 / 29

HEX #4EB6AA

RGB 78 182 170

HSL 173.08, 0.42%, 0.51%

LAB 68, -32.9, -2.95

 

CMYK 63 / 0 / 8 / 36

HEX #3DA497

RGB 61 164 151

HSL 172.43, 0.46%, 0.44%

LAB 61.46, -32.65, -2.04

 

CMYK 70 / 0 / 10 / 43

HEX #2C9284

RGB 44 146 132

HSL 171.76, 0.54%, 0.37%

LAB 54.82, -32.21, -1.02

 

CMYK 48 / 0 / 5 / 15

HEX #71DAD0

RGB 113 218 208

HSL 174.29, 0.59%, 0.65%

LAB 80.85, -32.85, -4.49

 

CMYK 48 / 0 / 17 / 15

HEX #71DAB4

RGB 113 218 180

HSL 158.29, 0.59%, 0.65%

LAB 80.15, -39.38, 9.39

 

CMYK 48 / 0 / 31 / 15

HEX #71DA97

RGB 113 218 151

HSL 141.71, 0.59%, 0.65%

LAB 79.55, -45.24, 23.82

 

CMYK 48 / 0 / 44 / 15

HEX #71DA7B

RGB 113 218 123

HSL 125.71, 0.59%, 0.65%

LAB 79.09, -49.93, 37.52

 

CMYK 40 / 0 / 48 / 15

HEX #83DA71

RGB 131 218 113

HSL 109.71, 0.59%, 0.65%

LAB 79.7, -46.09, 43.38

 

CMYK 48 / 0 / 5 / 15

HEX #71DAD0

RGB 113 218 208

HSL 174.29, 0.59%, 0.65%

LAB 80.85, -32.85, -4.49

 

CMYK 48 / 9 / 0 / 15

HEX #71C7DA

RGB 113 199 218

HSL 190.86, 0.59%, 0.65%

LAB 75.71, -20.96, -17.53

 

CMYK 48 / 22 / 0 / 15

HEX #71ABDA

RGB 113 171 218

HSL 206.86, 0.59%, 0.65%

LAB 67.8, -6.16, -29.61

 

CMYK 48 / 34 / 0 / 15

HEX #718FDA

RGB 113 143 218

HSL 222.86, 0.59%, 0.65%

LAB 60.08, 9.76, -41.62

 

CMYK 48 / 48 / 0 / 15

HEX #7172DA

RGB 113 114 218

HSL 239.43, 0.59%, 0.65%

LAB 52.52, 27.07, -53.63

 

CMYK 48 / 0 / 5 / 15

HEX #71DAD0

RGB 113 218 208

HSL 174.29, 0.59%, 0.65%

LAB 80.85, -32.85, -4.49

 

CMYK 58 / 0 / 5 / 9

HEX #62E8DC

RGB 98 232 220

HSL 174.63, 0.74%, 0.65%

LAB 84.73, -39.32, -5.19

 

CMYK 66 / 0 / 6 / 3

HEX #54F7E7

RGB 84 247 231

HSL 174.11, 0.91%, 0.65%

LAB 89.01, -45.41, -4.7

 

CMYK 48 / 0 / 5 / 15

HEX #71DAD0

RGB 113 218 208

HSL 174.29, 0.59%, 0.65%

LAB 80.85, -32.85, -4.49

 

CMYK 37 / 0 / 3 / 20

HEX #7FCBC4

RGB 127 203 196

HSL 174.47, 0.42%, 0.65%

LAB 76.81, -25.11, -3.96

 

CMYK 25 / 0 / 2 / 26

HEX #8DBDB9

RGB 141 189 185

HSL 175, 0.27%, 0.65%

LAB 73.26, -16.59, -3.13

 

CMYK 11 / 0 / 1 / 31

HEX #9CAFAD

RGB 156 175 173

HSL 173.68, 0.11%, 0.65%

LAB 70, -6.97, -1.22

 

CMYK 0 / 6 / 5 / 33

HEX #AAA0A1

RGB 170 160 161

HSL 354, 0.06%, 0.65%

LAB 66.72, 3.81, 0.77

 

CMYK 48 / 0 / 31 / 15

HEX #71DA97

RGB 113 218 151

HSL 141.71, 0.59%, 0.65%

LAB 79.55, -45.24, 23.82

 

CMYK 48 / 0 / 18 / 15

HEX #71DAB3

RGB 113 218 179

HSL 157.71, 0.59%, 0.65%

LAB 80.13, -39.59, 9.89

 

CMYK 48 / 0 / 5 / 15

HEX #71DACF

RGB 113 218 207

HSL 173.71, 0.59%, 0.65%

LAB 80.83, -33.09, -4

 

CMYK 48 / 8 / 0 / 15

HEX #71C8DA

RGB 113 200 218

HSL 190.29, 0.59%, 0.65%

LAB 76, -21.47, -17.1

 

CMYK 48 / 21 / 0 / 15

HEX #71ACDA

RGB 113 172 218

HSL 206.29, 0.59%, 0.65%

LAB 68.08, -6.71, -29.18

 

CMYK 74 / 0 / 7 / 23

HEX #33C5B8

RGB 51 197 184

HSL 174.66, 0.59%, 0.49%

LAB 72.29, -40.21, -4.38

 

CMYK 62 / 0 / 6 / 18

HEX #50D1C5

RGB 80 209 197

HSL 174.42, 0.58%, 0.57%

LAB 76.88, -37.97, -4.57

 

CMYK 48 / 0 / 5 / 15

HEX #71DAD0

RGB 113 218 208

HSL 174.29, 0.59%, 0.65%

LAB 80.85, -32.85, -4.49

 

CMYK 36 / 0 / 3 / 11

HEX #91E2DB

RGB 145 226 219

HSL 174.81, 0.58%, 0.73%

LAB 84.75, -26.24, -4.43

 

CMYK 24 / 0 / 3 / 8

HEX #B2EBE5

RGB 178 235 229

HSL 173.68, 0.59%, 0.81%

LAB 89.18, -19.22, -2.99

 

CMYK 49 / 0 / 5 / 15

HEX #70DAD0

RGB 112 218 208

HSL 174.34, 0.59%, 0.65%

LAB 80.82, -33.07, -4.55

 

CMYK 44 / 48 / 0 / 15

HEX #7B71DA

RGB 123 113 218

HSL 245.71, 0.59%, 0.65%

LAB 53.04, 29.99, -52.74

 

CMYK 0 / 24 / 48 / 15

HEX #DAA571

RGB 218 165 113

HSL 29.71, 0.59%, 0.65%

LAB 71.56, 13.29, 34.44

 

CMYK 49 / 0 / 5 / 15

HEX #70DAD0

RGB 112 218 208

HSL 174.34, 0.59%, 0.65%

LAB 80.82, -33.07, -4.55

 

CMYK 5 / 48 / 0 / 15

HEX #CF71DA

RGB 207 113 218

HSL 293.71, 0.59%, 0.65%

LAB 61.77, 52.42, -38.37

 

CMYK 0 / 5 / 48 / 15

HEX #DACF71

RGB 218 207 113

HSL 53.71, 0.59%, 0.65%

LAB 82.23, -8.76, 47.74

 

CMYK 49 / 0 / 5 / 15

HEX #70DAD0

RGB 112 218 208

HSL 174.34, 0.59%, 0.65%

LAB 80.82, -33.07, -4.55

 

CMYK 44 / 48 / 0 / 15

HEX #7B71DA

RGB 123 113 218

HSL 245.71, 0.59%, 0.65%

LAB 53.04, 29.99, -52.74

 

CMYK 0 / 48 / 44 / 15

HEX #DA717B

RGB 218 113 123

HSL 354.29, 0.59%, 0.65%

LAB 60.02, 41.94, 13.45

 

CMYK 5 / 0 / 48 / 15

HEX #CFDA71

RGB 207 218 113

HSL 66.29, 0.59%, 0.65%

LAB 84.28, -18.67, 50.01

 

CMYK 49 / 0 / 5 / 15

HEX #70DAD0

RGB 112 218 208

HSL 174.34, 0.59%, 0.65%

LAB 80.82, -33.07, -4.55

 

CMYK 29 / 48 / 0 / 15

HEX #9B71DA

RGB 155 113 218

HSL 264, 0.59%, 0.65%

LAB 55.93, 38.08, -47.97

 

CMYK 0 / 48 / 44 / 15

HEX #DA717B

RGB 218 113 123

HSL 354.29, 0.59%, 0.65%

LAB 60.02, 41.94, 13.45

 

CMYK 19 / 0 / 48 / 15

HEX #B0DA71

RGB 176 218 113

HSL 84, 0.59%, 0.65%

LAB 82.14, -30.6, 46.92

 

Description

Color code: HEX #70DAD0 | qconv.com Color code: HEX #70DAD0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 218 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 218 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 5 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 5% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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