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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70DEF4 it is the complementary color #8F210B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70DEF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70DEF4 shade: #75DEEF, #86F0FF, #97FFFF, #A8FFFF and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70DEF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70DEF4 shade: #70DEF4, #5FCCE1, #4EBACE, #3DA8BB and #2C96A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70DEF4 shade: #70DEF4, #70BAF4, #7097F4, #7073F4 and #9070F4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70DEF4 shade: #70DEF4, #70BAF4, #7097F4, #7073F4 and #7070F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70DEF4 shade matches the following richer shades: #70DEF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70DEF4 shade: #70DEF4, #7DD6E7, #89CDDB, #95C5CF and #A2BDC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70DEF4 shade: #70F4C4, #70F4E7, #70DEF4, #70BBF4 and #7098F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70DEF4 shade: #23CCEE, #4AD5F1, #70DEF4, #97E7F7 and #BDEFFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70DEF4 shade: #70DEF4, #A070F4 and #F4D570

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70DEF4 shade: #70DEF4, #F470DE and #DEF470

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70DEF4 shade: #70DEF4, #A070F4, #F48670 and #C4F470

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70DEF4 shade: #70DEF4, #C870F4, #F48670 and #9CF470

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 9 / 0 / 4

HEX #70DEF4

RGB 112 222 244

HSL 190, 0.86%, 0.7%

LAB 83.03, -25.57, -20.37

 

Complementary color

CMYK 0 / 77 / 92 / 44

HEX #8F210B

RGB 143 33 11

HSL 10, 0.86%, 0.3%

LAB 31.7, 44.77, 39.94

 

CMYK 51 / 7 / 0 / 6

HEX #75DEEF

RGB 117 222 239

HSL 188.36, 0.79%, 0.7%

LAB 83.05, -25.92, -17.68

 

CMYK 47 / 6 / 0 / 0

HEX #86F0FF

RGB 134 240 255

HSL 187.44, 1%, 0.76%

LAB 89.21, -26.87, -16.76

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 54 / 9 / 0 / 4

HEX #70DEF4

RGB 112 222 244

HSL 190, 0.86%, 0.7%

LAB 83.03, -25.57, -20.37

 

CMYK 58 / 9 / 0 / 12

HEX #5FCCE1

RGB 95 204 225

HSL 189.69, 0.68%, 0.63%

LAB 76.71, -25.23, -19.86

 

CMYK 62 / 10 / 0 / 19

HEX #4EBACE

RGB 78 186 206

HSL 189.38, 0.57%, 0.56%

LAB 70.31, -24.77, -19.3

 

CMYK 67 / 10 / 0 / 27

HEX #3DA8BB

RGB 61 168 187

HSL 189.05, 0.51%, 0.49%

LAB 63.82, -24.15, -18.69

 

CMYK 74 / 11 / 0 / 34

HEX #2C96A8

RGB 44 150 168

HSL 188.71, 0.58%, 0.42%

LAB 57.25, -23.29, -18.02

 

CMYK 54 / 9 / 0 / 4

HEX #70DEF4

RGB 112 222 244

HSL 190, 0.86%, 0.7%

LAB 83.03, -25.57, -20.37

 

CMYK 54 / 24 / 0 / 4

HEX #70BAF4

RGB 112 186 244

HSL 206.36, 0.86%, 0.7%

LAB 72.95, -6.96, -35.81

 

CMYK 54 / 38 / 0 / 4

HEX #7097F4

RGB 112 151 244

HSL 222.27, 0.86%, 0.7%

LAB 63.43, 12.82, -50.74

 

CMYK 54 / 53 / 0 / 4

HEX #7073F4

RGB 112 115 244

HSL 238.64, 0.86%, 0.7%

LAB 54.28, 34.23, -65.37

 

CMYK 41 / 54 / 0 / 4

HEX #9070F4

RGB 144 112 244

HSL 254.55, 0.86%, 0.7%

LAB 56.14, 42.69, -62.24

 

CMYK 54 / 9 / 0 / 4

HEX #70DEF4

RGB 112 222 244

HSL 190, 0.86%, 0.7%

LAB 83.03, -25.57, -20.37

 

CMYK 54 / 24 / 0 / 4

HEX #70BAF4

RGB 112 186 244

HSL 206.36, 0.86%, 0.7%

LAB 72.95, -6.96, -35.81

 

CMYK 54 / 38 / 0 / 4

HEX #7097F4

RGB 112 151 244

HSL 222.27, 0.86%, 0.7%

LAB 63.43, 12.82, -50.74

 

CMYK 54 / 53 / 0 / 4

HEX #7073F4

RGB 112 115 244

HSL 238.64, 0.86%, 0.7%

LAB 54.28, 34.23, -65.37

 

CMYK 54 / 54 / 0 / 4

HEX #7070F4

RGB 112 112 244

HSL 240, 0.86%, 0.7%

LAB 53.56, 36.02, -66.53

 

CMYK 54 / 9 / 0 / 4

HEX #70DEF4

RGB 112 222 244

HSL 190, 0.86%, 0.7%

LAB 83.03, -25.57, -20.37

 

CMYK 54 / 9 / 0 / 4

HEX #70DEF4

RGB 112 222 244

HSL 190, 0.86%, 0.7%

LAB 83.03, -25.57, -20.37

 

CMYK 46 / 7 / 0 / 9

HEX #7DD6E7

RGB 125 214 231

HSL 189.62, 0.69%, 0.7%

LAB 80.86, -22.33, -16.69

 

CMYK 37 / 6 / 0 / 14

HEX #89CDDB

RGB 137 205 219

HSL 190.24, 0.53%, 0.7%

LAB 78.52, -17.9, -13.74

 

CMYK 28 / 5 / 0 / 19

HEX #95C5CF

RGB 149 197 207

HSL 190.34, 0.38%, 0.7%

LAB 76.57, -13.34, -10.11

 

CMYK 16 / 3 / 0 / 24

HEX #A2BDC2

RGB 162 189 194

HSL 189.38, 0.21%, 0.7%

LAB 74.81, -8.06, -5.6

 

CMYK 54 / 0 / 20 / 4

HEX #70F4C4

RGB 112 244 196

HSL 158.18, 0.86%, 0.7%

LAB 88.03, -47.5, 12.21

 

CMYK 54 / 0 / 5 / 4

HEX #70F4E7

RGB 112 244 231

HSL 174.09, 0.86%, 0.7%

LAB 88.88, -39.36, -4.79

 

CMYK 54 / 9 / 0 / 4

HEX #70DEF4

RGB 112 222 244

HSL 190, 0.86%, 0.7%

LAB 83.03, -25.57, -20.37

 

CMYK 54 / 23 / 0 / 4

HEX #70BBF4

RGB 112 187 244

HSL 205.91, 0.86%, 0.7%

LAB 73.23, -7.5, -35.38

 

CMYK 54 / 38 / 0 / 4

HEX #7098F4

RGB 112 152 244

HSL 221.82, 0.86%, 0.7%

LAB 63.7, 12.24, -50.32

 

CMYK 85 / 14 / 0 / 7

HEX #23CCEE

RGB 35 204 238

HSL 190.05, 0.86%, 0.54%

LAB 75.89, -28.67, -28.21

 

CMYK 69 / 12 / 0 / 5

HEX #4AD5F1

RGB 74 213 241

HSL 190.06, 0.86%, 0.62%

LAB 79.27, -28.31, -24.6

 

CMYK 54 / 9 / 0 / 4

HEX #70DEF4

RGB 112 222 244

HSL 190, 0.86%, 0.7%

LAB 83.03, -25.57, -20.37

 

CMYK 39 / 6 / 0 / 3

HEX #97E7F7

RGB 151 231 247

HSL 190, 0.86%, 0.78%

LAB 87.22, -20.49, -15.49

 

CMYK 24 / 4 / 0 / 2

HEX #BDEFFA

RGB 189 239 250

HSL 190.82, 0.86%, 0.86%

LAB 91.44, -13.49, -10.54

 

CMYK 54 / 9 / 0 / 4

HEX #70DEF4

RGB 112 222 244

HSL 190, 0.86%, 0.7%

LAB 83.03, -25.57, -20.37

 

CMYK 34 / 54 / 0 / 4

HEX #A070F4

RGB 160 112 244

HSL 261.82, 0.86%, 0.7%

LAB 57.65, 46.38, -59.74

 

CMYK 0 / 13 / 54 / 4

HEX #F4D570

RGB 244 213 112

HSL 45.91, 0.86%, 0.7%

LAB 86, -1.36, 53.27

 

CMYK 54 / 9 / 0 / 4

HEX #70DEF4

RGB 112 222 244

HSL 190, 0.86%, 0.7%

LAB 83.03, -25.57, -20.37

 

CMYK 0 / 54 / 9 / 4

HEX #F470DE

RGB 244 112 222

HSL 310, 0.86%, 0.7%

LAB 66.59, 63.88, -32.73

 

CMYK 9 / 0 / 54 / 4

HEX #DEF470

RGB 222 244 112

HSL 70, 0.86%, 0.7%

LAB 92.31, -25.44, 60.18

 

CMYK 54 / 9 / 0 / 4

HEX #70DEF4

RGB 112 222 244

HSL 190, 0.86%, 0.7%

LAB 83.03, -25.57, -20.37

 

CMYK 34 / 54 / 0 / 4

HEX #A070F4

RGB 160 112 244

HSL 261.82, 0.86%, 0.7%

LAB 57.65, 46.38, -59.74

 

CMYK 0 / 45 / 54 / 4

HEX #F48670

RGB 244 134 112

HSL 10, 0.86%, 0.7%

LAB 67.62, 39.84, 30.5

 

CMYK 20 / 0 / 54 / 4

HEX #C4F470

RGB 196 244 112

HSL 81.82, 0.86%, 0.7%

LAB 90.6, -35.29, 57.76

 

CMYK 54 / 9 / 0 / 4

HEX #70DEF4

RGB 112 222 244

HSL 190, 0.86%, 0.7%

LAB 83.03, -25.57, -20.37

 

CMYK 18 / 54 / 0 / 4

HEX #C870F4

RGB 200 112 244

HSL 280, 0.86%, 0.7%

LAB 62, 56.21, -52.55

 

CMYK 0 / 45 / 54 / 4

HEX #F48670

RGB 244 134 112

HSL 10, 0.86%, 0.7%

LAB 67.62, 39.84, 30.5

 

CMYK 36 / 0 / 54 / 4

HEX #9CF470

RGB 156 244 112

HSL 100, 0.86%, 0.7%

LAB 88.42, -49.2, 54.65

 

Description

Color code: HEX #70DEF4 | qconv.com Color code: HEX #70DEF4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 222 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 222 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 9 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 9% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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