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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70E5C9 it is the complementary color #8F1A36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70E5C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70E5C9 shade: #75E5C4, #86F7D7, #97FFEA, #A8FFFD and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70E5C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70E5C9 shade: #70E5C9, #5FD3B6, #4EC1A3, #3DAF90 and #2C9D7D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70E5C9 shade: #70E4C9, #70E4A9, #70E48A, #76E470 and #95E470

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70E5C9 shade: #70E4C9, #70E1E4, #70C2E4, #70A2E4 and #7083E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70E5C9 shade matches the following richer shades: #70E4C9 and #63F2D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70E5C9 shade: #70E4C9, #7ED7C2, #8CC9BA, #99BCB3 and #A7AEAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70E5C9 shade: #70E489, #70E4A8, #70E4C7, #70E2E4 and #70C4E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70E5C9 shade: #2BD8AE, #4DDEBB, #70E4C9, #93EBD6 and #B6F1E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70E5C9 shade: #70E5C9, #7076E4 and #E49970

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70E5C9 shade: #70E5C9, #C770E4 and #E4C770

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70E5C9 shade: #70E5C9, #7076E4, #E4708D and #E4DF70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70E5C9 shade: #70E5C9, #8D70E4, #E4708D and #C7E470

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 12 / 10

HEX #70E5C9

RGB 112 229 201

HSL 165.64, 0.69%, 0.67%

LAB 83.81, -39.81, 3.54

 

Complementary color

CMYK 0 / 82 / 62 / 44

HEX #8F1A36

RGB 143 26 54

HSL 345.64, 0.69%, 0.33%

LAB 31.45, 48.81, 14.45

 

CMYK 49 / 0 / 14 / 10

HEX #75E5C4

RGB 117 229 196

HSL 162.32, 0.68%, 0.68%

LAB 83.86, -39.83, 6.27

 

CMYK 46 / 0 / 13 / 3

HEX #86F7D7

RGB 134 247 215

HSL 163.01, 0.88%, 0.75%

LAB 90.09, -39.72, 5.39

 

CMYK 41 / 0 / 8 / 0

HEX #97FFEA

RGB 151 255 234

HSL 167.88, 1%, 0.8%

LAB 93.47, -35.03, 0.54

 

CMYK 34 / 0 / 1 / 0

HEX #A8FFFD

RGB 168 255 253

HSL 178.62, 1%, 0.83%

LAB 94.71, -26.45, -7.36

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 51 / 0 / 12 / 10

HEX #70E5C9

RGB 112 229 201

HSL 165.64, 0.69%, 0.67%

LAB 83.81, -39.81, 3.54

 

CMYK 55 / 0 / 14 / 17

HEX #5FD3B6

RGB 95 211 182

HSL 165, 0.57%, 0.6%

LAB 77.52, -39.81, 4.46

 

CMYK 60 / 0 / 16 / 24

HEX #4EC1A3

RGB 78 193 163

HSL 164.35, 0.48%, 0.53%

LAB 71.15, -39.72, 5.46

 

CMYK 65 / 0 / 18 / 31

HEX #3DAF90

RGB 61 175 144

HSL 163.68, 0.48%, 0.46%

LAB 64.7, -39.5, 6.56

 

CMYK 72 / 0 / 20 / 38

HEX #2C9D7D

RGB 44 157 125

HSL 163.01, 0.56%, 0.39%

LAB 58.16, -39.07, 7.79

 

CMYK 51 / 0 / 12 / 11

HEX #70E4C9

RGB 112 228 201

HSL 166.03, 0.68%, 0.67%

LAB 83.52, -39.36, 3.12

 

CMYK 51 / 0 / 26 / 11

HEX #70E4A9

RGB 112 228 169

HSL 149.48, 0.68%, 0.67%

LAB 82.8, -46.3, 18.91

 

CMYK 51 / 0 / 39 / 11

HEX #70E48A

RGB 112 228 138

HSL 133.45, 0.68%, 0.67%

LAB 82.25, -51.92, 34.09

 

CMYK 48 / 0 / 51 / 11

HEX #76E470

RGB 118 228 112

HSL 116.9, 0.68%, 0.67%

LAB 82.11, -54.11, 46.7

 

CMYK 35 / 0 / 51 / 11

HEX #95E470

RGB 149 228 112

HSL 100.86, 0.68%, 0.67%

LAB 83.47, -44.71, 48.65

 

CMYK 51 / 0 / 12 / 11

HEX #70E4C9

RGB 112 228 201

HSL 166.03, 0.68%, 0.67%

LAB 83.52, -39.36, 3.12

 

CMYK 51 / 1 / 0 / 11

HEX #70E1E4

RGB 112 225 228

HSL 181.55, 0.68%, 0.67%

LAB 83.39, -31.3, -11.36

 

CMYK 51 / 15 / 0 / 11

HEX #70C2E4

RGB 112 194 228

HSL 197.59, 0.68%, 0.67%

LAB 74.59, -15.85, -24.64

 

CMYK 51 / 29 / 0 / 11

HEX #70A2E4

RGB 112 162 228

HSL 214.14, 0.68%, 0.67%

LAB 65.66, 1.58, -38.44

 

CMYK 51 / 43 / 0 / 11

HEX #7083E4

RGB 112 131 228

HSL 230.17, 0.68%, 0.67%

LAB 57.35, 19.69, -51.54

 

CMYK 51 / 0 / 12 / 11

HEX #70E4C9

RGB 112 228 201

HSL 166.03, 0.68%, 0.67%

LAB 83.52, -39.36, 3.12

 

CMYK 59 / 0 / 14 / 5

HEX #63F2D0

RGB 99 242 208

HSL 165.73, 0.85%, 0.67%

LAB 87.34, -46.5, 4.93

 

CMYK 51 / 0 / 12 / 11

HEX #70E4C9

RGB 112 228 201

HSL 166.03, 0.68%, 0.67%

LAB 83.52, -39.36, 3.12

 

CMYK 41 / 0 / 10 / 16

HEX #7ED7C2

RGB 126 215 194

HSL 165.84, 0.53%, 0.67%

LAB 80.14, -31.63, 1.99

 

CMYK 30 / 0 / 7 / 21

HEX #8CC9BA

RGB 140 201 186

HSL 165.25, 0.36%, 0.67%

LAB 76.61, -22.75, 1.23

 

CMYK 19 / 0 / 5 / 26

HEX #99BCB3

RGB 153 188 179

HSL 164.57, 0.21%, 0.67%

LAB 73.54, -13.59, 0.64

 

CMYK 4 / 0 / 1 / 32

HEX #A7AEAC

RGB 167 174 172

HSL 162.86, 0.04%, 0.67%

LAB 70.5, -2.84, 0.16

 

CMYK 51 / 0 / 40 / 11

HEX #70E489

RGB 112 228 137

HSL 132.93, 0.68%, 0.67%

LAB 82.24, -52.08, 34.57

 

CMYK 51 / 0 / 26 / 11

HEX #70E4A8

RGB 112 228 168

HSL 148.97, 0.68%, 0.67%

LAB 82.78, -46.5, 19.41

 

CMYK 51 / 0 / 13 / 11

HEX #70E4C7

RGB 112 228 199

HSL 165, 0.68%, 0.67%

LAB 83.47, -39.83, 4.1

 

CMYK 51 / 1 / 0 / 11

HEX #70E2E4

RGB 112 226 228

HSL 181.03, 0.68%, 0.67%

LAB 83.67, -31.78, -10.94

 

CMYK 51 / 14 / 0 / 11

HEX #70C4E4

RGB 112 196 228

HSL 196.55, 0.68%, 0.67%

LAB 75.16, -16.89, -23.78

 

CMYK 80 / 0 / 19 / 15

HEX #2BD8AE

RGB 43 216 174

HSL 165.43, 0.69%, 0.51%

LAB 77.69, -51.72, 8.83

 

CMYK 65 / 0 / 16 / 13

HEX #4DDEBB

RGB 77 222 187

HSL 165.52, 0.69%, 0.59%

LAB 80.41, -46.72, 5.9

 

CMYK 51 / 0 / 12 / 11

HEX #70E4C9

RGB 112 228 201

HSL 166.03, 0.68%, 0.67%

LAB 83.52, -39.36, 3.12

 

CMYK 37 / 0 / 9 / 8

HEX #93EBD6

RGB 147 235 214

HSL 165.68, 0.69%, 0.75%

LAB 87.23, -31.15, 1.84

 

CMYK 24 / 0 / 6 / 5

HEX #B6F1E3

RGB 182 241 227

HSL 165.76, 0.68%, 0.83%

LAB 90.96, -21.41, 0.7

 

CMYK 51 / 0 / 12 / 10

HEX #70E5C9

RGB 112 229 201

HSL 165.64, 0.69%, 0.67%

LAB 83.81, -39.81, 3.54

 

CMYK 51 / 48 / 0 / 11

HEX #7076E4

RGB 112 118 228

HSL 236.9, 0.68%, 0.67%

LAB 54.03, 27.49, -56.84

 

CMYK 0 / 33 / 51 / 11

HEX #E49970

RGB 228 153 112

HSL 21.21, 0.68%, 0.67%

LAB 69.79, 23.68, 32.92

 

CMYK 51 / 0 / 12 / 10

HEX #70E5C9

RGB 112 229 201

HSL 165.64, 0.69%, 0.67%

LAB 83.81, -39.81, 3.54

 

CMYK 13 / 51 / 0 / 11

HEX #C770E4

RGB 199 112 228

HSL 285, 0.68%, 0.67%

LAB 61.07, 52.67, -45.13

 

CMYK 0 / 13 / 51 / 11

HEX #E4C770

RGB 228 199 112

HSL 45, 0.68%, 0.67%

LAB 81.02, -0.68, 46.96

 

CMYK 51 / 0 / 12 / 10

HEX #70E5C9

RGB 112 229 201

HSL 165.64, 0.69%, 0.67%

LAB 83.81, -39.81, 3.54

 

CMYK 51 / 48 / 0 / 11

HEX #7076E4

RGB 112 118 228

HSL 236.9, 0.68%, 0.67%

LAB 54.03, 27.49, -56.84

 

CMYK 0 / 51 / 38 / 11

HEX #E4708D

RGB 228 112 141

HSL 345, 0.68%, 0.67%

LAB 61.66, 47.9, 5.59

 

CMYK 0 / 2 / 51 / 11

HEX #E4DF70

RGB 228 223 112

HSL 57.41, 0.68%, 0.67%

LAB 87.21, -12.87, 54.36

 

CMYK 51 / 0 / 12 / 10

HEX #70E5C9

RGB 112 229 201

HSL 165.64, 0.69%, 0.67%

LAB 83.81, -39.81, 3.54

 

CMYK 38 / 51 / 0 / 11

HEX #8D70E4

RGB 141 112 228

HSL 255, 0.68%, 0.67%

LAB 54.92, 37.68, -55.28

 

CMYK 0 / 51 / 38 / 11

HEX #E4708D

RGB 228 112 141

HSL 345, 0.68%, 0.67%

LAB 61.66, 47.9, 5.59

 

CMYK 13 / 0 / 51 / 11

HEX #C7E470

RGB 199 228 112

HSL 75, 0.68%, 0.67%

LAB 86.4, -26.72, 52.88

 

Description

Color code: HEX #70E5C9 | qconv.com Color code: HEX #70E5C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 229 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 229 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 12 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 12% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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