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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70E164 it is the complementary color #8F1E9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70E164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70E164 shade: #75E15F, #86F372, #97FF85, #A8FF98 and #B9FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70E164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70E164 shade: #70E164, #5FCF51, #4EBD3E, #3DAB2B and #2C9918

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70E164 shade: #70E164, #92E164, #B4E164, #D5E164 and #E1CB64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70E164 shade: #70E164, #64E17A, #64E19C, #64E1BD and #64E1DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70E164 shade matches the following richer shades: #70E164 and #64F055

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70E164 shade: #70E164, #7CD273, #88C382, #94B591 and #A0A6A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70E164 shade: #B3E164, #92E164, #71E164, #64E179 and #64E19A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70E164 shade: #36CC27, #50DB42, #70E164, #90E887 and #B0EEAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70E164 shade: #70E164, #64D5E1 and #E164A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70E164 shade: #70E164, #6471E1 and #E16471

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70E164 shade: #70E164, #64D5E1, #D564E1 and #E17164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70E164 shade: #70E164, #64AFE1, #D564E1 and #E19664

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 56 / 12

HEX #70E164

RGB 112 225 100

HSL 114.24, 0.68%, 0.64%

LAB 80.86, -56.04, 50.71

 

Complementary color

CMYK 8 / 81 / 0 / 39

HEX #8F1E9B

RGB 143 30 155

HSL 294.24, 0.68%, 0.36%

LAB 36.24, 60.39, -42.68

 

CMYK 48 / 0 / 58 / 12

HEX #75E15F

RGB 117 225 95

HSL 109.85, 0.68%, 0.63%

LAB 80.99, -55.22, 53.17

 

CMYK 45 / 0 / 53 / 5

HEX #86F372

RGB 134 243 114

HSL 110.7, 0.84%, 0.7%

LAB 87.19, -55.3, 52.04

 

CMYK 41 / 0 / 48 / 0

HEX #97FF85

RGB 151 255 133

HSL 111.15, 1%, 0.76%

LAB 91.59, -52.85, 48.75

 

CMYK 34 / 0 / 40 / 0

HEX #A8FF98

RGB 168 255 152

HSL 110.68, 1%, 0.8%

LAB 92.62, -45.15, 41.1

 

CMYK 27 / 0 / 33 / 0

HEX #B9FFAB

RGB 185 255 171

HSL 110, 1%, 0.84%

LAB 93.79, -36.99, 33.39

 

CMYK 50 / 0 / 56 / 12

HEX #70E164

RGB 112 225 100

HSL 114.24, 0.68%, 0.64%

LAB 80.86, -56.04, 50.71

 

CMYK 54 / 0 / 61 / 19

HEX #5FCF51

RGB 95 207 81

HSL 113.33, 0.57%, 0.56%

LAB 74.61, -55.81, 51.83

 

CMYK 59 / 0 / 67 / 26

HEX #4EBD3E

RGB 78 189 62

HSL 112.44, 0.51%, 0.49%

LAB 68.29, -55.34, 52.77

 

CMYK 64 / 0 / 75 / 33

HEX #3DAB2B

RGB 61 171 43

HSL 111.56, 0.6%, 0.42%

LAB 61.91, -54.51, 53.29

 

CMYK 71 / 0 / 84 / 40

HEX #2C9918

RGB 44 153 24

HSL 110.7, 0.73%, 0.35%

LAB 55.47, -53.13, 52.99

 

CMYK 50 / 0 / 56 / 12

HEX #70E164

RGB 112 225 100

HSL 114.24, 0.68%, 0.64%

LAB 80.86, -56.04, 50.71

 

CMYK 35 / 0 / 56 / 12

HEX #92E164

RGB 146 225 100

HSL 97.92, 0.68%, 0.64%

LAB 82.32, -45.74, 52.79

 

CMYK 20 / 0 / 56 / 12

HEX #B4E164

RGB 180 225 100

HSL 81.6, 0.68%, 0.64%

LAB 84.21, -33.64, 55.48

 

CMYK 5 / 0 / 56 / 12

HEX #D5E164

RGB 213 225 100

HSL 65.76, 0.68%, 0.64%

LAB 86.46, -20.83, 58.64

 

CMYK 0 / 10 / 56 / 12

HEX #E1CB64

RGB 225 203 100

HSL 49.44, 0.68%, 0.64%

LAB 81.64, -4.95, 53.38

 

CMYK 50 / 0 / 56 / 12

HEX #70E164

RGB 112 225 100

HSL 114.24, 0.68%, 0.64%

LAB 80.86, -56.04, 50.71

 

CMYK 56 / 0 / 46 / 12

HEX #64E17A

RGB 100 225 122

HSL 130.56, 0.68%, 0.64%

LAB 80.72, -56.16, 40

 

CMYK 56 / 0 / 31 / 12

HEX #64E19C

RGB 100 225 156

HSL 146.88, 0.68%, 0.64%

LAB 81.27, -50.34, 23.49

 

CMYK 56 / 0 / 16 / 12

HEX #64E1BD

RGB 100 225 189

HSL 162.72, 0.68%, 0.64%

LAB 81.97, -43.35, 7.16

 

CMYK 56 / 0 / 1 / 12

HEX #64E1DF

RGB 100 225 223

HSL 179.04, 0.68%, 0.64%

LAB 82.85, -34.96, -9.55

 

CMYK 50 / 0 / 56 / 12

HEX #70E164

RGB 112 225 100

HSL 114.24, 0.68%, 0.64%

LAB 80.86, -56.04, 50.71

 

CMYK 58 / 0 / 65 / 6

HEX #64F055

RGB 100 240 85

HSL 114.19, 0.84%, 0.64%

LAB 84.84, -66.12, 61.57

 

CMYK 50 / 0 / 56 / 12

HEX #70E164

RGB 112 225 100

HSL 114.24, 0.68%, 0.64%

LAB 80.86, -56.04, 50.71

 

CMYK 41 / 0 / 45 / 18

HEX #7CD273

RGB 124 210 115

HSL 114.32, 0.51%, 0.64%

LAB 77.05, -44.57, 39.01

 

CMYK 30 / 0 / 33 / 24

HEX #88C382

RGB 136 195 130

HSL 114.46, 0.35%, 0.64%

LAB 73.47, -31.74, 26.77

 

CMYK 18 / 0 / 20 / 29

HEX #94B591

RGB 148 181 145

HSL 115, 0.2%, 0.64%

LAB 70.45, -18.21, 14.71

 

CMYK 4 / 0 / 4 / 35

HEX #A0A6A0

RGB 160 166 160

HSL 120, 0.03%, 0.64%

LAB 67.49, -3.28, 2.35

 

CMYK 20 / 0 / 56 / 12

HEX #B3E164

RGB 179 225 100

HSL 82.08, 0.68%, 0.64%

LAB 84.15, -34.02, 55.39

 

CMYK 35 / 0 / 56 / 12

HEX #92E164

RGB 146 225 100

HSL 97.92, 0.68%, 0.64%

LAB 82.32, -45.74, 52.79

 

CMYK 50 / 0 / 56 / 12

HEX #71E164

RGB 113 225 100

HSL 113.76, 0.68%, 0.64%

LAB 80.89, -55.77, 50.77

 

CMYK 56 / 0 / 46 / 12

HEX #64E179

RGB 100 225 121

HSL 130.08, 0.68%, 0.64%

LAB 80.71, -56.31, 40.47

 

CMYK 56 / 0 / 32 / 12

HEX #64E19A

RGB 100 225 154

HSL 145.92, 0.68%, 0.64%

LAB 81.23, -50.72, 24.48

 

CMYK 74 / 0 / 81 / 20

HEX #36CC27

RGB 54 204 39

HSL 114.55, 0.68%, 0.48%

LAB 72.31, -66.9, 64.5

 

CMYK 63 / 0 / 70 / 14

HEX #50DB42

RGB 80 219 66

HSL 114.51, 0.68%, 0.56%

LAB 77.73, -65.03, 61.2

 

CMYK 50 / 0 / 56 / 12

HEX #70E164

RGB 112 225 100

HSL 114.24, 0.68%, 0.64%

LAB 80.86, -56.04, 50.71

 

CMYK 38 / 0 / 42 / 9

HEX #90E887

RGB 144 232 135

HSL 114.43, 0.68%, 0.72%

LAB 84.69, -45.07, 39

 

CMYK 26 / 0 / 29 / 7

HEX #B0EEAA

RGB 176 238 170

HSL 114.71, 0.67%, 0.8%

LAB 88.58, -32.28, 26.8

 

CMYK 50 / 0 / 56 / 12

HEX #70E164

RGB 112 225 100

HSL 114.24, 0.68%, 0.64%

LAB 80.86, -56.04, 50.71

 

CMYK 56 / 5 / 0 / 12

HEX #64D5E1

RGB 100 213 225

HSL 185.76, 0.68%, 0.64%

LAB 79.46, -28.71, -15.69

 

CMYK 0 / 56 / 28 / 12

HEX #E164A3

RGB 225 100 163

HSL 329.76, 0.68%, 0.64%

LAB 59.68, 55.31, -10.07

 

CMYK 50 / 0 / 56 / 12

HEX #70E164

RGB 112 225 100

HSL 114.24, 0.68%, 0.64%

LAB 80.86, -56.04, 50.71

 

CMYK 56 / 50 / 0 / 12

HEX #6471E1

RGB 100 113 225

HSL 233.76, 0.68%, 0.64%

LAB 51.79, 27.11, -58.79

 

CMYK 0 / 56 / 50 / 12

HEX #E16471

RGB 225 100 113

HSL 353.76, 0.68%, 0.64%

LAB 58.33, 49.83, 17.05

 

CMYK 50 / 0 / 56 / 12

HEX #70E164

RGB 112 225 100

HSL 114.24, 0.68%, 0.64%

LAB 80.86, -56.04, 50.71

 

CMYK 56 / 5 / 0 / 12

HEX #64D5E1

RGB 100 213 225

HSL 185.76, 0.68%, 0.64%

LAB 79.46, -28.71, -15.69

 

CMYK 5 / 56 / 0 / 12

HEX #D564E1

RGB 213 100 225

HSL 294.24, 0.68%, 0.64%

LAB 60.51, 61.59, -44.22

 

CMYK 0 / 50 / 56 / 12

HEX #E17164

RGB 225 113 100

HSL 6.24, 0.68%, 0.64%

LAB 60.55, 42.4, 27.48

 

CMYK 50 / 0 / 56 / 12

HEX #70E164

RGB 112 225 100

HSL 114.24, 0.68%, 0.64%

LAB 80.86, -56.04, 50.71

 

CMYK 56 / 22 / 0 / 12

HEX #64AFE1

RGB 100 175 225

HSL 204, 0.68%, 0.64%

LAB 68.61, -9.15, -32.25

 

CMYK 5 / 56 / 0 / 12

HEX #D564E1

RGB 213 100 225

HSL 294.24, 0.68%, 0.64%

LAB 60.51, 61.59, -44.22

 

CMYK 0 / 33 / 56 / 12

HEX #E19664

RGB 225 150 100

HSL 24, 0.68%, 0.64%

LAB 68.56, 23.05, 37.68

 

Description

Color code: HEX #70E164 | qconv.com Color code: HEX #70E164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 225 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 225 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 56 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 56% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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