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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70EADB it is the complementary color #8F1524. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70EADB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70EADB shade: #75EAD6, #86FCE9, #97FFFC, #A8FFFF and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70EADB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70EADB shade: #70EADB, #5FD8C8, #4EC6B5, #3DB4A2 and #2CA28F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70EADB shade: #71E9DA, #71E9BA, #71E999, #71E979 and #89E971

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70EADB shade: #71E9DA, #71D8E9, #71B7E9, #7196E9 and #7176E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70EADB shade matches the following richer shades: #71E9DA and #63F6E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70EADB shade: #71E9DA, #7EDCD0, #8BCFC7, #98C2BD and #A5B4B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70EADB shade: #71E999, #71E9B9, #71E9D9, #71D9E9 and #71B9E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70EADB shade: #29DFC8, #4DE4D1, #71E9DA, #94EFE4 and #B8F4ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70EADB shade: #70EADB, #7971E9 and #E9A971

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70EADB shade: #70EADB, #D971E9 and #E9D971

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70EADB shade: #70EADB, #7971E9, #E97181 and #E1E971

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70EADB shade: #70EADB, #9D71E9, #E97181 and #BDE971

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 6 / 8

HEX #70EADB

RGB 112 234 219

HSL 172.62, 0.74%, 0.68%

LAB 85.71, -37.78, -3.17

 

Complementary color

CMYK 0 / 85 / 75 / 44

HEX #8F1524

RGB 143 21 36

HSL 352.62, 0.74%, 0.32%

LAB 30.65, 49.16, 25.17

 

CMYK 50 / 0 / 9 / 8

HEX #75EAD6

RGB 117 234 214

HSL 169.74, 0.74%, 0.69%

LAB 85.75, -37.93, -0.47

 

CMYK 47 / 0 / 8 / 1

HEX #86FCE9

RGB 134 252 233

HSL 170.34, 0.95%, 0.76%

LAB 91.94, -37.9, -1.25

 

CMYK 41 / 0 / 1 / 0

HEX #97FFFC

RGB 151 255 252

HSL 178.27, 1%, 0.8%

LAB 93.94, -30.9, -8.07

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 52 / 0 / 6 / 8

HEX #70EADB

RGB 112 234 219

HSL 172.62, 0.74%, 0.68%

LAB 85.71, -37.78, -3.17

 

CMYK 56 / 0 / 7 / 15

HEX #5FD8C8

RGB 95 216 200

HSL 172.07, 0.61%, 0.61%

LAB 79.45, -37.67, -2.35

 

CMYK 61 / 0 / 9 / 22

HEX #4EC6B5

RGB 78 198 181

HSL 171.5, 0.51%, 0.54%

LAB 73.12, -37.47, -1.47

 

CMYK 66 / 0 / 10 / 29

HEX #3DB4A2

RGB 61 180 162

HSL 170.92, 0.49%, 0.47%

LAB 66.71, -37.13, -0.49

 

CMYK 73 / 0 / 12 / 36

HEX #2CA28F

RGB 44 162 143

HSL 170.34, 0.57%, 0.4%

LAB 60.21, -36.57, 0.59

 

CMYK 52 / 0 / 6 / 9

HEX #71E9DA

RGB 113 233 218

HSL 172.5, 0.73%, 0.68%

LAB 85.43, -37.36, -3.06

 

CMYK 52 / 0 / 20 / 9

HEX #71E9BA

RGB 113 233 186

HSL 156.5, 0.73%, 0.68%

LAB 84.66, -44.71, 12.64

 

CMYK 52 / 0 / 34 / 9

HEX #71E999

RGB 113 233 153

HSL 140, 0.73%, 0.68%

LAB 84.01, -51.16, 28.83

 

CMYK 52 / 0 / 48 / 9

HEX #71E979

RGB 113 233 121

HSL 124, 0.73%, 0.68%

LAB 83.53, -56.2, 44.11

 

CMYK 41 / 0 / 52 / 9

HEX #89E971

RGB 137 233 113

HSL 108, 0.73%, 0.68%

LAB 84.37, -50.5, 49.15

 

CMYK 52 / 0 / 6 / 9

HEX #71E9DA

RGB 113 233 218

HSL 172.5, 0.73%, 0.68%

LAB 85.43, -37.36, -3.06

 

CMYK 52 / 7 / 0 / 9

HEX #71D8E9

RGB 113 216 233

HSL 188.5, 0.73%, 0.68%

LAB 81.02, -25.41, -17.57

 

CMYK 52 / 21 / 0 / 9

HEX #71B7E9

RGB 113 183 233

HSL 205, 0.73%, 0.68%

LAB 71.73, -8.36, -31.74

 

CMYK 52 / 36 / 0 / 9

HEX #7196E9

RGB 113 150 233

HSL 221.5, 0.73%, 0.68%

LAB 62.68, 10.22, -45.86

 

CMYK 52 / 49 / 0 / 9

HEX #7176E9

RGB 113 118 233

HSL 237.5, 0.73%, 0.68%

LAB 54.4, 29.24, -59.04

 

CMYK 52 / 0 / 6 / 9

HEX #71E9DA

RGB 113 233 218

HSL 172.5, 0.73%, 0.68%

LAB 85.43, -37.36, -3.06

 

CMYK 60 / 0 / 7 / 4

HEX #63F6E4

RGB 99 246 228

HSL 172.65, 0.89%, 0.68%

LAB 89, -43.38, -3.1

 

CMYK 52 / 0 / 6 / 9

HEX #71E9DA

RGB 113 233 218

HSL 172.5, 0.73%, 0.68%

LAB 85.43, -37.36, -3.06

 

CMYK 43 / 0 / 5 / 14

HEX #7EDCD0

RGB 126 220 208

HSL 172.34, 0.57%, 0.68%

LAB 81.93, -30.76, -2.84

 

CMYK 33 / 0 / 4 / 19

HEX #8BCFC7

RGB 139 207 199

HSL 172.94, 0.41%, 0.68%

LAB 78.6, -23.12, -2.86

 

CMYK 22 / 0 / 3 / 24

HEX #98C2BD

RGB 152 194 189

HSL 172.86, 0.26%, 0.68%

LAB 75.41, -14.91, -2.07

 

CMYK 8 / 0 / 1 / 29

HEX #A5B4B3

RGB 165 180 179

HSL 176, 0.09%, 0.68%

LAB 72.16, -5.38, -1.28

 

CMYK 52 / 0 / 34 / 9

HEX #71E999

RGB 113 233 153

HSL 140, 0.73%, 0.68%

LAB 84.01, -51.16, 28.83

 

CMYK 52 / 0 / 21 / 9

HEX #71E9B9

RGB 113 233 185

HSL 156, 0.73%, 0.68%

LAB 84.63, -44.92, 13.13

 

CMYK 52 / 0 / 7 / 9

HEX #71E9D9

RGB 113 233 217

HSL 172, 0.73%, 0.68%

LAB 85.4, -37.6, -2.57

 

CMYK 52 / 7 / 0 / 9

HEX #71D9E9

RGB 113 217 233

HSL 188, 0.73%, 0.68%

LAB 81.3, -25.9, -17.14

 

CMYK 52 / 21 / 0 / 9

HEX #71B9E9

RGB 113 185 233

HSL 204, 0.73%, 0.68%

LAB 72.29, -9.44, -30.88

 

CMYK 82 / 0 / 10 / 13

HEX #29DFC8

RGB 41 223 200

HSL 172.42, 0.74%, 0.52%

LAB 80.41, -48.12, -1.07

 

CMYK 66 / 0 / 8 / 11

HEX #4DE4D1

RGB 77 228 209

HSL 172.45, 0.74%, 0.6%

LAB 82.74, -43.81, -2.37

 

CMYK 52 / 0 / 6 / 9

HEX #71E9DA

RGB 113 233 218

HSL 172.5, 0.73%, 0.68%

LAB 85.43, -37.36, -3.06

 

CMYK 38 / 0 / 5 / 6

HEX #94EFE4

RGB 148 239 228

HSL 172.75, 0.74%, 0.76%

LAB 88.75, -29.65, -3.27

 

CMYK 25 / 0 / 3 / 4

HEX #B8F4ED

RGB 184 244 237

HSL 173, 0.73%, 0.84%

LAB 92.13, -20.22, -2.78

 

CMYK 52 / 0 / 6 / 8

HEX #70EADB

RGB 112 234 219

HSL 172.62, 0.74%, 0.68%

LAB 85.71, -37.78, -3.17

 

CMYK 48 / 52 / 0 / 9

HEX #7971E9

RGB 121 113 233

HSL 244, 0.73%, 0.68%

LAB 53.77, 33.92, -60.02

 

CMYK 0 / 27 / 52 / 9

HEX #E9A971

RGB 233 169 113

HSL 28, 0.73%, 0.68%

LAB 74.12, 17.25, 38.02

 

CMYK 52 / 0 / 6 / 8

HEX #70EADB

RGB 112 234 219

HSL 172.62, 0.74%, 0.68%

LAB 85.71, -37.78, -3.17

 

CMYK 7 / 52 / 0 / 9

HEX #D971E9

RGB 217 113 233

HSL 292, 0.73%, 0.68%

LAB 63.71, 57.97, -43.61

 

CMYK 0 / 7 / 52 / 9

HEX #E9D971

RGB 233 217 113

HSL 52, 0.73%, 0.68%

LAB 86.08, -7.76, 52.65

 

CMYK 52 / 0 / 6 / 8

HEX #70EADB

RGB 112 234 219

HSL 172.62, 0.74%, 0.68%

LAB 85.71, -37.78, -3.17

 

CMYK 48 / 52 / 0 / 9

HEX #7971E9

RGB 121 113 233

HSL 244, 0.73%, 0.68%

LAB 53.77, 33.92, -60.02

 

CMYK 0 / 52 / 45 / 9

HEX #E97181

RGB 233 113 129

HSL 352, 0.73%, 0.68%

LAB 62.27, 47.87, 13.46

 

CMYK 3 / 0 / 52 / 9

HEX #E1E971

RGB 225 233 113

HSL 64, 0.73%, 0.68%

LAB 89.62, -18.9, 56.66

 

CMYK 52 / 0 / 6 / 8

HEX #70EADB

RGB 112 234 219

HSL 172.62, 0.74%, 0.68%

LAB 85.71, -37.78, -3.17

 

CMYK 33 / 52 / 0 / 9

HEX #9D71E9

RGB 157 113 233

HSL 262, 0.73%, 0.68%

LAB 56.94, 42.33, -54.76

 

CMYK 0 / 52 / 45 / 9

HEX #E97181

RGB 233 113 129

HSL 352, 0.73%, 0.68%

LAB 62.27, 47.87, 13.46

 

CMYK 19 / 0 / 52 / 9

HEX #BDE971

RGB 189 233 113

HSL 82, 0.73%, 0.68%

LAB 87.14, -32.74, 53.13

 

Description

Color code: HEX #70EADB | qconv.com Color code: HEX #70EADB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 234 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 234 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 6 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 6% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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