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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70EF0F it is the complementary color #8F10F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70EF0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70EF0F shade: #75EF0A, #86FF1D, #97FF30, #A8FF43 and #B9FF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70EF0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70EF0F shade: #70EF0F, #5FDD00, #4ECB00, #3DB900 and #2CA700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70EF0F shade: #70EF0F, #ACEF0F, #E9EF0F, #EFB90F and #EF7C0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70EF0F shade: #70EF0F, #33EF0F, #0FEF27, #0FEF63 and #0FEFA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70EF0F shade matches the following richer shades: #70EF0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70EF0F shade: #70EF0F, #73DB23, #75C638, #78B14D and #7B9D61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70EF0F shade: #E8EF0F, #ACEF0F, #70EF0F, #34EF0F and #0FEF25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70EF0F shade: #4CA20A, #5EC80C, #70EF0F, #87F236 and #9EF45C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70EF0F shade: #70EF0F, #0FEFBB and #EF0FCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70EF0F shade: #70EF0F, #0F70EF and #EF0F70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70EF0F shade: #70EF0F, #0FEFBB, #8E0FEF and #EF0F43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70EF0F shade: #70EF0F, #0FE0EF, #8E0FEF and #EF1E0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 94 / 6

HEX #70EF0F

RGB 112 239 15

HSL 94.02, 0.88%, 0.5%

LAB 84.59, -66.43, 80.13

 

Complementary color

CMYK 40 / 93 / 0 / 6

HEX #8F10F0

RGB 143 16 240

HSL 274.02, 0.88%, 0.5%

LAB 42, 79.65, -83

 

CMYK 51 / 0 / 96 / 6

HEX #75EF0A

RGB 117 239 10

HSL 91.97, 0.92%, 0.49%

LAB 84.76, -65.14, 80.8

 

CMYK 47 / 0 / 89 / 0

HEX #86FF1D

RGB 134 255 29

HSL 92.12, 1%, 0.56%

LAB 90.17, -65.61, 83.21

 

CMYK 41 / 0 / 81 / 0

HEX #97FF30

RGB 151 255 48

HSL 90.14, 1%, 0.59%

LAB 90.92, -59.8, 80.31

 

CMYK 34 / 0 / 74 / 0

HEX #A8FF43

RGB 168 255 67

HSL 87.77, 1%, 0.63%

LAB 91.8, -53.3, 76.07

 

CMYK 27 / 0 / 66 / 0

HEX #B9FF56

RGB 185 255 86

HSL 84.85, 1%, 0.67%

LAB 92.8, -46.21, 70.76

 

CMYK 53 / 0 / 94 / 6

HEX #70EF0F

RGB 112 239 15

HSL 94.02, 0.88%, 0.5%

LAB 84.59, -66.43, 80.13

 

CMYK 57 / 0 / 100 / 13

HEX #5FDD00

RGB 95 221 0

HSL 94.21, 1%, 0.43%

LAB 78.55, -64.93, 76.41

 

CMYK 62 / 0 / 100 / 20

HEX #4ECB00

RGB 78 203 0

HSL 96.95, 1%, 0.4%

LAB 72.45, -63.05, 71.38

 

CMYK 67 / 0 / 100 / 27

HEX #3DB900

RGB 61 185 0

HSL 100.22, 1%, 0.36%

LAB 66.28, -60.92, 66.3

 

CMYK 74 / 0 / 100 / 35

HEX #2CA700

RGB 44 167 0

HSL 104.19, 1%, 0.33%

LAB 60.04, -58.44, 61.18

 

CMYK 53 / 0 / 94 / 6

HEX #70EF0F

RGB 112 239 15

HSL 94.02, 0.88%, 0.5%

LAB 84.59, -66.43, 80.13

 

CMYK 28 / 0 / 94 / 6

HEX #ACEF0F

RGB 172 239 15

HSL 77.95, 0.88%, 0.5%

LAB 87.26, -47.01, 83.39

 

CMYK 3 / 0 / 94 / 6

HEX #E9EF0F

RGB 233 239 15

HSL 61.61, 0.88%, 0.5%

LAB 91.28, -22.88, 88.24

 

CMYK 0 / 23 / 94 / 6

HEX #EFB90F

RGB 239 185 15

HSL 45.54, 0.88%, 0.5%

LAB 77.92, 6.78, 78.51

 

CMYK 0 / 48 / 94 / 6

HEX #EF7C0F

RGB 239 124 15

HSL 29.2, 0.88%, 0.5%

LAB 64, 38.69, 68.67

 

CMYK 53 / 0 / 94 / 6

HEX #70EF0F

RGB 112 239 15

HSL 94.02, 0.88%, 0.5%

LAB 84.59, -66.43, 80.13

 

CMYK 79 / 0 / 94 / 6

HEX #33EF0F

RGB 51 239 15

HSL 110.36, 0.88%, 0.5%

LAB 83.16, -78.44, 78.37

 

CMYK 94 / 0 / 84 / 6

HEX #0FEF27

RGB 15 239 39

HSL 126.43, 0.88%, 0.5%

LAB 82.9, -80.55, 74.03

 

CMYK 94 / 0 / 59 / 6

HEX #0FEF63

RGB 15 239 99

HSL 142.5, 0.88%, 0.5%

LAB 83.3, -75.49, 53.57

 

CMYK 94 / 0 / 33 / 6

HEX #0FEFA0

RGB 15 239 160

HSL 158.84, 0.88%, 0.5%

LAB 84.16, -65.3, 25.15

 

CMYK 53 / 0 / 94 / 6

HEX #70EF0F

RGB 112 239 15

HSL 94.02, 0.88%, 0.5%

LAB 84.59, -66.43, 80.13

 

CMYK 53 / 0 / 94 / 6

HEX #70EF0F

RGB 112 239 15

HSL 94.02, 0.88%, 0.5%

LAB 84.59, -66.43, 80.13

 

CMYK 47 / 0 / 84 / 14

HEX #73DB23

RGB 115 219 35

HSL 93.91, 0.72%, 0.5%

LAB 78.71, -57.87, 71.95

 

CMYK 41 / 0 / 72 / 22

HEX #75C638

RGB 117 198 56

HSL 94.23, 0.56%, 0.5%

LAB 72.53, -47.95, 59.97

 

CMYK 32 / 0 / 56 / 31

HEX #78B14D

RGB 120 177 77

HSL 94.2, 0.39%, 0.5%

LAB 66.5, -36.07, 44.63

 

CMYK 22 / 0 / 38 / 38

HEX #7B9D61

RGB 123 157 97

HSL 94, 0.24%, 0.5%

LAB 60.95, -22.9, 27.65

 

CMYK 3 / 0 / 94 / 6

HEX #E8EF0F

RGB 232 239 15

HSL 61.88, 0.88%, 0.5%

LAB 91.2, -23.29, 88.14

 

CMYK 28 / 0 / 94 / 6

HEX #ACEF0F

RGB 172 239 15

HSL 77.95, 0.88%, 0.5%

LAB 87.26, -47.01, 83.39

 

CMYK 53 / 0 / 94 / 6

HEX #70EF0F

RGB 112 239 15

HSL 94.02, 0.88%, 0.5%

LAB 84.59, -66.43, 80.13

 

CMYK 78 / 0 / 94 / 6

HEX #34EF0F

RGB 52 239 15

HSL 110.09, 0.88%, 0.5%

LAB 83.18, -78.32, 78.39

 

CMYK 94 / 0 / 85 / 6

HEX #0FEF25

RGB 15 239 37

HSL 125.89, 0.88%, 0.5%

LAB 82.9, -80.64, 74.47

 

CMYK 53 / 0 / 94 / 36

HEX #4CA20A

RGB 76 162 10

HSL 93.95, 0.88%, 0.34%

LAB 59.34, -48.93, 59.57

 

CMYK 53 / 0 / 94 / 22

HEX #5EC80C

RGB 94 200 12

HSL 93.83, 0.89%, 0.42%

LAB 72.04, -57.68, 69.99

 

CMYK 53 / 0 / 94 / 6

HEX #70EF0F

RGB 112 239 15

HSL 94.02, 0.88%, 0.5%

LAB 84.59, -66.43, 80.13

 

CMYK 44 / 0 / 78 / 5

HEX #87F236

RGB 135 242 54

HSL 94.15, 0.88%, 0.58%

LAB 86.47, -59.59, 74.4

 

CMYK 35 / 0 / 62 / 4

HEX #9EF45C

RGB 158 244 92

HSL 93.95, 0.87%, 0.66%

LAB 88.33, -50.45, 63.2

 

CMYK 53 / 0 / 94 / 6

HEX #70EF0F

RGB 112 239 15

HSL 94.02, 0.88%, 0.5%

LAB 84.59, -66.43, 80.13

 

CMYK 94 / 0 / 22 / 6

HEX #0FEFBB

RGB 15 239 187

HSL 166.07, 0.88%, 0.5%

LAB 84.7, -59.26, 11.93

 

CMYK 0 / 94 / 15 / 6

HEX #EF0FCA

RGB 239 15 202

HSL 309.91, 0.88%, 0.5%

LAB 55.03, 87.62, -39.54

 

CMYK 53 / 0 / 94 / 6

HEX #70EF0F

RGB 112 239 15

HSL 94.02, 0.88%, 0.5%

LAB 84.59, -66.43, 80.13

 

CMYK 94 / 53 / 0 / 6

HEX #0F70EF

RGB 15 112 239

HSL 214.02, 0.88%, 0.5%

LAB 49.4, 23.09, -70.66

 

CMYK 0 / 94 / 53 / 6

HEX #EF0F70

RGB 239 15 112

HSL 334.02, 0.88%, 0.5%

LAB 51.68, 78.84, 8.74

 

CMYK 53 / 0 / 94 / 6

HEX #70EF0F

RGB 112 239 15

HSL 94.02, 0.88%, 0.5%

LAB 84.59, -66.43, 80.13

 

CMYK 94 / 0 / 22 / 6

HEX #0FEFBB

RGB 15 239 187

HSL 166.07, 0.88%, 0.5%

LAB 84.7, -59.26, 11.93

 

CMYK 41 / 94 / 0 / 6

HEX #8E0FEF

RGB 142 15 239

HSL 274.02, 0.88%, 0.5%

LAB 41.73, 79.48, -82.89

 

CMYK 0 / 94 / 72 / 6

HEX #EF0F43

RGB 239 15 67

HSL 346.07, 0.88%, 0.5%

LAB 50.8, 76.42, 34.83

 

CMYK 53 / 0 / 94 / 6

HEX #70EF0F

RGB 112 239 15

HSL 94.02, 0.88%, 0.5%

LAB 84.59, -66.43, 80.13

 

CMYK 94 / 6 / 0 / 6

HEX #0FE0EF

RGB 15 224 239

HSL 184.02, 0.88%, 0.5%

LAB 81.64, -38.74, -19.99

 

CMYK 41 / 94 / 0 / 6

HEX #8E0FEF

RGB 142 15 239

HSL 274.02, 0.88%, 0.5%

LAB 41.73, 79.48, -82.89

 

CMYK 0 / 87 / 94 / 6

HEX #EF1E0F

RGB 239 30 15

HSL 4.02, 0.88%, 0.5%

LAB 51.05, 73.24, 60.52

 

Description

Color code: HEX #70EF0F | qconv.com Color code: HEX #70EF0F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 239 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 239 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 94 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 94% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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