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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70FFD3 it is the complementary color #8F002C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70FFD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70FFD3 shade: #75FFCE, #86FFE1, #97FFF4, #A8FFFF and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70FFD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70FFD3 shade: #70FFD3, #5FEDC0, #4EDBAD, #3DC99A and #2CB787

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70FFD3 shade: #70FFD3, #70FFAC, #70FF86, #80FF70 and #A7FF70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70FFD3 shade: #70FFD3, #70FFF9, #70DDFF, #70B7FF and #7090FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70FFD3 shade matches the following richer shades: #70FFD3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70FFD3 shade: #70FFD3, #7BF3CE, #87E7CA, #92DCC5 and #9ED0C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70FFD3 shade: #70FF85, #70FFAB, #70FFD1, #70FFF7 and #70E0FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70FFD3 shade: #1DFFB9, #46FFC6, #70FFD3, #99FFDF and #C2FFEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70FFD3 shade: #70FFD3, #7080FF and #FF9870

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70FFD3 shade: #70FFD3, #D170FF and #FFD170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70FFD3 shade: #70FFD3, #7080FF, #FF709D and #FFEE70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70FFD3 shade: #70FFD3, #8A70FF, #FF709D and #E4FF70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 17 / 0

HEX #70FFD3

RGB 112 255 211

HSL 161.54, 1%, 0.72%

LAB 91.54, -48.89, 9.45

 

Complementary color

CMYK 0 / 100 / 69 / 44

HEX #8F002C

RGB 143 0 44

HSL 341.54, 1%, 0.28%

LAB 29.47, 53.33, 18.5

 

CMYK 54 / 0 / 19 / 0

HEX #75FFCE

RGB 117 255 206

HSL 158.7, 1%, 0.73%

LAB 91.58, -48.97, 12.1

 

CMYK 47 / 0 / 12 / 0

HEX #86FFE1

RGB 134 255 225

HSL 165.12, 1%, 0.76%

LAB 92.59, -41.08, 3.83

 

CMYK 41 / 0 / 4 / 0

HEX #97FFF4

RGB 151 255 244

HSL 173.65, 1%, 0.8%

LAB 93.72, -32.77, -4.25

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 56 / 0 / 17 / 0

HEX #70FFD3

RGB 112 255 211

HSL 161.54, 1%, 0.72%

LAB 91.54, -48.89, 9.45

 

CMYK 60 / 0 / 19 / 7

HEX #5FEDC0

RGB 95 237 192

HSL 160.99, 0.8%, 0.65%

LAB 85.41, -48.8, 10.49

 

CMYK 64 / 0 / 21 / 14

HEX #4EDBAD

RGB 78 219 173

HSL 160.43, 0.66%, 0.58%

LAB 79.21, -48.59, 11.62

 

CMYK 70 / 0 / 23 / 21

HEX #3DC99A

RGB 61 201 154

HSL 159.86, 0.56%, 0.51%

LAB 72.96, -48.21, 12.85

 

CMYK 76 / 0 / 26 / 28

HEX #2CB787

RGB 44 183 135

HSL 159.28, 0.61%, 0.45%

LAB 66.64, -47.6, 14.21

 

CMYK 56 / 0 / 17 / 0

HEX #70FFD3

RGB 112 255 211

HSL 161.54, 1%, 0.72%

LAB 91.54, -48.89, 9.45

 

CMYK 56 / 0 / 33 / 0

HEX #70FFAC

RGB 112 255 172

HSL 145.17, 1%, 0.72%

LAB 90.75, -56.82, 28.29

 

CMYK 56 / 0 / 47 / 0

HEX #70FF86

RGB 112 255 134

HSL 129.23, 1%, 0.72%

LAB 90.18, -62.99, 46.2

 

CMYK 50 / 0 / 56 / 0

HEX #80FF70

RGB 128 255 112

HSL 113.29, 1%, 0.72%

LAB 90.45, -61.81, 56.75

 

CMYK 35 / 0 / 56 / 0

HEX #A7FF70

RGB 167 255 112

HSL 96.92, 1%, 0.72%

LAB 92.09, -50.21, 59.08

 

CMYK 56 / 0 / 17 / 0

HEX #70FFD3

RGB 112 255 211

HSL 161.54, 1%, 0.72%

LAB 91.54, -48.89, 9.45

 

CMYK 56 / 0 / 2 / 0

HEX #70FFF9

RGB 112 255 249

HSL 177.48, 1%, 0.72%

LAB 92.49, -39.8, -8.82

 

CMYK 56 / 13 / 0 / 0

HEX #70DDFF

RGB 112 221 255

HSL 194.27, 1%, 0.72%

LAB 83.11, -22.01, -26.07

 

CMYK 56 / 28 / 0 / 0

HEX #70B7FF

RGB 112 183 255

HSL 210.21, 1%, 0.72%

LAB 72.58, -2, -42.33

 

CMYK 56 / 44 / 0 / 0

HEX #7090FF

RGB 112 144 255

HSL 226.57, 1%, 0.72%

LAB 62.18, 20.4, -58.76

 

CMYK 56 / 0 / 17 / 0

HEX #70FFD3

RGB 112 255 211

HSL 161.54, 1%, 0.72%

LAB 91.54, -48.89, 9.45

 

CMYK 56 / 0 / 17 / 0

HEX #70FFD3

RGB 112 255 211

HSL 161.54, 1%, 0.72%

LAB 91.54, -48.89, 9.45

 

CMYK 49 / 0 / 15 / 5

HEX #7BF3CE

RGB 123 243 206

HSL 161.5, 0.83%, 0.72%

LAB 88.34, -42.48, 7.5

 

CMYK 42 / 0 / 13 / 9

HEX #87E7CA

RGB 135 231 202

HSL 161.88, 0.67%, 0.72%

LAB 85.28, -35.03, 5.26

 

CMYK 34 / 0 / 10 / 14

HEX #92DCC5

RGB 146 220 197

HSL 161.35, 0.51%, 0.72%

LAB 82.56, -27.95, 4.01

 

CMYK 24 / 0 / 7 / 18

HEX #9ED0C1

RGB 158 208 193

HSL 162, 0.35%, 0.72%

LAB 79.75, -19.33, 2.15

 

CMYK 56 / 0 / 48 / 0

HEX #70FF85

RGB 112 255 133

HSL 128.81, 1%, 0.72%

LAB 90.16, -63.13, 46.66

 

CMYK 56 / 0 / 33 / 0

HEX #70FFAB

RGB 112 255 171

HSL 144.76, 1%, 0.72%

LAB 90.74, -57, 28.77

 

CMYK 56 / 0 / 18 / 0

HEX #70FFD1

RGB 112 255 209

HSL 160.7, 1%, 0.72%

LAB 91.49, -49.33, 10.41

 

CMYK 56 / 0 / 3 / 0

HEX #70FFF7

RGB 112 255 247

HSL 176.64, 1%, 0.72%

LAB 92.43, -40.31, -7.87

 

CMYK 56 / 12 / 0 / 0

HEX #70E0FF

RGB 112 224 255

HSL 193.01, 1%, 0.72%

LAB 83.95, -23.51, -24.79

 

CMYK 89 / 0 / 27 / 0

HEX #1DFFB9

RGB 29 255 185

HSL 161.42, 1%, 0.56%

LAB 89.53, -65.09, 19.76

 

CMYK 73 / 0 / 22 / 0

HEX #46FFC6

RGB 70 255 198

HSL 161.51, 1%, 0.64%

LAB 90.28, -58.59, 14.22

 

CMYK 56 / 0 / 17 / 0

HEX #70FFD3

RGB 112 255 211

HSL 161.54, 1%, 0.72%

LAB 91.54, -48.89, 9.45

 

CMYK 40 / 0 / 13 / 0

HEX #99FFDF

RGB 153 255 223

HSL 161.18, 1%, 0.8%

LAB 93.29, -36.92, 5.96

 

CMYK 24 / 0 / 7 / 0

HEX #C2FFEC

RGB 194 255 236

HSL 161.31, 1%, 0.88%

LAB 95.6, -22.83, 2.86

 

CMYK 56 / 0 / 17 / 0

HEX #70FFD3

RGB 112 255 211

HSL 161.54, 1%, 0.72%

LAB 91.54, -48.89, 9.45

 

CMYK 56 / 50 / 0 / 0

HEX #7080FF

RGB 112 128 255

HSL 233.29, 1%, 0.72%

LAB 58.13, 29.92, -65.24

 

CMYK 0 / 40 / 56 / 0

HEX #FF9870

RGB 255 152 112

HSL 16.78, 1%, 0.72%

LAB 72.82, 34.81, 37.44

 

CMYK 56 / 0 / 17 / 0

HEX #70FFD3

RGB 112 255 211

HSL 161.54, 1%, 0.72%

LAB 91.54, -48.89, 9.45

 

CMYK 18 / 56 / 0 / 0

HEX #D170FF

RGB 209 112 255

HSL 280.7, 1%, 0.72%

LAB 63.64, 60.71, -55.93

 

CMYK 0 / 18 / 56 / 0

HEX #FFD170

RGB 255 209 112

HSL 40.7, 1%, 0.72%

LAB 86.02, 5.16, 53.54

 

CMYK 56 / 0 / 17 / 0

HEX #70FFD3

RGB 112 255 211

HSL 161.54, 1%, 0.72%

LAB 91.54, -48.89, 9.45

 

CMYK 56 / 50 / 0 / 0

HEX #7080FF

RGB 112 128 255

HSL 233.29, 1%, 0.72%

LAB 58.13, 29.92, -65.24

 

CMYK 0 / 56 / 38 / 0

HEX #FF709D

RGB 255 112 157

HSL 341.12, 1%, 0.72%

LAB 65.97, 58.54, 3.14

 

CMYK 0 / 7 / 56 / 0

HEX #FFEE70

RGB 255 238 112

HSL 52.87, 1%, 0.72%

LAB 93.27, -9.48, 61.94

 

CMYK 56 / 0 / 17 / 0

HEX #70FFD3

RGB 112 255 211

HSL 161.54, 1%, 0.72%

LAB 91.54, -48.89, 9.45

 

CMYK 46 / 56 / 0 / 0

HEX #8A70FF

RGB 138 112 255

HSL 250.91, 1%, 0.72%

LAB 56.3, 44.43, -68.1

 

CMYK 0 / 56 / 38 / 0

HEX #FF709D

RGB 255 112 157

HSL 341.12, 1%, 0.72%

LAB 65.97, 58.54, 3.14

 

CMYK 11 / 0 / 56 / 0

HEX #E4FF70

RGB 228 255 112

HSL 71.33, 1%, 0.72%

LAB 95.66, -28.29, 64.1

 

Description

Color code: HEX #70FFD3 | qconv.com Color code: HEX #70FFD3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 255 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 255 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 17 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 17% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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