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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70FFEF it is the complementary color #8F0010. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70FFEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70FFEF shade: #75FFEA, #86FFFD, #97FFFF, #A8FFFF and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70FFEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70FFEF shade: #70FFEF, #5FEDDC, #4EDBC9, #3DC9B6 and #2CB7A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70FFEF shade: #70FFEF, #70FFC8, #70FFA2, #70FF7B and #8BFF70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70FFEF shade: #70FFEF, #70E8FF, #70C1FF, #709BFF and #7074FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70FFEF shade matches the following richer shades: #70FFEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70FFEF shade: #70FFEF, #7BF3E6, #87E7DD, #92DCD4 and #9ED0CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70FFEF shade: #70FFA2, #70FFC8, #70FFEE, #70E9FF and #70C3FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70FFEF shade: #1DFFE5, #46FFEA, #70FFEF, #99FFF3 and #C2FFF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70FFEF shade: #70FFEF, #7C70FF and #FFB570

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70FFEF shade: #70FFEF, #EE70FF and #FFEE70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70FFEF shade: #70FFEF, #7C70FF, #FF7080 and #F3FF70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70FFEF shade: #70FFEF, #A670FF, #FF7080 and #C8FF70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 6 / 0

HEX #70FFEF

RGB 112 255 239

HSL 173.29, 1%, 0.72%

LAB 92.22, -42.31, -4.04

 

Complementary color

CMYK 0 / 100 / 89 / 44

HEX #8F0010

RGB 143 0 16

HSL 353.29, 1%, 0.28%

LAB 29.1, 52.34, 35.56

 

CMYK 54 / 0 / 8 / 0

HEX #75FFEA

RGB 117 255 234

HSL 170.87, 1%, 0.73%

LAB 92.24, -42.58, -1.4

 

CMYK 47 / 0 / 1 / 0

HEX #86FFFD

RGB 134 255 253

HSL 179.01, 1%, 0.76%

LAB 93.31, -34.48, -9.59

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 56 / 0 / 6 / 0

HEX #70FFEF

RGB 112 255 239

HSL 173.29, 1%, 0.72%

LAB 92.22, -42.31, -4.04

 

CMYK 60 / 0 / 7 / 7

HEX #5FEDDC

RGB 95 237 220

HSL 172.82, 0.8%, 0.65%

LAB 86.09, -42.09, -3.2

 

CMYK 64 / 0 / 8 / 14

HEX #4EDBC9

RGB 78 219 201

HSL 172.34, 0.66%, 0.58%

LAB 79.9, -41.75, -2.29

 

CMYK 70 / 0 / 9 / 21

HEX #3DC9B6

RGB 61 201 182

HSL 171.86, 0.56%, 0.51%

LAB 73.64, -41.26, -1.29

 

CMYK 76 / 0 / 11 / 28

HEX #2CB7A3

RGB 44 183 163

HSL 171.37, 0.61%, 0.45%

LAB 67.31, -40.54, -0.2

 

CMYK 56 / 0 / 6 / 0

HEX #70FFEF

RGB 112 255 239

HSL 173.29, 1%, 0.72%

LAB 92.22, -42.31, -4.04

 

CMYK 56 / 0 / 22 / 0

HEX #70FFC8

RGB 112 255 200

HSL 156.92, 1%, 0.72%

LAB 91.3, -51.28, 14.77

 

CMYK 56 / 0 / 36 / 0

HEX #70FFA2

RGB 112 255 162

HSL 140.98, 1%, 0.72%

LAB 90.58, -58.6, 33.07

 

CMYK 56 / 0 / 52 / 0

HEX #70FF7B

RGB 112 255 123

HSL 124.62, 1%, 0.72%

LAB 90.04, -64.47, 51.18

 

CMYK 45 / 0 / 56 / 0

HEX #8BFF70

RGB 139 255 112

HSL 108.67, 1%, 0.72%

LAB 90.86, -58.79, 57.34

 

CMYK 56 / 0 / 6 / 0

HEX #70FFEF

RGB 112 255 239

HSL 173.29, 1%, 0.72%

LAB 92.22, -42.31, -4.04

 

CMYK 56 / 9 / 0 / 0

HEX #70E8FF

RGB 112 232 255

HSL 189.65, 1%, 0.72%

LAB 86.2, -27.43, -21.38

 

CMYK 56 / 24 / 0 / 0

HEX #70C1FF

RGB 112 193 255

HSL 206.01, 1%, 0.72%

LAB 75.33, -7.45, -38.05

 

CMYK 56 / 39 / 0 / 0

HEX #709BFF

RGB 112 155 255

HSL 221.96, 1%, 0.72%

LAB 65.05, 13.93, -54.19

 

CMYK 56 / 55 / 0 / 0

HEX #7074FF

RGB 112 116 255

HSL 238.32, 1%, 0.72%

LAB 55.23, 37.06, -69.92

 

CMYK 56 / 0 / 6 / 0

HEX #70FFEF

RGB 112 255 239

HSL 173.29, 1%, 0.72%

LAB 92.22, -42.31, -4.04

 

CMYK 56 / 0 / 6 / 0

HEX #70FFEF

RGB 112 255 239

HSL 173.29, 1%, 0.72%

LAB 92.22, -42.31, -4.04

 

CMYK 49 / 0 / 5 / 5

HEX #7BF3E6

RGB 123 243 230

HSL 173.5, 0.83%, 0.72%

LAB 88.93, -36.91, -4.15

 

CMYK 42 / 0 / 4 / 9

HEX #87E7DD

RGB 135 231 221

HSL 173.75, 0.67%, 0.72%

LAB 85.77, -30.72, -4.04

 

CMYK 34 / 0 / 4 / 14

HEX #92DCD4

RGB 146 220 212

HSL 173.51, 0.51%, 0.72%

LAB 82.94, -24.65, -3.38

 

CMYK 24 / 0 / 2 / 18

HEX #9ED0CB

RGB 158 208 203

HSL 174, 0.35%, 0.72%

LAB 80.01, -17.21, -2.82

 

CMYK 56 / 0 / 36 / 0

HEX #70FFA2

RGB 112 255 162

HSL 140.98, 1%, 0.72%

LAB 90.58, -58.6, 33.07

 

CMYK 56 / 0 / 22 / 0

HEX #70FFC8

RGB 112 255 200

HSL 156.92, 1%, 0.72%

LAB 91.3, -51.28, 14.77

 

CMYK 56 / 0 / 7 / 0

HEX #70FFEE

RGB 112 255 238

HSL 172.87, 1%, 0.72%

LAB 92.19, -42.56, -3.56

 

CMYK 56 / 9 / 0 / 0

HEX #70E9FF

RGB 112 233 255

HSL 189.23, 1%, 0.72%

LAB 86.48, -27.92, -20.96

 

CMYK 56 / 24 / 0 / 0

HEX #70C3FF

RGB 112 195 255

HSL 205.17, 1%, 0.72%

LAB 75.88, -8.53, -37.19

 

CMYK 89 / 0 / 10 / 0

HEX #1DFFE5

RGB 29 255 229

HSL 173.1, 1%, 0.56%

LAB 90.52, -54.42, -1.51

 

CMYK 73 / 0 / 8 / 0

HEX #46FFEA

RGB 70 255 234

HSL 173.19, 1%, 0.64%

LAB 91.13, -49.86, -3.17

 

CMYK 56 / 0 / 6 / 0

HEX #70FFEF

RGB 112 255 239

HSL 173.29, 1%, 0.72%

LAB 92.22, -42.31, -4.04

 

CMYK 40 / 0 / 5 / 0

HEX #99FFF3

RGB 153 255 243

HSL 172.94, 1%, 0.8%

LAB 93.78, -32.51, -3.64

 

CMYK 24 / 0 / 3 / 0

HEX #C2FFF8

RGB 194 255 248

HSL 173.11, 1%, 0.88%

LAB 95.9, -20.39, -2.88

 

CMYK 56 / 0 / 6 / 0

HEX #70FFEF

RGB 112 255 239

HSL 173.29, 1%, 0.72%

LAB 92.22, -42.31, -4.04

 

CMYK 51 / 56 / 0 / 0

HEX #7C70FF

RGB 124 112 255

HSL 245.03, 1%, 0.72%

LAB 55.17, 41.64, -69.98

 

CMYK 0 / 29 / 56 / 0

HEX #FFB570

RGB 255 181 112

HSL 28.95, 1%, 0.72%

LAB 79.32, 19.71, 45.5

 

CMYK 56 / 0 / 6 / 0

HEX #70FFEF

RGB 112 255 239

HSL 173.29, 1%, 0.72%

LAB 92.22, -42.31, -4.04

 

CMYK 7 / 56 / 0 / 0

HEX #EE70FF

RGB 238 112 255

HSL 292.87, 1%, 0.72%

LAB 67.27, 67.87, -49.95

 

CMYK 0 / 7 / 56 / 0

HEX #FFEE70

RGB 255 238 112

HSL 52.87, 1%, 0.72%

LAB 93.27, -9.48, 61.94

 

CMYK 56 / 0 / 6 / 0

HEX #70FFEF

RGB 112 255 239

HSL 173.29, 1%, 0.72%

LAB 92.22, -42.31, -4.04

 

CMYK 51 / 56 / 0 / 0

HEX #7C70FF

RGB 124 112 255

HSL 245.03, 1%, 0.72%

LAB 55.17, 41.64, -69.98

 

CMYK 0 / 56 / 50 / 0

HEX #FF7080

RGB 255 112 128

HSL 353.29, 1%, 0.72%

LAB 65.28, 55.75, 18.7

 

CMYK 5 / 0 / 56 / 0

HEX #F3FF70

RGB 243 255 112

HSL 65.03, 1%, 0.72%

LAB 96.72, -22.48, 65.58

 

CMYK 56 / 0 / 6 / 0

HEX #70FFEF

RGB 112 255 239

HSL 173.29, 1%, 0.72%

LAB 92.22, -42.31, -4.04

 

CMYK 35 / 56 / 0 / 0

HEX #A670FF

RGB 166 112 255

HSL 262.66, 1%, 0.72%

LAB 58.9, 50.52, -63.78

 

CMYK 0 / 56 / 50 / 0

HEX #FF7080

RGB 255 112 128

HSL 353.29, 1%, 0.72%

LAB 65.28, 55.75, 18.7

 

CMYK 22 / 0 / 56 / 0

HEX #C8FF70

RGB 200 255 112

HSL 83.08, 1%, 0.72%

LAB 93.87, -38.77, 61.59

 

Description

Color code: HEX #70FFEF | qconv.com Color code: HEX #70FFEF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 255 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 255 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 6 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 6% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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