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Color name
HEX #711A4C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #711A4C it is the complementary color #8EE5B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #711A4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #711A4C shade: #761A47, #872C5A, #983E6D, #A95080 and #BA6293

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #711A4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #711A4C shade: #711A4C, #600839, #4F0026, #3E0013 and #2D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #711A4C shade: #70194B, #701933, #70191C and #701919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #711A4C shade: #70194B, #701962, #661970, #4E1970 and #371970

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #711A4C shade matches the following richer shades: #70194B, #7B0E4C and #86034E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #711A4C shade: #70194B, #652449, #592F48, #4E3A46 and #434644

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #711A4C shade: #661970, #701963, #70194C, #701934 and #70191D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #711A4C shade: #2C0A1E, #4E1134, #70194B, #912161 and #B32878

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #711A4C shade: #711A4C, #704E19 and #196E70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #711A4C shade: #711A4C, #4C7019 and #194C70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #711A4C shade: #711A4C, #704E19, #19703D and #193A70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #711A4C shade: #711A4C, #706819, #19703D and #192070

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 33 / 56

HEX #711A4C

RGB 113 26 76

HSL 325.52, 0.63%, 0.27%

LAB 26.07, 42.11, -8.75

 

Complementary color

CMYK 38 / 0 / 22 / 10

HEX #8EE5B3

RGB 142 229 179

HSL 145.52, 0.63%, 0.73%

LAB 84.51, -36.96, 16.25

 

CMYK 0 / 78 / 40 / 54

HEX #761A47

RGB 118 26 71

HSL 330.65, 0.64%, 0.28%

LAB 26.86, 42.95, -4.11

 

CMYK 0 / 67 / 33 / 47

HEX #872C5A

RGB 135 44 90

HSL 329.67, 0.51%, 0.35%

LAB 33.33, 43.24, -6.62

 

CMYK 0 / 59 / 28 / 40

HEX #983E6D

RGB 152 62 109

HSL 328.67, 0.42%, 0.42%

LAB 39.96, 42.89, -8.43

 

CMYK 0 / 53 / 24 / 34

HEX #A95080

RGB 169 80 128

HSL 327.64, 0.36%, 0.49%

LAB 46.62, 42.24, -9.82

 

CMYK 0 / 47 / 21 / 27

HEX #BA6293

RGB 186 98 147

HSL 326.59, 0.39%, 0.56%

LAB 53.26, 41.48, -10.93

 

CMYK 0 / 77 / 33 / 56

HEX #711A4C

RGB 113 26 76

HSL 325.52, 0.63%, 0.27%

LAB 26.07, 42.11, -8.75

 

CMYK 0 / 92 / 41 / 62

HEX #600839

RGB 96 8 57

HSL 326.59, 0.85%, 0.2%

LAB 19.87, 40.53, -5.43

 

CMYK 0 / 100 / 52 / 69

HEX #4F0026

RGB 79 0 38

HSL 331.14, 1%, 0.15%

LAB 14.41, 36.42, -0.27

 

CMYK 0 / 100 / 69 / 76

HEX #3E0013

RGB 62 0 19

HSL 341.61, 1%, 0.12%

LAB 9.57, 30.18, 6.32

 

CMYK 0 / 100 / 100 / 82

HEX #2D0000

RGB 45 0 0

HSL 0, 1%, 0.09%

LAB 5.04, 21.8, 7.96

 

CMYK 0 / 78 / 33 / 56

HEX #70194B

RGB 112 25 75

HSL 325.52, 0.64%, 0.27%

LAB 25.71, 42.05, -8.65

 

CMYK 0 / 78 / 54 / 56

HEX #701933

RGB 112 25 51

HSL 342.07, 0.64%, 0.27%

LAB 24.89, 39.43, 6.45

 

CMYK 0 / 78 / 75 / 56

HEX #70191C

RGB 112 25 28

HSL 357.93, 0.64%, 0.27%

LAB 24.4, 37.82, 21.37

 

CMYK 0 / 78 / 78 / 56

HEX #701919

RGB 112 25 25

HSL 0, 0.64%, 0.27%

LAB 24.35, 37.67, 23.26

 

CMYK 0 / 78 / 33 / 56

HEX #70194B

RGB 112 25 75

HSL 325.52, 0.64%, 0.27%

LAB 25.71, 42.05, -8.65

 

CMYK 0 / 78 / 13 / 56

HEX #701962

RGB 112 25 98

HSL 309.66, 0.64%, 0.27%

LAB 26.8, 45.39, -22.2

 

CMYK 9 / 78 / 0 / 56

HEX #661970

RGB 102 25 112

HSL 293.1, 0.64%, 0.27%

LAB 25.83, 45.47, -32.91

 

CMYK 30 / 78 / 0 / 56

HEX #4E1970

RGB 78 25 112

HSL 276.55, 0.64%, 0.27%

LAB 21.89, 40.25, -39.47

 

CMYK 51 / 78 / 0 / 56

HEX #371970

RGB 55 25 112

HSL 260.69, 0.64%, 0.27%

LAB 18.7, 35.85, -44.8

 

CMYK 0 / 78 / 33 / 56

HEX #70194B

RGB 112 25 75

HSL 325.52, 0.64%, 0.27%

LAB 25.71, 42.05, -8.65

 

CMYK 0 / 89 / 38 / 52

HEX #7B0E4C

RGB 123 14 76

HSL 325.87, 0.8%, 0.27%

LAB 26.87, 48.32, -7.35

 

CMYK 0 / 98 / 42 / 47

HEX #86034E

RGB 134 3 78

HSL 325.65, 0.96%, 0.27%

LAB 28.6, 53.18, -5.86

 

CMYK 0 / 78 / 33 / 56

HEX #70194B

RGB 112 25 75

HSL 325.52, 0.64%, 0.27%

LAB 25.71, 42.05, -8.65

 

CMYK 0 / 64 / 28 / 60

HEX #652449

RGB 101 36 73

HSL 325.85, 0.47%, 0.27%

LAB 25.29, 33.59, -8.14

 

CMYK 0 / 47 / 19 / 65

HEX #592F48

RGB 89 47 72

HSL 324.29, 0.31%, 0.27%

LAB 25.64, 22.94, -7.14

 

CMYK 0 / 26 / 10 / 69

HEX #4E3A46

RGB 78 58 70

HSL 324, 0.15%, 0.27%

LAB 26.98, 11.12, -3.95

 

CMYK 4 / 0 / 3 / 73

HEX #434644

RGB 67 70 68

HSL 140, 0.02%, 0.27%

LAB 29.39, -1.69, 0.77

 

CMYK 9 / 78 / 0 / 56

HEX #661970

RGB 102 25 112

HSL 293.1, 0.64%, 0.27%

LAB 25.83, 45.47, -32.91

 

CMYK 0 / 78 / 12 / 56

HEX #701963

RGB 112 25 99

HSL 308.97, 0.64%, 0.27%

LAB 26.85, 45.55, -22.77

 

CMYK 0 / 78 / 32 / 56

HEX #70194C

RGB 112 25 76

HSL 324.83, 0.64%, 0.27%

LAB 25.75, 42.18, -9.26

 

CMYK 0 / 78 / 54 / 56

HEX #701934

RGB 112 25 52

HSL 341.38, 0.64%, 0.27%

LAB 24.91, 39.52, 5.81

 

CMYK 0 / 78 / 74 / 56

HEX #70191D

RGB 112 25 29

HSL 357.24, 0.64%, 0.27%

LAB 24.41, 37.87, 20.73

 

CMYK 0 / 77 / 32 / 83

HEX #2C0A1E

RGB 44 10 30

HSL 324.71, 0.63%, 0.11%

LAB 7.64, 20.11, -5.16

 

CMYK 0 / 78 / 33 / 69

HEX #4E1134

RGB 78 17 52

HSL 325.57, 0.64%, 0.19%

LAB 16.84, 31.83, -6.84

 

CMYK 0 / 78 / 33 / 56

HEX #70194B

RGB 112 25 75

HSL 325.52, 0.64%, 0.27%

LAB 25.71, 42.05, -8.65

 

CMYK 0 / 77 / 33 / 43

HEX #912161

RGB 145 33 97

HSL 325.71, 0.63%, 0.35%

LAB 33.92, 51.24, -10.06

 

CMYK 0 / 78 / 33 / 30

HEX #B32878

RGB 179 40 120

HSL 325.47, 0.63%, 0.43%

LAB 41.93, 60.68, -11.83

 

CMYK 0 / 77 / 33 / 56

HEX #711A4C

RGB 113 26 76

HSL 325.52, 0.63%, 0.27%

LAB 26.07, 42.11, -8.75

 

CMYK 0 / 30 / 78 / 56

HEX #704E19

RGB 112 78 25

HSL 36.55, 0.64%, 0.27%

LAB 35.91, 8.94, 35.49

 

CMYK 78 / 2 / 0 / 56

HEX #196E70

RGB 25 110 112

HSL 181.38, 0.64%, 0.27%

LAB 42.04, -23.13, -8.2

 

CMYK 0 / 77 / 33 / 56

HEX #711A4C

RGB 113 26 76

HSL 325.52, 0.63%, 0.27%

LAB 26.07, 42.11, -8.75

 

CMYK 32 / 0 / 78 / 56

HEX #4C7019

RGB 76 112 25

HSL 84.83, 0.64%, 0.27%

LAB 43.06, -27.08, 41.45

 

CMYK 78 / 32 / 0 / 56

HEX #194C70

RGB 25 76 112

HSL 204.83, 0.64%, 0.27%

LAB 30.75, -3.42, -25.55

 

CMYK 0 / 77 / 33 / 56

HEX #711A4C

RGB 113 26 76

HSL 325.52, 0.63%, 0.27%

LAB 26.07, 42.11, -8.75

 

CMYK 0 / 30 / 78 / 56

HEX #704E19

RGB 112 78 25

HSL 36.55, 0.64%, 0.27%

LAB 35.91, 8.94, 35.49

 

CMYK 78 / 0 / 46 / 56

HEX #19703D

RGB 25 112 61

HSL 144.83, 0.64%, 0.27%

LAB 41.43, -37.57, 21.3

 

CMYK 78 / 48 / 0 / 56

HEX #193A70

RGB 25 58 112

HSL 217.24, 0.64%, 0.27%

LAB 24.96, 8.76, -34.75

 

CMYK 0 / 77 / 33 / 56

HEX #711A4C

RGB 113 26 76

HSL 325.52, 0.63%, 0.27%

LAB 26.07, 42.11, -8.75

 

CMYK 0 / 7 / 78 / 56

HEX #706819

RGB 112 104 25

HSL 54.48, 0.64%, 0.27%

LAB 43.38, -6.47, 42.75

 

CMYK 78 / 0 / 46 / 56

HEX #19703D

RGB 25 112 61

HSL 144.83, 0.64%, 0.27%

LAB 41.43, -37.57, 21.3

 

CMYK 78 / 71 / 0 / 56

HEX #192070

RGB 25 32 112

HSL 235.17, 0.64%, 0.27%

LAB 17.5, 27.18, -46.87

 

Description

Color code: HEX #711A4C | qconv.com Color code: HEX #711A4C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 26 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 26 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 33 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 33% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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