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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #712683 it is the complementary color #8ED97C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #712683. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #712683 shade: #76267E, #873891, #984AA4, #A95CB7 and #BA6ECA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #712683. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #712683 shade: #712683, #601470, #4F025D, #3E004A and #2D0037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #712683 shade: #702582, #82257B, #822562, #822549 and #822530

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #712683 shade: #702582, #572582, #3E2582 and #252582

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #712683 shade matches the following richer shades: #702582, #781890 and #810A9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #712683 shade: #702582, #683374, #5F4167, #574E59 and #4F5C4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #712683 shade: #3E2582, #572582, #6F2582, #82257C and #822563

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #712683 shade: #391342, #541C62, #702582, #8C2FA2 and #A738C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #712683 shade: #712683, #822525 and #25824A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #712683 shade: #712683, #826F25 and #25826F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #712683 shade: #712683, #822525, #388225 and #258282

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #712683 shade: #712683, #824125, #388225 and #256682

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 71 / 0 / 49

HEX #712683

RGB 113 38 131

HSL 288.39, 0.55%, 0.33%

LAB 30.73, 46.61, -37.02

 

Complementary color

CMYK 35 / 0 / 43 / 15

HEX #8ED97C

RGB 142 217 124

HSL 108.39, 0.55%, 0.67%

LAB 80.08, -40.7, 38.55

 

CMYK 6 / 70 / 0 / 51

HEX #76267E

RGB 118 38 126

HSL 294.55, 0.54%, 0.32%

LAB 31.22, 46.82, -33.06

 

CMYK 7 / 61 / 0 / 43

HEX #873891

RGB 135 56 145

HSL 293.26, 0.44%, 0.39%

LAB 37.88, 46.76, -34.05

 

CMYK 7 / 55 / 0 / 36

HEX #984AA4

RGB 152 74 164

HSL 292, 0.38%, 0.47%

LAB 44.59, 46.27, -34.73

 

CMYK 8 / 50 / 0 / 28

HEX #A95CB7

RGB 169 92 183

HSL 290.77, 0.39%, 0.54%

LAB 51.28, 45.6, -35.21

 

CMYK 8 / 46 / 0 / 21

HEX #BA6ECA

RGB 186 110 202

HSL 289.57, 0.46%, 0.61%

LAB 57.9, 44.85, -35.59

 

CMYK 14 / 71 / 0 / 49

HEX #712683

RGB 113 38 131

HSL 288.39, 0.55%, 0.33%

LAB 30.73, 46.61, -37.02

 

CMYK 14 / 82 / 0 / 56

HEX #601470

RGB 96 20 112

HSL 289.57, 0.7%, 0.26%

LAB 24.18, 45.9, -35.62

 

CMYK 15 / 98 / 0 / 64

HEX #4F025D

RGB 79 2 93

HSL 290.77, 0.96%, 0.19%

LAB 17.9, 43.96, -33.45

 

CMYK 16 / 100 / 0 / 71

HEX #3E004A

RGB 62 0 74

HSL 290.27, 1%, 0.15%

LAB 12.73, 38.01, -29.04

 

CMYK 18 / 100 / 0 / 78

HEX #2D0037

RGB 45 0 55

HSL 289.09, 1%, 0.11%

LAB 7.53, 31.15, -24.1

 

CMYK 14 / 72 / 0 / 49

HEX #702582

RGB 112 37 130

HSL 288.39, 0.56%, 0.33%

LAB 30.35, 46.6, -37

 

CMYK 0 / 72 / 5 / 49

HEX #82257B

RGB 130 37 123

HSL 304.52, 0.56%, 0.33%

LAB 32.92, 49.66, -28.35

 

CMYK 0 / 72 / 25 / 49

HEX #822562

RGB 130 37 98

HSL 320.65, 0.56%, 0.33%

LAB 31.69, 45.75, -14.35

 

CMYK 0 / 72 / 44 / 49

HEX #822549

RGB 130 37 73

HSL 336.77, 0.56%, 0.33%

LAB 30.76, 42.63, 0.56

 

CMYK 0 / 72 / 63 / 49

HEX #822530

RGB 130 37 48

HSL 352.9, 0.56%, 0.33%

LAB 30.11, 40.39, 16.15

 

CMYK 14 / 72 / 0 / 49

HEX #702582

RGB 112 37 130

HSL 288.39, 0.56%, 0.33%

LAB 30.35, 46.6, -37

 

CMYK 33 / 72 / 0 / 49

HEX #572582

RGB 87 37 130

HSL 272.26, 0.56%, 0.33%

LAB 26.62, 40.93, -43.19

 

CMYK 52 / 72 / 0 / 49

HEX #3E2582

RGB 62 37 130

HSL 256.13, 0.56%, 0.33%

LAB 23.54, 35.9, -48.36

 

CMYK 72 / 72 / 0 / 49

HEX #252582

RGB 37 37 130

HSL 240, 0.56%, 0.33%

LAB 21.31, 32.02, -52.08

 

CMYK 14 / 72 / 0 / 49

HEX #702582

RGB 112 37 130

HSL 288.39, 0.56%, 0.33%

LAB 30.35, 46.6, -37

 

CMYK 17 / 83 / 0 / 44

HEX #781890

RGB 120 24 144

HSL 288, 0.71%, 0.33%

LAB 31.02, 55.64, -44.55

 

CMYK 18 / 94 / 0 / 38

HEX #810A9D

RGB 129 10 157

HSL 288.57, 0.88%, 0.33%

LAB 32.52, 62.54, -50.01

 

CMYK 14 / 72 / 0 / 49

HEX #702582

RGB 112 37 130

HSL 288.39, 0.56%, 0.33%

LAB 30.35, 46.6, -37

 

CMYK 10 / 56 / 0 / 55

HEX #683374

RGB 104 51 116

HSL 288.92, 0.39%, 0.33%

LAB 30.81, 34.62, -27.54

 

CMYK 8 / 37 / 0 / 60

HEX #5F4167

RGB 95 65 103

HSL 287.37, 0.23%, 0.33%

LAB 32.24, 20.44, -17.15

 

CMYK 2 / 12 / 0 / 65

HEX #574E59

RGB 87 78 89

HSL 289.09, 0.07%, 0.33%

LAB 34.39, 6.04, -5.09

 

CMYK 14 / 0 / 18 / 64

HEX #4F5C4B

RGB 79 92 75

HSL 105.88, 0.1%, 0.33%

LAB 37.53, -8.69, 8.12

 

CMYK 52 / 72 / 0 / 49

HEX #3E2582

RGB 62 37 130

HSL 256.13, 0.56%, 0.33%

LAB 23.54, 35.9, -48.36

 

CMYK 33 / 72 / 0 / 49

HEX #572582

RGB 87 37 130

HSL 272.26, 0.56%, 0.33%

LAB 26.62, 40.93, -43.19

 

CMYK 15 / 72 / 0 / 49

HEX #6F2582

RGB 111 37 130

HSL 287.74, 0.56%, 0.33%

LAB 30.19, 46.36, -37.26

 

CMYK 0 / 72 / 5 / 49

HEX #82257C

RGB 130 37 124

HSL 303.87, 0.56%, 0.33%

LAB 32.97, 49.83, -28.89

 

CMYK 0 / 72 / 24 / 49

HEX #822563

RGB 130 37 99

HSL 320, 0.56%, 0.33%

LAB 31.74, 45.9, -14.92

 

CMYK 14 / 71 / 0 / 74

HEX #391342

RGB 57 19 66

HSL 288.51, 0.55%, 0.17%

LAB 14, 27.01, -21.47

 

CMYK 14 / 71 / 0 / 62

HEX #541C62

RGB 84 28 98

HSL 288, 0.56%, 0.25%

LAB 22.29, 37.04, -29.65

 

CMYK 14 / 72 / 0 / 49

HEX #702582

RGB 112 37 130

HSL 288.39, 0.56%, 0.33%

LAB 30.35, 46.6, -37

 

CMYK 14 / 71 / 0 / 36

HEX #8C2FA2

RGB 140 47 162

HSL 288.52, 0.55%, 0.41%

LAB 38.23, 55.25, -43.75

 

CMYK 14 / 71 / 0 / 24

HEX #A738C2

RGB 167 56 194

HSL 288.26, 0.55%, 0.49%

LAB 45.55, 63.74, -50.7

 

CMYK 14 / 71 / 0 / 49

HEX #712683

RGB 113 38 131

HSL 288.39, 0.55%, 0.33%

LAB 30.73, 46.61, -37.02

 

CMYK 0 / 72 / 72 / 49

HEX #822525

RGB 130 37 37

HSL 0, 0.56%, 0.33%

LAB 29.92, 39.7, 23.02

 

CMYK 72 / 0 / 43 / 49

HEX #25824A

RGB 37 130 74

HSL 143.87, 0.56%, 0.33%

LAB 48.07, -40.28, 22.69

 

CMYK 14 / 71 / 0 / 49

HEX #712683

RGB 113 38 131

HSL 288.39, 0.55%, 0.33%

LAB 30.73, 46.61, -37.02

 

CMYK 0 / 15 / 72 / 49

HEX #826F25

RGB 130 111 37

HSL 47.74, 0.56%, 0.33%

LAB 47.3, -1.3, 42.19

 

CMYK 72 / 0 / 15 / 49

HEX #25826F

RGB 37 130 111

HSL 167.74, 0.56%, 0.33%

LAB 48.89, -31.59, 2.51

 

CMYK 14 / 71 / 0 / 49

HEX #712683

RGB 113 38 131

HSL 288.39, 0.55%, 0.33%

LAB 30.73, 46.61, -37.02

 

CMYK 0 / 72 / 72 / 49

HEX #822525

RGB 130 37 37

HSL 0, 0.56%, 0.33%

LAB 29.92, 39.7, 23.02

 

CMYK 57 / 0 / 72 / 49

HEX #388225

RGB 56 130 37

HSL 107.74, 0.56%, 0.33%

LAB 48.18, -41.03, 41.54

 

CMYK 72 / 0 / 0 / 49

HEX #258282

RGB 37 130 130

HSL 180, 0.56%, 0.33%

LAB 49.46, -26.04, -7.81

 

CMYK 14 / 71 / 0 / 49

HEX #712683

RGB 113 38 131

HSL 288.39, 0.55%, 0.33%

LAB 30.73, 46.61, -37.02

 

CMYK 0 / 50 / 72 / 49

HEX #824125

RGB 130 65 37

HSL 18.06, 0.56%, 0.33%

LAB 35.32, 25.59, 29.32

 

CMYK 57 / 0 / 72 / 49

HEX #388225

RGB 56 130 37

HSL 107.74, 0.56%, 0.33%

LAB 48.18, -41.03, 41.54

 

CMYK 72 / 22 / 0 / 49

HEX #256682

RGB 37 102 130

HSL 198.06, 0.56%, 0.33%

LAB 40.42, -10.81, -21.55

 

Description

Color code: HEX #712683 | qconv.com Color code: HEX #712683 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 38 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 38 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 71 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 71% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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