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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #712A41 it is the complementary color #8ED5BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #712A41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #712A41 shade: #762A3C, #873C4F, #984E62, #A96075 and #BA7288

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #712A41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #712A41 shade: #712A41, #60182E, #4F061B, #3E0008 and #2D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #712A41 shade: #6F2940, #6F292D and #6F2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #712A41 shade: #6F2940, #6F2953, #6F2966, #66296F and #53296F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #712A41 shade matches the following richer shades: #6F2940, #7C1C3B, #881037 and #940433

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #712A41 shade: #6F2940, #633544, #564248, #4A4E4D and #3E5A51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #712A41 shade: #6F2966, #6F2953, #6F2940, #6F292E and #6F3729

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #712A41 shade: #33131D, #511E2E, #6F2940, #8D3451 and #AB3F62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #712A41 shade: #712A41, #6F6629 and #295C6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #712A41 shade: #712A41, #406F29 and #29406F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #712A41 shade: #712A41, #6F6629, #296F58 and #29326F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #712A41 shade: #712A41, #636F29, #296F58 and #35296F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 42 / 56

HEX #712A41

RGB 113 42 65

HSL 340.56, 0.46%, 0.3%

LAB 28.24, 33.7, 1.82

 

Complementary color

CMYK 33 / 0 / 11 / 16

HEX #8ED5BE

RGB 142 213 190

HSL 160.56, 0.46%, 0.7%

LAB 80.21, -27.2, 4.32

 

CMYK 0 / 64 / 49 / 54

HEX #762A3C

RGB 118 42 60

HSL 345.79, 0.48%, 0.31%

LAB 28.99, 34.94, 6.33

 

CMYK 0 / 56 / 41 / 47

HEX #873C4F

RGB 135 60 79

HSL 344.8, 0.38%, 0.38%

LAB 35.88, 34.11, 4.18

 

CMYK 0 / 49 / 36 / 40

HEX #984E62

RGB 152 78 98

HSL 343.78, 0.32%, 0.45%

LAB 42.77, 33.15, 2.54

 

CMYK 0 / 43 / 31 / 34

HEX #A96075

RGB 169 96 117

HSL 342.74, 0.3%, 0.52%

LAB 49.6, 32.2, 1.21

 

CMYK 0 / 39 / 27 / 27

HEX #BA7288

RGB 186 114 136

HSL 341.67, 0.34%, 0.59%

LAB 56.34, 31.3, 0.08

 

CMYK 0 / 63 / 42 / 56

HEX #712A41

RGB 113 42 65

HSL 340.56, 0.46%, 0.3%

LAB 28.24, 33.7, 1.82

 

CMYK 0 / 75 / 52 / 62

HEX #60182E

RGB 96 24 46

HSL 341.67, 0.6%, 0.24%

LAB 21.35, 34.08, 4.45

 

CMYK 0 / 92 / 66 / 69

HEX #4F061B

RGB 79 6 27

HSL 342.74, 0.86%, 0.17%

LAB 14.8, 33.39, 8.42

 

CMYK 0 / 100 / 87 / 76

HEX #3E0008

RGB 62 0 8

HSL 352.26, 1%, 0.12%

LAB 9.33, 29.54, 11.46

 

CMYK 0 / 100 / 100 / 82

HEX #2D0000

RGB 45 0 0

HSL 0, 1%, 0.09%

LAB 5.04, 21.8, 7.96

 

CMYK 0 / 63 / 42 / 56

HEX #6F2940

RGB 111 41 64

HSL 340.29, 0.46%, 0.3%

LAB 27.67, 33.36, 1.61

 

CMYK 0 / 63 / 59 / 56

HEX #6F292D

RGB 111 41 45

HSL 356.57, 0.46%, 0.3%

LAB 27.17, 31.4, 13.59

 

CMYK 0 / 63 / 63 / 56

HEX #6F2929

RGB 111 41 41

HSL 0, 0.46%, 0.3%

LAB 27.09, 31.07, 16.12

 

CMYK 0 / 63 / 42 / 56

HEX #6F2940

RGB 111 41 64

HSL 340.29, 0.46%, 0.3%

LAB 27.67, 33.36, 1.61

 

CMYK 0 / 63 / 25 / 56

HEX #6F2953

RGB 111 41 83

HSL 324, 0.46%, 0.3%

LAB 28.35, 35.95, -9.98

 

CMYK 0 / 63 / 8 / 56

HEX #6F2966

RGB 111 41 102

HSL 307.71, 0.46%, 0.3%

LAB 29.22, 39.11, -21.02

 

CMYK 8 / 63 / 0 / 56

HEX #66296F

RGB 102 41 111

HSL 292.29, 0.46%, 0.3%

LAB 28.27, 38.27, -28.39

 

CMYK 25 / 63 / 0 / 56

HEX #53296F

RGB 83 41 111

HSL 276, 0.46%, 0.3%

LAB 25.48, 33.05, -33

 

CMYK 0 / 63 / 42 / 56

HEX #6F2940

RGB 111 41 64

HSL 340.29, 0.46%, 0.3%

LAB 27.67, 33.36, 1.61

 

CMYK 0 / 77 / 52 / 51

HEX #7C1C3B

RGB 124 28 59

HSL 340.63, 0.63%, 0.3%

LAB 27.93, 42.82, 5.66

 

CMYK 0 / 88 / 60 / 47

HEX #881037

RGB 136 16 55

HSL 340.5, 0.79%, 0.3%

LAB 29.11, 49.43, 10.37

 

CMYK 0 / 97 / 66 / 42

HEX #940433

RGB 148 4 51

HSL 340.42, 0.95%, 0.3%

LAB 30.93, 54.36, 15.94

 

CMYK 0 / 63 / 42 / 56

HEX #6F2940

RGB 111 41 64

HSL 340.29, 0.46%, 0.3%

LAB 27.67, 33.36, 1.61

 

CMYK 0 / 46 / 31 / 61

HEX #633544

RGB 99 53 68

HSL 340.43, 0.3%, 0.3%

LAB 28.42, 22.62, -0.19

 

CMYK 0 / 23 / 16 / 66

HEX #564248

RGB 86 66 72

HSL 342, 0.13%, 0.3%

LAB 30.26, 9.74, -0.32

 

CMYK 5 / 0 / 1 / 69

HEX #4A4E4D

RGB 74 78 77

HSL 165, 0.03%, 0.3%

LAB 32.79, -1.84, 0.02

 

CMYK 31 / 0 / 10 / 65

HEX #3E5A51

RGB 62 90 81

HSL 160.71, 0.18%, 0.3%

LAB 35.85, -12.64, 1.85

 

CMYK 0 / 63 / 8 / 56

HEX #6F2966

RGB 111 41 102

HSL 307.71, 0.46%, 0.3%

LAB 29.22, 39.11, -21.02

 

CMYK 0 / 63 / 25 / 56

HEX #6F2953

RGB 111 41 83

HSL 324, 0.46%, 0.3%

LAB 28.35, 35.95, -9.98

 

CMYK 0 / 63 / 42 / 56

HEX #6F2940

RGB 111 41 64

HSL 340.29, 0.46%, 0.3%

LAB 27.67, 33.36, 1.61

 

CMYK 0 / 63 / 59 / 56

HEX #6F292E

RGB 111 41 46

HSL 355.71, 0.46%, 0.3%

LAB 27.19, 31.49, 12.96

 

CMYK 0 / 50 / 63 / 56

HEX #6F3729

RGB 111 55 41

HSL 12, 0.46%, 0.3%

LAB 30.09, 23.37, 19.94

 

CMYK 0 / 63 / 43 / 80

HEX #33131D

RGB 51 19 29

HSL 341.25, 0.46%, 0.14%

LAB 10.98, 17.47, 0.7

 

CMYK 0 / 63 / 43 / 68

HEX #511E2E

RGB 81 30 46

HSL 341.18, 0.46%, 0.22%

LAB 19.54, 25.68, 1.47

 

CMYK 0 / 63 / 42 / 56

HEX #6F2940

RGB 111 41 64

HSL 340.29, 0.46%, 0.3%

LAB 27.67, 33.36, 1.61

 

CMYK 0 / 63 / 43 / 45

HEX #8D3451

RGB 141 52 81

HSL 340.45, 0.46%, 0.38%

LAB 35.43, 40.48, 2.38

 

CMYK 0 / 63 / 43 / 33

HEX #AB3F62

RGB 171 63 98

HSL 340.56, 0.46%, 0.46%

LAB 42.91, 47.29, 3.11

 

CMYK 0 / 63 / 42 / 56

HEX #712A41

RGB 113 42 65

HSL 340.56, 0.46%, 0.3%

LAB 28.24, 33.7, 1.82

 

CMYK 0 / 8 / 63 / 56

HEX #6F6629

RGB 111 102 41

HSL 52.29, 0.46%, 0.3%

LAB 42.83, -4.79, 34.95

 

CMYK 63 / 17 / 0 / 56

HEX #295C6F

RGB 41 92 111

HSL 196.29, 0.46%, 0.3%

LAB 36.51, -10.81, -15.95

 

CMYK 0 / 63 / 42 / 56

HEX #712A41

RGB 113 42 65

HSL 340.56, 0.46%, 0.3%

LAB 28.24, 33.7, 1.82

 

CMYK 42 / 0 / 63 / 56

HEX #406F29

RGB 64 111 41

HSL 100.29, 0.46%, 0.3%

LAB 42.18, -29.87, 33.27

 

CMYK 63 / 42 / 0 / 56

HEX #29406F

RGB 41 64 111

HSL 220.29, 0.46%, 0.3%

LAB 27.53, 7.11, -29.96

 

CMYK 0 / 63 / 42 / 56

HEX #712A41

RGB 113 42 65

HSL 340.56, 0.46%, 0.3%

LAB 28.24, 33.7, 1.82

 

CMYK 0 / 8 / 63 / 56

HEX #6F6629

RGB 111 102 41

HSL 52.29, 0.46%, 0.3%

LAB 42.83, -4.79, 34.95

 

CMYK 63 / 0 / 21 / 56

HEX #296F58

RGB 41 111 88

HSL 160.29, 0.46%, 0.3%

LAB 42.07, -27.93, 6.37

 

CMYK 63 / 55 / 0 / 56

HEX #29326F

RGB 41 50 111

HSL 232.29, 0.46%, 0.3%

LAB 23.34, 16.83, -36.68

 

CMYK 0 / 63 / 42 / 56

HEX #712A41

RGB 113 42 65

HSL 340.56, 0.46%, 0.3%

LAB 28.24, 33.7, 1.82

 

CMYK 11 / 0 / 63 / 56

HEX #636F29

RGB 99 111 41

HSL 70.29, 0.46%, 0.3%

LAB 44.49, -15.39, 36.49

 

CMYK 63 / 0 / 21 / 56

HEX #296F58

RGB 41 111 88

HSL 160.29, 0.46%, 0.3%

LAB 42.07, -27.93, 6.37

 

CMYK 52 / 63 / 0 / 56

HEX #35296F

RGB 53 41 111

HSL 250.29, 0.46%, 0.3%

LAB 21.91, 25.56, -38.94

 

Description

Color code: HEX #712A41 | qconv.com Color code: HEX #712A41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 42 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 42 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 42 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 42% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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