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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #712BBE it is the complementary color #8ED441. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #712BBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #712BBE shade: #762BB9, #873DCC, #984FDF, #A961F2 and #BA73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #712BBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #712BBE shade: #712BBE, #6019AB, #4F0798, #3E0085 and #2D0072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #712BBE shade: #712BBF, #992BBF, #BF2BBC, #BF2B95 and #BF2B6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #712BBE shade: #712BBF, #492BBF and #2B2BBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #712BBE shade matches the following richer shades: #712BBF, #7018D2 and #6F05E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #712BBE shade: #712BBF, #723EAC, #735199, #746486 and #757773

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #712BBE shade: #2B35BF, #482BBF, #702BBF, #972BBF and #BF2BBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #712BBE shade: #491C7B, #5D239D, #712BBF, #8640D3 and #9B61DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #712BBE shade: #712BBE, #BF2B5C and #2BBF35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #712BBE shade: #712BBE, #BF702B and #2BBF70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #712BBE shade: #712BBE, #BF2B5C, #7ABF2B and #2BBF8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #712BBE shade: #712BBE, #BF2B30, #7ABF2B and #2BBFBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 77 / 0 / 25

HEX #712BBE

RGB 113 43 190

HSL 268.57, 0.63%, 0.46%

LAB 35.9, 57.83, -64.35

 

Complementary color

CMYK 33 / 0 / 69 / 17

HEX #8ED441

RGB 142 212 65

HSL 88.57, 0.63%, 0.54%

LAB 78, -44.59, 62.61

 

CMYK 36 / 77 / 0 / 27

HEX #762BB9

RGB 118 43 185

HSL 271.69, 0.62%, 0.45%

LAB 36.14, 57.47, -60.98

 

CMYK 34 / 70 / 0 / 20

HEX #873DCC

RGB 135 61 204

HSL 271.05, 0.58%, 0.52%

LAB 42.53, 57.28, -61.59

 

CMYK 32 / 65 / 0 / 13

HEX #984FDF

RGB 152 79 223

HSL 270.42, 0.69%, 0.59%

LAB 49, 56.68, -61.91

 

CMYK 30 / 60 / 0 / 5

HEX #A961F2

RGB 169 97 242

HSL 269.79, 0.85%, 0.66%

LAB 55.48, 55.88, -62.06

 

CMYK 27 / 55 / 0 / 0

HEX #BA73FF

RGB 186 115 255

HSL 270.43, 1%, 0.73%

LAB 61.59, 53.63, -59.36

 

CMYK 41 / 77 / 0 / 25

HEX #712BBE

RGB 113 43 190

HSL 268.57, 0.63%, 0.46%

LAB 35.9, 57.83, -64.35

 

CMYK 44 / 85 / 0 / 33

HEX #6019AB

RGB 96 25 171

HSL 269.18, 0.74%, 0.38%

LAB 29.72, 57.35, -63.27

 

CMYK 48 / 95 / 0 / 40

HEX #4F0798

RGB 79 7 152

HSL 269.79, 0.91%, 0.31%

LAB 23.94, 55.48, -61.31

 

CMYK 53 / 100 / 0 / 48

HEX #3E0085

RGB 62 0 133

HSL 267.97, 1%, 0.26%

LAB 18.88, 51.17, -57.91

 

CMYK 61 / 100 / 0 / 55

HEX #2D0072

RGB 45 0 114

HSL 263.68, 1%, 0.22%

LAB 14.25, 45.26, -53.49

 

CMYK 41 / 77 / 0 / 25

HEX #712BBF

RGB 113 43 191

HSL 268.38, 0.63%, 0.46%

LAB 35.98, 58.07, -64.8

 

CMYK 20 / 77 / 0 / 25

HEX #992BBF

RGB 153 43 191

HSL 284.59, 0.63%, 0.46%

LAB 41.63, 64.99, -55.37

 

CMYK 0 / 77 / 2 / 25

HEX #BF2BBC

RGB 191 43 188

HSL 301.22, 0.63%, 0.46%

LAB 47.54, 71.87, -43.81

 

CMYK 0 / 77 / 22 / 25

HEX #BF2B95

RGB 191 43 149

HSL 317.03, 0.63%, 0.46%

LAB 45.6, 66.29, -23.73

 

CMYK 0 / 77 / 43 / 25

HEX #BF2B6D

RGB 191 43 109

HSL 333.24, 0.63%, 0.46%

LAB 44.1, 61.77, -1.54

 

CMYK 41 / 77 / 0 / 25

HEX #712BBF

RGB 113 43 191

HSL 268.38, 0.63%, 0.46%

LAB 35.98, 58.07, -64.8

 

CMYK 62 / 77 / 0 / 25

HEX #492BBF

RGB 73 43 191

HSL 252.16, 0.63%, 0.46%

LAB 31.59, 52.58, -72.18

 

CMYK 77 / 77 / 0 / 25

HEX #2B2BBF

RGB 43 43 191

HSL 240, 0.63%, 0.46%

LAB 29.42, 49.82, -75.84

 

CMYK 41 / 77 / 0 / 25

HEX #712BBF

RGB 113 43 191

HSL 268.38, 0.63%, 0.46%

LAB 35.98, 58.07, -64.8

 

CMYK 47 / 89 / 0 / 18

HEX #7018D2

RGB 112 24 210

HSL 268.39, 0.79%, 0.46%

LAB 35.5, 68.52, -76.69

 

CMYK 52 / 98 / 0 / 10

HEX #6F05E5

RGB 111 5 229

HSL 268.39, 0.96%, 0.46%

LAB 36.26, 75.81, -86.37

 

CMYK 41 / 77 / 0 / 25

HEX #712BBF

RGB 113 43 191

HSL 268.38, 0.63%, 0.46%

LAB 35.98, 58.07, -64.8

 

CMYK 34 / 64 / 0 / 33

HEX #723EAC

RGB 114 62 172

HSL 268.36, 0.47%, 0.46%

LAB 37.84, 44.61, -50.54

 

CMYK 25 / 47 / 0 / 40

HEX #735199

RGB 115 81 153

HSL 268.33, 0.31%, 0.46%

LAB 40.94, 29.26, -34.22

 

CMYK 13 / 25 / 0 / 47

HEX #746486

RGB 116 100 134

HSL 268.24, 0.15%, 0.46%

LAB 45.01, 13.46, -16.48

 

CMYK 2 / 0 / 3 / 53

HEX #757773

RGB 117 119 115

HSL 90, 0.02%, 0.46%

LAB 49.75, -1.56, 1.93

 

CMYK 77 / 72 / 0 / 25

HEX #2B35BF

RGB 43 53 191

HSL 235.95, 0.63%, 0.46%

LAB 31.4, 44.24, -72.57

 

CMYK 62 / 77 / 0 / 25

HEX #482BBF

RGB 72 43 191

HSL 251.76, 0.63%, 0.46%

LAB 31.5, 52.47, -72.33

 

CMYK 41 / 77 / 0 / 25

HEX #702BBF

RGB 112 43 191

HSL 267.97, 0.63%, 0.46%

LAB 35.86, 57.91, -65.02

 

CMYK 21 / 77 / 0 / 25

HEX #972BBF

RGB 151 43 191

HSL 283.78, 0.63%, 0.46%

LAB 41.33, 64.62, -55.88

 

CMYK 0 / 77 / 0 / 25

HEX #BF2BBF

RGB 191 43 191

HSL 300, 0.63%, 0.46%

LAB 47.71, 72.34, -45.29

 

CMYK 41 / 77 / 0 / 52

HEX #491C7B

RGB 73 28 123

HSL 268.42, 0.63%, 0.3%

LAB 22.57, 40.67, -45.44

 

CMYK 41 / 78 / 0 / 38

HEX #5D239D

RGB 93 35 157

HSL 268.52, 0.64%, 0.38%

LAB 29.32, 49.79, -55.47

 

CMYK 41 / 77 / 0 / 25

HEX #712BBF

RGB 113 43 191

HSL 268.38, 0.63%, 0.46%

LAB 35.98, 58.07, -64.8

 

CMYK 36 / 70 / 0 / 17

HEX #8640D3

RGB 134 64 211

HSL 268.57, 0.63%, 0.54%

LAB 43.42, 57.37, -64.2

 

CMYK 29 / 56 / 0 / 14

HEX #9B61DB

RGB 155 97 219

HSL 268.52, 0.63%, 0.62%

LAB 52.54, 47.15, -53.93

 

CMYK 41 / 77 / 0 / 25

HEX #712BBE

RGB 113 43 190

HSL 268.57, 0.63%, 0.46%

LAB 35.9, 57.83, -64.35

 

CMYK 0 / 77 / 52 / 25

HEX #BF2B5C

RGB 191 43 92

HSL 340.14, 0.63%, 0.46%

LAB 43.62, 60.28, 8.35

 

CMYK 77 / 0 / 72 / 25

HEX #2BBF35

RGB 43 191 53

HSL 124.05, 0.63%, 0.46%

LAB 68.04, -63.53, 55.76

 

CMYK 41 / 77 / 0 / 25

HEX #712BBE

RGB 113 43 190

HSL 268.57, 0.63%, 0.46%

LAB 35.9, 57.83, -64.35

 

CMYK 0 / 41 / 77 / 25

HEX #BF702B

RGB 191 112 43

HSL 27.97, 0.63%, 0.46%

LAB 54.91, 25.93, 49.54

 

CMYK 77 / 0 / 41 / 25

HEX #2BBF70

RGB 43 191 112

HSL 147.97, 0.63%, 0.46%

LAB 68.71, -55.6, 29.31

 

CMYK 41 / 77 / 0 / 25

HEX #712BBE

RGB 113 43 190

HSL 268.57, 0.63%, 0.46%

LAB 35.9, 57.83, -64.35

 

CMYK 0 / 77 / 52 / 25

HEX #BF2B5C

RGB 191 43 92

HSL 340.14, 0.63%, 0.46%

LAB 43.62, 60.28, 8.35

 

CMYK 36 / 0 / 77 / 25

HEX #7ABF2B

RGB 122 191 43

HSL 87.97, 0.63%, 0.46%

LAB 70.58, -44.11, 62.53

 

CMYK 77 / 0 / 26 / 25

HEX #2BBF8D

RGB 43 191 141

HSL 159.73, 0.63%, 0.46%

LAB 69.25, -49.55, 14.61

 

CMYK 41 / 77 / 0 / 25

HEX #712BBE

RGB 113 43 190

HSL 268.57, 0.63%, 0.46%

LAB 35.9, 57.83, -64.35

 

CMYK 0 / 77 / 75 / 25

HEX #BF2B30

RGB 191 43 48

HSL 357.97, 0.63%, 0.46%

LAB 42.79, 57.65, 34.31

 

CMYK 36 / 0 / 77 / 25

HEX #7ABF2B

RGB 122 191 43

HSL 87.97, 0.63%, 0.46%

LAB 70.58, -44.11, 62.53

 

CMYK 77 / 0 / 3 / 25

HEX #2BBFBA

RGB 43 191 186

HSL 177.97, 0.63%, 0.46%

LAB 70.4, -37.79, -8.29

 

Description

Color code: HEX #712BBE | qconv.com Color code: HEX #712BBE | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 43 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 43 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 77 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 77% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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