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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7164B5 it is the complementary color #8E9B4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7164B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7164B5 shade: #7664B0, #8776C3, #9888D6, #A99AE9 and #BAACFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7164B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7164B5 shade: #7164B5, #6052A2, #4F408F, #3E2E7C and #2D1C69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7164B5 shade: #7064B4, #8664B4, #9C64B4, #B164B4 and #B464A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7164B5 shade: #7064B4 and #6464B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7164B5 shade matches the following richer shades: #7064B4, #6451C6, #573ED9, #4B2CEC and #3E19FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7164B5 shade: #7064B4, #7D76A1, #8A898F, #969B7C and #A3AE6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7164B5 shade: #6482B4, #646DB4, #7064B4, #8564B4 and #9A64B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7164B5 shade: #4B4085, #5B4DA1, #7064B4, #8A7FC1 and #A49BCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7164B5 shade: #7164B5, #B46498 and #78B464

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7164B5 shade: #7164B5, #B47064 and #64B470

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7164B5 shade: #7164B5, #B46498, #A8B464 and #64B480

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7164B5 shade: #7164B5, #B46480, #A8B464 and #64B498

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 45 / 0 / 29

HEX #7164B5

RGB 113 100 181

HSL 249.63, 0.35%, 0.55%

LAB 46.92, 24.72, -41.32

 

Complementary color

CMYK 8 / 0 / 52 / 39

HEX #8E9B4A

RGB 142 155 74

HSL 69.63, 0.35%, 0.45%

LAB 61.38, -17.03, 40.45

 

CMYK 33 / 43 / 0 / 31

HEX #7664B0

RGB 118 100 176

HSL 254.21, 0.32%, 0.54%

LAB 47.11, 24.71, -38.08

 

CMYK 31 / 39 / 0 / 24

HEX #8776C3

RGB 135 118 195

HSL 253.25, 0.39%, 0.61%

LAB 54.08, 23.84, -37.97

 

CMYK 29 / 36 / 0 / 16

HEX #9888D6

RGB 152 136 214

HSL 252.31, 0.49%, 0.69%

LAB 60.9, 23.07, -37.9

 

CMYK 27 / 34 / 0 / 9

HEX #A99AE9

RGB 169 154 233

HSL 251.39, 0.64%, 0.76%

LAB 67.6, 22.38, -37.88

 

CMYK 26 / 32 / 0 / 1

HEX #BAACFC

RGB 186 172 252

HSL 250.5, 0.93%, 0.83%

LAB 74.17, 21.76, -37.89

 

CMYK 38 / 45 / 0 / 29

HEX #7164B5

RGB 113 100 181

HSL 249.63, 0.35%, 0.55%

LAB 46.92, 24.72, -41.32

 

CMYK 41 / 49 / 0 / 36

HEX #6052A2

RGB 96 82 162

HSL 250.5, 0.33%, 0.48%

LAB 39.8, 25.81, -41.54

 

CMYK 45 / 55 / 0 / 44

HEX #4F408F

RGB 79 64 143

HSL 251.39, 0.38%, 0.41%

LAB 32.51, 27.08, -41.82

 

CMYK 50 / 63 / 0 / 51

HEX #3E2E7C

RGB 62 46 124

HSL 252.31, 0.46%, 0.33%

LAB 25.06, 28.57, -42.1

 

CMYK 57 / 73 / 0 / 59

HEX #2D1C69

RGB 45 28 105

HSL 253.25, 0.58%, 0.26%

LAB 17.5, 30.21, -42.26

 

CMYK 38 / 44 / 0 / 29

HEX #7064B4

RGB 112 100 180

HSL 249, 0.35%, 0.55%

LAB 46.78, 24.17, -40.96

 

CMYK 26 / 44 / 0 / 29

HEX #8664B4

RGB 134 100 180

HSL 265.5, 0.35%, 0.55%

LAB 48.86, 30.33, -37.55

 

CMYK 13 / 44 / 0 / 29

HEX #9C64B4

RGB 156 100 180

HSL 282, 0.35%, 0.55%

LAB 51.24, 36.83, -33.64

 

CMYK 2 / 44 / 0 / 29

HEX #B164B4

RGB 177 100 180

HSL 297.75, 0.35%, 0.55%

LAB 53.77, 43.18, -29.51

 

CMYK 0 / 44 / 11 / 29

HEX #B464A1

RGB 180 100 161

HSL 314.25, 0.35%, 0.55%

LAB 53.37, 40.69, -19.04

 

CMYK 38 / 44 / 0 / 29

HEX #7064B4

RGB 112 100 180

HSL 249, 0.35%, 0.55%

LAB 46.78, 24.17, -40.96

 

CMYK 44 / 44 / 0 / 29

HEX #6464B4

RGB 100 100 180

HSL 240, 0.35%, 0.55%

LAB 45.8, 21.04, -42.59

 

CMYK 38 / 44 / 0 / 29

HEX #7064B4

RGB 112 100 180

HSL 249, 0.35%, 0.55%

LAB 46.78, 24.17, -40.96

 

CMYK 49 / 59 / 0 / 22

HEX #6451C6

RGB 100 81 198

HSL 249.74, 0.51%, 0.55%

LAB 42.26, 38.06, -58.73

 

CMYK 60 / 71 / 0 / 15

HEX #573ED9

RGB 87 62 217

HSL 249.68, 0.67%, 0.55%

LAB 38.69, 52.33, -75.57

 

CMYK 68 / 81 / 0 / 7

HEX #4B2CEC

RGB 75 44 236

HSL 249.69, 0.83%, 0.55%

LAB 36.66, 65.09, -89.81

 

CMYK 76 / 90 / 0 / 0

HEX #3E19FE

RGB 62 25 254

HSL 249.69, 0.99%, 0.55%

LAB 35.74, 75.47, -101.5

 

CMYK 38 / 44 / 0 / 29

HEX #7064B4

RGB 112 100 180

HSL 249, 0.35%, 0.55%

LAB 46.78, 24.17, -40.96

 

CMYK 22 / 27 / 0 / 37

HEX #7D76A1

RGB 125 118 161

HSL 249.77, 0.19%, 0.55%

LAB 51.71, 12.17, -22.1

 

CMYK 3 / 4 / 0 / 44

HEX #8A898F

RGB 138 137 143

HSL 250, 0.03%, 0.55%

LAB 57.35, 1.57, -3.08

 

CMYK 3 / 0 / 20 / 39

HEX #969B7C

RGB 150 155 124

HSL 69.68, 0.13%, 0.55%

LAB 62.83, -7.34, 15.68

 

CMYK 6 / 0 / 39 / 32

HEX #A3AE6A

RGB 163 174 106

HSL 69.71, 0.3%, 0.55%

LAB 68.82, -14.76, 33.61

 

CMYK 44 / 28 / 0 / 29

HEX #6482B4

RGB 100 130 180

HSL 217.5, 0.35%, 0.55%

LAB 54, 2.84, -29.7

 

CMYK 44 / 39 / 0 / 29

HEX #646DB4

RGB 100 109 180

HSL 233.25, 0.35%, 0.55%

LAB 48.19, 15.49, -38.8

 

CMYK 38 / 44 / 0 / 29

HEX #7064B4

RGB 112 100 180

HSL 249, 0.35%, 0.55%

LAB 46.78, 24.17, -40.96

 

CMYK 26 / 44 / 0 / 29

HEX #8564B4

RGB 133 100 180

HSL 264.75, 0.35%, 0.55%

LAB 48.76, 30.04, -37.72

 

CMYK 14 / 44 / 0 / 29

HEX #9A64B4

RGB 154 100 180

HSL 280.5, 0.35%, 0.55%

LAB 51.01, 36.23, -34.01

 

CMYK 44 / 52 / 0 / 48

HEX #4B4085

RGB 75 64 133

HSL 249.57, 0.35%, 0.39%

LAB 31.48, 22.99, -37.32

 

CMYK 43 / 52 / 0 / 37

HEX #5B4DA1

RGB 91 77 161

HSL 250, 0.35%, 0.47%

LAB 38.03, 27.35, -43.8

 

CMYK 38 / 44 / 0 / 29

HEX #7064B4

RGB 112 100 180

HSL 249, 0.35%, 0.55%

LAB 46.78, 24.17, -40.96

 

CMYK 28 / 34 / 0 / 24

HEX #8A7FC1

RGB 138 127 193

HSL 250, 0.35%, 0.63%

LAB 56.52, 18.91, -32.99

 

CMYK 21 / 25 / 0 / 19

HEX #A49BCF

RGB 164 155 207

HSL 250.38, 0.35%, 0.71%

LAB 66.4, 14.13, -25.41

 

CMYK 38 / 45 / 0 / 29

HEX #7164B5

RGB 113 100 181

HSL 249.63, 0.35%, 0.55%

LAB 46.92, 24.72, -41.32

 

CMYK 0 / 44 / 16 / 29

HEX #B46498

RGB 180 100 152

HSL 321, 0.35%, 0.55%

LAB 53.04, 39.19, -14.27

 

CMYK 33 / 0 / 44 / 29

HEX #78B464

RGB 120 180 100

HSL 105, 0.35%, 0.55%

LAB 67.69, -34.64, 34.7

 

CMYK 38 / 45 / 0 / 29

HEX #7164B5

RGB 113 100 181

HSL 249.63, 0.35%, 0.55%

LAB 46.92, 24.72, -41.32

 

CMYK 0 / 38 / 44 / 29

HEX #B47064

RGB 180 112 100

HSL 9, 0.35%, 0.55%

LAB 54.25, 25.54, 18

 

CMYK 44 / 0 / 38 / 29

HEX #64B470

RGB 100 180 112

HSL 129, 0.35%, 0.55%

LAB 66.92, -39.18, 27.25

 

CMYK 38 / 45 / 0 / 29

HEX #7164B5

RGB 113 100 181

HSL 249.63, 0.35%, 0.55%

LAB 46.92, 24.72, -41.32

 

CMYK 0 / 44 / 16 / 29

HEX #B46498

RGB 180 100 152

HSL 321, 0.35%, 0.55%

LAB 53.04, 39.19, -14.27

 

CMYK 7 / 0 / 44 / 29

HEX #A8B464

RGB 168 180 100

HSL 69, 0.35%, 0.55%

LAB 70.79, -16.51, 39.25

 

CMYK 44 / 0 / 29 / 29

HEX #64B480

RGB 100 180 128

HSL 141, 0.35%, 0.55%

LAB 67.21, -36.3, 19.06

 

CMYK 38 / 45 / 0 / 29

HEX #7164B5

RGB 113 100 181

HSL 249.63, 0.35%, 0.55%

LAB 46.92, 24.72, -41.32

 

CMYK 0 / 44 / 29 / 29

HEX #B46480

RGB 180 100 128

HSL 339, 0.35%, 0.55%

LAB 52.26, 35.58, -1.28

 

CMYK 7 / 0 / 44 / 29

HEX #A8B464

RGB 168 180 100

HSL 69, 0.35%, 0.55%

LAB 70.79, -16.51, 39.25

 

CMYK 44 / 0 / 16 / 29

HEX #64B498

RGB 100 180 152

HSL 159, 0.35%, 0.55%

LAB 67.74, -31.27, 6.68

 

Description

Color code: HEX #7164B5 | qconv.com Color code: HEX #7164B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 100 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 100 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 45 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 45% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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