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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #716108 it is the complementary color #8E9EF7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #716108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #716108 shade: #766103, #877316, #988529, #A9973C and #BAA94F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #716108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #716108 shade: #716108, #604F00, #4F3D00, #3E2B00 and #2D1900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #716108 shade: #726207, #724507, #722807, #720C07 and #720707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #716108 shade: #726207, #657207, #497207, #2C7207 and #0F7207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #716108 shade matches the following richer shades: #726207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #716108 shade: #726207, #685B11, #5E541B, #544D25 and #4A462F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #716108 shade: #722707, #724407, #726007, #677207 and #4B7207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #716108 shade: #252002, #4B4105, #726207, #99830A and #BFA40D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #716108 shade: #716108, #07720B and #360772

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #716108 shade: #716108, #077260 and #600772

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #716108 shade: #716108, #07720B, #071972 and #72076E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #716108 shade: #716108, #07722B, #071972 and #72074E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 93 / 56

HEX #716108

RGB 113 97 8

HSL 50.86, 0.87%, 0.24%

LAB 41.34, -2.54, 46.32

 

Complementary color

CMYK 43 / 36 / 0 / 3

HEX #8E9EF7

RGB 142 158 247

HSL 230.86, 0.87%, 0.76%

LAB 67.22, 16.53, -46.29

 

CMYK 0 / 18 / 97 / 54

HEX #766103

RGB 118 97 3

HSL 49.04, 0.95%, 0.24%

LAB 41.86, -0.22, 48.23

 

CMYK 0 / 15 / 84 / 47

HEX #877316

RGB 135 115 22

HSL 49.38, 0.72%, 0.31%

LAB 48.85, -1.91, 49.61

 

CMYK 0 / 13 / 73 / 40

HEX #988529

RGB 152 133 41

HSL 49.73, 0.58%, 0.38%

LAB 55.7, -3.27, 49.64

 

CMYK 0 / 11 / 64 / 34

HEX #A9973C

RGB 169 151 60

HSL 50.09, 0.48%, 0.45%

LAB 62.42, -4.35, 48.9

 

CMYK 0 / 9 / 58 / 27

HEX #BAA94F

RGB 186 169 79

HSL 50.47, 0.44%, 0.52%

LAB 69.03, -5.23, 47.84

 

CMYK 0 / 14 / 93 / 56

HEX #716108

RGB 113 97 8

HSL 50.86, 0.87%, 0.24%

LAB 41.34, -2.54, 46.32

 

CMYK 0 / 18 / 100 / 62

HEX #604F00

RGB 96 79 0

HSL 49.38, 1%, 0.19%

LAB 34.15, -0.55, 42.48

 

CMYK 0 / 23 / 100 / 69

HEX #4F3D00

RGB 79 61 0

HSL 46.33, 1%, 0.15%

LAB 26.73, 1.81, 35.98

 

CMYK 0 / 31 / 100 / 76

HEX #3E2B00

RGB 62 43 0

HSL 41.61, 1%, 0.12%

LAB 19.02, 4.39, 27.35

 

CMYK 0 / 44 / 100 / 82

HEX #2D1900

RGB 45 25 0

HSL 33.33, 1%, 0.09%

LAB 10.94, 7.29, 16.49

 

CMYK 0 / 14 / 94 / 55

HEX #726207

RGB 114 98 7

HSL 51.03, 0.88%, 0.24%

LAB 41.73, -2.66, 46.92

 

CMYK 0 / 39 / 94 / 55

HEX #724507

RGB 114 69 7

HSL 34.77, 0.88%, 0.24%

LAB 33.67, 14.71, 40.68

 

CMYK 0 / 65 / 94 / 55

HEX #722807

RGB 114 40 7

HSL 18.5, 0.88%, 0.24%

LAB 27.05, 31.14, 35.48

 

CMYK 0 / 89 / 94 / 55

HEX #720C07

RGB 114 12 7

HSL 2.8, 0.88%, 0.24%

LAB 23.19, 41.75, 31.82

 

CMYK 0 / 94 / 94 / 55

HEX #720707

RGB 114 7 7

HSL 0, 0.88%, 0.24%

LAB 22.81, 42.84, 31.43

 

CMYK 0 / 14 / 94 / 55

HEX #726207

RGB 114 98 7

HSL 51.03, 0.88%, 0.24%

LAB 41.73, -2.66, 46.92

 

CMYK 11 / 0 / 94 / 55

HEX #657207

RGB 101 114 7

HSL 67.29, 0.88%, 0.24%

LAB 45.38, -17.84, 49.3

 

CMYK 36 / 0 / 94 / 55

HEX #497207

RGB 73 114 7

HSL 82.99, 0.88%, 0.24%

LAB 43.46, -30.06, 46.94

 

CMYK 61 / 0 / 94 / 55

HEX #2C7207

RGB 44 114 7

HSL 99.25, 0.88%, 0.24%

LAB 42.13, -40.05, 45.29

 

CMYK 87 / 0 / 94 / 55

HEX #0F7207

RGB 15 114 7

HSL 115.51, 0.88%, 0.24%

LAB 41.46, -45.81, 44.45

 

CMYK 0 / 14 / 94 / 55

HEX #726207

RGB 114 98 7

HSL 51.03, 0.88%, 0.24%

LAB 41.73, -2.66, 46.92

 

CMYK 0 / 14 / 94 / 55

HEX #726207

RGB 114 98 7

HSL 51.03, 0.88%, 0.24%

LAB 41.73, -2.66, 46.92

 

CMYK 0 / 13 / 84 / 59

HEX #685B11

RGB 104 91 17

HSL 51.03, 0.72%, 0.24%

LAB 38.67, -3.17, 41.07

 

CMYK 0 / 11 / 71 / 63

HEX #5E541B

RGB 94 84 27

HSL 51.04, 0.55%, 0.24%

LAB 35.6, -3.41, 33.55

 

CMYK 0 / 8 / 56 / 67

HEX #544D25

RGB 84 77 37

HSL 51.06, 0.39%, 0.24%

LAB 32.54, -3.25, 24.55

 

CMYK 0 / 5 / 36 / 71

HEX #4A462F

RGB 74 70 47

HSL 51.11, 0.22%, 0.24%

LAB 29.52, -2.48, 14.5

 

CMYK 0 / 66 / 94 / 55

HEX #722707

RGB 114 39 7

HSL 17.94, 0.88%, 0.24%

LAB 26.86, 31.64, 35.32

 

CMYK 0 / 40 / 94 / 55

HEX #724407

RGB 114 68 7

HSL 34.21, 0.88%, 0.24%

LAB 33.41, 15.31, 40.48

 

CMYK 0 / 16 / 94 / 55

HEX #726007

RGB 114 96 7

HSL 49.91, 0.88%, 0.24%

LAB 41.15, -1.49, 46.47

 

CMYK 10 / 0 / 94 / 55

HEX #677207

RGB 103 114 7

HSL 66.17, 0.88%, 0.24%

LAB 45.54, -16.91, 49.5

 

CMYK 34 / 0 / 94 / 55

HEX #4B7207

RGB 75 114 7

HSL 81.87, 0.88%, 0.24%

LAB 43.57, -29.25, 47.08

 

CMYK 0 / 14 / 95 / 85

HEX #252002

RGB 37 32 2

HSL 51.43, 0.9%, 0.08%

LAB 12.16, -2.1, 17.17

 

CMYK 0 / 13 / 93 / 71

HEX #4B4105

RGB 75 65 5

HSL 51.43, 0.88%, 0.16%

LAB 27.54, -2.6, 34.46

 

CMYK 0 / 14 / 94 / 55

HEX #726207

RGB 114 98 7

HSL 51.03, 0.88%, 0.24%

LAB 41.73, -2.66, 46.92

 

CMYK 0 / 14 / 93 / 40

HEX #99830A

RGB 153 131 10

HSL 50.77, 0.88%, 0.32%

LAB 55.1, -2.72, 58.34

 

CMYK 0 / 14 / 93 / 25

HEX #BFA40D

RGB 191 164 13

HSL 50.9, 0.87%, 0.4%

LAB 67.77, -3.25, 69.12

 

CMYK 0 / 14 / 93 / 56

HEX #716108

RGB 113 97 8

HSL 50.86, 0.87%, 0.24%

LAB 41.34, -2.54, 46.32

 

CMYK 94 / 0 / 90 / 55

HEX #07720B

RGB 7 114 11

HSL 122.24, 0.88%, 0.24%

LAB 41.38, -46.43, 43.42

 

CMYK 53 / 94 / 0 / 55

HEX #360772

RGB 54 7 114

HSL 266.36, 0.88%, 0.24%

LAB 16.26, 43.61, -50.12

 

CMYK 0 / 14 / 93 / 56

HEX #716108

RGB 113 97 8

HSL 50.86, 0.87%, 0.24%

LAB 41.34, -2.54, 46.32

 

CMYK 94 / 0 / 16 / 55

HEX #077260

RGB 7 114 96

HSL 169.91, 0.88%, 0.24%

LAB 42.65, -31.72, 2.31

 

CMYK 16 / 94 / 0 / 55

HEX #600772

RGB 96 7 114

HSL 289.91, 0.88%, 0.24%

LAB 23.18, 49.66, -38.52

 

CMYK 0 / 14 / 93 / 56

HEX #716108

RGB 113 97 8

HSL 50.86, 0.87%, 0.24%

LAB 41.34, -2.54, 46.32

 

CMYK 94 / 0 / 90 / 55

HEX #07720B

RGB 7 114 11

HSL 122.24, 0.88%, 0.24%

LAB 41.38, -46.43, 43.42

 

CMYK 94 / 78 / 0 / 55

HEX #071972

RGB 7 25 114

HSL 229.91, 0.88%, 0.24%

LAB 15.25, 31.21, -51.91

 

CMYK 0 / 94 / 4 / 55

HEX #72076E

RGB 114 7 110

HSL 302.24, 0.88%, 0.24%

LAB 26.32, 52.29, -30.72

 

CMYK 0 / 14 / 93 / 56

HEX #716108

RGB 113 97 8

HSL 50.86, 0.87%, 0.24%

LAB 41.34, -2.54, 46.32

 

CMYK 94 / 0 / 62 / 55

HEX #07722B

RGB 7 114 43

HSL 140.19, 0.88%, 0.24%

LAB 41.62, -43.45, 31.2

 

CMYK 94 / 78 / 0 / 55

HEX #071972

RGB 7 25 114

HSL 229.91, 0.88%, 0.24%

LAB 15.25, 31.21, -51.91

 

CMYK 0 / 94 / 32 / 55

HEX #72074E

RGB 114 7 78

HSL 320.19, 0.88%, 0.24%

LAB 24.57, 47.74, -12.36

 

Description

Color code: HEX #716108 | qconv.com Color code: HEX #716108 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 97 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 97 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 93 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 93% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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