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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #716A9D it is the complementary color #8E9562. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #716A9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #716A9D shade: #766A98, #877CAB, #988EBE, #A9A0D1 and #BAB2E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #716A9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #716A9D shade: #716A9D, #60588A, #4F4677, #3E3464 and #2D2251

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #716A9D shade: #716A9E, #7F6A9E, #8D6A9E, #9B6A9E and #9E6A93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #716A9D shade: #716A9E and #6A6A9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #716A9D shade matches the following richer shades: #716A9E, #6357B2, #5543C5, #462FD9 and #381BED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #716A9D shade: #716A9E, #807E8A, #8E9276, #9DA662 and #ABBA4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #716A9D shade: #6A7F9E, #6A719E, #716A9E, #7F6A9E and #8D6A9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #716A9D shade: #4D486E, #5E5887, #716A9E, #8983AE and #A19CBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #716A9D shade: #716A9D, #9E6A8D and #789E6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #716A9D shade: #716A9D, #9E716A and #6A9E71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #716A9D shade: #716A9D, #9E6A8D, #979E6A and #6A9E7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #716A9D shade: #716A9D, #9E6A7D, #979E6A and #6A9E8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 32 / 0 / 38

HEX #716A9D

RGB 113 106 157

HSL 248.24, 0.21%, 0.52%

LAB 47.3, 14.53, -26.65

 

Complementary color

CMYK 5 / 0 / 34 / 42

HEX #8E9562

RGB 142 149 98

HSL 68.24, 0.21%, 0.48%

LAB 60, -11.1, 26.13

 

CMYK 22 / 30 / 0 / 40

HEX #766A98

RGB 118 106 152

HSL 255.65, 0.18%, 0.51%

LAB 47.53, 14.85, -23.32

 

CMYK 21 / 27 / 0 / 33

HEX #877CAB

RGB 135 124 171

HSL 254.04, 0.22%, 0.58%

LAB 54.56, 14.29, -23.44

 

CMYK 20 / 25 / 0 / 25

HEX #988EBE

RGB 152 142 190

HSL 252.5, 0.27%, 0.65%

LAB 61.43, 13.79, -23.6

 

CMYK 19 / 23 / 0 / 18

HEX #A9A0D1

RGB 169 160 209

HSL 251.02, 0.35%, 0.72%

LAB 68.15, 13.34, -23.79

 

CMYK 18 / 22 / 0 / 11

HEX #BAB2E4

RGB 186 178 228

HSL 249.6, 0.48%, 0.8%

LAB 74.75, 12.93, -24

 

CMYK 28 / 32 / 0 / 38

HEX #716A9D

RGB 113 106 157

HSL 248.24, 0.21%, 0.52%

LAB 47.3, 14.53, -26.65

 

CMYK 30 / 36 / 0 / 46

HEX #60588A

RGB 96 88 138

HSL 249.6, 0.22%, 0.44%

LAB 40.08, 15.22, -26.66

 

CMYK 34 / 41 / 0 / 53

HEX #4F4677

RGB 79 70 119

HSL 251.02, 0.26%, 0.37%

LAB 32.64, 16.04, -26.73

 

CMYK 38 / 48 / 0 / 61

HEX #3E3464

RGB 62 52 100

HSL 252.5, 0.32%, 0.3%

LAB 24.95, 17.05, -26.89

 

CMYK 44 / 58 / 0 / 68

HEX #2D2251

RGB 45 34 81

HSL 254.04, 0.41%, 0.23%

LAB 16.97, 18.31, -27.14

 

CMYK 28 / 33 / 0 / 38

HEX #716A9E

RGB 113 106 158

HSL 248.08, 0.21%, 0.52%

LAB 47.35, 14.79, -27.17

 

CMYK 20 / 33 / 0 / 38

HEX #7F6A9E

RGB 127 106 158

HSL 264.23, 0.21%, 0.52%

LAB 48.62, 19.24, -25.1

 

CMYK 11 / 33 / 0 / 38

HEX #8D6A9E

RGB 141 106 158

HSL 280.38, 0.21%, 0.52%

LAB 50.02, 23.84, -22.82

 

CMYK 2 / 33 / 0 / 38

HEX #9B6A9E

RGB 155 106 158

HSL 296.54, 0.21%, 0.52%

LAB 51.55, 28.53, -20.35

 

CMYK 0 / 33 / 7 / 38

HEX #9E6A93

RGB 158 106 147

HSL 312.69, 0.21%, 0.52%

LAB 51.48, 27.45, -13.96

 

CMYK 28 / 33 / 0 / 38

HEX #716A9E

RGB 113 106 158

HSL 248.08, 0.21%, 0.52%

LAB 47.35, 14.79, -27.17

 

CMYK 33 / 33 / 0 / 38

HEX #6A6A9E

RGB 106 106 158

HSL 240, 0.21%, 0.52%

LAB 46.77, 12.65, -28.13

 

CMYK 28 / 33 / 0 / 38

HEX #716A9E

RGB 113 106 158

HSL 248.08, 0.21%, 0.52%

LAB 47.35, 14.79, -27.17

 

CMYK 44 / 51 / 0 / 30

HEX #6357B2

RGB 99 87 178

HSL 247.91, 0.37%, 0.52%

LAB 42.28, 28.21, -47.03

 

CMYK 57 / 66 / 0 / 23

HEX #5543C5

RGB 85 67 197

HSL 248.31, 0.53%, 0.52%

LAB 37.8, 43.2, -65.47

 

CMYK 68 / 78 / 0 / 15

HEX #462FD9

RGB 70 47 217

HSL 248.12, 0.69%, 0.52%

LAB 34.69, 57.96, -82.21

 

CMYK 76 / 89 / 0 / 7

HEX #381BED

RGB 56 27 237

HSL 248.29, 0.85%, 0.52%

LAB 33.43, 70.33, -95.77

 

CMYK 28 / 33 / 0 / 38

HEX #716A9E

RGB 113 106 158

HSL 248.08, 0.21%, 0.52%

LAB 47.35, 14.79, -27.17

 

CMYK 7 / 9 / 0 / 46

HEX #807E8A

RGB 128 126 138

HSL 250, 0.05%, 0.52%

LAB 53.33, 3.21, -6.22

 

CMYK 3 / 0 / 19 / 43

HEX #8E9276

RGB 142 146 118

HSL 68.57, 0.11%, 0.52%

LAB 59.54, -6.52, 14.38

 

CMYK 5 / 0 / 41 / 35

HEX #9DA662

RGB 157 166 98

HSL 67.94, 0.28%, 0.52%

LAB 66, -13.98, 34.1

 

CMYK 8 / 0 / 58 / 27

HEX #ABBA4F

RGB 171 186 79

HSL 68.41, 0.44%, 0.52%

LAB 72.46, -20.3, 51.39

 

CMYK 33 / 20 / 0 / 38

HEX #6A7F9E

RGB 106 127 158

HSL 215.77, 0.21%, 0.52%

LAB 52.63, 0.1, -19.07

 

CMYK 33 / 28 / 0 / 38

HEX #6A719E

RGB 106 113 158

HSL 231.92, 0.21%, 0.52%

LAB 48.69, 8.41, -25.14

 

CMYK 28 / 33 / 0 / 38

HEX #716A9E

RGB 113 106 158

HSL 248.08, 0.21%, 0.52%

LAB 47.35, 14.79, -27.17

 

CMYK 20 / 33 / 0 / 38

HEX #7F6A9E

RGB 127 106 158

HSL 264.23, 0.21%, 0.52%

LAB 48.62, 19.24, -25.1

 

CMYK 11 / 33 / 0 / 38

HEX #8D6A9E

RGB 141 106 158

HSL 280.38, 0.21%, 0.52%

LAB 50.02, 23.84, -22.82

 

CMYK 30 / 35 / 0 / 57

HEX #4D486E

RGB 77 72 110

HSL 247.89, 0.21%, 0.36%

LAB 32.56, 11.53, -21.22

 

CMYK 30 / 35 / 0 / 47

HEX #5E5887

RGB 94 88 135

HSL 247.66, 0.21%, 0.44%

LAB 39.76, 13.77, -25.35

 

CMYK 28 / 33 / 0 / 38

HEX #716A9E

RGB 113 106 158

HSL 248.08, 0.21%, 0.52%

LAB 47.35, 14.79, -27.17

 

CMYK 21 / 25 / 0 / 32

HEX #8983AE

RGB 137 131 174

HSL 248.37, 0.21%, 0.6%

LAB 56.69, 11.56, -21.88

 

CMYK 15 / 18 / 0 / 25

HEX #A19CBE

RGB 161 156 190

HSL 248.82, 0.21%, 0.68%

LAB 65.8, 8.76, -16.87

 

CMYK 28 / 32 / 0 / 38

HEX #716A9D

RGB 113 106 157

HSL 248.24, 0.21%, 0.52%

LAB 47.3, 14.53, -26.65

 

CMYK 0 / 33 / 11 / 38

HEX #9E6A8D

RGB 158 106 141

HSL 319.62, 0.21%, 0.52%

LAB 51.27, 26.36, -10.74

 

CMYK 24 / 0 / 33 / 38

HEX #789E6A

RGB 120 158 106

HSL 103.85, 0.21%, 0.52%

LAB 61.21, -23.16, 23.07

 

CMYK 28 / 32 / 0 / 38

HEX #716A9D

RGB 113 106 157

HSL 248.24, 0.21%, 0.52%

LAB 47.3, 14.53, -26.65

 

CMYK 0 / 28 / 33 / 38

HEX #9E716A

RGB 158 113 106

HSL 8.08, 0.21%, 0.52%

LAB 51.97, 16.81, 10.94

 

CMYK 33 / 0 / 28 / 38

HEX #6A9E71

RGB 106 158 113

HSL 128.08, 0.21%, 0.52%

LAB 60.52, -26.85, 18.16

 

CMYK 28 / 32 / 0 / 38

HEX #716A9D

RGB 113 106 157

HSL 248.24, 0.21%, 0.52%

LAB 47.3, 14.53, -26.65

 

CMYK 0 / 33 / 11 / 38

HEX #9E6A8D

RGB 158 106 141

HSL 319.62, 0.21%, 0.52%

LAB 51.27, 26.36, -10.74

 

CMYK 4 / 0 / 33 / 38

HEX #979E6A

RGB 151 158 106

HSL 68.08, 0.21%, 0.52%

LAB 63.4, -11.19, 26.39

 

CMYK 33 / 0 / 22 / 38

HEX #6A9E7C

RGB 106 158 124

HSL 140.77, 0.21%, 0.52%

LAB 60.76, -24.75, 12.35

 

CMYK 28 / 32 / 0 / 38

HEX #716A9D

RGB 113 106 157

HSL 248.24, 0.21%, 0.52%

LAB 47.3, 14.53, -26.65

 

CMYK 0 / 33 / 21 / 38

HEX #9E6A7D

RGB 158 106 125

HSL 338.08, 0.21%, 0.52%

LAB 50.75, 23.64, -2.03

 

CMYK 4 / 0 / 33 / 38

HEX #979E6A

RGB 151 158 106

HSL 68.08, 0.21%, 0.52%

LAB 63.4, -11.19, 26.39

 

CMYK 33 / 0 / 12 / 38

HEX #6A9E8B

RGB 106 158 139

HSL 158.08, 0.21%, 0.52%

LAB 61.12, -21.59, 4.44

 

Description

Color code: HEX #716A9D | qconv.com Color code: HEX #716A9D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 106 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 106 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 32 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 32% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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