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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #716C1D it is the complementary color #8E93E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #716C1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #716C1D shade: #766C18, #877E2B, #98903E, #A9A251 and #BAB464

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #716C1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #716C1D shade: #716C1D, #605A0A, #4F4800, #3E3600 and #2D2400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #716C1D shade: #716C1D, #71551D, #713F1D, #71281D and #711D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #716C1D shade: #716C1D, #5F711D, #49711D, #32711D and #1D711E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #716C1D shade matches the following richer shades: #716C1D, #7D7611 and #888006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #716C1D shade: #716C1D, #656228, #5A5834, #4E4D3F and #43434B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #716C1D shade: #713E1D, #71551D, #716B1D, #60711D and #4A711D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #716C1D shade: #2F2D0C, #504D14, #716C1D, #928B25 and #B3AB2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #716C1D shade: #716C1D, #1D7128 and #4A1D71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #716C1D shade: #716C1D, #1D716B and #6B1D71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #716C1D shade: #716C1D, #1D7128, #1D2271 and #711D66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #716C1D shade: #716C1D, #1D7141, #1D2271 and #711D4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 74 / 56

HEX #716C1D

RGB 113 108 29

HSL 56.43, 0.59%, 0.28%

LAB 44.69, -8.06, 42.45

 

Complementary color

CMYK 37 / 35 / 0 / 11

HEX #8E93E2

RGB 142 147 226

HSL 236.43, 0.59%, 0.72%

LAB 63.43, 17.08, -40.68

 

CMYK 0 / 8 / 80 / 54

HEX #766C18

RGB 118 108 24

HSL 53.62, 0.66%, 0.28%

LAB 45.14, -5.93, 44.97

 

CMYK 0 / 7 / 68 / 47

HEX #877E2B

RGB 135 126 43

HSL 54.13, 0.52%, 0.35%

LAB 52.12, -7.06, 44.64

 

CMYK 0 / 5 / 59 / 40

HEX #98903E

RGB 152 144 62

HSL 54.67, 0.42%, 0.42%

LAB 58.95, -7.93, 43.71

 

CMYK 0 / 4 / 52 / 34

HEX #A9A251

RGB 169 162 81

HSL 55.23, 0.35%, 0.49%

LAB 65.65, -8.62, 42.56

 

CMYK 0 / 3 / 46 / 27

HEX #BAB464

RGB 186 180 100

HSL 55.81, 0.38%, 0.56%

LAB 72.23, -9.16, 41.35

 

CMYK 0 / 4 / 74 / 56

HEX #716C1D

RGB 113 108 29

HSL 56.43, 0.59%, 0.28%

LAB 44.69, -8.06, 42.45

 

CMYK 0 / 6 / 90 / 62

HEX #605A0A

RGB 96 90 10

HSL 55.81, 0.81%, 0.21%

LAB 37.52, -6.79, 41.97

 

CMYK 0 / 9 / 100 / 69

HEX #4F4800

RGB 79 72 0

HSL 54.68, 1%, 0.15%

LAB 30.15, -5.04, 38.78

 

CMYK 0 / 13 / 100 / 76

HEX #3E3600

RGB 62 54 0

HSL 52.26, 1%, 0.12%

LAB 22.52, -2.84, 31.21

 

CMYK 0 / 20 / 100 / 82

HEX #2D2400

RGB 45 36 0

HSL 48, 1%, 0.09%

LAB 14.51, -0.42, 21.29

 

CMYK 0 / 4 / 74 / 56

HEX #716C1D

RGB 113 108 29

HSL 56.43, 0.59%, 0.28%

LAB 44.69, -8.06, 42.45

 

CMYK 0 / 25 / 74 / 56

HEX #71551D

RGB 113 85 29

HSL 40, 0.59%, 0.28%

LAB 38.01, 5.41, 35.76

 

CMYK 0 / 44 / 74 / 56

HEX #713F1D

RGB 113 63 29

HSL 24.29, 0.59%, 0.28%

LAB 32.16, 18.71, 29.57

 

CMYK 0 / 65 / 74 / 56

HEX #71281D

RGB 113 40 29

HSL 7.86, 0.59%, 0.28%

LAB 27.07, 31.57, 23.88

 

CMYK 0 / 74 / 74 / 56

HEX #711D1D

RGB 113 29 29

HSL 0, 0.59%, 0.28%

LAB 25.19, 36.63, 21.7

 

CMYK 0 / 4 / 74 / 56

HEX #716C1D

RGB 113 108 29

HSL 56.43, 0.59%, 0.28%

LAB 44.69, -8.06, 42.45

 

CMYK 16 / 0 / 74 / 56

HEX #5F711D

RGB 95 113 29

HSL 72.86, 0.59%, 0.28%

LAB 44.71, -19.14, 41.95

 

CMYK 35 / 0 / 74 / 56

HEX #49711D

RGB 73 113 29

HSL 88.57, 0.59%, 0.28%

LAB 43.23, -28.49, 39.99

 

CMYK 56 / 0 / 74 / 56

HEX #32711D

RGB 50 113 29

HSL 105, 0.59%, 0.28%

LAB 42.12, -36.61, 38.5

 

CMYK 74 / 0 / 73 / 56

HEX #1D711E

RGB 29 113 30

HSL 120.71, 0.59%, 0.28%

LAB 41.48, -41.76, 37.21

 

CMYK 0 / 4 / 74 / 56

HEX #716C1D

RGB 113 108 29

HSL 56.43, 0.59%, 0.28%

LAB 44.69, -8.06, 42.45

 

CMYK 0 / 6 / 86 / 51

HEX #7D7611

RGB 125 118 17

HSL 56.11, 0.76%, 0.28%

LAB 48.71, -8.49, 50.57

 

CMYK 0 / 6 / 96 / 47

HEX #888006

RGB 136 128 6

HSL 56.31, 0.92%, 0.28%

LAB 52.6, -9.08, 56.43

 

CMYK 0 / 4 / 74 / 56

HEX #716C1D

RGB 113 108 29

HSL 56.43, 0.59%, 0.28%

LAB 44.69, -8.06, 42.45

 

CMYK 0 / 3 / 60 / 60

HEX #656228

RGB 101 98 40

HSL 57.05, 0.43%, 0.28%

LAB 40.66, -7.27, 32.77

 

CMYK 0 / 2 / 42 / 65

HEX #5A5834

RGB 90 88 52

HSL 56.84, 0.27%, 0.28%

LAB 36.75, -5.29, 21.16

 

CMYK 0 / 1 / 19 / 69

HEX #4E4D3F

RGB 78 77 63

HSL 56, 0.11%, 0.28%

LAB 32.45, -2.36, 8.47

 

CMYK 11 / 11 / 0 / 71

HEX #43434B

RGB 67 67 75

HSL 240, 0.06%, 0.28%

LAB 28.68, 1.87, -4.82

 

CMYK 0 / 45 / 74 / 56

HEX #713E1D

RGB 113 62 29

HSL 23.57, 0.59%, 0.28%

LAB 31.91, 19.3, 29.3

 

CMYK 0 / 25 / 74 / 56

HEX #71551D

RGB 113 85 29

HSL 40, 0.59%, 0.28%

LAB 38.01, 5.41, 35.76

 

CMYK 0 / 5 / 74 / 56

HEX #716B1D

RGB 113 107 29

HSL 55.71, 0.59%, 0.28%

LAB 44.4, -7.5, 42.16

 

CMYK 15 / 0 / 74 / 56

HEX #60711D

RGB 96 113 29

HSL 72.14, 0.59%, 0.28%

LAB 44.78, -18.69, 42.05

 

CMYK 35 / 0 / 74 / 56

HEX #4A711D

RGB 74 113 29

HSL 87.86, 0.59%, 0.28%

LAB 43.29, -28.09, 40.07

 

CMYK 0 / 4 / 74 / 82

HEX #2F2D0C

RGB 47 45 12

HSL 56.57, 0.59%, 0.12%

LAB 17.95, -4.35, 20.7

 

CMYK 0 / 4 / 75 / 69

HEX #504D14

RGB 80 77 20

HSL 57, 0.6%, 0.2%

LAB 31.95, -6.63, 32.65

 

CMYK 0 / 4 / 74 / 56

HEX #716C1D

RGB 113 108 29

HSL 56.43, 0.59%, 0.28%

LAB 44.69, -8.06, 42.45

 

CMYK 0 / 5 / 75 / 43

HEX #928B25

RGB 146 139 37

HSL 56.15, 0.6%, 0.36%

LAB 56.79, -9.48, 52.06

 

CMYK 0 / 4 / 74 / 30

HEX #B3AB2E

RGB 179 171 46

HSL 56.39, 0.59%, 0.44%

LAB 68.68, -11.31, 61.13

 

CMYK 0 / 4 / 74 / 56

HEX #716C1D

RGB 113 108 29

HSL 56.43, 0.59%, 0.28%

LAB 44.69, -8.06, 42.45

 

CMYK 74 / 0 / 65 / 56

HEX #1D7128

RGB 29 113 40

HSL 127.86, 0.59%, 0.28%

LAB 41.57, -40.64, 32.72

 

CMYK 35 / 74 / 0 / 56

HEX #4A1D71

RGB 74 29 113

HSL 272.14, 0.59%, 0.28%

LAB 22.04, 37.78, -39.9

 

CMYK 0 / 4 / 74 / 56

HEX #716C1D

RGB 113 108 29

HSL 56.43, 0.59%, 0.28%

LAB 44.69, -8.06, 42.45

 

CMYK 74 / 0 / 5 / 56

HEX #1D716B

RGB 29 113 107

HSL 175.71, 0.59%, 0.28%

LAB 42.96, -25.7, -3.81

 

CMYK 5 / 74 / 0 / 56

HEX #6B1D71

RGB 107 29 113

HSL 295.71, 0.59%, 0.28%

LAB 27.29, 45.32, -31.18

 

CMYK 0 / 4 / 74 / 56

HEX #716C1D

RGB 113 108 29

HSL 56.43, 0.59%, 0.28%

LAB 44.69, -8.06, 42.45

 

CMYK 74 / 0 / 65 / 56

HEX #1D7128

RGB 29 113 40

HSL 127.86, 0.59%, 0.28%

LAB 41.57, -40.64, 32.72

 

CMYK 74 / 70 / 0 / 56

HEX #1D2271

RGB 29 34 113

HSL 236.43, 0.59%, 0.28%

LAB 18.35, 26.7, -46.11

 

CMYK 0 / 74 / 10 / 56

HEX #711D66

RGB 113 29 102

HSL 307.86, 0.59%, 0.28%

LAB 27.71, 44.85, -23.36

 

CMYK 0 / 4 / 74 / 56

HEX #716C1D

RGB 113 108 29

HSL 56.43, 0.59%, 0.28%

LAB 44.69, -8.06, 42.45

 

CMYK 74 / 0 / 42 / 56

HEX #1D7141

RGB 29 113 65

HSL 145.71, 0.59%, 0.28%

LAB 41.93, -36.51, 19.69

 

CMYK 74 / 70 / 0 / 56

HEX #1D2271

RGB 29 34 113

HSL 236.43, 0.59%, 0.28%

LAB 18.35, 26.7, -46.11

 

CMYK 0 / 74 / 32 / 56

HEX #711D4D

RGB 113 29 77

HSL 325.71, 0.59%, 0.28%

LAB 26.52, 41.09, -8.74

 

Description

Color code: HEX #716C1D | qconv.com Color code: HEX #716C1D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 108 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 108 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 74 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 74% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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