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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #716C79 it is the complementary color #8E9386. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #716C79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #716C79 shade: #766C74, #877E87, #98909A, #A9A2AD and #BAB4C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #716C79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #716C79 shade: #716C79, #605A66, #4F4853, #3E3640 and #2D242D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #716C79 shade: #716B79, #746B79, #786B79, #796B76 and #796B73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #716C79 shade: #716B79, #6D6B79 and #6B6B79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #716C79 shade matches the following richer shades: #716B79, #6C598C, #68469E, #6434B1 and #6021C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #716C79 shade: #716B79, #757E67, #799054, #7EA341 and #82B62F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #716C79 shade: #6B6D79, #6D6B79, #716B79, #746B79 and #786B79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #716C79 shade: #48454D, #5C5863, #716B79, #85808E and #9A96A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #716C79 shade: #716C79, #796B71 and #6C796B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #716C79 shade: #716C79, #79716B and #6B7971

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #716C79 shade: #716C79, #796B71, #74796B and #6B7973

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #716C79 shade: #716C79, #796B6D, #74796B and #6B7978

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 11 / 0 / 53

HEX #716C79

RGB 113 108 121

HSL 263.08, 0.06%, 0.45%

LAB 46.47, 4.64, -6.52

 

Complementary color

CMYK 3 / 0 / 9 / 42

HEX #8E9386

RGB 142 147 134

HSL 83.08, 0.06%, 0.55%

LAB 60.19, -4.3, 6.25

 

CMYK 0 / 8 / 2 / 54

HEX #766C74

RGB 118 108 116

HSL 312, 0.04%, 0.44%

LAB 46.76, 5.48, -3.04

 

CMYK 0 / 7 / 0 / 47

HEX #877E87

RGB 135 126 135

HSL 300, 0.04%, 0.51%

LAB 53.84, 5.16, -3.64

 

CMYK 1 / 6 / 0 / 40

HEX #98909A

RGB 152 144 154

HSL 288, 0.05%, 0.58%

LAB 60.74, 4.87, -4.23

 

CMYK 2 / 6 / 0 / 32

HEX #A9A2AD

RGB 169 162 173

HSL 278.18, 0.06%, 0.66%

LAB 67.5, 4.61, -4.79

 

CMYK 3 / 6 / 0 / 25

HEX #BAB4C0

RGB 186 180 192

HSL 270, 0.09%, 0.73%

LAB 74.12, 4.37, -5.33

 

CMYK 7 / 11 / 0 / 53

HEX #716C79

RGB 113 108 121

HSL 263.08, 0.06%, 0.45%

LAB 46.47, 4.64, -6.52

 

CMYK 6 / 12 / 0 / 60

HEX #605A66

RGB 96 90 102

HSL 270, 0.06%, 0.38%

LAB 39.17, 4.96, -6

 

CMYK 5 / 13 / 0 / 67

HEX #4F4853

RGB 79 72 83

HSL 278.18, 0.07%, 0.3%

LAB 31.63, 5.32, -5.47

 

CMYK 3 / 16 / 0 / 75

HEX #3E3640

RGB 62 54 64

HSL 288, 0.08%, 0.23%

LAB 23.78, 5.74, -4.92

 

CMYK 0 / 20 / 0 / 82

HEX #2D242D

RGB 45 36 45

HSL 300, 0.11%, 0.16%

LAB 15.53, 6.28, -4.35

 

CMYK 7 / 12 / 0 / 53

HEX #716B79

RGB 113 107 121

HSL 265.71, 0.06%, 0.45%

LAB 46.19, 5.24, -6.93

 

CMYK 4 / 12 / 0 / 53

HEX #746B79

RGB 116 107 121

HSL 278.57, 0.06%, 0.45%

LAB 46.46, 6.35, -6.5

 

CMYK 1 / 12 / 0 / 53

HEX #786B79

RGB 120 107 121

HSL 295.71, 0.06%, 0.45%

LAB 46.83, 7.86, -5.91

 

CMYK 0 / 12 / 2 / 53

HEX #796B76

RGB 121 107 118

HSL 312.86, 0.06%, 0.45%

LAB 46.83, 7.62, -4.1

 

CMYK 0 / 12 / 5 / 53

HEX #796B73

RGB 121 107 115

HSL 325.71, 0.06%, 0.45%

LAB 46.73, 7.03, -2.44

 

CMYK 7 / 12 / 0 / 53

HEX #716B79

RGB 113 107 121

HSL 265.71, 0.06%, 0.45%

LAB 46.19, 5.24, -6.93

 

CMYK 10 / 12 / 0 / 53

HEX #6D6B79

RGB 109 107 121

HSL 248.57, 0.06%, 0.45%

LAB 45.83, 3.76, -7.5

 

CMYK 12 / 12 / 0 / 53

HEX #6B6B79

RGB 107 107 121

HSL 240, 0.06%, 0.45%

LAB 45.66, 3.03, -7.77

 

CMYK 7 / 12 / 0 / 53

HEX #716B79

RGB 113 107 121

HSL 265.71, 0.06%, 0.45%

LAB 46.19, 5.24, -6.93

 

CMYK 23 / 36 / 0 / 45

HEX #6C598C

RGB 108 89 140

HSL 262.35, 0.22%, 0.45%

LAB 41.57, 18.94, -25.46

 

CMYK 34 / 56 / 0 / 38

HEX #68469E

RGB 104 70 158

HSL 263.18, 0.39%, 0.45%

LAB 37.47, 34.04, -42.83

 

CMYK 44 / 71 / 0 / 31

HEX #6434B1

RGB 100 52 177

HSL 263.04, 0.55%, 0.45%

LAB 34.68, 48.22, -58.72

 

CMYK 51 / 83 / 0 / 24

HEX #6021C3

RGB 96 33 195

HSL 263.33, 0.71%, 0.45%

LAB 32.95, 60.51, -72.21

 

CMYK 7 / 12 / 0 / 53

HEX #716B79

RGB 113 107 121

HSL 265.71, 0.06%, 0.45%

LAB 46.19, 5.24, -6.93

 

CMYK 7 / 0 / 18 / 51

HEX #757E67

RGB 117 126 103

HSL 83.48, 0.1%, 0.45%

LAB 51.48, -7.79, 11.41

 

CMYK 16 / 0 / 42 / 44

HEX #799054

RGB 121 144 84

HSL 83, 0.26%, 0.45%

LAB 56.73, -18.82, 29.2

 

CMYK 23 / 0 / 60 / 36

HEX #7EA341

RGB 126 163 65

HSL 82.65, 0.43%, 0.45%

LAB 62.52, -28.42, 45.77

 

CMYK 29 / 0 / 74 / 29

HEX #82B62F

RGB 130 182 47

HSL 83.11, 0.59%, 0.45%

LAB 68.32, -37.02, 59.21

 

CMYK 12 / 10 / 0 / 53

HEX #6B6D79

RGB 107 109 121

HSL 231.43, 0.06%, 0.45%

LAB 46.24, 1.84, -6.92

 

CMYK 10 / 12 / 0 / 53

HEX #6D6B79

RGB 109 107 121

HSL 248.57, 0.06%, 0.45%

LAB 45.83, 3.76, -7.5

 

CMYK 7 / 12 / 0 / 53

HEX #716B79

RGB 113 107 121

HSL 265.71, 0.06%, 0.45%

LAB 46.19, 5.24, -6.93

 

CMYK 4 / 12 / 0 / 53

HEX #746B79

RGB 116 107 121

HSL 278.57, 0.06%, 0.45%

LAB 46.46, 6.35, -6.5

 

CMYK 1 / 12 / 0 / 53

HEX #786B79

RGB 120 107 121

HSL 295.71, 0.06%, 0.45%

LAB 46.83, 7.86, -5.91

 

CMYK 6 / 10 / 0 / 70

HEX #48454D

RGB 72 69 77

HSL 262.5, 0.05%, 0.29%

LAB 29.84, 3.05, -4.35

 

CMYK 7 / 11 / 0 / 61

HEX #5C5863

RGB 92 88 99

HSL 261.82, 0.06%, 0.37%

LAB 38.12, 3.98, -5.75

 

CMYK 7 / 12 / 0 / 53

HEX #716B79

RGB 113 107 121

HSL 265.71, 0.06%, 0.45%

LAB 46.19, 5.24, -6.93

 

CMYK 6 / 10 / 0 / 44

HEX #85808E

RGB 133 128 142

HSL 261.43, 0.06%, 0.53%

LAB 54.43, 4.71, -6.87

 

CMYK 4 / 7 / 0 / 37

HEX #9A96A1

RGB 154 150 161

HSL 261.82, 0.06%, 0.61%

LAB 62.72, 3.61, -5.25

 

CMYK 7 / 11 / 0 / 53

HEX #716C79

RGB 113 108 121

HSL 263.08, 0.06%, 0.45%

LAB 46.47, 4.64, -6.52

 

CMYK 0 / 12 / 7 / 53

HEX #796B71

RGB 121 107 113

HSL 334.29, 0.06%, 0.45%

LAB 46.67, 6.64, -1.33

 

CMYK 11 / 0 / 12 / 53

HEX #6C796B

RGB 108 121 107

HSL 115.71, 0.06%, 0.45%

LAB 49.4, -7.72, 6.04

 

CMYK 7 / 11 / 0 / 53

HEX #716C79

RGB 113 108 121

HSL 263.08, 0.06%, 0.45%

LAB 46.47, 4.64, -6.52

 

CMYK 0 / 7 / 12 / 53

HEX #79716B

RGB 121 113 107

HSL 25.71, 0.06%, 0.45%

LAB 48.18, 1.97, 4.43

 

CMYK 12 / 0 / 7 / 53

HEX #6B7971

RGB 107 121 113

HSL 145.71, 0.06%, 0.45%

LAB 49.49, -6.88, 2.62

 

CMYK 7 / 11 / 0 / 53

HEX #716C79

RGB 113 108 121

HSL 263.08, 0.06%, 0.45%

LAB 46.47, 4.64, -6.52

 

CMYK 0 / 12 / 7 / 53

HEX #796B71

RGB 121 107 113

HSL 334.29, 0.06%, 0.45%

LAB 46.67, 6.64, -1.33

 

CMYK 4 / 0 / 12 / 53

HEX #74796B

RGB 116 121 107

HSL 81.43, 0.06%, 0.45%

LAB 50.04, -4.63, 7.03

 

CMYK 12 / 0 / 5 / 53

HEX #6B7973

RGB 107 121 115

HSL 154.29, 0.06%, 0.45%

LAB 49.54, -6.46, 1.52

 

CMYK 7 / 11 / 0 / 53

HEX #716C79

RGB 113 108 121

HSL 263.08, 0.06%, 0.45%

LAB 46.47, 4.64, -6.52

 

CMYK 0 / 12 / 10 / 53

HEX #796B6D

RGB 121 107 109

HSL 351.43, 0.06%, 0.45%

LAB 46.56, 5.87, 0.89

 

CMYK 4 / 0 / 12 / 53

HEX #74796B

RGB 116 121 107

HSL 81.43, 0.06%, 0.45%

LAB 50.04, -4.63, 7.03

 

CMYK 12 / 0 / 1 / 53

HEX #6B7978

RGB 107 121 120

HSL 175.71, 0.06%, 0.45%

LAB 49.69, -5.39, -1.22

 

Description

Color code: HEX #716C79 | qconv.com Color code: HEX #716C79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 108 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 108 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 11 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 11% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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