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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #716EAA it is the complementary color #8E9155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #716EAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #716EAA shade: #766EA5, #8780B8, #9892CB, #A9A4DE and #BAB6F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #716EAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #716EAA shade: #716EAA, #605C97, #4F4A84, #3E3871 and #2D265E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #716EAA shade: #716EAA, #816EAA, #916EAA, #A16EAA and #AA6EA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #716EAA shade: #716EAA and #6E6EAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #716EAA shade matches the following richer shades: #716EAA, #605BBC, #4F49CF, #3F36E1 and #2E24F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #716EAA shade: #716EAA, #828097, #929384, #A3A672 and #B4B85F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #716EAA shade: #6E8BAA, #6E7BAA, #716EAA, #816EAA and #916EAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #716EAA shade: #4B497C, #5B5896, #716EAA, #8A88B9 and #A4A2C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #716EAA shade: #716EAA, #AA6E9B and #83AA6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #716EAA shade: #716EAA, #AA716E and #6EAA71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #716EAA shade: #716EAA, #AA6E9B, #A7AA6E and #6EAA7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #716EAA shade: #716EAA, #AA6E89, #A7AA6E and #6EAA8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 35 / 0 / 33

HEX #716EAA

RGB 113 110 170

HSL 243, 0.26%, 0.55%

LAB 48.96, 15.59, -31.69

 

Complementary color

CMYK 2 / 0 / 41 / 43

HEX #8E9155

RGB 142 145 85

HSL 63, 0.26%, 0.45%

LAB 58.66, -10.57, 31.43

 

CMYK 28 / 33 / 0 / 35

HEX #766EA5

RGB 118 110 165

HSL 248.73, 0.23%, 0.54%

LAB 49.15, 15.75, -28.44

 

CMYK 27 / 30 / 0 / 28

HEX #8780B8

RGB 135 128 184

HSL 247.5, 0.28%, 0.61%

LAB 56.14, 15.14, -28.47

 

CMYK 25 / 28 / 0 / 20

HEX #9892CB

RGB 152 146 203

HSL 246.32, 0.35%, 0.68%

LAB 62.97, 14.59, -28.54

 

CMYK 24 / 26 / 0 / 13

HEX #A9A4DE

RGB 169 164 222

HSL 245.17, 0.47%, 0.76%

LAB 69.65, 14.11, -28.65

 

CMYK 23 / 24 / 0 / 5

HEX #BAB6F1

RGB 186 182 241

HSL 244.07, 0.68%, 0.83%

LAB 76.22, 13.67, -28.79

 

CMYK 34 / 35 / 0 / 33

HEX #716EAA

RGB 113 110 170

HSL 243, 0.26%, 0.55%

LAB 48.96, 15.59, -31.69

 

CMYK 36 / 39 / 0 / 41

HEX #605C97

RGB 96 92 151

HSL 244.07, 0.24%, 0.48%

LAB 41.81, 16.37, -31.79

 

CMYK 40 / 44 / 0 / 48

HEX #4F4A84

RGB 79 74 132

HSL 245.17, 0.28%, 0.4%

LAB 34.45, 17.31, -31.96

 

CMYK 45 / 50 / 0 / 56

HEX #3E3871

RGB 62 56 113

HSL 246.32, 0.34%, 0.33%

LAB 26.86, 18.47, -32.21

 

CMYK 52 / 60 / 0 / 63

HEX #2D265E

RGB 45 38 94

HSL 247.5, 0.42%, 0.26%

LAB 19.02, 19.94, -32.54

 

CMYK 34 / 35 / 0 / 33

HEX #716EAA

RGB 113 110 170

HSL 243, 0.26%, 0.55%

LAB 48.96, 15.59, -31.69

 

CMYK 24 / 35 / 0 / 33

HEX #816EAA

RGB 129 110 170

HSL 259, 0.26%, 0.55%

LAB 50.36, 20.43, -29.41

 

CMYK 15 / 35 / 0 / 33

HEX #916EAA

RGB 145 110 170

HSL 275, 0.26%, 0.55%

LAB 51.92, 25.49, -26.86

 

CMYK 5 / 35 / 0 / 33

HEX #A16EAA

RGB 161 110 170

HSL 291, 0.26%, 0.55%

LAB 53.63, 30.67, -24.08

 

CMYK 0 / 35 / 5 / 33

HEX #AA6EA2

RGB 170 110 162

HSL 308, 0.26%, 0.55%

LAB 54.35, 32.11, -18.24

 

CMYK 34 / 35 / 0 / 33

HEX #716EAA

RGB 113 110 170

HSL 243, 0.26%, 0.55%

LAB 48.96, 15.59, -31.69

 

CMYK 35 / 35 / 0 / 33

HEX #6E6EAA

RGB 110 110 170

HSL 240, 0.26%, 0.55%

LAB 48.72, 14.72, -32.09

 

CMYK 34 / 35 / 0 / 33

HEX #716EAA

RGB 113 110 170

HSL 243, 0.26%, 0.55%

LAB 48.96, 15.59, -31.69

 

CMYK 49 / 52 / 0 / 26

HEX #605BBC

RGB 96 91 188

HSL 243.09, 0.42%, 0.55%

LAB 43.65, 28.09, -50.7

 

CMYK 62 / 65 / 0 / 19

HEX #4F49CF

RGB 79 73 207

HSL 242.69, 0.58%, 0.55%

LAB 39.47, 41.91, -68.57

 

CMYK 72 / 76 / 0 / 12

HEX #3F36E1

RGB 63 54 225

HSL 243.16, 0.74%, 0.55%

LAB 36.24, 56.34, -84.26

 

CMYK 81 / 85 / 0 / 4

HEX #2E24F4

RGB 46 36 244

HSL 242.88, 0.9%, 0.55%

LAB 34.75, 68.84, -97.55

 

CMYK 34 / 35 / 0 / 33

HEX #716EAA

RGB 113 110 170

HSL 243, 0.26%, 0.55%

LAB 48.96, 15.59, -31.69

 

CMYK 14 / 15 / 0 / 41

HEX #828097

RGB 130 128 151

HSL 245.22, 0.1%, 0.55%

LAB 54.47, 5.61, -12.05

 

CMYK 1 / 0 / 10 / 42

HEX #929384

RGB 146 147 132

HSL 64, 0.06%, 0.55%

LAB 60.47, -3.15, 7.82

 

CMYK 2 / 0 / 31 / 35

HEX #A3A672

RGB 163 166 114

HSL 63.46, 0.23%, 0.55%

LAB 66.73, -9.56, 26.63

 

CMYK 2 / 0 / 48 / 28

HEX #B4B85F

RGB 180 184 95

HSL 62.7, 0.39%, 0.55%

LAB 72.77, -14.18, 44.37

 

CMYK 35 / 18 / 0 / 33

HEX #6E8BAA

RGB 110 139 170

HSL 211, 0.26%, 0.55%

LAB 56.76, -2.43, -19.65

 

CMYK 35 / 28 / 0 / 33

HEX #6E7BAA

RGB 110 123 170

HSL 227, 0.26%, 0.55%

LAB 52.27, 6.9, -26.57

 

CMYK 34 / 35 / 0 / 33

HEX #716EAA

RGB 113 110 170

HSL 243, 0.26%, 0.55%

LAB 48.96, 15.59, -31.69

 

CMYK 24 / 35 / 0 / 33

HEX #816EAA

RGB 129 110 170

HSL 259, 0.26%, 0.55%

LAB 50.36, 20.43, -29.41

 

CMYK 15 / 35 / 0 / 33

HEX #916EAA

RGB 145 110 170

HSL 275, 0.26%, 0.55%

LAB 51.92, 25.49, -26.86

 

CMYK 40 / 41 / 0 / 51

HEX #4B497C

RGB 75 73 124

HSL 242.35, 0.26%, 0.39%

LAB 33.38, 14.37, -28.71

 

CMYK 39 / 41 / 0 / 41

HEX #5B5896

RGB 91 88 150

HSL 242.9, 0.26%, 0.47%

LAB 40.26, 17.16, -33.66

 

CMYK 34 / 35 / 0 / 33

HEX #716EAA

RGB 113 110 170

HSL 243, 0.26%, 0.55%

LAB 48.96, 15.59, -31.69

 

CMYK 25 / 26 / 0 / 27

HEX #8A88B9

RGB 138 136 185

HSL 242.45, 0.26%, 0.63%

LAB 58.52, 11.64, -25.34

 

CMYK 18 / 19 / 0 / 22

HEX #A4A2C8

RGB 164 162 200

HSL 243.16, 0.26%, 0.71%

LAB 67.95, 8.6, -19.16

 

CMYK 34 / 35 / 0 / 33

HEX #716EAA

RGB 113 110 170

HSL 243, 0.26%, 0.55%

LAB 48.96, 15.59, -31.69

 

CMYK 0 / 35 / 9 / 33

HEX #AA6E9B

RGB 170 110 155

HSL 315, 0.26%, 0.55%

LAB 54.1, 30.83, -14.55

 

CMYK 23 / 0 / 35 / 33

HEX #83AA6E

RGB 131 170 110

HSL 99, 0.26%, 0.55%

LAB 65.51, -24.51, 26.76

 

CMYK 34 / 35 / 0 / 33

HEX #716EAA

RGB 113 110 170

HSL 243, 0.26%, 0.55%

LAB 48.96, 15.59, -31.69

 

CMYK 0 / 34 / 35 / 33

HEX #AA716E

RGB 170 113 110

HSL 3, 0.26%, 0.55%

LAB 53.47, 22.17, 10.91

 

CMYK 35 / 0 / 34 / 33

HEX #6EAA71

RGB 110 170 113

HSL 123, 0.26%, 0.55%

LAB 64.37, -31.33, 23.4

 

CMYK 34 / 35 / 0 / 33

HEX #716EAA

RGB 113 110 170

HSL 243, 0.26%, 0.55%

LAB 48.96, 15.59, -31.69

 

CMYK 0 / 35 / 9 / 33

HEX #AA6E9B

RGB 170 110 155

HSL 315, 0.26%, 0.55%

LAB 54.1, 30.83, -14.55

 

CMYK 2 / 0 / 35 / 33

HEX #A7AA6E

RGB 167 170 110

HSL 63, 0.26%, 0.55%

LAB 68.09, -10.58, 30.61

 

CMYK 35 / 0 / 26 / 33

HEX #6EAA7D

RGB 110 170 125

HSL 135, 0.26%, 0.55%

LAB 64.6, -29.17, 17.18

 

CMYK 34 / 35 / 0 / 33

HEX #716EAA

RGB 113 110 170

HSL 243, 0.26%, 0.55%

LAB 48.96, 15.59, -31.69

 

CMYK 0 / 35 / 19 / 33

HEX #AA6E89

RGB 170 110 137

HSL 333, 0.26%, 0.55%

LAB 53.5, 27.78, -4.91

 

CMYK 2 / 0 / 35 / 33

HEX #A7AA6E

RGB 167 170 110

HSL 63, 0.26%, 0.55%

LAB 68.09, -10.58, 30.61

 

CMYK 35 / 0 / 16 / 33

HEX #6EAA8F

RGB 110 170 143

HSL 153, 0.26%, 0.55%

LAB 65, -25.55, 7.8

 

Description

Color code: HEX #716EAA | qconv.com Color code: HEX #716EAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 110 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 110 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 35 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 35% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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