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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #716EB9 it is the complementary color #8E9146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #716EB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #716EB9 shade: #766EB4, #8780C7, #9892DA, #A9A4ED and #BAB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #716EB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #716EB9 shade: #716EB9, #605CA6, #4F4A93, #3E3880 and #2D266D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #716EB9 shade: #716EB9, #856EB9, #996EB9, #AE6EB9 and #B96EB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #716EB9 shade: #716EB9 and #6E6EB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #716EB9 shade matches the following richer shades: #716EB9, #615DCA, #514BDC, #413AED and #3129FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #716EB9 shade: #716EB9, #817FA8, #919196, #A1A285 and #B1B374

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #716EB9 shade: #6E93B9, #6E7FB9, #706EB9, #846EB9 and #986EB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #716EB9 shade: #48458F, #5652AB, #716EB9, #8C8AC6 and #A7A6D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #716EB9 shade: #716EB9, #B96EA7 and #89B96E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #716EB9 shade: #716EB9, #B9706E and #6EB970

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #716EB9 shade: #716EB9, #B96EA7, #B6B96E and #6EB97F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #716EB9 shade: #716EB9, #B96E91, #B6B96E and #6EB996

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 41 / 0 / 27

HEX #716EB9

RGB 113 110 185

HSL 242.4, 0.35%, 0.58%

LAB 49.7, 19.78, -39.25

 

Complementary color

CMYK 2 / 0 / 52 / 43

HEX #8E9146

RGB 142 145 70

HSL 62.4, 0.35%, 0.42%

LAB 58.46, -12.15, 38.99

 

CMYK 34 / 39 / 0 / 29

HEX #766EB4

RGB 118 110 180

HSL 246.86, 0.32%, 0.57%

LAB 49.86, 19.77, -36.08

 

CMYK 32 / 36 / 0 / 22

HEX #8780C7

RGB 135 128 199

HSL 245.92, 0.39%, 0.64%

LAB 56.79, 19, -35.99

 

CMYK 30 / 33 / 0 / 15

HEX #9892DA

RGB 152 146 218

HSL 245, 0.49%, 0.71%

LAB 63.59, 18.33, -35.95

 

CMYK 29 / 31 / 0 / 7

HEX #A9A4ED

RGB 169 164 237

HSL 244.11, 0.67%, 0.79%

LAB 70.25, 17.73, -35.95

 

CMYK 27 / 29 / 0 / 0

HEX #BAB6FF

RGB 186 182 255

HSL 243.29, 1%, 0.86%

LAB 76.75, 16.95, -35.51

 

CMYK 39 / 41 / 0 / 27

HEX #716EB9

RGB 113 110 185

HSL 242.4, 0.35%, 0.58%

LAB 49.7, 19.78, -39.25

 

CMYK 42 / 45 / 0 / 35

HEX #605CA6

RGB 96 92 166

HSL 243.24, 0.29%, 0.51%

LAB 42.6, 20.77, -39.46

 

CMYK 46 / 50 / 0 / 42

HEX #4F4A93

RGB 79 74 147

HSL 244.11, 0.33%, 0.43%

LAB 35.33, 21.95, -39.73

 

CMYK 52 / 56 / 0 / 50

HEX #3E3880

RGB 62 56 128

HSL 245, 0.39%, 0.36%

LAB 27.87, 23.39, -40.06

 

CMYK 59 / 65 / 0 / 57

HEX #2D266D

RGB 45 38 109

HSL 245.92, 0.48%, 0.29%

LAB 20.24, 25.17, -40.4

 

CMYK 39 / 41 / 0 / 27

HEX #716EB9

RGB 113 110 185

HSL 242.4, 0.35%, 0.58%

LAB 49.7, 19.78, -39.25

 

CMYK 28 / 41 / 0 / 27

HEX #856EB9

RGB 133 110 185

HSL 258.4, 0.35%, 0.58%

LAB 51.43, 25.41, -36.41

 

CMYK 17 / 41 / 0 / 27

HEX #996EB9

RGB 153 110 185

HSL 274.4, 0.35%, 0.58%

LAB 53.41, 31.38, -33.15

 

CMYK 6 / 41 / 0 / 27

HEX #AE6EB9

RGB 174 110 185

HSL 291.2, 0.35%, 0.58%

LAB 55.74, 37.85, -29.36

 

CMYK 0 / 41 / 5 / 27

HEX #B96EB0

RGB 185 110 176

HSL 307.2, 0.35%, 0.58%

LAB 56.68, 39.61, -22.61

 

CMYK 39 / 41 / 0 / 27

HEX #716EB9

RGB 113 110 185

HSL 242.4, 0.35%, 0.58%

LAB 49.7, 19.78, -39.25

 

CMYK 41 / 41 / 0 / 27

HEX #6E6EB9

RGB 110 110 185

HSL 240, 0.35%, 0.58%

LAB 49.46, 18.98, -39.64

 

CMYK 39 / 41 / 0 / 27

HEX #716EB9

RGB 113 110 185

HSL 242.4, 0.35%, 0.58%

LAB 49.7, 19.78, -39.25

 

CMYK 52 / 54 / 0 / 21

HEX #615DCA

RGB 97 93 202

HSL 242.2, 0.51%, 0.58%

LAB 45.13, 31.43, -56.43

 

CMYK 63 / 66 / 0 / 14

HEX #514BDC

RGB 81 75 220

HSL 242.48, 0.67%, 0.58%

LAB 41.13, 45.2, -73.3

 

CMYK 73 / 76 / 0 / 7

HEX #413AED

RGB 65 58 237

HSL 242.35, 0.83%, 0.58%

LAB 38.31, 58.14, -87.65

 

CMYK 81 / 84 / 0 / 0

HEX #3129FE

RGB 49 41 254

HSL 242.25, 0.99%, 0.58%

LAB 36.73, 69.84, -99.87

 

CMYK 39 / 41 / 0 / 27

HEX #716EB9

RGB 113 110 185

HSL 242.4, 0.35%, 0.58%

LAB 49.7, 19.78, -39.25

 

CMYK 23 / 24 / 0 / 34

HEX #817FA8

RGB 129 127 168

HSL 242.93, 0.19%, 0.58%

LAB 54.73, 9.87, -21.49

 

CMYK 3 / 3 / 0 / 41

HEX #919196

RGB 145 145 150

HSL 240, 0.02%, 0.58%

LAB 60.31, 0.99, -2.65

 

CMYK 1 / 0 / 18 / 36

HEX #A1A285

RGB 161 162 133

HSL 62.07, 0.13%, 0.58%

LAB 65.84, -5.44, 15

 

CMYK 1 / 0 / 35 / 30

HEX #B1B374

RGB 177 179 116

HSL 61.9, 0.29%, 0.58%

LAB 71.45, -10.54, 31.98

 

CMYK 41 / 21 / 0 / 27

HEX #6E93B9

RGB 110 147 185

HSL 210.4, 0.35%, 0.58%

LAB 59.6, -2.89, -23.84

 

CMYK 41 / 31 / 0 / 27

HEX #6E7FB9

RGB 110 127 185

HSL 226.4, 0.35%, 0.58%

LAB 54.02, 8.74, -32.48

 

CMYK 39 / 41 / 0 / 27

HEX #706EB9

RGB 112 110 185

HSL 241.6, 0.35%, 0.58%

LAB 49.62, 19.51, -39.38

 

CMYK 29 / 41 / 0 / 27

HEX #846EB9

RGB 132 110 185

HSL 257.6, 0.35%, 0.58%

LAB 51.34, 25.12, -36.56

 

CMYK 18 / 41 / 0 / 27

HEX #986EB9

RGB 152 110 185

HSL 273.6, 0.35%, 0.58%

LAB 53.31, 31.08, -33.33

 

CMYK 50 / 52 / 0 / 44

HEX #48458F

RGB 72 69 143

HSL 242.43, 0.35%, 0.42%

LAB 33.17, 22.18, -40.78

 

CMYK 50 / 52 / 0 / 33

HEX #5652AB

RGB 86 82 171

HSL 242.7, 0.35%, 0.5%

LAB 39.5, 26.11, -47.42

 

CMYK 39 / 41 / 0 / 27

HEX #716EB9

RGB 113 110 185

HSL 242.4, 0.35%, 0.58%

LAB 49.7, 19.78, -39.25

 

CMYK 29 / 30 / 0 / 22

HEX #8C8AC6

RGB 140 138 198

HSL 242, 0.34%, 0.66%

LAB 59.73, 14.36, -30.81

 

CMYK 21 / 22 / 0 / 17

HEX #A7A6D4

RGB 167 166 212

HSL 241.3, 0.35%, 0.74%

LAB 69.64, 10.04, -23.19

 

CMYK 39 / 41 / 0 / 27

HEX #716EB9

RGB 113 110 185

HSL 242.4, 0.35%, 0.58%

LAB 49.7, 19.78, -39.25

 

CMYK 0 / 41 / 10 / 27

HEX #B96EA7

RGB 185 110 167

HSL 314.4, 0.35%, 0.58%

LAB 56.34, 38.02, -17.94

 

CMYK 26 / 0 / 41 / 27

HEX #89B96E

RGB 137 185 110

HSL 98.4, 0.35%, 0.58%

LAB 70.28, -29.64, 33.04

 

CMYK 39 / 41 / 0 / 27

HEX #716EB9

RGB 113 110 185

HSL 242.4, 0.35%, 0.58%

LAB 49.7, 19.78, -39.25

 

CMYK 0 / 39 / 41 / 27

HEX #B9706E

RGB 185 112 110

HSL 1.6, 0.35%, 0.58%

LAB 55.1, 28.64, 13.46

 

CMYK 41 / 0 / 39 / 27

HEX #6EB970

RGB 110 185 112

HSL 121.6, 0.35%, 0.58%

LAB 68.88, -38.4, 29.91

 

CMYK 39 / 41 / 0 / 27

HEX #716EB9

RGB 113 110 185

HSL 242.4, 0.35%, 0.58%

LAB 49.7, 19.78, -39.25

 

CMYK 0 / 41 / 10 / 27

HEX #B96EA7

RGB 185 110 167

HSL 314.4, 0.35%, 0.58%

LAB 56.34, 38.02, -17.94

 

CMYK 2 / 0 / 41 / 27

HEX #B6B96E

RGB 182 185 110

HSL 62.4, 0.35%, 0.58%

LAB 73.4, -12.34, 37.65

 

CMYK 41 / 0 / 31 / 27

HEX #6EB97F

RGB 110 185 127

HSL 133.6, 0.35%, 0.58%

LAB 69.14, -35.86, 22.31

 

CMYK 39 / 41 / 0 / 27

HEX #716EB9

RGB 113 110 185

HSL 242.4, 0.35%, 0.58%

LAB 49.7, 19.78, -39.25

 

CMYK 0 / 41 / 22 / 27

HEX #B96E91

RGB 185 110 145

HSL 332, 0.35%, 0.58%

LAB 55.59, 34.44, -6.28

 

CMYK 2 / 0 / 41 / 27

HEX #B6B96E

RGB 182 185 110

HSL 62.4, 0.35%, 0.58%

LAB 73.4, -12.34, 37.65

 

CMYK 41 / 0 / 19 / 27

HEX #6EB996

RGB 110 185 150

HSL 152, 0.35%, 0.58%

LAB 69.62, -31.36, 10.53

 

Description

Color code: HEX #716EB9 | qconv.com Color code: HEX #716EB9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 110 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 110 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 41 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 41% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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