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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7170E0 it is the complementary color #8E8F1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7170E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7170E0 shade: #7670DB, #8782EE, #9894FF, #A9A6FF and #BAB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7170E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7170E0 shade: #7170E0, #605ECD, #4F4CBA, #3E3AA7 and #2D2894

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7170E0 shade: #7170DF, #8F70DF, #AD70DF, #CB70DF and #DF70D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7170E0 shade: #7170DF and #7070DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7170E0 shade matches the following richer shades: #7170DF, #6462ED and #5654FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7170E0 shade: #7170DF, #7F7ED1, #8D8CC3, #9B9AB5 and #A8A8A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7170E0 shade: #70ABDF, #708EDF, #7070DF, #8E70DF and #AB70DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7170E0 shade: #2F2DD0, #504ED8, #7170DF, #9392E7 and #B5B4EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7170E0 shade: #7170E0, #DF70C9 and #9DDF70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7170E0 shade: #7170E0, #DF7070 and #70DF70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7170E0 shade: #7170E0, #DF70C9, #DFDF70 and #70DF87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7170E0 shade: #7170E0, #DF70A8, #DFDF70 and #70DFA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 50 / 0 / 12

HEX #7170E0

RGB 113 112 224

HSL 240.54, 0.64%, 0.66%

LAB 52.38, 30.09, -57.24

 

Complementary color

CMYK 1 / 0 / 78 / 44

HEX #8E8F1F

RGB 142 143 31

HSL 60.54, 0.64%, 0.34%

LAB 57.55, -13.7, 54.73

 

CMYK 46 / 49 / 0 / 14

HEX #7670DB

RGB 118 112 219

HSL 243.36, 0.6%, 0.65%

LAB 52.46, 29.71, -54.26

 

CMYK 43 / 45 / 0 / 7

HEX #8782EE

RGB 135 130 238

HSL 242.78, 0.76%, 0.72%

LAB 59.24, 28.55, -53.99

 

CMYK 40 / 42 / 0 / 0

HEX #9894FF

RGB 152 148 255

HSL 242.24, 1%, 0.79%

LAB 65.81, 26.97, -52.83

 

CMYK 34 / 35 / 0 / 0

HEX #A9A6FF

RGB 169 166 255

HSL 242.02, 1%, 0.83%

LAB 71.51, 21.13, -43.77

 

CMYK 27 / 28 / 0 / 0

HEX #BAB8FF

RGB 186 184 255

HSL 241.69, 1%, 0.86%

LAB 77.24, 15.85, -34.74

 

CMYK 50 / 50 / 0 / 12

HEX #7170E0

RGB 113 112 224

HSL 240.54, 0.64%, 0.66%

LAB 52.38, 30.09, -57.24

 

CMYK 53 / 54 / 0 / 20

HEX #605ECD

RGB 96 94 205

HSL 241.08, 0.53%, 0.59%

LAB 45.5, 31.56, -57.56

 

CMYK 58 / 59 / 0 / 27

HEX #4F4CBA

RGB 79 76 186

HSL 241.64, 0.44%, 0.51%

LAB 38.51, 33.26, -57.9

 

CMYK 63 / 65 / 0 / 35

HEX #3E3AA7

RGB 62 58 167

HSL 242.2, 0.48%, 0.44%

LAB 31.44, 35.24, -58.18

 

CMYK 70 / 73 / 0 / 42

HEX #2D2894

RGB 45 40 148

HSL 242.78, 0.57%, 0.37%

LAB 24.37, 37.44, -58.27

 

CMYK 49 / 50 / 0 / 13

HEX #7170DF

RGB 113 112 223

HSL 240.54, 0.63%, 0.66%

LAB 52.32, 29.79, -56.77

 

CMYK 36 / 50 / 0 / 13

HEX #8F70DF

RGB 143 112 223

HSL 256.76, 0.63%, 0.66%

LAB 54.82, 36.84, -52.62

 

CMYK 22 / 50 / 0 / 13

HEX #AD70DF

RGB 173 112 223

HSL 272.97, 0.63%, 0.66%

LAB 57.85, 44.62, -47.62

 

CMYK 9 / 50 / 0 / 13

HEX #CB70DF

RGB 203 112 223

HSL 289.19, 0.63%, 0.66%

LAB 61.32, 52.76, -41.92

 

CMYK 0 / 50 / 4 / 13

HEX #DF70D6

RGB 223 112 214

HSL 304.86, 0.63%, 0.66%

LAB 63.45, 56.71, -33.36

 

CMYK 49 / 50 / 0 / 13

HEX #7170DF

RGB 113 112 223

HSL 240.54, 0.63%, 0.66%

LAB 52.32, 29.79, -56.77

 

CMYK 50 / 50 / 0 / 13

HEX #7070DF

RGB 112 112 223

HSL 240, 0.63%, 0.66%

LAB 52.24, 29.57, -56.89

 

CMYK 49 / 50 / 0 / 13

HEX #7170DF

RGB 113 112 223

HSL 240.54, 0.63%, 0.66%

LAB 52.32, 29.79, -56.77

 

CMYK 58 / 59 / 0 / 7

HEX #6462ED

RGB 100 98 237

HSL 240.86, 0.79%, 0.66%

LAB 48.96, 39.98, -70.11

 

CMYK 66 / 67 / 0 / 2

HEX #5654FB

RGB 86 84 251

HSL 240.72, 0.95%, 0.66%

LAB 46.02, 50.53, -82.78

 

CMYK 49 / 50 / 0 / 13

HEX #7170DF

RGB 113 112 223

HSL 240.54, 0.63%, 0.66%

LAB 52.32, 29.79, -56.77

 

CMYK 39 / 40 / 0 / 18

HEX #7F7ED1

RGB 127 126 209

HSL 240.72, 0.47%, 0.66%

LAB 56.13, 20.7, -42.74

 

CMYK 28 / 28 / 0 / 24

HEX #8D8CC3

RGB 141 140 195

HSL 241.09, 0.31%, 0.66%

LAB 60.21, 12.74, -28.37

 

CMYK 14 / 15 / 0 / 29

HEX #9B9AB5

RGB 155 154 181

HSL 242.22, 0.15%, 0.66%

LAB 64.5, 5.92, -13.85

 

CMYK 0 / 0 / 1 / 34

HEX #A8A8A7

RGB 168 168 167

HSL 60, 0.01%, 0.66%

LAB 68.84, -0.18, 0.51

 

CMYK 50 / 23 / 0 / 13

HEX #70ABDF

RGB 112 171 223

HSL 208.11, 0.63%, 0.66%

LAB 67.95, -4.95, -32.14

 

CMYK 50 / 36 / 0 / 13

HEX #708EDF

RGB 112 142 223

HSL 223.78, 0.63%, 0.66%

LAB 60, 11.63, -44.56

 

CMYK 50 / 50 / 0 / 13

HEX #7070DF

RGB 112 112 223

HSL 240, 0.63%, 0.66%

LAB 52.24, 29.57, -56.89

 

CMYK 36 / 50 / 0 / 13

HEX #8E70DF

RGB 142 112 223

HSL 256.22, 0.63%, 0.66%

LAB 54.73, 36.59, -52.77

 

CMYK 23 / 50 / 0 / 13

HEX #AB70DF

RGB 171 112 223

HSL 271.89, 0.63%, 0.66%

LAB 57.63, 44.08, -47.98

 

CMYK 77 / 78 / 0 / 18

HEX #2F2DD0

RGB 47 45 208

HSL 240.74, 0.64%, 0.5%

LAB 31.89, 54.44, -81.7

 

CMYK 63 / 64 / 0 / 15

HEX #504ED8

RGB 80 78 216

HSL 240.87, 0.64%, 0.58%

LAB 41.39, 42, -70.59

 

CMYK 49 / 50 / 0 / 13

HEX #7170DF

RGB 113 112 223

HSL 240.54, 0.63%, 0.66%

LAB 52.32, 29.79, -56.77

 

CMYK 36 / 37 / 0 / 9

HEX #9392E7

RGB 147 146 231

HSL 240.71, 0.64%, 0.74%

LAB 63.78, 20.34, -42.88

 

CMYK 24 / 24 / 0 / 7

HEX #B5B4EE

RGB 181 180 238

HSL 241.03, 0.63%, 0.82%

LAB 75.23, 12.58, -28.73

 

CMYK 50 / 50 / 0 / 12

HEX #7170E0

RGB 113 112 224

HSL 240.54, 0.64%, 0.66%

LAB 52.38, 30.09, -57.24

 

CMYK 0 / 50 / 10 / 13

HEX #DF70C9

RGB 223 112 201

HSL 311.89, 0.63%, 0.66%

LAB 62.92, 54.56, -26.86

 

CMYK 30 / 0 / 50 / 13

HEX #9DDF70

RGB 157 223 112

HSL 95.68, 0.63%, 0.66%

LAB 82.44, -39.83, 47.5

 

CMYK 50 / 50 / 0 / 12

HEX #7170E0

RGB 113 112 224

HSL 240.54, 0.64%, 0.66%

LAB 52.38, 30.09, -57.24

 

CMYK 0 / 50 / 50 / 13

HEX #DF7070

RGB 223 112 112

HSL 0, 0.63%, 0.66%

LAB 60.29, 43.19, 20.25

 

CMYK 50 / 0 / 50 / 13

HEX #70DF70

RGB 112 223 112

HSL 120, 0.63%, 0.66%

LAB 80.4, -53.77, 44.54

 

CMYK 50 / 50 / 0 / 12

HEX #7170E0

RGB 113 112 224

HSL 240.54, 0.64%, 0.66%

LAB 52.38, 30.09, -57.24

 

CMYK 0 / 50 / 10 / 13

HEX #DF70C9

RGB 223 112 201

HSL 311.89, 0.63%, 0.66%

LAB 62.92, 54.56, -26.86

 

CMYK 0 / 0 / 50 / 13

HEX #DFDF70

RGB 223 223 112

HSL 60, 0.63%, 0.66%

LAB 86.82, -14.87, 53.8

 

CMYK 50 / 0 / 39 / 13

HEX #70DF87

RGB 112 223 135

HSL 132.43, 0.63%, 0.66%

LAB 80.72, -50.37, 33.6

 

CMYK 50 / 50 / 0 / 12

HEX #7170E0

RGB 113 112 224

HSL 240.54, 0.64%, 0.66%

LAB 52.38, 30.09, -57.24

 

CMYK 0 / 50 / 25 / 13

HEX #DF70A8

RGB 223 112 168

HSL 329.73, 0.63%, 0.66%

LAB 61.74, 49.61, -9.88

 

CMYK 0 / 0 / 50 / 13

HEX #DFDF70

RGB 223 223 112

HSL 60, 0.63%, 0.66%

LAB 86.82, -14.87, 53.8

 

CMYK 50 / 0 / 25 / 13

HEX #70DFA8

RGB 112 223 168

HSL 150.27, 0.63%, 0.66%

LAB 81.32, -44.35, 17.36

 

Description

Color code: HEX #7170E0 | qconv.com Color code: HEX #7170E0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 112 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 112 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 50 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 50% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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